THE DISASTER LOTTERY by David Williamson

A few years back when I’m twelve and old enough to be alone at home while my parents leave and stay out late, I find some cigarettes and smoke them in the house, then I take two sips each from all the liquor bottles we have in the house, and then I get hit over the head with a premonition that my mom and dad are never coming back home.  

I move to the front window, the one that I can see the farthest down the road, and I stare out the glass and watch for their car. I focus on the pairs of headlights flashing by, willing them to slow down and turn into the driveway, crushing the curtains in my fist when they don’t. 

I can tell by the size of the lights, or if they are too high up from the road like the ones on a truck or a van, whether they belong to my parents. I do this for minutes or even hours. I wonder how there could be so many cars in the world. 

When I’ve decided the worst has happened, I hop up and turn over a wicker basket and watch various issues of Field & Stream and Popular Mechanics and Popular Science and Alfred Hitchcock’s Mystery Magazine go sliding across the carpet in a slick, glossy sequence. I grab the Yellow Pages from among them and flip through until I find Pearley’s Tavern. I take the phone from where it’s mounted on the wall and punch in the number listed. 

Someone answers and it’s loud and I give the person on the other end the names of my mom and dad but he (she?) says they’re not there. I flip over more pages until I find St. Mary’s Hospital. 

I call, and a woman answers, and I wonder if her name is Mary. I ask if my parents are there except I don’t say my parents. Instead, I tell the woman their actual legal names. 

She says, “I’m sorry” like it’s a question, and I ask again if there are any car crash victims tonight and give their names again as if that will clarify.

She says there aren’t, but I don’t believe her, so I hang up and leave the house and sprint around the corner where my bike leans against an enormous tree that Dad once said was older than George Washington. 

I ride my bike to the St. Mary’s emergency room, which is only two miles away, so it’s not like it’s even that extreme of a decision. I know that every second I waste is one percent more of a chance that my parents are there, dying. I don’t know how I know this except that I feel it in my spirit.

I pump harder and my quads sear, and the wind rips tears right out of my eyes so they streak over my temples and detach, trailing behind my head. I go as fast as I can until I flash right up to the emergency room entrance.

I let the bike go and it sails ahead, ghost-riding, and crashes into the brick side of the hospital building. 

I head straight for the big sheet-glass doors that slide open like people are waiting for me to get there. I go right up to the woman at the desk. It’s the one I was on the phone with, Mary. I can’t prove it’s her, but I believe in my heart of hearts that it is.

She looks just like Aunt Jessie if Aunt Jessie stayed up for three nights straight and her hair turned brown. There’s a bubble of skin right at the corner of her square chin. 

“Are there any car crash victims here tonight?” I say right into her face because I didn’t believe her over the phone. 

She looks annoyed, as if kids like me were always asking if their parents were dead or dying and she’s over the whole thing. 

“May I have a name please?” she asks.

I tell Mary their godforsaken Christian names, for the third time. 

She says no and motions to something behind me. I follow her outstretched arm down to the tip of a finger that looks like it had been sawed off someone twice her size and sewn on Frankenstyle. It’s too red and puffy compared to the rest of her hand, and I imagine popping the tip with a needle so it explodes blood everywhere. 

What she means with her sick, bloated finger is that I should sit in the waiting room with all the other sick people. But I’m not sick. Her finger is sick, and I think about telling her that it should take its own seat, but instead I turn around and find myself floating to an empty chair. 

On either side of me are two other sickos, one who is cradling her left elbow in her right hand, hair all frizzy, and she’s trying not to moan but she’s not very good at it, and it comes out all weird and I have to snap my head away so that she doesn’t see me staring. 

On the other side of me is an old man in a seat with wheels—not quite a wheelchair— just a small wiry seat with wheels on it. Next to him is his wife, I guess, because she looks just as old as he is, her hair, skeleton white, flying out in wild licks everywhere like she’s just woken up for this specific emergency. Across the waiting room is a sorry looking guy who’s just crying. He’s alone and he looks too old to cry. Like he should be a dad or something, but he’s just alone and crying. Can you come to the emergency room for just crying?

I don’t know.

Where are my parents?

I’m sitting between Cradle Arm and Old Couple wondering what I’m doing here since I’m not sick. And if Mary Fat Finger says my mom and dad aren’t here, then what am I doing? 

I have this superstition about hoping for something wonderful but knowing it’ll never happen. Like a fantasy. Like, maybe at the Winter Dance, Charlotte Berns comes up to me while I’m being a lonely dork by the punch bowl and tells me that she’s glad I came and that she’s always had a crush on me, so I take her hand and leave the gym and we go under the stairs and make out. Or how maybe I wake up one morning and my dad calls me over for breakfast and he calls me something dumb like Son or something, and says that now I’m old enough to know that he’s the heir of a fortune, but they’ve kept it hidden from me and we live in this dumpy-ass neighborhood so that all of mom’s greedy, drunk brothers don’t come hounding us for cash and that someday I’ll inherit the fortune and everything is going to be all right.

