![OYSTERS AT THE FAMILY FARM by Jo Unruh OYSTERS AT THE FAMILY FARM by Jo Unruh](https://xraylitmag.com/wp-content/uploads/2022/04/xray-Oyster-1024x535.jpg)
At two in the afternoon, she hears a bang like a gunshot. Eugenia peeks out her bedroom window. Whatâs visible to her: the Tangsâ barbecue pit, their garden shed, their kidney-shaped pool. She counts dead oval leaves trapped on the water.Â
Must be the Tang brothers lighting firecrackers behind the shed again, she thinks. Theyâre always plotting to give the birds a heart attack. Forefingers stuffed in her ears, she wonders why the brothers arenât studying, and from where do they get their sadistic toys? But if the Gohs across the street managed to smuggle in flamingos to chain to a tree in their backyard, whatâs a few firecrackers? What about the Xias down the road who somehow had the Deputy Prime Minister over for durians and macarons? Mummy has warned that she must never mention this to anyone.Â
Eugenia exits her room.Â
By right she isnât supposed to come out until sheâs confident of acing tomorrowâs English test, but how to concentrate when tonight Daddyâs appearing on live TV, all fake-tanned and dressed as Aladdin, kissing a poisonous cobra?Â
Never mind grammar; sheâs going to pray. Â
She hops down the marble staircase. She strides over to the kitchen. She seeks out strawberries and blueberries and Hersheyâs chocolate bars from the fridge. She loads up her plate and sock-slides into the living room where she taps Spotifyâs icon on the iPad mounted on the wall.Â
The air-con hums alive and the lights dim. John Mayer, her one and only, starts plucking at his electric guitar, singing Slow Dancing in a Burning Room. Eugenia sighs. She plops on the sofa and closes her eyes and clenches her fists as if sheâs in church.Â
Please donât let anything bad happen to Daddy.Â
Eugenia takes in a deep breath.Â
Daddyâs a really beautiful human being. No thank you, is what Daddy always says when Mummy offers him a cigarette.Â
Eugenia knows she is lucky; she canât recall the last time Daddy raised his voice at home. Whatâs more, Daddy invites grandma over for dinner on Sundays and prepares her favourite PuEr tea. So sweet! Eugenia pictures everyone sitting in her own living room in the future. Sitting crossed-legged on the carpet will be Johnny M, who should be an old man by then, and sheâll pay him handsomely to teach her music so she can sing for her parents. Because once Eugenia was rushing homework upstairs when she heard music downstairs: it was Daddy with grandpaâs old harmonica on his lips. Daddy was blowing softly, filling the house with sweet but melancholic tunes, making Grandma weep; heâd played it in a way you either caught all of its tenderness or none at all. It was more or less the most beautiful thing sheâs ever witnessed.Â
Eugenia opens her eyes again, smiling.Â
She extracts a yellowed copy of Frankenstein from under Daddyâs Jodi Picoults and Danielle Steeles stacked on the round, heavy coffee-table.Â
She bites into a fat strawberry and a seed gets stuck between her teeth. She dislodges the seed with her tongue and spits it onto the carpet, which prompts the Roomba to dart out from under the sofaâsuck-suck-suck. She squeezes the bookmark. She narrows her eyes. Soon the plot thickens, and things turn creepy; the icky-yucky monster with a bolt through his head feels hated and lonely; it didnât ask to be born!Â
Eugenia looks away from the page.Â
Silent in the driveway is Daddyâs three-month-old Ford Focus. Has rehearsal ended early? she thinks. Heâs back to say good-bye-I-love-you?Â
She touches wood and shuts her eyes again.Â
But still, she sees so vividly Daddy purpled with snake poison and gasping for air, and the teeth-gritting fanfare refuses to stop. Why canât he just quit? she thinks. Year after year. Why the need for fear-factor? It used to be just singing and dancing. She remembers Mr. Tang next door, who runs the charity show, talking about star power on the TV news. First, they immersed Daddy in an ice-filled container, which took months and months of endurance training. Donations, the newspaper said, struck a new record. Talking about five point eight million Singapore dollars, that sort of record. All her schoolmates started calling Daddy a hero, and for a while, Eugenia got some precious attention.Â
But she knows that her Daddy has been taking glucosamine pills for his knees, and that last year he had a bypass done, and that same year they made him balance atop a five-storey pole for two hours! If only outsiders realise how tough it gets at home; Daddy always loses his sense of humour during training season. She recalls him sitting through four SpongeBob SquarePants episodes with her, and he didnât even laugh once! All he did was nod. He nodded when Mummy said, âI love you?â Eugenia was spying on them from behind the fridge. She saw Daddy spill a little whiskey into his coffee.Â
Is nodding good or bad? she asks herself. Daddy said that nodding too much could sometimes annoy people, even if your intention is to preserve the peace. What was Daddy hinting at? Was it wrong of him to have nodded when Mummy woke up one fine August morning those many years ago and said she wanted a child but didnât want to go through pregnancy and labour? That was how Eugenia came into the picture. Also, is it even humanly possible not to find SpongeBob funny? she thinks. Itâs like sneezing with your eyes open!Â
Oh no.Â
Is Daddy back early because heâs found out that sheâs been using his credit card to shop online? But only because itâs so boring at home. So quiet always. Jumping, jumping to see if she could touch the ceiling fan with her fingertips. Yesterday afternoon was spent like this, so lacking in definition, and she wonders why Mummy has to slave at KPMG, always coming home late, like twelve-midnight late, even when Daddyâs already famous and makes quite a bit. Nobody has time to take her to places of interest her classmates often advertise in class: Mandai Zoo, Jurong Bird Park, Sentosa Island, Botanic Gardens, Haw Par Villa. Eugenia wants to watch Disney on Ice. She wants to catch Lion King Live. But suppose word from the grapevineâs true that Daddy might earn a bit-part role in a new Hollywood filmâwhich would make him the first local actor everâthen itâll be a year of filming in the USA. That means he wonât have time to take her anywhere. And it all depends on whether he wins Best Male Actor at Star Awards this year. Daddy totally deserves the award, Eugenia thinks. Even the pundits agree with her. Because he recently played this anorexic with kidney failure battling demons, and it seemed so real! Heâd worked so hard for it; he ate so little that his hair started falling out! So much so that Uncle JerryâDaddyâs buddy and long-time agentâstarted booking hair transplant sessions for Daddy.Â
Eugenia wants to laugh: maybe Uncle Jerry doesnât understand what Daddy was trying to do, but itâs called method acting. Like what Dustin Hoffman did for Rain Man. Eugenia Googled it. Gotta buck up, Uncle Jerry! She canât always be the one coming up with fresh ideas. Like suggesting Mummy and herself go on a keto diet at home so Daddy wonât feel so alone. She doesnât get why Daddy would say no, no, noâno keto diet, zone diet, vegan diet, and whatnot. He said it would give him more sleepless nights to think about his Queen and Princess not eating as they please. âStop this nonsense,â he said. âStop it right now. Damn it!â Look at the shadows under his eyes, darker than coffee stains, heavier than storm clouds. âListen,â he said, âListen. Somethingâs seriously wrong with this fucking industry. Letâs pack up and go. Weâll start anew. Yes?â
âNo,â said Mummy.Â
âIs Uncle Jerry coming with us?â asked Eugenia.
