Fiction

nathaniel duggan

IMITATION CRABMEAT by Nathaniel Duggan

Dad spends Christmas Eve on the beach killing green crabs, before he returns home to turn on all the holiday lights. The house flashes and dazzles like a landing strip. The sky, meanwhile, looks foreclosed.

“You should’ve seen the fuckers,” he tells me, pinching his fingers to imitate claws. “Some of them big as your face.”

He has no heat, furniture, or future, so we sit in lawn chairs in the living room, our breath glowing like neon. His expression is sour-smug: he is a man who knows his own expiration date. When he dies shortly thereafter—without complication—I bury him in the garden and discover the action figures he stole from me during my youth to prove important points. There they all are tucked an inch below the soil, dirt-clotted and tangled in rhododendron roots.

I crack a beer, plotting my next move.

I spend maybe a few too many years sitting alone in dark living rooms at 3AM.

People claim I approach them with slanted intentions. I am between jobs and lovers. I live as an alleyway, defined mostly by the clutter and the things I keep apart.

For the sake of staying busy, I steal my last friend’s wife. The friend himself cannot be reached for comment; he has long since scuttled off to some forgotten corner of Alaska. As for the wife, she drinks.

This works out pretty well until it doesn’t. We drink too much too early, spend most of our days passing out. Our lives live outside and without us, and we are perpetually slumped against the kitchen cabinets or else spread-eagled on the bathroom floor, piecing together where we last left off: usually the entangling business of her bra.

Sleep scrubs her skin as pale and thin as a bedsheet. Her eyes close into her face. She fades, recedes into the background of herself, until all that’s left is a mapped suggestion of a person, pure theory and postulation.

On the other hand I grow puffy, weighted with my somnolence. I develop certain unsociable tendencies, namely clamming and a technique of eating Chinese food by the fistful. By the time I notice her absence, she’s already gone.

What do you do with so much nothing? Me, I leave the clams to die in the basement. Whole pounds of them, just slowly dying. They make little screaming noises throughout the night, but it’s one of those things like lobsters: you’re not sure if they’re really screaming or if it’s just the water compressing inside their shells or whatever.

Lately the rum I drink has taken on the plastic tang of action figures.

Lately my heart is the size of a face.

Midsummer I set up Christmas lights. I drape the bannisters, hedges, drainpipes. The bulbs throb sickly, pulsate underfoot like crabs on the march. This accomplished, I stumble into the front yard, chug the last of my cocktail. The house swims in my vision, so lucid I can’t look at it straight on. For a while I feel that I am expecting the arrival of something, until I realize I am expecting to have finally arrived somewhere else.

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THE PASSENGER by Ted Prokash

Raymond pulled into a Love’s Travel Center somewhere in southern Indiana, shortly before dawn. Their routine for stops had been well established by now. Walter went inside to piss and buy snacks, while Raymond paid for and pumped the gas.

Raymond was STRESSED. He was rather high-anxiety to begin with… and the mission he and Walter were undertaking would have anybody nervous. But Raymond had been prepared for all that. The problem was the mission had gotten off on the wrong foot logistically. He had planned to have his car – a 2004 Subaru Outback with low millage – all freshly serviced for the trip. But he’d run into certain logistical stumbling blocks, circumstances beyond his control, etc. Now, here they were, somewhere in southern Indiana, overdue for an oil change and with 3,000 miles left to drive.

Raymond checked the oil, fretting. He decided to add a quart to be on the safe side.

“Fuck you doin’, man?” Walter inquired quite amicably, a bag of spicy pork rinds in one hand and a 20-oz Red Bull in the other.

Raymond bristled underneath the hood, concentrating on pouring the oil through the little paper funnel. He was already getting tired of Walter’s lack of seriousness. “I’m trying to make sure we don’t break down somewhere in the fucking Appalachian Mountains, that’s what,” he said.

“Shit, man, I thought you had this whip all tightened up. Don’t freeze our here now,” Walter advised as he ducked inside the car.

It was damn cold, even 500 miles south of home.