Those things don’t ever happen, right? Because literally nothing ever happens exactly the way you hope for. 

It works the opposite way too. It’s so simple. I just imagine every possible awful thing that I’m afraid will ever happen, so then there’s no chance that it will ever actually come true. It’s like a disaster lottery. You ever meet anyone that has won the lottery? I haven’t. You ever meet anyone who fantasizes about winning the lottery? You bet I have.  

I sit here between Arm Cradle and Old Couple and imagine my parents dying in violent fiery deaths. Through the glass on the far side of the waiting room I can see where the ambulances show up and wheel all the dying people through the doors. I wait to see people that look like my mom and dad on stretchers, EMTs racing them inside. 

I imagine a t-boned car where the metal spears my mom right through and my dad goes head-first into the windshield. I imagine a mass shooting in Pearly’s Tavern. A knife fight on the way to their car. I imagine sudden onset drop-dead cancer for both of them. I imagine them running off, deciding I’m too much to handle, and what’s stopping them from leaving me and their old life behind anyway? I have my greedy drunk uncles who could look after me, right?

This last thought is interrupted by two giant police officers who enter the ER waiting room from somewhere within the hospital, and right away I know they’re here for me, so I jump up and start running. They leap after me and I swear I hear one of them call me a little shit, which isn’t fair because I haven’t done anything wrong. I just came in because I’m worried my parents are dead or dying. 

I pass through the ER sliding doors again and snatch up my bike which looks like a crumpled thing against the side of the building but still works just fine once I start pumping. The cops are large and have to hurdle over other people in the waiting room to even get close to me, so by the time they’re out the door, I’m way off down the dark streets back toward my house. 

When I get home, I see our car in the driveway. I walk into the house and find my parents passed out in their bed, half dressed and uncovered. I think about putting a blanket over them, but I don’t because why should I? After everything they put me through tonight.

 

There was another night after that when my mom didn’t come home at all. I didn’t know it at the time because I was asleep when it all went down. In the morning my dad told me she was gone and that I shouldn’t expect her to ever come back, and that’s all he’s ever said about it. 

Now I just wait and I play my dumb video games and I read the books they give me at school and I go out to the creek and smash lizards with a baseball bat. I try hard not to imagine Mom driving back into this dumpy neighborhood and walking through the front door and saying, “Hey, bud. Sorry I’ve been so long.”

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COBRA by Marcus Ong

At two in the afternoon, she hears a bang like a gunshot. Eugenia peeks out her bedroom window. What’s visible to her: the Tangs’ barbecue pit, their garden shed, their kidney-shaped pool. She counts dead oval leaves trapped on the water. 

Must be the Tang brothers lighting firecrackers behind the shed again, she thinks. They’re always plotting to give the birds a heart attack. Forefingers stuffed in her ears, she wonders why the brothers aren’t studying, and from where do they get their sadistic toys? But if the Gohs across the street managed to smuggle in flamingos to chain to a tree in their backyard, what’s a few firecrackers? What about the Xias down the road who somehow had the Deputy Prime Minister over for durians and macarons? Mummy has warned that she must never mention this to anyone. 

Eugenia exits her room. 

By right she isn’t supposed to come out until she’s confident of acing tomorrow’s English test, but how to concentrate when tonight Daddy’s appearing on live TV, all fake-tanned and dressed as Aladdin, kissing a poisonous cobra? 

Never mind grammar; she’s going to pray.  

She hops down the marble staircase. She strides over to the kitchen. She seeks out strawberries and blueberries and Hershey’s chocolate bars from the fridge. She loads up her plate and sock-slides into the living room where she taps Spotify’s icon on the iPad mounted on the wall. 

The air-con hums alive and the lights dim. John Mayer, her one and only, starts plucking at his electric guitar, singing Slow Dancing in a Burning Room. Eugenia sighs. She plops on the sofa and closes her eyes and clenches her fists as if she’s in church. 

Please don’t let anything bad happen to Daddy. 

Eugenia takes in a deep breath. 

Daddy’s a really beautiful human being. No thank you, is what Daddy always says when Mummy offers him a cigarette. 

Eugenia knows she is lucky; she can’t recall the last time Daddy raised his voice at home. What’s more, Daddy invites grandma over for dinner on Sundays and prepares her favourite PuEr tea. So sweet! Eugenia pictures everyone sitting in her own living room in the future. Sitting crossed-legged on the carpet will be Johnny M, who should be an old man by then, and she’ll pay him handsomely to teach her music so she can sing for her parents. Because once Eugenia was rushing homework upstairs when she heard music downstairs: it was Daddy with grandpa’s old harmonica on his lips. Daddy was blowing softly, filling the house with sweet but melancholic tunes, making Grandma weep; he’d played it in a way you either caught all of its tenderness or none at all. It was more or less the most beautiful thing she’s ever witnessed. 