The whole multi-purpose hall is wrapped in the smell of sweat. Out of all four corners boom Eye of the Tiger on repeat. Jerry is slouched, snacking on an Old Chang Kee curry puff and watching the Honourable Tang go up and down the hall, saying to one actor and then another, I admire you. I admire you and the goodness of your heartâJerry imagines that is what Tang would say.Â
Jerry turns his gaze to Maximilian Hao, his buddy, who is whispering to an actor nursing rope burns, and both actors shoot glances at Tang, who is now saluting the portrait of the President and First Lady hanging high up on the wall. Tang then wiggles his finger at his PA, and the young, buck-toothed man hurries over, dropping his notebook, picking it up, and then dropping it again.Â
âCancel golf and Jujitsu,â Tangâs voice echoes through the hall, over the music. âAnd my lunchtime auction. Get Fahmi to bring the car outside.âÂ
Jerry studies his watch and mumbles to himself, Nap time. He stares at the PAâs lips as they move, and he thinks the PA might drop the notebook again.Â
âYou young people,â Tang suddenly shouts, and the music stops. Everyone turns to stare. âCanât you take one simple instruction without asking a thousand and one questions? Youâre like my boys at home. When I tell them to stop posting pictures of expensive shit on Facebook, they have to first ask me why. Is it so difficult? To just listen? When I shot your grandmother to the top of my waiting list, did I ask any questions? Did I? Maybe now I should ask a few: Is she in possession of some regenerative superpower I should know about? Has she miraculously grown a new kidney? She no longer needs dialysis? If so, you must tell me. I have thousands waiting to replace her.â
Jerry gets onto his feetâbut someone fear-fartedâand Jerry sits down again. He scans the hall, looking for the culprit, who is none other than a pretty actress about to get shot in the back with blow darts.Â
The woman sinks to her knees and covers her face with her hands. Her PA hurries over with a cardigan and drapes it over her shaking shoulders.Â
âMr. Tang,â the actress says. âCan you assign me to do something else? Please? I can talk. Iâm good with the mic. Let me host the show. How much are you paying that Taiwan guy? Iâll pay you back exactly, and then Iâll host for free.â
âYouâre telling me this at final rehearsal?â Tang says.Â
âOr how about one thousand jumping jacks? Itâs funny. I swear. I read somewhere that humour can spur people to donate. No, actually Iâve seen it. Inâin the UK. Red Nose Day? Two thousand jumping jacks?â
âWeâve gone through this, Jeen.â
âPlease.â
âYou and blow darts have to go together.âÂ
âBut why?â
Stop asking questions, Jerry thinks of shouting across the hall. He knows that Tang is about to take out her contract and tell the actress to suck a thumb. And she would have to suck her thumb. Because Tang would ask her to. Jerry shakes his head. Why canât these people see that theyâre the ones being done a favour? The more sickening the stunt, the higher their popularity rating shoots. By-product? Lucrative endorsement deals. Itâs a no-brainer. There are young newbies willing to jerk Tang off under a table just to do pull-ups over a tank of swimming piranhas on Tangâs charity show. Next thing they know, theyâre on prime-time serial drama. The newbies win Best Newcomer, and they come back again for more stunts and win Best Supporting Actor. Maxi had understood this early in his career. And these days Maxi appearing on screen alone guarantees a thousand calls, the showâs statistician had informed Tang, who then clued Jerry in. The moment Maxiâs lips touch the cobraâs head? Double the figure? Triple? Who knows?
Jerry wonders if the actors have heard: Tang is taking a hiatus. Someone else will have to come up with the bombastic innovations now. A claw-machine? Jerry can feel tears in his eyes: he was the one who tipped off Tang that an audit was coming, that The Straits Times smells something. Sure enough, Tangâs CCTVs captured journalist and cameramen snooping outside his home, where his wife and children eat and sleep. And Tang had to pay Jerry and Fahmi extra to muscle those pests away and drive all six cars out to some warehouse to hide them.Â
Hello, California.Â
Hello, brand-new start.Â
Jerry was at Tangâs family dinner when Tang announced to his boys the grand plan.Â
âFuck O Level,â Tang said. âYouâre taking SATs. And fuck your friends. Youâre making new American friends. Pick up an accent, go ahead. Whatever. Play nice, learn to play baseball. Forget the ninth of August. Weâre going to celebrate Fourth of July. As a family.â Â
Tang then flashed a pair of tickets to the Super Bowl and ComicCon, just in case. He promised the boys Mustangs when they hit sixteen. But the boys started cursing at their father. And Tang just sat there with an abalone in his mouth, unable to swallow, and Jerry excused himself to the bathroom where he sat on the toilet and listened to the shouting and screaming and shattering of plates.Â
Jerry spots Maximilian leaving his station and striding over to Tang.Â
âMaximilian Hao!â Tang screams, âIf you leave your station without permission one more timeâŠâ
Shit. Shit. Shit.Â
Jerry puts away the curry puff and touches his hair. Maxi is going kamikaze! Jerry tries waving at his buddy but gets no response.Â
Maximilian removes Jeenâs cardigan.Â
âThis is the reason,â Maximilian says, pointing to the scar on her back which looks like a decayed leaf. âTop Dog here wants the audience to think you got it from stunt training.â
âI got this at a playground when I was twelve.â
Maximilian smacks his forehead.
