PLUCKERS by Amanda Anderson

I was in the bathroom that fateful day, my butt cheek hoisted up in one hand, tweezers zeroing in on the mole with the other, when my boyfriend walked in. His eyebrows pinched together in disapproval. He asked me what I was doing. I stuttered, searching for a more attractive explanation, then finally told him I was plucking the hair out of the mole on my ass. He asked cheerfully if he could step in and take over. I handed him the tweezers, glad he wasn’t repulsed, only to see a sizable boner emerge in his pants.

And so a monthly trend was born. But it wasn’t that many months before the sizable boner went floppy noodle and the boyfriend began bemoaning the boredom of his life and our relationship. He suggested we were lacking another dimension. Life was short, he said. People are dead. Who? I asked. People, he said. We couldn’t spend what little time we had like this. Like this? Like just waking up and doing shit and going to bed. Being under the impression that this man was my last chance for love, I agreed with a sultry, ok. 

This agreement resulted in a number of surprises. First, the new dimension was not a woman, but a man. Second, that man was there for a hair-plucking session. Obviously I was hesitant. I’d been plucking that thing alone in bathrooms for years because it was disgusting. To now find it a point of sexual interest was more than a little disconcerting. But to be embarrassed is not particularly sexy, so I smiled coyly and bent over the edge of the bed. 

Eventually, the plucker changed and changed and changed again, and we began to charge a fee. I was accustomed to it by this time, and able to reduce my other job hours. It was a specialized fetish, the sort of thing for which you can charge a lot of money. A rather large waiting list formed. So long in fact, that after a time, the pluckers were asked to submit applications. We received up to 200 applications a month which included age, first name, occupation, hobbies (my boyfriend’s request). Referrals were preferred. So, once a month a lucky candidate was allowed to pluck the single dark hair out of the mole on my ass. 

Then my boyfriend took off with a cowboy from Vermont whose hobbies included drinking milk and bringing joy to those around him. He did not provide any references. I didn’t think there were cowboys in Vermont. Which is why I thought we chose him—wasn’t this man funny and interesting, saying he brought joy, drank milk and was a cowboy from Vermont. But it was true. He was a cowboy, and he lived in Vermont. I also didn’t know that this was what my boyfriend had been looking for all his life. 

Now I was left alone with my only means of support being a stranger entering my home under potentially dangerous circumstances. But I didn’t care. I was hopeless. In despair. The kind of despair that happens when the boyfriend you thought was your last chance for love and life is gone. So the first choice I made alone was the most dangerous I could muster: a doctor. Anyone who claimed to be a doctor was not a doctor, but someone who daydreams of death and dying, of perfecting a particular kind of violence. 

The doctor arrived in a white lab coat with a black bag, the kind of bag doctors carried when they came to the sick at their homes. Had my boyfriend been there, he would have requested the doctor leave the bag outside. The doctor was rather handsome. Which had historically been a bad sign. Handsome men, it seems, believe their handsomeness puts an acceptable shine on savagery. A voice in my head strongly advised against letting him in. It doesn’t matter how much you hate your life, it said (I heard the low chime of fear which warmed my head), you don’t want to be sliced up and thrown in a dumpster with your head and hands in a different bag from your legs. But I’d received a postcard that day from the boyfriend. A cartoon skeleton wearing a wide-brimmed sombrero sat at the base of a cactus, his elbow resting on his knee. But It’s A Dry Heat, the arching caption said, ARIZONA. The boyfriend’s handwriting, appearing as crowded cuneiform marks, overran the open space on the back—across and over, up and around, cleaving the edges of the card. The doctor and his bag were welcomed inside with a kind yet sensuous smile.