Eugenia opens her eyes again, smiling. 

She extracts a yellowed copy of Frankenstein from under Daddy’s Jodi Picoults and Danielle Steeles stacked on the round, heavy coffee-table. 

She bites into a fat strawberry and a seed gets stuck between her teeth. She dislodges the seed with her tongue and spits it onto the carpet, which prompts the Roomba to dart out from under the sofa—suck-suck-suck. She squeezes the bookmark. She narrows her eyes. Soon the plot thickens, and things turn creepy; the icky-yucky monster with a bolt through his head feels hated and lonely; it didn’t ask to be born! 

Eugenia looks away from the page. 

Silent in the driveway is Daddy’s three-month-old Ford Focus. Has rehearsal ended early? she thinks. He’s back to say good-bye-I-love-you? 

She touches wood and shuts her eyes again. 

But still, she sees so vividly Daddy purpled with snake poison and gasping for air, and the teeth-gritting fanfare refuses to stop. Why can’t he just quit? she thinks. Year after year. Why the need for fear-factor? It used to be just singing and dancing. She remembers Mr. Tang next door, who runs the charity show, talking about star power on the TV news. First, they immersed Daddy in an ice-filled container, which took months and months of endurance training. Donations, the newspaper said, struck a new record. Talking about five point eight million Singapore dollars, that sort of record. All her schoolmates started calling Daddy a hero, and for a while, Eugenia got some precious attention. 

But she knows that her Daddy has been taking glucosamine pills for his knees, and that last year he had a bypass done, and that same year they made him balance atop a five-storey pole for two hours! If only outsiders realise how tough it gets at home; Daddy always loses his sense of humour during training season. She recalls him sitting through four SpongeBob SquarePants episodes with her, and he didn’t even laugh once! All he did was nod. He nodded when Mummy said, “I love you?” Eugenia was spying on them from behind the fridge. She saw Daddy spill a little whiskey into his coffee. 

Is nodding good or bad? she asks herself. Daddy said that nodding too much could sometimes annoy people, even if your intention is to preserve the peace. What was Daddy hinting at? Was it wrong of him to have nodded when Mummy woke up one fine August morning those many years ago and said she wanted a child but didn’t want to go through pregnancy and labour? That was how Eugenia came into the picture. Also, is it even humanly possible not to find SpongeBob funny? she thinks. It’s like sneezing with your eyes open! 

Oh no. 

Is Daddy back early because he’s found out that she’s been using his credit card to shop online? But only because it’s so boring at home. So quiet always. Jumping, jumping to see if she could touch the ceiling fan with her fingertips. Yesterday afternoon was spent like this, so lacking in definition, and she wonders why Mummy has to slave at KPMG, always coming home late, like twelve-midnight late, even when Daddy’s already famous and makes quite a bit. Nobody has time to take her to places of interest her classmates often advertise in class: Mandai Zoo, Jurong Bird Park, Sentosa Island, Botanic Gardens, Haw Par Villa. Eugenia wants to watch Disney on Ice. She wants to catch Lion King Live. But suppose word from the grapevine’s true that Daddy might earn a bit-part role in a new Hollywood film—which would make him the first local actor ever—then it’ll be a year of filming in the USA. That means he won’t have time to take her anywhere. And it all depends on whether he wins Best Male Actor at Star Awards this year. Daddy totally deserves the award, Eugenia thinks. Even the pundits agree with her. Because he recently played this anorexic with kidney failure battling demons, and it seemed so real! He’d worked so hard for it; he ate so little that his hair started falling out! So much so that Uncle Jerry—Daddy’s buddy and long-time agent—started booking hair transplant sessions for Daddy. 

Eugenia wants to laugh: maybe Uncle Jerry doesn’t understand what Daddy was trying to do, but it’s called method acting. Like what Dustin Hoffman did for Rain Man. Eugenia Googled it. Gotta buck up, Uncle Jerry! She can’t always be the one coming up with fresh ideas. Like suggesting Mummy and herself go on a keto diet at home so Daddy won’t feel so alone. She doesn’t get why Daddy would say no, no, no—no keto diet, zone diet, vegan diet, and whatnot. He said it would give him more sleepless nights to think about his Queen and Princess not eating as they please. “Stop this nonsense,” he said. “Stop it right now. Damn it!” Look at the shadows under his eyes, darker than coffee stains, heavier than storm clouds. “Listen,” he said, “Listen. Something’s seriously wrong with this fucking industry. Let’s pack up and go. We’ll start anew. Yes?

No,” said Mummy. 

“Is Uncle Jerry coming with us?” asked Eugenia.

The whole multi-purpose hall is wrapped in the smell of sweat. Out of all four corners boom Eye of the Tiger on repeat. Jerry is slouched, snacking on an Old Chang Kee curry puff and watching the Honourable Tang go up and down the hall, saying to one actor and then another, I admire you. I admire you and the goodness of your heart—Jerry imagines that is what Tang would say. 