âAll right, all right. Enough.â Tang pulls Maximilian aside. âIs this about the cobra? I gave you a choice, remember? Between that andâandâwhatâs the other thing?â
âTongue and spinning fan,â Jerry whispers.Â
âTongue and spinning fan,â Maximilian says.
âYou trying to tell me something, Max? At least you had a choice. You think I didnât see you kick the water cooler just now? Really think I didnât see?â
âWas just trying to get it to work, Boss.â
âOh, is it? Not trying to cause any trouble at all?â
âWhy would I? Weâre neighbours. Practically friends. Are we not?â
Now Jerry can hardly breathe. He looks out and sees Fahmi parking the car downstairs, next to the bonsai trees. So close, he thinks and hangs his head. He mumbles, Bastard. What good is it to burn bridges now? What about Hollywood? Jerry had fought hard for tongue-and-fan. And he canât understand why Maxi wants to stick with the snake. Why donât clients ever fucking listen? Is Maxi able to predict what the snake might do at the critical moment? What if the snake suddenly decides itâs sick of Maxiâs face, bites him on the lips? Lots of capillaries there. Sensory nerves. Thatâs why kisses feel so good on the lips. Maxi must have forgotten how it feels. Maybe Maxi should stop trying to play hero and pay more attention at home and shower his wife with honeyed words every once in a while. Maybe Maxi needs marriage counselling. Or are celebrities too high and mighty for it? Sometimes itâs easier not to take yourself too seriously, Jerry thinks. Thereâs no need to kick up a fuss every time Sammi compares him to a bowl of gloopy porridge in front of the therapistâall you need to do is nod. Look at how perfect things are now: he gets to kiss Sammi in the morning and actually enjoy it.
He knows that Sammi canât wait to relocate to Malibu; sheâs been yapping nonstop about waking up in a house by the sea. In the not-too-distant past, Jerry would have brought up Africa and its starving children, and, waving a hand, told her to get some perspective. But now, having seen her so brave, not collapsing like a rag doll when she found out she had breast cancer four days after her fatherâs funeral, Jerry tells himself he would lie on a bed of broken glass for her. Orâor samurai swords. Heâd pull himself up twenty-three storeys using rope and pulley. But he canât. Heâs only an agent. Who, contrary to popular belief, despite his glamorous job title, couldnât even afford his wifeâs mastectomy, and so he had to work part-time jobs, and on top of that, borrow money from Tang. And now Tang expects to be kept in the loop about what Maxi has up his sleeves.
âLet him be,â Jerry told Maximilian. âDonât poke the hornetâs nest.â Because if Tang looks over now and gives Jerry the signal, well, thatâs it.Â
Over. Finito. Habis.
âI got your contract Xeroxed upstairs,â Tang says. âAnd you know what it spells? Let me clue you in. Word starts with O, ends with an N. Or you need me to get Jerry to bring it down here?â
âWhy donât we both go to your office?â Maximilian says. âIâll get Jerry to buy us some bubble tea. Weâll sit down, and weâll talk.â
âYou want to talk to me?â
âProblem?â
âYou have any idea what kind of operation I run? You know how many people I save each year?â
âTang,â says Maximilian. âGet this straight. Thisâwhat Iâm doing hereâis a courtesy call.â
Jerry watches both the men staring at him. He receives the signal like an arrow to the heart, and he is scratching at his cheek, craving for a cigarette. Sweet, sweet cigarettes. He bites his knuckles and thinks hard about Sammi. What kind of asshole is he if he still canât properly quit after what happened to his wife? Just one puff? Surely sheâll understand the amount of stress heâs under right at this very moment; the weight of the world was resting on his shoulders. Heâd agreed, shook on it, to do what Tang wanted to be done when Tang wanted it to be done; he knows what The Signal means. This man you do not burn, Jerry thinks. This is a man who has put half the nationâs talents on annual suicide missions and received awards for it. Also, what Tang wanted to be done could be done to Sammi too. Tang has other lap dogsâthat PA who walks around with two left feet?
Jerry chucks the curry puff and dusts his hands and puts on his shoes. He does nothing for a moment or two, except watch Tang and Maximilian march out the hall, heading upstairs to Tangâs office. Then he rummages inside Maximilianâs backpack. He pulls out the face towel, the change of clothes, the 100-Plus, the Ziploc containing plasters and lip balm and hypertension pills and inhaler, dumping them all on the floor.Â
He finds Maximilianâs keys, the whole gamut: locker, car, gate, letterbox.Â
Clouds block the sun. The street is empty and largely in shadow. The dogs neglect to bark as he drives past the gates. Are those flamingos? he thinks. What the hell?Â
He hears thunder rumbling in the sky.Â
Good.Â
He clears his throat before turning the key.Â
He pushes the door gently.Â
Eugenia is on the sofa with a book on her lap. She stares up at him with big Tweety Bird eyes. Chocolate smudge on her chin.Â
âHullo, Uncle Jerry. Whereâs Daddy?â
Jerry bends down to remove his shoes, but thinks, why the hell bother? What if he needs a quick escape? His hands are shaking. How quickly can he fix his laces? And if his laces arenât done properly, how soon will he trip and crash and black the hell out? And when he wakes up, heâll wake up in the hospital, and one of his wrists will be cuffed to the bed frame, Sammi will be staring at him, her lips trembling, waiting for answers, waiting for him to explain why as of now two police officers are standing in the room. Which can only happen if they caught him lifeless like a scarecrow and were able to remove the balaclava he was wearingâÂ
Oh, fuck me.Â
âYour daddyâs still getting ready,â he looks up and says. âTonightâs the big night, remember?â
âIs he going to be okay?â
âYes of course,â Jerry lies. âYour daddy trained really, really hard.âÂ
Why are her eyes closed, fists clenched? Oh my god. Is she praying?
âOh, Eugenia,â he whispers, and adds an affectionate shake of his head.Â
He leaves her alone and hastens to comb the bedrooms, toilets. To play it safe, he checks under the beds, spaces that have been converted to graves for squeaky toys orphaned by the girl.Â
âAnybody else home?â he shouts from the pinkest bedroom in the house.Â
He goes downstairs. âWhereâs your mummy?â
Eyes pinched, Eugenia shrugs.