*

Somewhere south of Louisville, Kentucky. Dawn breaking in the eastern sky. Walter had his phone plugged into the Subaru’s cigarette lighter, playing rap music at a moderate volume. The airwaves around these parts were dominated by country music, bible thumpers and right-wing firebrands. The Subaru was equipped with a CD player, but of course, the CDs themselves were all in landfills. Since Raymond mistrusted cell phone technology, Walter was in charge of the music – largely by default. Raymond would have preferred to drive in silence, not because he didn’t like the music, but because the demands of the mission made a constant clamor in his mind, requiring his constant diligent attention. “What are we listening to?” he asked.

“Lil B,” Walter said. Then, in response to Raymond’s honky silence, “Lil B the BasedGod. We can turn something else on if you want. I think I got some… Metallica on here… some Alice In Chains and shit.”

Raymond waved it off. “No, this is good. I just didn’t recognize it.” Walter offered him the bag of pork rinds. “No thanks.”

Walter picked out a choice piece of pig skin and halved it with a crunch that rang out over the down-low stylings of the BasedGod. Crunch, crunch. “There was some fucked up graffiti in that bathroom back there, man.”

“Oh yeah?”

“Yeah. There was the usual shit, you know, pictures of dicks, gay shit, so and so is a ho at this phone number. But there was some raw racist shit too, fucking swastikas. ‘Only good nigger’s a dead nigger’, ‘Hitler was right’, ‘Kill the Jews’…”

“Fucking Christ!” Raymond spat. “Fucking ignorant hicks. Like, I get that the Nazi imagery was a thing with the early punk bands and shit. The Stooges did it, a lot of those bands did, but the time for that shit is past.” Raymond shook his head. “That kind of shock value’s just not relevant anymore, man.”

The two drove on in a thoughtful silence.

*

Miami, Florida. Seventy five degrees in the dead of winter, the sunshine infusing everything like an extremely clean form of speed.

Raymond and Walter were ragged, strung out from the road. After 24 hours of hard driving, they’d finally pulled over under a tall palm tree on a quiet side street about a hundred and fifty feet from Iggy Pop’s door. Here they waited out the small hours of morning, watching for any sign of their mark. As the sun climbed in the sky, Walter started getting restless. “Man, I gotta get a coffee or something,” he said, stretching and rubbing his eyes.

“We can’t give up our position now,” Raymond said.

Walter was less than impressed. “Man, if anybody’s worried about us, they know we’re here already. I saw a little place a block back that way and a block back down the street we came in on. I’m going to take a walk. You want anything?”

Raymond grumbled under his breath. “Coffee,” he said.

Fine time for him to make a scene, Raymond thought. He screwed up his eyes and studied the house for any kind of movement. He hadn’t slept more than an hour in the last twenty four and he’d hardly eaten a thing, but Raymond was wired. They were so close now. If they pulled this off…

Raymond took a warm swig of water from a bottle he found under his seat.

This whole crazy plan was only a couple weeks old, but the impetus behind it had been brewing for longer than Raymond had been alive. The zeitgeist of popular despair, the American cultural train wreck, speeding toward a suicide soma solution… Iggy was one of the original reactionaries to this very thing, one of the first to test the merits of kamikaze art. Then, the suicide trip was rushed to crescendo by the digital revolution, you know, ‘watch out now ‘cause I’m using technology’… Raymond knew intrinsically that Iggy was someone who might be able to give him, if not answers, at least some perspective, some idea.

Then, the chance encounter with the record collector from Miami. Raymond was soliciting a first pressing of the first Stooges album. This cat happened to mention that – slap my ass and I’ll be damned – Iggy Pop lived a block from his home. He sees him quite regularly. That’s when Raymond had his thunderbolt revelation. It was like he was visited by an angel that said, “Go and seek Iggy out. In him you will find the truth.” He brought Walter along because – well, for one thing, Walter was easy company – but most of all, Walter was a gun person. He was always strapped. Touched by an angel or not, Raymond was still practical. The great Iggy Pop might need a little convincing as to the righteousness of his mission.

Walter returned from his coffee run. He climbed into the car, whistling to himself, making no attempt at all to be inconspicuous. The Subaru filled with the smell of deep fried something.

“What are those?” Raymond asked with a testy edge. The smell was doing a number on his voracious senses and his knotted gut.

“Oh, these? These croquettes. They’re delicious, man, have some.”