Jerry turns his gaze to Maximilian Hao, his buddy, who is whispering to an actor nursing rope burns, and both actors shoot glances at Tang, who is now saluting the portrait of the President and First Lady hanging high up on the wall. Tang then wiggles his finger at his PA, and the young, buck-toothed man hurries over, dropping his notebook, picking it up, and then dropping it again. 

“Cancel golf and Jujitsu,” Tang’s voice echoes through the hall, over the music. “And my lunchtime auction. Get Fahmi to bring the car outside.” 

Jerry studies his watch and mumbles to himself, Nap time. He stares at the PA’s lips as they move, and he thinks the PA might drop the notebook again. 

“You young people,” Tang suddenly shouts, and the music stops. Everyone turns to stare. “Can’t you take one simple instruction without asking a thousand and one questions? You’re like my boys at home. When I tell them to stop posting pictures of expensive shit on Facebook, they have to first ask me why. Is it so difficult? To just listen? When I shot your grandmother to the top of my waiting list, did I ask any questions? Did I? Maybe now I should ask a few: Is she in possession of some regenerative superpower I should know about? Has she miraculously grown a new kidney? She no longer needs dialysis? If so, you must tell me. I have thousands waiting to replace her.”

Jerry gets onto his feet—but someone fear-farted—and Jerry sits down again. He scans the hall, looking for the culprit, who is none other than a pretty actress about to get shot in the back with blow darts. 

The woman sinks to her knees and covers her face with her hands. Her PA hurries over with a cardigan and drapes it over her shaking shoulders. 

“Mr. Tang,” the actress says. “Can you assign me to do something else? Please? I can talk. I’m good with the mic. Let me host the show. How much are you paying that Taiwan guy? I’ll pay you back exactly, and then I’ll host for free.”

“You’re telling me this at final rehearsal?” Tang says. 

“Or how about one thousand jumping jacks? It’s funny. I swear. I read somewhere that humour can spur people to donate. No, actually I’ve seen it. In—in the UK. Red Nose Day? Two thousand jumping jacks?”

“We’ve gone through this, Jeen.”

“Please.”

“You and blow darts have to go together.” 

“But why?”

Stop asking questions, Jerry thinks of shouting across the hall. He knows that Tang is about to take out her contract and tell the actress to suck a thumb. And she would have to suck her thumb. Because Tang would ask her to. Jerry shakes his head. Why can’t these people see that they’re the ones being done a favour? The more sickening the stunt, the higher their popularity rating shoots. By-product? Lucrative endorsement deals. It’s a no-brainer. There are young newbies willing to jerk Tang off under a table just to do pull-ups over a tank of swimming piranhas on Tang’s charity show. Next thing they know, they’re on prime-time serial drama. The newbies win Best Newcomer, and they come back again for more stunts and win Best Supporting Actor. Maxi had understood this early in his career. And these days Maxi appearing on screen alone guarantees a thousand calls, the show’s statistician had informed Tang, who then clued Jerry in. The moment Maxi’s lips touch the cobra’s head? Double the figure? Triple? Who knows?

Jerry wonders if the actors have heard: Tang is taking a hiatus. Someone else will have to come up with the bombastic innovations now. A claw-machine? Jerry can feel tears in his eyes: he was the one who tipped off Tang that an audit was coming, that The Straits Times smells something. Sure enough, Tang’s CCTVs captured journalist and cameramen snooping outside his home, where his wife and children eat and sleep. And Tang had to pay Jerry and Fahmi extra to muscle those pests away and drive all six cars out to some warehouse to hide them. 

Hello, California. 

Hello, brand-new start. 

Jerry was at Tang’s family dinner when Tang announced to his boys the grand plan. 

“Fuck O Level,” Tang said. “You’re taking SATs. And fuck your friends. You’re making new American friends. Pick up an accent, go ahead. Whatever. Play nice, learn to play baseball. Forget the ninth of August. We’re going to celebrate Fourth of July. As a family.”  

Tang then flashed a pair of tickets to the Super Bowl and ComicCon, just in case. He promised the boys Mustangs when they hit sixteen. But the boys started cursing at their father. And Tang just sat there with an abalone in his mouth, unable to swallow, and Jerry excused himself to the bathroom where he sat on the toilet and listened to the shouting and screaming and shattering of plates. 

Jerry spots Maximilian leaving his station and striding over to Tang. 

“Maximilian Hao!” Tang screams, “If you leave your station without permission one more time…”

Shit. Shit. Shit. 

Jerry puts away the curry puff and touches his hair. Maxi is going kamikaze! Jerry tries waving at his buddy but gets no response. 

Maximilian removes Jeen’s cardigan. 

“This is the reason,” Maximilian says, pointing to the scar on her back which looks like a decayed leaf. “Top Dog here wants the audience to think you got it from stunt training.”

“I got this at a playground when I was twelve.”

Maximilian smacks his forehead.