âSeriously, tell me. Where is she?â
âI donât know.â
âYou need to think harder, Eugenia. Did she leave a note on the fridge or WhatsApp you? Can you find out for me?â
The girl opens her eyes. âIâm not allowed to call her unless it is really an emergency.âÂ
âThis is urgent.â
âBut Iâll get a scolding,â Eugenia mewls. âMummy already said sheâs busy. Busy, busy, busy. Busy with some big audit. I donât even know what that means.âÂ
Jerry rests his burlap sack on the coffee table and sits next to the girl. He pats her head. âNom, nom, nom. Looks like someoneâs having a private party.â
Eugenia blushes and offers him strawberries.
âIs that John Mayer?â he asks.
âYup.â
âHeâs got some mad skills.â
âI know, right?â
âDid your daddy ever tell you that he and I met Mr. Mayer before? If I recall correctly, it was about two years ago. When he came to perform in Singapore. And your daddy got Mr. Mayer to autograph his guitar.âÂ
Eugenia grabs her skirt. âWhy he never tell me?â
Yes, why not?Â
Because it was the right thing to do.Â
Because Maxi always does the right thing, doesnât he? Choosing to auction the guitar for charity instead of giving it to his daughter. Jerry stares at the poor girl biting her lip. Why the hell is he telling her this? What kind of monster does that? As if the physical harm heâs about to do isnât enough, he has to amp it up with psychological ones. Now the poor lambâs going to think her daddy doesnât love her. Nowâ
Jerryâs phone beeps.Â
A message from Mr. Tang: Chop-chop.
Jerry, with a heavy heart, opens the burlap sack.Â
âWhatâs that?â Eugenia asks.
âHalloween costumes for us.â
âHalloween is still like months away.â
âYes, yes. But you know how your daddy prepared for months and months for his acting the last time?â
âUntil it was perfect.â
âExactly.â
âSo what we gonna be?â
âWeâre gonna try hostage.â
âOkay, Iâll be Kidnapper. You be Hostage.â
âUnfortunately, I canât be Hostage.â Jerry shows the girl his fists. âLook, they are big like rocks. The cable ties I brought are too small. Come, gimme your hand. Let me see if it fits.â And he fastens the cable around her wrists. âPerfect. Now your legs, please.âÂ
Eugenia tips to the side like an egg. She giggles.Â
âOkay, now open your mouth.â
She opens her mouth.
âBigger.â
She widens it until her jaws hurt.
âSome more.â
âUh-uh.â
A bundle of firecrackers goes in.
Jerry pops his Zippo and strikes the wheel. He floats the flame as close as he can to the fuse without igniting it. âSay cheese!âÂ
âHeeee.â
Jerry snaps a picture and sends it over to Tang.Â
Meanwhile, John Mayer is allowed to sing another song or two. But when the music stops, Jerry doesnât refresh the playlist. He doesnât like that Mayer fella, actually, whoâs so smug. All Jerry wanted was a photograph together, but this snob would rather die than give. And Maxi gets to be on a first-name basis with him? Jerry squeezes an orange cushion shaped like a spaceship and rises from the sofa. Why is life so unfair?
âDonât move, okay?â he tells Eugenia and helps himself to chilled cucumber water in the kitchen. He drinks in silence, reads the to-buy list pinned to the fridge. Steak, cheese, fish, ice-cream, scallop, chocolate, nougat, macadamia nut, cherry tomato, olive, strawberry. âScallops,â he says to himself. He washes his own cup, for old timesâ sake, while staring at the listâ
Thud!
He hurries back to the living room.Â
Eugenia is on the carpet, wriggling, cheek flat on the carpet.Â
He flips her and holds her by the shoulders. âAre you okay?â he asks and heaves her back onto the sofa and watches her tiny chest rise and fall. Her calves and feet are cold. âYou want a blanket?âÂ
He tries to sound cheerful and easy-going. But the girl shakes her head, sniffling and clearing her throat. She must be so confused that her brain hurts, he thinks. The pain in her jaws must be insane.Â
Sheâs tearing up!Â
Jerry canât quite make out what sheâs trying to say to him. Sheâs making sick-puppy sounds! He considers turning the music back on. He looks for the time and tries to shut out the whimpering noise by focusing on the clockâs hard ticking.
At six sharp Jerry snaps the TV on.Â
The showâs fanfare gives a warm welcome, promising a feast. Everyone, please, do not try this at home. Camera pans over to the live audience, zooms in on a B-lister walking across beams placed sixty-six storeys high. There is a burst of applause, and the donation hotline blinks on the screen. Meanwhile, another actor readies himself over a container swarmed with honeybees. A couple video montages come up: stricken-faced patients, contorted with worry. What will their victory be? A couple more reminders to dial and dial and dial. Then blow darts are driven into Jeenâs bare back as she shivers, her toes curling. Paramedics are on stand-by. Donations pour in. Jerry bites his lips. Another household name chains herself in a glass tank that is slowly filling with water while her sweaty colleagues jump through fire hoops and scale a scaffolded structure to retrieve the keys before she runs out of air. But still, the amount hasnât quite reached Tangâs target. Climb motherchook climb. A commercial break. And finally, Maxi comes on stage. His face paler than a cauliflower. The numbers spring up a little, but then stagnate.Â
Jerry strikes the wheel, and the flame comes on.Â
The girlâs eyes are red and goggling. By now she knows theyâre not actually goofing around. She has intuited what to look out for on screen.
Come on, brother.
Maxi kneels on stage.Â
The cobra is taken out from its basket.Â
Come on, brother.
Maxi crawls towards the cobra. They are now only a couple of inches apart, facing each other like hunter and prey.Â
Come on, brother. Hollywood is waiting.Â
* * *
Maximilianâs hair is wet with rain. He is exhausted but still makes his way to pick his daughter up from school. He smiles to himself, thinking of Eugenia at the breakfast table this morning.Â
Sheâd asked him, somewhat nervously, âDaddy, what is an intransitive verb?âÂ
And heâd said to her, âPrincess, itâs okay if you donât pass this time. No one will blame you.âÂ
Eugenia had looked at him funny and said, âBut an exam is an exam.âÂ
He sees Eugenia coming out now, dragging her feet, and she confesses to him right away that she couldnât answer several open-ended questions in her English paper.Â
âI think Iâm going to fail,â she sighs and starts for home.Â
Maximilian follows his daughter but struggles to keep up. He struggles to understand why sheâs upset over this, but not a word at all regarding yesterdayâs assault. He stays two steps behind and thinks of how his daughter has yet to see lions and orangutans at Mandai Zoo, and how her friends must have teased her about this. And yet she has never complained.Â
His daughter is tough, he suddenly realises, and perhaps more so than he is. This makes him so, so happy.