He started in right away. Sighed as he put his bag down, slumped into the living room chair uninvited. He asked for water. Sighed again. I tipped my ass in his direction, asked him in a low voice if he was ready to get started. He took in a seven second breath before telling me things have really been hard for him lately. So many people sick and dying. Men his age are jumping off buildings. Brand new buildings that were meant to be architectural wonders now tainted reminders of mortality. Every day he drove by on his way to work and cursed the man who jumped to his death. Then pitied him. Then cursed him. He finished his water, held up the glass for me to take away and began to cry. Then he pounded his fist on the coffee table. I would understand, he said, once I was his age and your balls and chin start to sag and everyone is jumping off buildings and not inviting you to parties. He let out a low, pitiful noise and put his head in his hands. Then screamed at me to get him a drink. I brought him another glass of water. He looked up at me with a jutted jaw. A drink, he said. 

I brought him a whiskey which he gripped like a candle in a church vigil. While he continued whining with his eyes closed I went into the hallway and opened his bag. There were six pairs of socks and a candy bar. I had no idea what this man wanted. 

When I got back to where he was sitting he looked at me with bloodshot eyes and asked if I knew what he was saying. I nodded. He shook the empty glass at me, asked me to get him a pair of fresh socks from his bag before asking if I knew what it was like to go through life as a man with overly sweaty feet. I shook my head. He nestled deeper into the chair. 

He eventually requested the candy bar and a third pair of socks. After I handed the candy to him he asked if I knew what it was like to go through life as a man who gets faint from low blood sugar. I shook my head. He frowned, then informed me through his teeth that some people think getting tired from low blood sugar isn’t very manly. I told him that sounded very difficult. He nodded and tore into the candy like his life depended on it. 

After a few hours, I found the courage to tap on my wrist, apologize, and tell him our time was up. He got up quicker than a drunk man normally would. Melted chocolate ringed his mouth. I stood my ground. He reached into his back pocket. Then pulled out an enormous roll of money, licked his finger and peeled off the bills, licked his finger again for the tip. By far the most money I’d ever made on a visit. 

I locked the door behind him and went to the bathroom and threw up. The mole hair turned gray shortly after. Then I bought a scalpel and removed the thing myself. 

Continue Reading...