“All right, all right. Enough.” Tang pulls Maximilian aside. “Is this about the cobra? I gave you a choice, remember? Between that and—and—what’s the other thing?”

“Tongue and spinning fan,” Jerry whispers. 

“Tongue and spinning fan,” Maximilian says.

“You trying to tell me something, Max? At least you had a choice. You think I didn’t see you kick the water cooler just now? Really think I didn’t see?”

“Was just trying to get it to work, Boss.”

“Oh, is it? Not trying to cause any trouble at all?”

“Why would I? We’re neighbours. Practically friends. Are we not?”

Now Jerry can hardly breathe. He looks out and sees Fahmi parking the car downstairs, next to the bonsai trees. So close, he thinks and hangs his head. He mumbles, Bastard. What good is it to burn bridges now? What about Hollywood? Jerry had fought hard for tongue-and-fan. And he can’t understand why Maxi wants to stick with the snake. Why don’t clients ever fucking listen? Is Maxi able to predict what the snake might do at the critical moment? What if the snake suddenly decides it’s sick of Maxi’s face, bites him on the lips? Lots of capillaries there. Sensory nerves. That’s why kisses feel so good on the lips. Maxi must have forgotten how it feels. Maybe Maxi should stop trying to play hero and pay more attention at home and shower his wife with honeyed words every once in a while. Maybe Maxi needs marriage counselling. Or are celebrities too high and mighty for it? Sometimes it’s easier not to take yourself too seriously, Jerry thinks. There’s no need to kick up a fuss every time Sammi compares him to a bowl of gloopy porridge in front of the therapist—all you need to do is nod. Look at how perfect things are now: he gets to kiss Sammi in the morning and actually enjoy it.

He knows that Sammi can’t wait to relocate to Malibu; she’s been yapping nonstop about waking up in a house by the sea. In the not-too-distant past, Jerry would have brought up Africa and its starving children, and, waving a hand, told her to get some perspective. But now, having seen her so brave, not collapsing like a rag doll when she found out she had breast cancer four days after her father’s funeral, Jerry tells himself he would lie on a bed of broken glass for her. Or—or samurai swords. He’d pull himself up twenty-three storeys using rope and pulley. But he can’t. He’s only an agent. Who, contrary to popular belief, despite his glamorous job title, couldn’t even afford his wife’s mastectomy, and so he had to work part-time jobs, and on top of that, borrow money from Tang. And now Tang expects to be kept in the loop about what Maxi has up his sleeves.

“Let him be,” Jerry told Maximilian. “Don’t poke the hornet’s nest.” Because if Tang looks over now and gives Jerry the signal, well, that’s it. 

Over. Finito. Habis.

“I got your contract Xeroxed upstairs,” Tang says. “And you know what it spells? Let me clue you in. Word starts with O, ends with an N. Or you need me to get Jerry to bring it down here?”

“Why don’t we both go to your office?” Maximilian says. “I’ll get Jerry to buy us some bubble tea. We’ll sit down, and we’ll talk.”

“You want to talk to me?”

“Problem?”

“You have any idea what kind of operation I run? You know how many people I save each year?”

“Tang,” says Maximilian. “Get this straight. This—what I’m doing here—is a courtesy call.”

Jerry watches both the men staring at him. He receives the signal like an arrow to the heart, and he is scratching at his cheek, craving for a cigarette. Sweet, sweet cigarettes. He bites his knuckles and thinks hard about Sammi. What kind of asshole is he if he still can’t properly quit after what happened to his wife? Just one puff? Surely she’ll understand the amount of stress he’s under right at this very moment; the weight of the world was resting on his shoulders. He’d agreed, shook on it, to do what Tang wanted to be done when Tang wanted it to be done; he knows what The Signal means. This man you do not burn, Jerry thinks. This is a man who has put half the nation’s talents on annual suicide missions and received awards for it. Also, what Tang wanted to be done could be done to Sammi too. Tang has other lap dogs—that PA who walks around with two left feet?

Jerry chucks the curry puff and dusts his hands and puts on his shoes. He does nothing for a moment or two, except watch Tang and Maximilian march out the hall, heading upstairs to Tang’s office. Then he rummages inside Maximilian’s backpack. He pulls out the face towel, the change of clothes, the 100-Plus, the Ziploc containing plasters and lip balm and hypertension pills and inhaler, dumping them all on the floor. 

He finds Maximilian’s keys, the whole gamut: locker, car, gate, letterbox. 

Clouds block the sun. The street is empty and largely in shadow. The dogs neglect to bark as he drives past the gates. Are those flamingos? he thinks. What the hell? 

He hears thunder rumbling in the sky. 

Good. 

He clears his throat before turning the key. 

He pushes the door gently. 

Eugenia is on the sofa with a book on her lap. She stares up at him with big Tweety Bird eyes. Chocolate smudge on her chin. 

“Hullo, Uncle Jerry. Where’s Daddy?”