Raymond popped a croquette into his mouth. “That is good.” He noticed Walter had come back with just one small cup of coffee. “They run out of coffee?”

“Hmm? Oh, no man. This Cuban coffee. This enough for both of us.” Walter put the coffee on the dash and set out two plastic cups the size of thimbles. “See, how they make it is they pack the sugar in the bottom, then they put the coffee on top – and it’s strong coffee…” Walter paused mid-sentence. “Is that your boy right there?” he said, pointing casually.

Raymond looked up and, sure enough, there he was: the weird and wiry street-walking cheetah, in the flesh and a dark pair of sunglasses. Whether or not his heart was still full of napalm, was exactly what Raymond intended to find out.

Iggy crossed the street and walked right at the Subaru, coming up on the passenger side.

“He’s coming to your side, man, stop him!” Raymond panicked.

Walter leaned out of the window, still casual. “Hey, excuse me sir. Can we talk to you for a minute?”

Iggy peered inside the car, tucking a strand of hair behind his ear. “What’s up, brother?” That unmistakable snarl.

Raymond’s excitement bubbled over. He practically climbed on top of Walter. “Hey Iggy. We’d just like a few moments of your time. Just a few questions. Is there someplace we can go to talk?”

Iggy recoiled. “I’m sorry guys, I’m just trying to go down the street and get a cup of coffee, alright?”

“Well, we could come with you. I’ll buy you a cup…”

“Listen, you’re going to have to get a hold of my agent if you want an interview.” Iggy began to retreat.

That’s when Walter, in a motion that was lightning-quick yet somehow unhurried, pulled his 9-millimeter and pointed it square at the godfather of punk. “Tell you what man, why don’t you just get in the car. We’ll go for a ride and have a little talk. No problems.” Walter motioned toward the back seat. “Just get in the car.”

Iggy took a step toward the Subaru, his palms turned up. He reached tentatively for the handle of the car door. But instead of opening the door he brought his hand down in a fast karate chop, knocking the 9-mm into Walter’s lap. He took off like a shot.

“Shit man!” Walter fumbled for the gun. Iggy was already sprinting down an alley.

Raymond opened his door. Then he shut it again. “What the fuck are you doing, man!? You pull your fucking piece?!”

“That old boy’s quicker than shit! You see that?”

Raymond fired up the Subaru and peeled off. He whipped a U-turn and took a left. They spotted Iggy running down a busy street. “Fuck!” Iggy ducked into a little shopping center, out of sight. “Fuck! What do we do?”

“Just keep driving, man,” Walter advised. Raymond tried to pull over and park, but they were caught in a heavy wave of traffic. “Ray, I aint gonna jump out this car and chase that motherfucker down, I don’t know about you. Just keep driving.”

Iggy was fucking gone.

*

Somewhere south of Atlanta, Georgia. Beating a mad retreat from Miami, from their failed mission. Panic and shame running 80 miles per hour. Walter was at the wheel. Raymond was next to him, not asleep, but practically catatonic with despair.

The flow of traffic started getting heavy. They were nearing the city. Walter flipped on the right turn signal and eased the Subaru into the far right lane. He veered onto an exit ramp.

“What are you doing? This is a weird place to pull off. Why don’t you get us past the city at least?”

“We gotta make a stop here.”

“This is a bad place, man. We need to put some miles between us and that… that fucking mess back there.” Raymond shook his head. “I still can’t believe you pulled your fucking gun.”

Walter wore that half-smile that never seemed to leave his face. He maintained the calm demeanor that seemed his permanent state. “You remember where I’m from, Raymond?”

Raymond squeezed the bridge of his nose with his thumb and forefinger, shutting his eyes tightly. “Yeah… um, you’re from Georgia. Somewhere in Georgia.”

Walter smiled. “That’s right. Little hood outside of Atlanta called Park Heights. You know how I’m always so chill at work? How I just laugh when people be freakin’ out about their kid’s got a cold, or their transmission goes out or some shit? I’m just thinking how back in Park Heights you got to worry about gettin’ shot just walkin’ down the fucking street.”

“That’s fucked up,” Raymond admitted.