NOVELS_IM_GOING_TO_WRITE.DOCX by Aatif Rashid

  1. Space Battles (1999)
    • Like Star Wars, but from the perspective of a ten-year-old kid. He has a sword and a laser gun, and he and his friend save the galaxy from a group of evil aliens.
  2. Space Battles II (2000)
    • Sequel to Space Battles I. The kid is now eleven, and he saves the galaxy again from an even bigger group of aliens.
  3. Space Battles III (2001)
    • Sequel to Space Battles I and Space Battles II. The kid is now twelve, and he and his friend have a falling out. The first group of aliens comes back, though, so they reconcile in order to save the galaxy again.
  4. The Lord of the Scepter (2002)
    • An epic fantasy set in a Lord of the Rings style world where Dwarves, Elves, Humans, and Wizards battle over a magical scepter. The main character is a fourteen-year-old elf who’s secretly the son of the Elf king and will one day inherit the throne.
  5. Sacrifices (2004)
    • A dark dystopian novel set in a world where humans are regularly sacrificed by a tyrannical government to keep the population stable, and about a group of teenage revolutionaries who try to overthrow the system. The main character is a fifteen-year-old guy who leads the group. There’s a girl in the group too, and he’s in love with her but doesn’t want to admit it.
  6. A World of Kingdoms (2005)
    • A dark, epic fantasy novel set on a continent of warring kingdoms, about a group of children whose parents are killed and who have to make their way through the dangerous world. The main character is the oldest in the family, a sixteen-year-old who’s studying to be a mage. At one point, he meets a girl, the daughter of one of the kings, and they fall in love even though she’s engaged to another prince.
  7. Untitled High School Coming of Age Story (2007)
    • A nerdy high school kid in a small suburban town falls in with a new group of friends and experiences the wonders of drugs, sex, and partying. He also falls in love with a girl in his grade, a dark-haired, half-Asian girl, super smart, into literature and art like him, but they break up after she decides to go to college in New York instead of U.C. Berkeley, where he’s going. When this happens, it’s late at night, and they’re sitting in a car in the Safeway parking lot, and he feels like crying but tries his hardest not to. They try to have sex one last time in the backseat, but it’s awkward and he doesn’t feel like it, and so they just lie in each other’s arms on the felt seat, and he listens to her heartbeat, and he wonders if he’ll ever feel this way about someone again.
  8. Untitled Edgy College Novel (2010)
    • An experimental novel about a kid from a suburb who comes to college and finds a new group of cool artsy friends. Make sure it has a cool, hipster vibe, everyone saying ironic things, drinking PBR, smoking European cigarettes, talking about Jean Baudrillard and Michel Foucault.
    • The novel shouldn’t really have a plot, but maybe make it center on a romance between the main guy and a girl—a cool, blonde girl who studies French and Art History and wants to be a writer too. They have lots of sex, but then get bored of each other and wander into increasingly separate, dissolute pursuits, and maybe after a few years, after they’ve been humbled in some way and feel low and down, they meet each other again on the quad in Berkeley, maybe she’s smoking a cigarette and he’s holding a Thomas Pynchon novel under his arm, and they reminisce about the good times they had and how it had been a lot of fun and how they miss those days, before saying goodbye and never seeing each other again.
  9. The Postmodern Prometheus (2011)
    • A novel about a twenty-two-year-old guy who’s just graduated college and is traveling through Asia on some money he’s saved up. Each chapter should be set in a different city, and instead of focusing on plot, make it more about the vibe, the people he meets, the bars he drinks at, the clubs he goes to, the women he sleeps with, interspersed with his reflections on art and history.
    • He’s also a writer, so maybe make the frame of the book a novel he’s writing (maybe make super meta so it’s the book we’re reading). Ultimately, it should be about the main character finding himself and feeling a sense of fulfillment.
  10. The Boomerang Generation (2013)
    • After failing to find a job, a young man moves back in with his parents in the California suburb where he grew up. He reconnects with old high school friends, all of whom are likewise unemployed and depressed, and they drink a lot at the town’s one bar, or else play old video games (mainly Super Smash Brothers on N64) in one of their basements. Make it about generational listlessness, and have the main character reflect on the socioeconomic forces that have led him to become such a failure.
    • The style should be terse, with short sentences, and a spare, Hemingway rhythm to match the lifelessness he feels inside.
  11. Untitled Multigenerational Family Saga (2014)
    • A novel about three generations of a Pakistani-American family. Start with grandfather’s generation in British India: they’re part of the nationalist movement, they witness Partition, etc. Then move on to parents’ generation: born into an independent Pakistan, immigrate to America, struggle, work hard, become doctors and engineers, etc. Finally, my generation: ungrateful, shitty kids who fail to live up to their parents’ expectations and fail to make anything of themselves in America. End with the eldest son of the family living at home after college, twenty-five years old and working as a waiter for minimum wage.
    • Make it all an ironic commentary on the American Dream and subvert the tropes of the optimistic American immigrant story.
  12. Untitled Campus Novel Satire (2016)