Jerry bends down to remove his shoes, but thinks, why the hell bother? What if he needs a quick escape? His hands are shaking. How quickly can he fix his laces? And if his laces aren’t done properly, how soon will he trip and crash and black the hell out? And when he wakes up, he’ll wake up in the hospital, and one of his wrists will be cuffed to the bed frame, Sammi will be staring at him, her lips trembling, waiting for answers, waiting for him to explain why as of now two police officers are standing in the room. Which can only happen if they caught him lifeless like a scarecrow and were able to remove the balaclava he was wearing— 

Oh, fuck me. 

“Your daddy’s still getting ready,” he looks up and says. “Tonight’s the big night, remember?”

“Is he going to be okay?”

“Yes of course,” Jerry lies. “Your daddy trained really, really hard.” 

Why are her eyes closed, fists clenched? Oh my god. Is she praying?

“Oh, Eugenia,” he whispers, and adds an affectionate shake of his head. 

He leaves her alone and hastens to comb the bedrooms, toilets. To play it safe, he checks under the beds, spaces that have been converted to graves for squeaky toys orphaned by the girl. 

“Anybody else home?” he shouts from the pinkest bedroom in the house. 

He goes downstairs. “Where’s your mummy?”

Eyes pinched, Eugenia shrugs.

“Seriously, tell me. Where is she?”

“I don’t know.”

“You need to think harder, Eugenia. Did she leave a note on the fridge or WhatsApp you? Can you find out for me?”

The girl opens her eyes. “I’m not allowed to call her unless it is really an emergency.” 

“This is urgent.”

“But I’ll get a scolding,” Eugenia mewls. “Mummy already said she’s busy. Busy, busy, busy. Busy with some big audit. I don’t even know what that means.” 

Jerry rests his burlap sack on the coffee table and sits next to the girl. He pats her head. “Nom, nom, nom. Looks like someone’s having a private party.”

Eugenia blushes and offers him strawberries.

“Is that John Mayer?” he asks.

“Yup.”

“He’s got some mad skills.”

“I know, right?”

“Did your daddy ever tell you that he and I met Mr. Mayer before? If I recall correctly, it was about two years ago. When he came to perform in Singapore. And your daddy got Mr. Mayer to autograph his guitar.” 

Eugenia grabs her skirt. “Why he never tell me?”

Yes, why not? 

Because it was the right thing to do. 

Because Maxi always does the right thing, doesn’t he? Choosing to auction the guitar for charity instead of giving it to his daughter. Jerry stares at the poor girl biting her lip. Why the hell is he telling her this? What kind of monster does that? As if the physical harm he’s about to do isn’t enough, he has to amp it up with psychological ones. Now the poor lamb’s going to think her daddy doesn’t love her. Now—

Jerry’s phone beeps. 

A message from Mr. Tang: Chop-chop.

Jerry, with a heavy heart, opens the burlap sack. 

“What’s that?” Eugenia asks.

“Halloween costumes for us.”

“Halloween is still like months away.”

“Yes, yes. But you know how your daddy prepared for months and months for his acting the last time?”

“Until it was perfect.”

“Exactly.”

“So what we gonna be?”

“We’re gonna try hostage.”

“Okay, I’ll be Kidnapper. You be Hostage.”

“Unfortunately, I can’t be Hostage.” Jerry shows the girl his fists. “Look, they are big like rocks. The cable ties I brought are too small. Come, gimme your hand. Let me see if it fits.” And he fastens the cable around her wrists. “Perfect. Now your legs, please.” 

Eugenia tips to the side like an egg. She giggles. 

“Okay, now open your mouth.”

She opens her mouth.

“Bigger.”

She widens it until her jaws hurt.

“Some more.”

“Uh-uh.”

A bundle of firecrackers goes in.

Jerry pops his Zippo and strikes the wheel. He floats the flame as close as he can to the fuse without igniting it. “Say cheese!” 

“Heeee.”

Jerry snaps a picture and sends it over to Tang. 

Meanwhile, John Mayer is allowed to sing another song or two. But when the music stops, Jerry doesn’t refresh the playlist. He doesn’t like that Mayer fella, actually, who’s so smug. All Jerry wanted was a photograph together, but this snob would rather die than give. And Maxi gets to be on a first-name basis with him? Jerry squeezes an orange cushion shaped like a spaceship and rises from the sofa. Why is life so unfair?

“Don’t move, okay?” he tells Eugenia and helps himself to chilled cucumber water in the kitchen. He drinks in silence, reads the to-buy list pinned to the fridge. Steak, cheese, fish, ice-cream, scallop, chocolate, nougat, macadamia nut, cherry tomato, olive, strawberry. “Scallops,” he says to himself. He washes his own cup, for old times’ sake, while staring at the list—

Thud!

He hurries back to the living room. 

Eugenia is on the carpet, wriggling, cheek flat on the carpet. 

He flips her and holds her by the shoulders. “Are you okay?” he asks and heaves her back onto the sofa and watches her tiny chest rise and fall. Her calves and feet are cold. “You want a blanket?” 