Eugenia stops and turns around. âDonât tell Mummy?âÂ
Maximilian smiles and nods. He sees a guard stationed outside the school waving at him, giving him the thumbs-up, and it takes him a while to understand what itâs for. Maximilian stands motionless for a few minutes, breathing deeply through his nostrils. He rubs the raindrops off his cheeks. He looks up and sees a plane and his eyes trail it until they begin to ache. He takes out his phone, checks it, and puts it back in his pocket. Then he quickens his pace and catches up with Eugenia.
Iâm in class reading Hamlet and contemplating suicide on a cliffside. Reciting poetic verses about family curses and hiding behind a curtain with a knife. My phone buzzes, and I lean forward to read something out of a Shakespearean tragedy. She killed someone. The words glow like the flame of a lit match and I spring from my desk chair, repelled by their heat. Faces swivel toward me, judgement radiating from their eyes. Iâm an injured animal at the center of a swarm about to be mauled by my own pack. My heartbeat radiates in my ears: glove to a punching bag or knife to a chest. I ask, âCan I be excused?â But donât wait for an answer. I grab my cell phone and stumble out the door. Knuckles white to match my ghostly face, I canât help but imagine a skull in my palm instead.Â
I knew her.
In the privacy of a public bathroom, I perch with knees to my chest, balancing like an ape on the branch of a porcelain tree as I read. Police arrived at her room, responding to concerned calls about violent-sounding screams. She opened the door, bloodied hands shaking and outstretched in surrender. Behind her, a scene of crimson and rouge, organ and flesh. âI killed him,â she said. âArrest me.â
Memories flood the folds of my brain. Every time I told her I loved her. How she tucked my hair behind my ear. Every time she mentioned church or raised her voice. Moments I should have known or couldnât have known all circle me like vultures. Their screeching pierces like a blade. I can almost see her standing over me, electric with adrenaline pumping through her veins and a dagger clasped between her hands. Are my ears ringing or is that another text? I close my eyes and ask Shakespeare what comes next.
What film, or films, made the first deep impression on you?
My aunt and uncle on Long Island, for whatever reason, had a big-box VHS copy of I Spit on Your Grave in their collection, nestled somewhere between Stripes and Mr. Mom. I never asked about it, or even watched it, but it always kind of confused me. I thought it was a porno or something. I finally ended up watching I Spit on Your Grave as a teenager, which made me thankful that I didnât watch it as a child, though I did accidentally catch A Clockwork Orange on Cinemax at a very young age and it completely freaked me the hell out.Â
Very often film is one of the ways we first come into contact with a world outside that of our direct experience. Which films introduced you to areas of life away from the familiar circumstances you grew up in?Â
The coming-of-age films of John Hughes showed me that rich people have problems also, I guess. And it took me years to realize it, but Revenge of the Nerds taught me that nerds too can be real shitty, problematic people.
What films first felt transgressive to you? Do you remember being secretive about any films you watched growing up?
As a child I became obsessed with this Swedish film called My Life as a Dog that Iâd see on HBO. Itâs about a poor, lonely kid whose mom gets put in a looney bin. Then his dog is placed in a kennel. He gets abused by relatives and teachers. He learns to read by reciting lingerie catalogs to some creepy old man. Then he befriends this girl who is kind of a tomboy and they box for fun and they beat the crap out of each other. Then thereâs a scene where he takes a bath with the tomboy and it all seemed very sexual and scandalous to me. It felt very much like watching porn, this movie. It made me feel icky and sad and enthralled and Iâd only watch it if nobody was home.Â
Are there any films that define your formative years?
The mid-1980s horror film The Gate showed me, at a very young age, that if you throw a dead dog (your untreated trauma and neurosis) into a demonic hellhole in your backyard (the void that exists within yourself) that bad shit will happen.
Can you talk about the influence film has had on your writing?
Plays, specifically movies based off of plays, probably influenced my writing quite a bit. Like Mike Nicholsâs Whoâs Afraid of Virginia Woolf?, or stuff like Comeback, Little Sheba. Splendor in the Grass. Tennessee Williams adaptations. I related to dialogue-heavy dramas about broken people. Experiencing Douglas Sirk films like Imitation of Life and Written on the Wind will really allow you to take your writing out of its comfort zone and just go bonkers with it.Â
Do you use film as a prompt or direct motivation for your writing?
I try going into each writing project with the same energy as an Ernest P. Worrell film, especially Ernest Scared Stupid.Â
What directors, film movements, or particular actors have been an influence?
I dig all the New Hollywood films of the 1970s. Hal Ashby, John Cassavetes, Peter Bogdanovich, etc. etc. Thatâs the best stuff, in a lot of ways. Great character stuff. Lots of hidden gems, too. Like Searching for Mr. Goodbar and Joe. Robert Altmanâs Nashville is pretty much Brothers Karamazov, but better.Â
Have you ever made a film? If so, has the process of doing that had an influence on your writing?
Iâve acted in little short films that friends and I have made, but nothing too serious. I would be down to do something more substantial one day. Filmmaking is a lot of hard work, even doing just nonsense stuff.Â
Are there films you associate with a particular time in your life, or a specific writing project?
Ghostbusters will always remind me of childhood, especially because my mom sewed me a Ghostbusters jumpsuit for Halloween one year.Â
My buddy and I, as teenagers, snuck into a screening of Boogie Nights, but it was at the end where the drug deal goes bad and then Mark Wahlberg shows off his prosthetic penis. We obviously stayed for the next showing.
Donnie Darko was kind of the movie of my twenties. I first saw it while my band was on tour and we were crashing on someoneâs floor in Chicago. I didnât think it was very good at first, but everyone I spoke to loved it. It took several viewings with different people at different periods of my twenties to really appreciate it. Itâs now a movie I revisit often.Â
My thirties were mostly spent in a majorly depressive stupor, though I do remember being very charmed by Frances Ha for quite some time.Â
Note: How any of this random bs relates to specific writing projects, well, I have no clue.Â
Thinking about the places youâve lived, are there any environments that are cinematic? Have you lived anywhere that has been regularly depicted onscreen? If so, has this had an influence on your perception of the place, or how youâve depicted it in any of your writings?