    • A novel set at a low-ranked creative writing MFA program that follows a group of fiction writers struggling to make Art (make sure to capitalize it whenever they say it). Satirize their pretensions by highlighting the massive gap between their literary ideals (David Foster Wallace, etc.) and their own work, which is middling and subpar. Also, make fun of the teachers, who don’t really seem happy either. Above all, try and get at the feeling that literary success is impossible in late capitalism, that no one reads books anymore, and that these fiction writers are like easel painters or classical musicians trying to work with outdated forms.
    • At some point, the main character should have a meeting with an agent in New York. The meeting doesn’t go well—he’s out of his depth, fails to make an impression, and thus loses what he feels like was his one chance.
  13. Untitled Millennial Love Story (2018)
    • A novel about two young people living in New York who meet at a party and start dating. He’s a twenty-nine-year-old (unpublished) writer and a part-time bartender, and she’s a twenty-four-year-old actress trying to make it in theater. They fall in love and grow close, but after a few years, they start to drift apart, mostly because he’s very depressed about his writing, how it’s not going anywhere, and how the dreams he had in childhood seem so far away now. Every day he wakes up and feels like a failure, and this rubs off on her, because she’s a little younger than him and still optimistic about things and doesn’t share his exhausting nihilism. Eventually, she leaves for Paris to be in a friend’s indie movie, and he gets an email a few weeks later saying they should break up and that she’s been seeing Emile (the indie director friend) for about a month now. He’s sitting in their shared apartment, a tiny studio in Queens, and when he hears the news, he throws his laptop at the wall and then goes out and buys a bottle of whiskey and drinks it from a paper bag while walking around the city, before returning home, masturbating to some porn (something demeaning probably, like a man getting choked and slapped and maybe even pissed on), and then passing out on his couch.
  14. The Solitary City (2019)
    • A first-person, autofiction novel about a failed thirty-year-old writer living by himself in New York City. Aside from working as a bartender to try and make ends meet, he takes long walks, reflects on the city’s buildings and history, occasionally sees art shows and readings put on by his friends, smokes and drinks a lot, sits in cafes and tries to write. He’s estranged from his parents, who tell him he has to get a real job and get his life together, and his attempts at relationships always go nowhere, as he feels no connection at all with the people he meets. He starts to resent his own generation, and he wishes he lived in an earlier time, in the 1960s, or the 1920s, or the 1890s, when people still read books and the world was still exciting.
  15. Confessions (2020)
    • As the COVID-19 pandemic sweeps across the world, a thirty-one-year-old man comes down with symptoms and is admitted to the hospital. Even though he’s young, he’s smoked and drank a lot throughout his short life, so he’s not in great health, and the virus affects him severely. He has to be hooked up to a ventilator, and he feels pain all over his body, his chest, his arms, his back, and especially his head. Worst of all, his vision gets so blurry that he can’t read books—the text gets jumbled and he can’t make sense of it, as if he’s dyslexic. He tries listening to audiobooks, but the sound from his headphones makes his headache unbearable. And so he finds himself in a literature-less state. It may be the first time since he was a child that he hasn’t been reading a book. When he is lucid, he spends his hours thinking, about his life and what it meant and whether he accomplished the things he wanted. He contacts his parents, but they’re not allowed to come and see him for fear of contamination, so he has to talk to them on Zoom. His mother is crying, and while his father tries to smile and keep things optimistic and talk to him about books and “what he’s been writing,” he can see even in his eyes despair hiding behind the cheery disposition. He texts his ex-girlfriend, and she sends her condolences, and they even chat once over Zoom. She’s no longer seeing Emile the director, and she’s living in New York again, and he feels a sense of pain in his chest when he sees her face on the screen lit up by light from a window behind her, like the one in their old apartment. It might be COVID-induced synesthesia, but he feels like he can smell her hair again, feel her skin against his, her body through the sheets whenever he would wake up in the morning, the taste of coffee on her lips when he kissed her in their kitchen. Eventually, he’s left to himself, in the darkening hospital room, the beeping of machines of the older patients nearby, the distant sound of a nurse sighing in the hallway. He thinks about his failed writing career, all those novels he wanted to write but never finished. He imagines one final novel, something earnest and authentic that could justify his existence. He doesn’t know what style he’d write it in—postmodern, realist, dystopian, autoficion—and he doesn’t even know which events it would include, who the characters would be, how the plot would unfold. Still, he has a profound sense of it, a burning presence at the edges of his vision, and he knows that if he could write it, it would be absolutely perfect—everything he’d sought to capture since he first came up with Space Battles back in 1999, a representation that solved the riddle of literary mimesis, a document, ultimately, of what it had meant to him to be alive. The last scene before he dies would be him reaching out at something with his aching hand.