He tries to sound cheerful and easy-going. But the girl shakes her head, sniffling and clearing her throat. She must be so confused that her brain hurts, he thinks. The pain in her jaws must be insane. 

She’s tearing up! 

Jerry can’t quite make out what she’s trying to say to him. She’s making sick-puppy sounds! He considers turning the music back on. He looks for the time and tries to shut out the whimpering noise by focusing on the clock’s hard ticking.

At six sharp Jerry snaps the TV on. 

The show’s fanfare gives a warm welcome, promising a feast. Everyone, please, do not try this at home. Camera pans over to the live audience, zooms in on a B-lister walking across beams placed sixty-six storeys high. There is a burst of applause, and the donation hotline blinks on the screen. Meanwhile, another actor readies himself over a container swarmed with honeybees. A couple video montages come up: stricken-faced patients, contorted with worry. What will their victory be? A couple more reminders to dial and dial and dial. Then blow darts are driven into Jeen’s bare back as she shivers, her toes curling. Paramedics are on stand-by. Donations pour in. Jerry bites his lips. Another household name chains herself in a glass tank that is slowly filling with water while her sweaty colleagues jump through fire hoops and scale a scaffolded structure to retrieve the keys before she runs out of air. But still, the amount hasn’t quite reached Tang’s target. Climb motherchook climb. A commercial break. And finally, Maxi comes on stage. His face paler than a cauliflower. The numbers spring up a little, but then stagnate. 

Jerry strikes the wheel, and the flame comes on. 

The girl’s eyes are red and goggling. By now she knows they’re not actually goofing around. She has intuited what to look out for on screen.

Come on, brother.

Maxi kneels on stage. 

The cobra is taken out from its basket. 

Come on, brother.

Maxi crawls towards the cobra. They are now only a couple of inches apart, facing each other like hunter and prey. 

Come on, brother. Hollywood is waiting. 

* * *

Maximilian’s hair is wet with rain. He is exhausted but still makes his way to pick his daughter up from school. He smiles to himself, thinking of Eugenia at the breakfast table this morning. 

She’d asked him, somewhat nervously, “Daddy, what is an intransitive verb?” 

And he’d said to her, “Princess, it’s okay if you don’t pass this time. No one will blame you.” 

Eugenia had looked at him funny and said, “But an exam is an exam.” 

He sees Eugenia coming out now, dragging her feet, and she confesses to him right away that she couldn’t answer several open-ended questions in her English paper. 

“I think I’m going to fail,” she sighs and starts for home. 

Maximilian follows his daughter but struggles to keep up. He struggles to understand why she’s upset over this, but not a word at all regarding yesterday’s assault. He stays two steps behind and thinks of how his daughter has yet to see lions and orangutans at Mandai Zoo, and how her friends must have teased her about this. And yet she has never complained. 

His daughter is tough, he suddenly realises, and perhaps more so than he is. This makes him so, so happy.

Eugenia stops and turns around. “Don’t tell Mummy?” 

Maximilian smiles and nods. He sees a guard stationed outside the school waving at him, giving him the thumbs-up, and it takes him a while to understand what it’s for. Maximilian stands motionless for a few minutes, breathing deeply through his nostrils. He rubs the raindrops off his cheeks. He looks up and sees a plane and his eyes trail it until they begin to ache. He takes out his phone, checks it, and puts it back in his pocket. Then he quickens his pace and catches up with Eugenia.

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NOT TO BE by Mars Girolimon

I’m in class reading Hamlet and contemplating suicide on a cliffside. Reciting poetic verses about family curses and hiding behind a curtain with a knife. My phone buzzes, and I lean forward to read something out of a Shakespearean tragedy. She killed someone. The words glow like the flame of a lit match and I spring from my desk chair, repelled by their heat. Faces swivel toward me, judgement radiating from their eyes. I’m an injured animal at the center of a swarm about to be mauled by my own pack. My heartbeat radiates in my ears: glove to a punching bag or knife to a chest. I ask, “Can I be excused?” But don’t wait for an answer. I grab my cell phone and stumble out the door. Knuckles white to match my ghostly face, I can’t help but imagine a skull in my palm instead. 

I knew her.

In the privacy of a public bathroom, I perch with knees to my chest, balancing like an ape on the branch of a porcelain tree as I read. Police arrived at her room, responding to concerned calls about violent-sounding screams. She opened the door, bloodied hands shaking and outstretched in surrender. Behind her, a scene of crimson and rouge, organ and flesh. “I killed him,” she said. “Arrest me.”

Memories flood the folds of my brain. Every time I told her I loved her. How she tucked my hair behind my ear. Every time she mentioned church or raised her voice. Moments I should have known or couldn’t have known all circle me like vultures. Their screeching pierces like a blade. I can almost see her standing over me, electric with adrenaline pumping through her veins and a dagger clasped between her hands. Are my ears ringing or is that another text? I close my eyes and ask Shakespeare what comes next.