I grew up in a trailer park in south Florida, so maybe Gummo? I donât think I put too much âplaceâ in my writing, at least not intentionally. I guess Iâm more into characters and situations than surroundings, I donât know. Thereâs been a lot of films and TV shows made in Miami. The Larry Clark movie Bully was made in the neighborhood where I grew up. (The Florida Project also captures that empty, Florida outlet mall spirit pretty well.) I live in Gainesville, Florida, now, which is where that Paul Giamatti movie The Hawk is Dying (based off of a Harry Crews book) was filmed. That was 15 years ago, mind you, so the city has changed quite a bit since then. Thatâs one great thing about filmâit captures a certain time and place to revisit, which is comforting.Â
Are there films you regularly return to, and do you know why?
I mostly watch films Iâve already seen several times and I do that more than checking out newer releases, which is probably a bad habit. I think it means I have anxiety and that Iâm mostly depressed. I especially enjoy revisiting âlight and crunchyâ stuff. For example, I recently watched 10 Things I Hate About You again, and let me tell you, it still slaps.Â
Do you have any lines of film dialogue you regularly use in your daily life?
I regularly say âDishes are done, man,â from Donât Tell Mom the Babysitterâs Dead, even when there are no dishes involved. Also, Iâm pretty sure I still quote Wayneâs World as much as I did as a teenager and people rarely know what the hell Iâm even talking about. A sphincter says what?
Are there individual scenes that stay with you?
The super sad ending in Wayneâs World where Wayneâs hot girlfriend resents him and all his idiot friends perish in an electrical fire.
What films have roused a visceral reaction in you?Â
My mom took me to see that violent Stallone cop movie Cobra when I was a kid and the film opens with a gun pointing directly at the audience and I remember it giving me quite a jolt. I probably peed my pants. My mom was nuts, by the way.Â
Are there films that are reliable for inspiring your creativity?
Pretty much any John Waters movie gives me a creative charge, though the results are never as funny or brilliant. See also: the work of Rainer Werner Fassbinder.Â
Which of your writings would adapt most successfully to film?
Probably my book Something to Do with Self-Hate, which would make a sad tour de force about lost, damaged people further damaging themselves. A real âfeel badâ flick. Lars von Trier could direct.Â
Can you give some film recommendations for those who have liked your writing?
I recommend Shakespeareâs Thrashinâ (1986), where the older brother from The Goonies falls for the leader of the rival skater gangâs sister at a Red Hot Chili Peppers show, which Shakespeare rewrote in 1993, replacing the skateboards with rollerblades and calling it Airborne.
She woke up in a classroom. Chalkboard at her head, corkboard at her feet. As she adjusted to the dusk lightâwas it 5 a.m. or 5 p.m.?âshe discovered she wasnât in the setting of a recurring dream sheâd been having. The âI fell asleep at the desk and missed the most important test of a lifetimeâ dream. No, she was in a hotel room. The Eaton. The card pinned to the corkboard wall held her personalized key to the rooftop gym.Â
As she pressed her body against the hotel room window, the humidity moved through the glass and brushed up over her skin. She was alone. She normally lived with two bulldogs and no humans. She remembered London. Cold, foggy, lonely London.
Hunger motivated her into the hallway. Brass elevator buttons reflected a Damien Hirst cow sculpture dissected with preserved butterflies and behind that a never-ending ticker tape scrolling the words: âA More Just World Where We Are All Liberated To Be Our Truest Selvesâ â Jenny Holzer, American, born 1950.
She remembered the mooncakes smashed into dirty water at the sidewalkâs edge and Tiger Balm in the storefront. She couldnât remember how she got back in the hotel room. This is what jetlag will do, she thought to herself. She traveled all the time, her body in one place, her soul delayed four airports behind.Â
She stepped inside the glass elevator that was housed in a glass tower, the windows revealing rolling mountains of Kowloon beyond and red double-decker buses powering through the streets. Neon signs flashing Cantonese words stuck out from deteriorating buildings like brightly colored marshmallows at the end of burnt sticks. Hong Kong. She remembered Cha Chaan Teng, incense at the temple, âShark Fin Soup Makes Your Penis Smallâ scratched into the wall as crude street art.
âGood evening, Miss Melinda.âÂ
The hotel staff was gracious, their uniform hoodie sweatshirts and spiked hairstyles offering a unified vision of a curated and controlled counter-culture aesthetic. They knew her name. How long had she been here? She smiled as the porter held the door open for her but her concern at being unable to remember the details haunted her. Where was she headed? She didnât even know and yet some memory beckoned her forward. Â
She stepped out onto Nathan Road, turning left at the intersection. She felt the stares of shopkeepers, taxi drivers, and street sweepers. The morningâs humidity made her arms sweat and her chest perspire. The store bell chimed as she stepped into a local pharmacyâone of those superstitious ones with jars of dried herbs and animal parts. She didnât want anything endangered to rub on her skin. She just wanted a cold drink.
âYouâre dressed in black.â
The shopkeeperâs judgmental tone made her stop and look down at what sheâd put on to wear. A black boatneck shirt, black linen pants, and black trainers. It was what she always wore back home in London. She was colorblind. It took too long to coordinate an outfit.Â
âAll the terrorists wear black.â
The way the shopkeeper was talking, she was starting to doubt sheâd be able to buy a cold drink here.
âIâm not a terrorist.â She felt the need to clarify.Â
âThatâs what they all say. They throw bricks and fire bombs and shut down our roads. All China wants to do is protect us. My family is Chinese. Whatâs wrong with the young people today?â
âI donât know.â The little hairs on her neck spiked in worry. She didnât want to have a political conversation. All she wanted was some cold jasmine tea bottled in a plastic bottle with an easy drink top.