Continue Reading...

SHAGGING FLIES IN BALLARD by Alexandrine Ogundimu

I resolve to confess my feelings on Saturday. You take me to the batting cage up in Mountlake Terrace but the machines are so awful they eat our tokens and give us nothing back, no high-arching softballs or baseball bullets. I would never say anything because I am meek and unmasculine but you get a refund because you are handsome and friendly and always get what you want and I am jealous—of your confidence and looks and talents and physicality and how much sex you have.

There’s a bucket of baseballs in your trunk so we drive to a park in Ballard and grab the bats and bucket and I’m way out of shape and can’t pitch for shit. You whack more than a few out into the home run range and we shag them together and take turns, pitcher and hitter, the innuendo not lost on me though you are oblivious to it, as I admire your form and feel a certain kind of carefree peace and joy, just two guys hitting baseballs, and it makes me wish you were my boyfriend in a way I find embarrassing, and I will tell you, hyper-straight you, college-baseball-player you, writer you, talented-in-more-than-every-way you. 

This isn’t the right moment to say anything because it’s too perfect, as if I have already gotten exactly what I want, and having had it, there is no reason for me to seek it. 

We catch the Mariners game at a pizza place and you drink a beer while I drink a Diet Coke because I’m scared of what comes out of me while I’m drunk. You ask me how the date with that guy went and I say Fine when it wasn’t fine because he wasn’t you, and I don’t care unless I care and you make me care in spite of myself. 

We lock eyes as you say Yeah, just fine? And your voice is so warm and your eyes are crystal, your Henley revealing just a bit of your chest and I am an animal, my higher functions suspended even as I can feel your thoughts move, and I realize that this is my moment, my time to confess, and as I prepare the words Zunino blasts one and the bar goes wild and we high-five and really is it worth it to complicate a friendship when it’s so much easier to let your heart break. 

Continue Reading...

EVERY DAY IMAGINE DROWNING by Melanie Carlstad

I was at work holding onto a trowel and my father wasn’t dead. I argued this point to my colleague, Mary Anne, who was afraid of worms. 

Here’s the gist, Mary Anne, I said. We are at work. We are gardening. You are afraid of the worms writhing between your fingers, and on top of that, my dad isn’t dead. 

Mary Anne screamed. There was nothing else to do but scream about the ringed pink flesh of the worms. 

Everything was drippy from yesterday’s rain. The juniper bush and the ivy leaves strangling it dripped on us. Our feet sank in the wet dirt. We had long hours, so we filled them with talk. 

My parents are in an unhappy marriage, but they’re alive and well, Mary Anne said. 

Mine aren’t like that, I said. They’re in a happy marriage and ailing slowly.Your dad is all done ailing, said Mary Anne. He’s dead. 

I laughed and laughed. The juniper bush dripped, and I deadheaded the agapanthus. We talked about parking lots, hungry children with shiny eyes, and how the sun drowned every evening when it set over the bay. We could see it gasping above the waterline from the hill where we gardened. 

Imagine drowning every day! Mary Anne said. We were crouched around the birdbath, hunting for crabgrass. With the rain, it had inched its way through networks of other plants, infiltrating their systems. I had to extract the crabgrass but not the poppies. I didn’t like poppies very much, but we had to preserve them. Our supervisor came out to check on us sometimes. 

There’s a dead possum in the green bin, she said when she came out. Please take care of it. 

I went to the green bin and kicked it onto its side. Dirty water dribbled out of the corner, wadded-up bundles of weeds slumped at the mouth of the bin, and underneath them I saw a beady eyeball surrounded by fur. I retreated, walking backwards while staring at the eye. 

Mary Anne was still under the bird bath. I was starting to resent her for moving so slowly. She picked at crabgrass with a sense of leisure and twirled ivy like long hair when she ripped it out of the juniper. 

There’s no dead possum in the green bin, I told her. There’s a possum in there alright, but it’s alive and well, just playing dead until it can make its getaway. 

It had better go quick, Mary Anne said. She wrapped her hand around the neck of an invasive plant and yanked it out of the ground. She saw the worms intertwined with the torn roots and flung them away, sending specks of dirt onto my eyelids and cheeks. The sun was getting ready to drown, which meant we had to fill the green bin and clean up. The juniper still dripped on us while we tossed piles of weeds into the bin, which had no possum anymore but was full of new dead things. 

