DAVE FITZGERALD RECOMMENDS: Brandi Homan’s ‘Burn Fortune’, Kristin Garth’s ‘Daddy’, and Danielle Chelosky’s ‘Pregaming Grief’

Paint Your Wagon, the 1969 Western musical starring Jean Seberg, Clint Eastwood, and Lee Marvin, was a historic commercial flop, by turns both mindbogglingly strange, and mind-numbingly dull in its depiction of an anonymous, gold rush era mining camp cycling through the increasingly corruptive stages of insular capitalism. While its atonally sing-songy, borderline nihilistic theme reprises (many, many times over, burrowing into your brain and simply refusing to resolve), we watch as some 400 men invest their lucky-struck earnings into six agreeably trafficked women until their No Name tent City grows into a hedonist boomtown—a collection of 20-some-odd saloons that…

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NEAR-MISS IN A STRANGE LAND: A CONVERSATION WITH SIENNA LIU by Rebecca Gransden

Sienna Liu’s Specimen (Split/Lip Press, 2025) seeks to articulate the ineffable facets of desire. A fragmentary and lyrical hindsight finds lovers in an entanglement as fragile as it is seemingly unwise. Not only an interrogation of memoir, of the compulsion to write other people onto the page, but a probing commentary on the price and rewards of setting out on such a task. When we look back, what do we ask of those who reach out in memory? I spoke to the author about this plaintive and dissecting book.   Rebecca Gransden: When did you set out upon writing Specimen? What…

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NOAH KUMIN INTERVIEWED by Matthew Binder

In 2023, I published a novel called Pure Cosmos Club. For reasons still unclear to me, it was embraced by the downtown New York literary scene loosely known as “Dimes Square.” Despite the association, I never made real inroads—not because of the rumors (funded by Peter Thiel? Christian reactionaries?) but simply because I was too shy. One of the scene’s more prominent figures is Noah Kumin, founder of The Mars Review of Books. From afar, I watched his profile rise through various ventures: the magazine, a popular podcast, and a reputation for hosting raucous literary parties. When I saw on…

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CHRISTOPHER ZEISCHEGG’S ‘THE MAGICIAN’ reviewed by Chloe Pingeon

There is a nightmarish quality to Christopher Zeischegg’s The Magician. I read the book twice, the first time through the haze of an all nighter—sleep deprivation and sleep paralysis hastening my descent into the blur of self destruction and bodily decay that the narrative presents. “Just a thing inside your body that won’t listen to your head,” a malignant acquaintance tells the narrator early in the novel, as a prescription of sorts for the root of all his problems. At dawn, this rings true. This distance between body and self, judgment and subconscious, good and evil, is perhaps the root…

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ADAM SOLDOFKSY RECOMMENDS: YEEHAW! Novella Round-up

The novella is famously “pocket-sized,” and marketed as such, in the relatively rare case when a publisher feels whimsical enough to produce one. Crassly, it is a work of fiction which achieves that mystical, begrudging minimum page length that warrants its nestling between front and back covers all on its own. And we as modern readers (forgive the assumption) respond to it as a physical object the way we respond to almost anything that is a smaller version of something else: with a kind of simple, unintimidated affection, the result of our own enlargement in its presence maybe, with anticipatory…

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BURIED PATHOLOGIES AND THE ULTIMATE ‘NO PLACE’: An Anti-Interview with Oli Johns by Ryan Raymond Buell

How many people will read this interview? Will anyone read it? Will exactly three people read it—the writer interviewed, the editor interviewing, the publisher publishing … before a handful of thumbs sends it scrolling offscreen in their search for more content?—so much to read and digest, to form a perspective on … I can’t. I don’t have time. Just swipe to the bottom and see if it leaves a mark. It’s hard to know if I watched this or imagined it, but there is probably a cyberpunk anime where someone plugs a metal cord into their brainstem, and the data…

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BOOKS THAT NEEDED TO BE SAID: I CAN’T STOP THINKING ABOUT. Recommends by Shane Jesse Christmass

Why did I choose these books? Perhaps because, to me, they represent literature that stands apart from the hegemonic literary marketplace … operating outside the structures of commercial garbage publishing, which prioritises market-driven narratives and commodifiable claptrap stories. They resist assimilation into the literary industrial complex, which often seeks to sanitise or manipulate raw human experience for consumption. Instead, these texts engage in an unapologetic exploration of obsession, identity, and the dissonance between desire and self-destruction.  These writers embrace a nonconformist aesthetic, their works subvert the conventional expectations of plot resolution and character redemption. The protagonists are not mere vehicles…

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IT DOESN’T END WHEN YOU CLOSE THE BOOK: AN INTERVIEW WITH KEVIN M. KEARNEY by Leo Vartorella

Kevin M. Kearney’s latest novel FREELANCE (Rejection Letters, 2025) is a dystopian thriller. It is a psychological profile of loneliness in the age of OnlyFans. It is a condemnation of AI and the gig economy. It is the story of a young man’s search for purpose, part character study and part surreal, page-turning romp. Above all, it is a lot of fun. The novel follows Simon, a driftless 19-year-old driver for the rideshare app HYPR, whose world is upended when the app offers him a seemingly life-changing opportunity.  This combination of breadth, emotional acuity and fast-moving plot is nothing new…

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ALL OUR TOMORROWS: AN INTERVIEW WITH AMY DEBELLIS by Chris Dankland

Over the last year or so, Amy DeBellis has been one of my favorite newer short story writers. Now she has a new novel, ‘All Our Tomorrows,’  published by CLASH Books, which is one of my favorite books of the year. Her writing is so skillful: the language, the plots, the pacing, the characters. But I also love her writing because I find many of her stories to be dark and bleak. To me, her stories feel steeped in depression, menace, and a kind of claustrophobic doom.  I want to present the reader some examples of stories we’ve published by…

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WHISPERING GALLERY: AN INTERVIEW WITH WILL CORDEIRO by Rebecca Gransden

Will Cordeiro’s fiction unfurls a kindly finger and beckons you to follow an uncommon path. As you tramp along seldom visited trails, your mind wanders as much as your feet. You arrive at the peculiar, the disquieting and the mysterious, without a clue how you got there or even if you want to leave. With Whispering Gallery (DUMBO Press, 2024), Cordeiro invites entry to an off-kilter world, where those who disappear into the mist entrust their steps to the uncertain ground beneath them. I spoke to the author about this curious collection.   Rebecca Gransden: Some people claim that time isn’t…

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