âA cold drink?â She tried the direct route but the shopkeeper scowled and so she found herself trilling the store bell upon her urgent exit, walking down toward the waterâs edge.Â
She passed the infamous Chungking Mansions. The streets were still empty. Where had she been last night? All she remembered was drinks at the Mandarin on the island side and then waking up in her hotel. How did she get back across the bay? She suddenly felt the need to smell her hair, pull at her clothes, sniffing them for anyoneâs scent besides her own. A faint smell of smoke, though nothing else seemed out of the ordinary. They let people smoke in the Mandarin bar. It was all easy to explain.Â
She found herself leaning up against the edge of the Avenue of the Stars, looking out over Victoria Harbour. Wisps of smoke rose up in twisting curls above the HSBC building. The stillness around her made the unease she felt inside even more concerning. She turned and nearly crashed into a man bicycling past.Â
The flash of movement, his eyes obscured behind goggles, bombarded her. She fell to her knees. Gas masks, flames, bricks, running across crosswalks and through covered walkways. The heat, gunpowder, pepper spray all assaulting her senses. Sheâd been one of them. Theyâd called her a cockroach as theyâd fired rubber bullets in her direction.Â
There had been many other freedom fighters around her. She suddenly thought back to the security cameras, to what she was wearing: all black, a gas mask, black cap. Sheâd been there too. It hadnât been just a dream. She should have changed before heading out today. Theyâd be looking for her.Â
Her watch dinged. She pressed the text message even though it was from an unknown number. A picture of a cockroach appeared. The blankness of what she couldnât remember made a tear roll down her cheek. If they questioned her, theyâd think she was lying. Her mind struggled to find equal footing. Whatâs left to remember if the past is erased right in front of your eyes?
We were going to scrape that possum off the road because somebody had to do it. Thatâs what our Dads said, trucks rattling in neighboring driveways, complaining about the borough workers, asking nobody in particular where their taxes went, if not to cleaning up a dead possum right in the middle of the intersection. The Biology teacher had even joked about dissecting it for class, because it was the intersection right next to the high school and so every student and every teacher saw it, curled up and still in the mornings then somehow more freshly dead in the afternoons.
It was my idea, but Iâd only thought of it because I was trying to impress Gina.
âNo, no sorry. Maybe I wasnât clearâ Gina said.
A garden shovel dangled from the Walmart cashierâs limp wrist.
âWe meant like, one of the orange ones. One for snow shoveling. Wide like.â I spread my hands out past my shoulders.
âIn May? Okay well, Iâll go check the back, we might have some left over from last season.â
Behind us, the claw machine was a swirl of hot pinks and bubblegum blues. A carnival song crackled from its speaker.
Gina tore open a bag of peach rings and we yanked them apart with our back molars. I watched her lips suck on the pale yellow underbellies of the candies and wondered, again, how Duck could have ever dumped her for a mousy-looking, furniture modeling sophomore.
We still werenât clear on the specifics of furniture modeling. Neither of us understood how placing a fifteen-year-old girl next to staged warehouse sectionals made them look any more appealing. When we talked about it, which was at least twice a day, Gina said it had to be the trashiest modeling job you could get around here, and that was saying something because there were lots of girls modeling bikinis for vape shops.
I reached for another peach ring but Gina rolled the bag up and shoved it in her back pocket.
âI think weâre good for now.â Her tiger-striped belly button ring glinted at me from between her cropped tank top and rolled-up Soffe shorts. She was always yanking food away and making me feel embarrassed for wanting it in the first place.
Sheâd done it when we were kids, best friends who got our ears pierced together at Claireâs and then shared Auntie Anneâs pretzel nuggets to celebrate. Yanked them to her side of the table and said I was eating too much too fast. And she was doing it now, since weâd reconnected two months ago.
We stopped being best friends in December of fifth grade. From their weather sealed deck, Ginaâs family watched as my dad scaled a pine tree in our yard and sawed the top clean off. He said it was our Christmas tree for the year and he didnât want to hear another word about it. Her dad laughed, gave a thumbs up. Her mom kept a French manicured hand to her mouth. The next day during indoor recess we played M.A.S.H. It was my turn and the game said Iâd marry a plumber. The verdict was out on how many kids and whether weâd live in a mansion or a shack. Gina brought up the tree in front of everyone. Itâs gaudy, she said, gaudy and trashy. I knew the words werenât hers. They globbed on the desk like spilled oatmeal, stuck there and burned my cheeks up. Whatâs gaudy mean? A boy asked. Tacky, she said, proud of herself for remembering her motherâs synonym. And ugly, she added after a pause, that word all her own. I snagged the hall pass, sped walked to the bathroom. After that I was too ashamed to knock on her door anymore and she didnât seem to miss playing with me.
Then last month, Gina was knocking on my door again, asking for rides to and from school since Duck dumped her. In exchange, she let me borrow Cosmo magazines, taught me about matte lipsticks and bikini waxes, told me my butt looked good in American Eagle jeans, and said I was too smart for any of the guys at school. I lived for those compliments.
 Duck also happened to be in my Physics class. She would pry for information as I drove us home from school, taking the backroads so I could smoke half a Marlboro Gold and shove the other half back into the pack. I strained my ears during Physics and wrote everything Duck said about the furniture model in the margins of my notebook. They got sushi at the mall, they were going to the party at Kandaceâs house, heâd found a tie to match her prom dress.
The cashier emerged from the storage room doors thrusting the snow shovel in the air like a splintery trophy.
It was a twenty-minute drive back to the possum. Cherry blossom petals fell onto my windshield like fat, pink snowflakes. Ginaâs thighs were splayed out to the sides, the shovel propped on the passengerâs mat in between them. If I squinted and unfocused my eyes just right, it was winter, it was snowing, Gina and I were kids again going to make some money with our shovel. We didnât know anything of heartbreak or the lengths you go to make it stop.
Iâd never dated anyone for as long as Gina dated Duck. Eight months. But in ninth grade, I smoked weed for the first time with Chris and he fingered me so hard in the woods behind the park that it broke my hymen. When he dumped me for a more popular girl I wrote the lyrics to âCut Hereâ by the Cure on my arms in Sharpie and hid them under my black long-sleeved shirts. So I did know something of heartbreak, even if it wasnât as freshly snapped as Ginaâs.
Gina passed me our plastic water bottle of Pinnacle Whipped. I gulped and felt her eyes on me and clenched my face muscles so they wouldnât grimace then handed it back to her.
She took a medium-sized sip and screwed the cap on, paused, opened it again, and took another sip. I wiggled my hand and she handed it back.
She started to flick the window control lever with her index finger, making a thwack-thwack-thwack sound. I turned up the music.
âWhat the fuck even is this?â
I turned it back down and took another sip.
She kept flicking her finger against the lever. Thwack-thwack-thwack.
The edges of the road smeared like oily pastels. The mud into the spruce, magnolias into the last bit of orange at the base of the sky.
Thwack-thwack-thwack.
Gina was always attempting to rid herself of the pain in pathetic spurts like this.
Iâd watched her furiously apply mascara to her top lids like she was trying to rip them off. Seen her accidentally breaking pencil tips, grinding them into stubs at the sharpener, conveniently located by the door, waiting for Duck and his new girlfriend to walk down the hall. Slam the passenger side door so hard like she could trap her pain in my Jetta if she just shut it fast enough.