This story was published in print only with the title “Worms” in Pratt’s literary magazine, Ubiquitous, in 2018.

Continue Reading...

THE OPENER by Marissa Higgins

Bobby tossed the stuffed chihuahua between his bare hands, Suboxone in his right coat pocket and a picture of Alyssa at two months in his left. Should have worn gloves, he knew. Cape Cod winters tug the cold out of bones. The bus depot, of course, wasn’t heated. What if I can’t find you in the parking lot, he said over the phone when they arranged the meeting. Just stay in one place, Alyssa’s grandmother said, and then she named it. Sharon added: You’ll recognize your blood. 

The call went clipped like that: Yeah, he was still at the halfway house, working, wanting to see Alyssa. No, he wasn’t paid on the books or sure about child support. He didn’t have any other kids. Yeah, he was sure.

Sharon and his kid pulled up and Bobby tightened his stomach lips colon toes fingers throat knees jaw. He put the stuffed animal behind his back. He watched Sharon get out and fiddle with the backseat. When Alyssa dropped her feet into the snow, Bobby dropped the chihuahua. He said, Oh, shit. Then Alyssa was upon him.

She said, Hey. They did not hug. As he shook the snow from the toy, he watched her watch him. 

This is for you, Bobby said. And hey, yourself. 

I’m not allowed to have a dog, she said, brown eyes a story in themselves. Bobby knew better than to point it out, but the kid really looked nothing like him. Carved from clouds, not smoke.

This one is good, he said all slow. Because it’s not real, you know?

Yeah, she said, solemn. I know. 

Father and daughter didn’t talk again until the three of them were seated in a booth. The place was packed for lunch hour, all pop radio and pitchy kids. Sharon chatted for them; she caught Bobby up on Alyssa’s flute lessons, three times a week, which Bobby thought sounded like a lot, but shit if he knew. 

Bobby nodded nodded nodded and sat straight straight straight. His posture was a knot, he admitted it, but he wanted Sharon to see him as different than the last time. He had been fucked up, yeah. He and Alyssa’s mom were screaming pretty bad. Some shit got broken. Neighbors were pissed about the noise and all, and Bobby couldn’t even tell them to fuck off, on account of them being right. Spine straight, Bobby housed his pizza and was glad to see Alyssa ate like him, big bites, teeth worked as weapons, oil all over the damn place. And why not, he thought, watching his kid suck grease from each of her ten fingers. Why not. 

She’s a busy girl, Sharon said. Almost a young lady. 

Bobby got her point. He crumpled a napkin, cleared his diet Pepsi, asked if they wanted refills. Sharon said no thank you and Alyssa eyed her cup, almost drained. At the drink fountain, he was small, cramped. He knew, but did he? Last he’d seen Alyssa, she was in diapers, drinking milk. He gambled. He filled hers to the top with cherry Coke and plenty of ice. 

Under Sharon’s gaze, Alyssa mumbled thanks and gulped gulped gulped. Soda drizzled down her chin and onto her lap napkins. She and Bobby shared a look. Happy, happy. 

Back in the parking lot, Bobby considered what they hadn’t talked about. Visitation, supervised or not. Alyssa’s mom—if she was dating anybody or if she was still working at the diner by the bay. If Alyssa was gonna be allowed to come over his apartment, once he got one, once he finished up the program. Holiday photos would be cool, he’d been thinking. Family portraits, the kind they take at the mall. Corny, he thought, but shit. Why not. 

To Sharon, he said, Thank you. She didn’t ask him what for, which he appreciated. Later, in his bunk, Bobby would think about what he owed her, and how the debt made him feel weak and also relieved. Ever since Sharon became Alyssa’s guardian, he knew his daughter was good. He trusted she went to school and had enough to eat. That her hair was clean. That she wore socks under her boots. That she didn’t miss him much, because why would she? He only recently started to miss himself. 