“Yup. Now Raymond, why do you think I agreed to drive all this way with you, looking for some old grandpa motherfucker used to sing in some rock band? I know you wanted me along for muscle, Ray, ‘cause I got a gun. I know that shit.” He put his hand on Raymond’s shoulder, chuckling.

“Dude, my whole family is here. All my old friends, my moms…”

Raymond was quiet for a while. He had never considered that they’d be driving right by Walter’s old stomping grounds. He watched the city filling in around them. “Can we get some food, at least?”

Walter put on a hurt expression. “Man we’re visiting my mom. She will cook for your ass. That’s called southern hospitality. You motherfuckers up in Wisconsin might not know about that shit.”

Walter guided the Subaru through a typical urban tableaux. Check cashing places, liquor stores, fried chicken stands. Folks hanging out on front stoops, sipping from bottles sheathed in brown paper bags, watching the traffic with long, bored looks.

“We’re gonna get you some soul food, Raymond.”

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THE NAVIGATOR by Kelby Losack

Because your friends are assholes, they toss us in the trunk in the sixty-nine position.

They duct-taped my ankle to the steel rod of my prosthetic leg. I don’t even know how to feel about that.

You think that twin telepathy shit is real?

Check, one, two.

Nod your head or something if you hear me.

How are we getting out of this alive?

One-two, one-two.

Fuck.

We’re going to die, huh?

Check, check, one, two.

If I had any memories of being in the womb with you, I think being curled up next to you in this cramped darkness would trigger some flashbacks. Nod your head if you feel me.

I can’t imagine where your friends might be taking us. This ride is bumpy as fuck, though. Remember learning how to drive? We couldn’t see where we were going then, either. Too small to see over the wheel, so we learned how to drive by the feel of the road. I was always careful not to keep the wheel too straight, swerving this way and that, like I’d learned from watching Mom. Always thought of her driving all over the road as her version of rocking us to sleep. It usually did the trick, except for when she’d slam on the brakes and laugh hysterically at some shit we weren’t privy to, reaching back with a hand that always shook, saying, “You okay back there, babies?”

Then there was the time she didn’t so much slam on the brakes as she did just let off the gas and sink into the driver’s seat, hands sliding to her lap, head bobbing against her shoulder in rhythm with the tall grass blades slapping the rearview mirror. I don’t remember if that was the first time we rock-paper-scissored for who would drive/who would navigate standing in the shotgun, but it wasn’t the last time, I know that.

Those times, when we took Mom by the underarms and ankles and sort of carried/sort of dragged her gently as we could into the backseat—thankful she didn’t weigh much more than the pitbull we had at the time—she always smelled like burning plastic, like when we’d use one of her lighters to pretend those little green soldiers had real flamethrowers. Same way she smelled when we found her the last time, slumped against her bedroom door, not waking up.

That first time we drove Mom’s car out of a ditch, it was you standing in the seat, telling me which way to turn as I steered blindly with my foot reaching down to the pedal, my chin ready to get smacked by the airbag if I fucked this up and crashed us into something. I was too scared to take us all the way home, so you told me where to turn into a gas station parking lot and that’s where we stayed until Mom woke up several hours later and she was so proud of us, she gave us some money and said, “Go inside and get you some candy, and bring Momma a pack of cigarettes,” but the clerk wouldn’t let us buy cigarettes, so we came out empty-handed and she said, “Fine, I’ll get it,” and she adjusted her hair and bra strap and checked her teeth in the mirror then staggered inside and when she came back out, she didn’t have any candy, but we didn’t say anything about it.

Check, check.

One-two, one-two.

Are you hearing any of this?

You know, come to think of it, you were always the one navigating, and I was always the blind driver.

That’s why I can’t blame you for any of this.

Your friends are going to kill us—probably tell us to run off into the woods and then shoot us in our backs—and yeah, it might be ‘cause I freaked out thinking the neighbor’s TV was a real police raid and went and flushed all the dope down the toilet, but this is your fault, too. I was just the one steering.

Still, I can’t blame you.

And if we could go back, I’d probably do it again, because without you, I’d be lost.

Nod your head if you can hear me.

Check, check, one, two.