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THE COCKROACH by Christine Arroyo

She woke up in a classroom. Chalkboard at her head, corkboard at her feet. As she adjusted to the dusk light—was it 5 a.m. or 5 p.m.?—she discovered she wasn’t in the setting of a recurring dream she’d been having. The ‘I fell asleep at the desk and missed the most important test of a lifetime’ dream. No, she was in a hotel room. The Eaton. The card pinned to the corkboard wall held her personalized key to the rooftop gym. 

As she pressed her body against the hotel room window, the humidity moved through the glass and brushed up over her skin. She was alone. She normally lived with two bulldogs and no humans. She remembered London. Cold, foggy, lonely London.

Hunger motivated her into the hallway. Brass elevator buttons reflected a Damien Hirst cow sculpture dissected with preserved butterflies and behind that a never-ending ticker tape scrolling the words: “A More Just World Where We Are All Liberated To Be Our Truest Selves” – Jenny Holzer, American, born 1950.

She remembered the mooncakes smashed into dirty water at the sidewalk’s edge and Tiger Balm in the storefront. She couldn’t remember how she got back in the hotel room. This is what jetlag will do, she thought to herself. She traveled all the time, her body in one place, her soul delayed four airports behind. 

She stepped inside the glass elevator that was housed in a glass tower, the windows revealing rolling mountains of Kowloon beyond and red double-decker buses powering through the streets. Neon signs flashing Cantonese words stuck out from deteriorating buildings like brightly colored marshmallows at the end of burnt sticks. Hong Kong. She remembered Cha Chaan Teng, incense at the temple, “Shark Fin Soup Makes Your Penis Small” scratched into the wall as crude street art.

“Good evening, Miss Melinda.” 

The hotel staff was gracious, their uniform hoodie sweatshirts and spiked hairstyles offering a unified vision of a curated and controlled counter-culture aesthetic. They knew her name. How long had she been here? She smiled as the porter held the door open for her but her concern at being unable to remember the details haunted her. Where was she headed? She didn’t even know and yet some memory beckoned her forward.  

She stepped out onto Nathan Road, turning left at the intersection. She felt the stares of shopkeepers, taxi drivers, and street sweepers. The morning’s humidity made her arms sweat and her chest perspire. The store bell chimed as she stepped into a local pharmacy—one of those superstitious ones with jars of dried herbs and animal parts. She didn’t want anything endangered to rub on her skin. She just wanted a cold drink.

“You’re dressed in black.”

The shopkeeper’s judgmental tone made her stop and look down at what she’d put on to wear. A black boatneck shirt, black linen pants, and black trainers. It was what she always wore back home in London. She was colorblind. It took too long to coordinate an outfit. 

“All the terrorists wear black.”

The way the shopkeeper was talking, she was starting to doubt she’d be able to buy a cold drink here.

“I’m not a terrorist.” She felt the need to clarify. 

“That’s what they all say. They throw bricks and fire bombs and shut down our roads. All China wants to do is protect us. My family is Chinese. What’s wrong with the young people today?”

“I don’t know.” The little hairs on her neck spiked in worry. She didn’t want to have a political conversation. All she wanted was some cold jasmine tea bottled in a plastic bottle with an easy drink top.

“A cold drink?” She tried the direct route but the shopkeeper scowled and so she found herself trilling the store bell upon her urgent exit, walking down toward the water’s edge. 

She passed the infamous Chungking Mansions. The streets were still empty. Where had she been last night? All she remembered was drinks at the Mandarin on the island side and then waking up in her hotel. How did she get back across the bay? She suddenly felt the need to smell her hair, pull at her clothes, sniffing them for anyone’s scent besides her own. A faint smell of smoke, though nothing else seemed out of the ordinary. They let people smoke in the Mandarin bar. It was all easy to explain. 

She found herself leaning up against the edge of the Avenue of the Stars, looking out over Victoria Harbour. Wisps of smoke rose up in twisting curls above the HSBC building. The stillness around her made the unease she felt inside even more concerning. She turned and nearly crashed into a man bicycling past. 

The flash of movement, his eyes obscured behind goggles, bombarded her. She fell to her knees. Gas masks, flames, bricks, running across crosswalks and through covered walkways. The heat, gunpowder, pepper spray all assaulting her senses. She’d been one of them. They’d called her a cockroach as they’d fired rubber bullets in her direction. 

There had been many other freedom fighters around her. She suddenly thought back to the security cameras, to what she was wearing: all black, a gas mask, black cap. She’d been there too. It hadn’t been just a dream. She should have changed before heading out today. They’d be looking for her. 

Her watch dinged. She pressed the text message even though it was from an unknown number. A picture of a cockroach appeared. The blankness of what she couldn’t remember made a tear roll down her cheek. If they questioned her, they’d think she was lying. Her mind struggled to find equal footing. What’s left to remember if the past is erased right in front of your eyes?

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