With Alyssa, he held out the chihuahua, mostly dry from sitting on a heater in the back of the restaurant. Its glass eyes were warmer than he expected when he rooted through the discount bin at the outlet across town. That’s special, he thought. 

Alyssa said, Thank you, and took the dog. Against her pink puffer, the chihuahua looked cozy. She asked if Bobby would bring her a real dog next time.

That’s up to your grandma, he said. Around them, crows convened low, indifferent. If Sharon said sure, bring the girl a dog? Bobby would steal one, he guessed. He’d make it work. 

Alyssa rolled her eyes, letting Bobby know grandma was the big no in the game. She asked if he wanted a hug goodbye. 

When he stooped to her level, Bobby thought his back would splinter. Hamstrings were fists. Knees shuddered. His case worker told him he had to let go of his rage, that he couldn’t carry stress around the way he did. Bobby wanted to put his fear into a box or a closet or a bag. Wouldn’t the sadness open in another place, he wondered? Waiting for him, waiting to find fresh light. Still: He wanted, he wanted.

While they hugged, Bobby noticed a lot. Alyssa’s hair smelled like fruit. Her face was soft, not like skin, but pillows; the nice ones, the department store kind. When she coughed into his shoulder, unabashed, he smelled her breath: all hot cheese and pepperoncini. My kid, he thought. My kid. In his throat, a hummingbird. 

 

"The Opener" previously appeared in Popshot Quarterly Magazine.

Continue Reading...

PATTY by Hugh Behm-Steinberg

The problem with dolls who can do things is that they get bored, you have to keep them busy. If you don’t they get clingy, and it’s so easy to forget to keep the little gold chain on around their neck. They say if you forget about the little gold chain the dolls will chase you everywhere, and then it’s stab, stab, stab. 

But mostly they’re just you, only smaller, which is gross in its own way. As you get older, they become more childish, until finally you have to put them in a shoebox and bury them in the yard. You tell yourself you’re growing up and this is what grownups always eventually do. Look carefully in the backyard of your grandparents’ house if you don’t believe.

But your little brother, when you’re over at your best friend Cindy’s house, he digs your doll up, he throws it like a stick to the dog, he plays fetch with your doll, and when it’s all chewed up and slobbered on, he hides it in your room, where it moans in a voice only you can hear. There’s going to be some curses: on you, your brother, that dog. You buried your doll where he could find it, you didn’t bury your doll deep enough, you didn’t do right by your doll. You’re going to have to rescue what you abandoned, that’s a curse in itself you don’t know just yet.

But you don’t have to be that sort of person, you don’t have to be a jerk. You clean the doll up, you make invisible tea, you bring together all your other dolls, the ones who can’t do things, and you pour out all your apologies. It’s going to take a while to work everything out, so you keep your door locked. “Why should I trust you?” the doll says. “Look me in the eye,” she says, when you promise to be nicer. “Take this gold chain off me,” she says. 

You take a big breath and you do it.

“When I go to sleep,” you say, “you’re not going to stab me, right?”

“Why do you think I would ever want to hurt you?” If she could cry she would, but she’s not that kind of doll.

You and your doll are practically vibratingthis is something raw and new. It feels like you’ve been sobbing for hours, as you tell her everything in your heart and she tells you everything back. You feel a light inside you, a secret light you can’t tell anyone because they won’t know what it’s like and they’ll just laugh and say you’re a kid, what do you know?

She promises to lift all of her curses. To mark this new turn, you give your doll a new name, Patty.

“I like that name,” Patty says.

You and Patty track down your brother. He looks at Patty and notices she’s not wearing her necklace. “That’s right,” you say, as you knock him over and climb on top of him. “Someone owes Patty an apology, or someone is going to get stabbed in the eye.”

He apologizes and apologizes and apologizes. You tell him you don’t believe him and it’s only a matter of time until Patty sneaks into his room with a kitchen knife. “If you mean it,” you say, “You’ll eat dirt. You’ll eat worms.”

You put your knee on one of his arms. You point to the hole he dug Patty out of.

“I’m sorry,” he wails.