There were easier ways, I knew. I could have told her about pressing a shaving razor into my thigh and how it had a much higher payoff than her minuscule leaks of rage. But I was worried sheâd call me a freak so I kept my mouth shut.
Â
I put it in park in the middle of the intersection and flipped the hazards on. We approached the possum in silence out of respect for the dead or fear of people peering out of their closed curtains, or both.
Eighteen-wheelers rattled past on the interstate, jostling what was left of the possumâs fur. Its guts were mostly flat now, organs indistinguishable, just one small sheet of deep pink. Mouth open with razor teeth lurched forward. Iâd seen it only in quick glances from cars. Now, it started to transform into something more real and more dead than Iâd previously imagined. Above us, the traffic light switched colors, green light splashed over Ginaâs babydoll face. The vodka squirmed in my stomach.
I squatted on the ground, held the black trash bag open with both hands. Gina pushed at its body with the shovel, slowly peeling it from the road. One string of guts stuck to the asphalt. I had to bury my hands in the bag and break the cord while Gina held the shovel still.
 The possum teetered on the edge of the bright orange shovel. I was floating over my body, the burning tendons in my calves from squatting the only thing tethering me to it.
âShit, car,â Gina said, and flung the possum into the bag. It made a smooth, crinkle sound when it landed. I was suddenly all too aware of my arms, the weight of the blood pumping through them, the thickness of my skin held somehow together, keeping me from leaking out into the world.
I stared up at Gina, sandy brown hair wisped by trails of diesel fumes, perfect bare nails clenching the now brown blood-stained shovel. The light turned red. I bunched the top of the bag, tucked it down, made a loop, pulled it through, and stood up.
âNevermind. Turning.â Gina didnât look relieved, but she hadnât looked stressed at the sight of the car to begin with. I hoped a car would come, that weâd have to toss the garbage bag to the side of the road and high tail it out of there. Maybe Gina hoped that too.
âI guess⊠the trunk?â I shrugged my shoulders a little to make the question seem more casual, like this was just another bag of clothes for Goodwill.
Gina was like Iâd never seen her before. She folded her thumbs over and over each other in her lap. No thwacking now, just the slick sound of her skin rubbing against itself. The air in the car tasted flat, like all the bubbliness had leaked out while we were scooping up the possum.
Sheâd heard all about Duck and his new girlfriend from me, but sheâd never actually seen them together. They had all different classes and lunch periods. I could tell she was thinking about how sick she might feel when she really saw the furniture modelâs house.
âWe should finish this bottle, yah know, in case we get pulled over or something.â I lit one of my half-smoked Marlboro Lights.
âLiterally not gonna ever happen with how slow you drive but, okay.â
Gina sipped, then handed the bottle to me to finish off, her saliva glistening on the rim as I wrapped my lips around it.
It was supposed to be simple. Identify the furniture modelâs house by her car: A white Nissan Maxima with a tye-dye girls volleyball sticker on the back windshield. Open the trunk. Grab the possum. Drop the possum on her front porch. Run.
Gina twisted her torso towards the window as we pulled into the development. This was it. She was going to rid my car of the possum and with it all of her anger and bitterness and heartache over Duck.
My foot hovered above the gas pedal. We circled through cul de sac after cul de sac of beige siding and gaudy fake stone houses.
Nearing the end of our first complete circle around the development, I rutsched around in my seat trying to squash the tingling in my bladder.
âMaybe she parks in the garage?â I offered. Ginaâs iPhone glowed a pixelated blue as she made the rounds: Instagram, Facebook, Twitter.
âNothing. Nothing from either of them all night.â
No posts meant they were holed up in Duckâs bedroom, wrestling around on his waterbed, or watching Fight Club and making out on his futon. It didnât matter exactly what they were doing, just that it was precious and private enough to keep them off the internet on a Friday night.
Gina let her phone drop face down onto the grey floor mat.
I circled us around again, trying to manifest the Nissan into existence, trying to ignore my growing need to pee.
On the third go-round, a porch light whipped on. I steered us to the other end of the development and switched the headlights off. Blood thudded in my ears. Gina bit at her index finger for a few seconds until she realized sheâd used that hand to touch the shovel that touched the possum and she rolled down the window to spit. The whole of my existence seemed reduced to the burning in my bladder.
âI have to pissâ
âSo do itâ Gina kept her head turned away from me.
The grass covered my flip-flopped feet in sludge as I walked towards the trees. I squatted down and steadied my head as the sound of my car idling and my pee hitting the grass and crickets swelled all around. I watched Ginaâs silhouette swat tears from her eyes. I knew we werenât going to find her house and that after this Gina probably wouldnât care all that much about hanging out with me and that Iâd be stuck with the possum, left to dispose of it on my own.
âLetâs go around one more time?â Gina said when I got back to the car.
I drove us even slower this time, pretending to look closely at each house for any evidence that a furniture model might live there, trying not to think about Duck or Gina or the dead possum or having to go back into school on Monday or how embarrassed I felt that my plan failed and how bad Iâd want to use my razor later or how now Gina was going to keep slamming my car door for the foreseeable future since she couldnât get her revenge, trying to focus instead on the swing sets and Mercedes Benzâs and lifted trucks and well-manicured lawns and stop signs. I could tell Gina was trying not to think about things too because her right leg was bouncing up and down really fast.
I officially gave up on looking for the furniture modelâs house. Her car wasnât there. Everyoneâs blinds were shut and lit from behind by the glow of flat-screen TVs. I wished we had brought more vodka. Ginaâs leg suddenly stopped shaking and she held up a dainty wrist.
âHere is fine.â
I pulled the lever and the trunk popped. Gina slid out. In the rearview mirror, I watched her heave the bag up and hold it to her chest. Glossy black glinted under the street light. She walked up to the front porch and kneeled on the slate steps. She patted it once, like sheâd reached some kind of truce with the possum. Gina knew, and I knew that it didnât even matter whose house it was. Then she stood, pivoted on the heels of her mustard yellow flip-flops.
Back in the car, Gina switched on the overhead light, dug around for the peach rings.
âYours if you want them,â she tossed the bag into my lap.
The ridged bottom landed on my thighs. I opened them, let the bag slip down just a little and then I squeezed together until it scraped me.