“Shake hands with Patty and tell her you’ll never do it again.”

When it’s dinnertime, you bring Patty down with you, and when your mom looks at you with that aren’t you too old to play with dolls look, you put Patty right in the middle of the table, where everyone can see who’s no longer wearing their golden necklace. Patty cuts loose, leaping from the table to do cartwheels around on the floor. Your dad gives your mom the let’s just put up with it for now look, and while the dog is keeping her distance, everyone else goes back to chatting about their day and eating.

The problem with dolls who can do things is that they hate doing chores, just like you, but it’s your turn to wash the dishes, so you grab Patty. You put on your dishwashing gloves, then carefully slip a pair of dolly gloves on Patty’s little hands. 

“We’re friends, right?” 

The dishes, glasses and pans, it’s all so disgusting. “It has everybody’s spit on it,” Patty says, shakily.

“If we both do it,” you say, “then it’ll be over with quicker and it’ll be alright.”

“But I’m going to get spit all over me! It’s going to leak through these gloves and then it’s going to get on my skin and it will be like I was back inside your dog’s mouth!”

Patty’s holding her knees with her little dolly gloves and rocking back and forth.

“I was wearing my necklace and I couldn’t do anything to make it stop.”

“It’s ok, you don’t have to do the dishes,” you say. 

You put Patty on the windowsill and do all the dishes yourself. You sing her a couple of Taylor Swift songs and soon the two of you are singing together. Together, you and Patty ease.

You make a note to remember this—that it’s ok just to sing, that this is something you know how to do, when someone is frightened so badly they don’t even know how scared they are. 

The kitchen knives sit on the drying rack, all in a row, sharp and clean.

Continue Reading...

BABY ON BOARD by Natalie Warther

It’s not a lie. It’s just a sticker. A sticker that says there’s a baby on board, when technically there is not. Can you blame me? You’ve seen how careful people are around a new mother. Otherwise, they are reckless. Besides, people lie about much worse. And there is no sticker that says “Be careful, please, I have a lot of student debt.”

Plus, it’s not like there aren’t important things in my backseat. The screenplay I’m writing about a boy who wants to play major league baseball, for example, and a pile of towels from my mother’s garage.

Why should I want a baby anyway? My sister and her husband had a baby. They sent me a picture in the mail. Everyone looked scared.

Last week there was a whole list of specials at Vons because the 4th of July was coming and people needed beef and various dips. I grabbed my coupons and my grocery bags. On the 1, an SUV to my left matched my speed. We traveled together for too many seconds. I accelerated, but so did the SUV. The driver was looking at me, I could feel it, he was burning holes into my profile. I wanted to tell him to keep his eyes on the road, but our windows were up, and I was trying to keep my eyes on the road.

I sneaked a glance. It was a woman. She was motioning at me to roll down my window, so I did. What else can one do? The freeway blew into our cars. She was shouting at me, we were both pushing 80, she was shouting, “WHERE’S YOUR CAR SEAT?” I got a better look at her. 40s. Three kids in the back. “YOU NEED A CARSEAT FOR YOUR BABY!” The kids were staring at me: their first criminal. This woman is crazy, I thought, and then I remembered the sticker.

“I DON’T HAVE A BABY!” I yelled, but she didn’t hear me over the traffic.

“I’VE GOT YOUR PLATES. I’M CALLING 911.” She passed her purse back to one of the children to get her phone. All of them looked in horror at the pile of towels in the back.

I panicked and shouted louder, “THERE’S NO BABY ON BOARD! I DON’T HAVE A BABY! I DON’T HAVE ANYONE!” She heard me this time.

The SUV accelerated and I switched lanes, tetrising myself deeper into the system of cars who handled me with care. I am a fake mother, and a bad writer, and a common liar, and maybe a fraud, but the freeway forgave me. They made room for me. They indicated before turning and allowed me to merge. The Volvos, the Mazdas, they flanked me, escorting me, and before I knew it, I was where I needed to be, parked in a good spot right by the doors.

Continue Reading...