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derick dupre

LITTLE CACKLES by Derick Dupre

A windy morning outside Denny’s in Carefree. Windshields and gas pumps ping with dust. Rosettes of yucca twitch and sway. Inside it sounds like a light rain passing through. A waitress saunters up to a table where three men sit. Her dirndl skirt swishes in time to the dust, and for a moment it seems like the only sound in the world. The three men are John Huston, Rich Little, and Orson Welles. She recognizes Little right away and fangirls out in front of the two older men.

Oh my god I knew it, it’s him, can I have an autograph Mr. Little? Make it out to Sue. No to Ralph.

Make it out to Ralph. Oh my god. Do Nixon. Do Bing.

Little smiles uneasily, accepting Sue’s pen, knowing that in a just world she should be asking for John’s or Orson’s hasty scrawl, not his, not that of one whose sole talent is sounding like other people. But what do other people know, anyway. The older men fidget on the leatherette. To Ralph, he writes aloud, best, wishes, always. Rich. Little slides the napkin to Sue.

Joan! It’s the man of a thousand voices! Sue shouts to a coworker. Oh my god. Do Jimmy Stewart.

Do Jack Benny. What are you doing in Carefree, Mr. Little?

Little, doing Johnny Cash, says, Well we thought we’d check up on the Carefree sundial. We were driving through and John here wanted to know the time, so I said, let’s make a stop in Carefree.

Johnny Cash! Joan get over here. Oh, we do have quite the sundial, don’t we, Sue says.

Joan saunters up and twitches a hip to the right, indicating Welles, and asks Little, So who’s your fat friend?

Welles, nosedeep in a menu, shifts his glance from Hot n Hearty to Lean n Low to Tempting Desserts.

Little, in a rare moment of speechlessness, slowly widens his eyes. Huston, not known for his whipcrack humor, clarifies: We actually don’t know this man. Wepicked him up on the highway and he seemed undernourished. We were planning to feed him and send him on his way.

Little cackles.

Huston just stares at the menu, forgetting whether or not Denny’s serves scotch. Welles squirms against the leatherette. Huh. I’m not surprised. I used to work up at the Denny’s up in Seligman. All kinds of freeloaders there. So, big boy, what’ll you have? Sue says.

Peaches, cottage cheese, hold the rye wafers, please, Welles says, as though delivering a line he’s waited his whole life to give. His order has the tone of a funeral toll. An atmospheric shift disrupts the dining room, in the way it will if somebody farts or breaks a glass. Other tables are silent. Meandering jowls now pause midchew. The dust outside is again the only sound in the world. After a few moments, Joan breaks the trance. I know that voice. I’ve heard that voice. Mr. Little, who’s this friend of yours?

Little, doing John Wayne, says, This man here is the bravest man I know. This man staged an entire war. This man is as good as any general, the great Orson Welles.

Duke! Joan squeals.

Orson Who? Sue says. Oh my god I can’t believe I’m taking Rich Little’s order. What is your order, Mr. Little?

Little does Cagney, delivering his order and snapping his fingers with immense menace. Jumbo Dennyburger, got it? Hold the lettuce, I don’t wanna see no lettuce at all. Cook it well-done - bravo, you got it? There better be extra ketchup, and a coffee.

Sue can hardly contain her squealing. Extra kitchup! Did you hear that Joan? Jimmy Cagney - she winks at Little - wants extra kitchup! Of course! Well-done!

Huston sighs and says, Is there any chance you have single malt.

We have all kinds of rich and creamy malts sir, yes.

Huston looks at Welles, indicating he’s run out of fucks to give. I’ll just have a coffee, please.

Two coffees all day. And what’ll your fat friend have to drink?

Welles fidgets and thinks of Oja, of her love and cunning, thinks by now she would’ve stabbed one of these women. He thinks of something rich and creamy. A hot tea, please, with a slice of lemon.

Another atmospheric disruption befalls the Denny’s in Carefree, Arizona. The dust sings. Joan says, I don’t know who that man is but he sure knows how to talk.

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juliet escoria

OUTTAKE FROM JULIET THE MANIAC by Juliet Escoria

We waited all evening for Nicole’s parents to leave, a cord of excitement running taut between the two of us. When their Land Rover finally pulled out of the driveway, we waited ten extra minutes, just in case her parents forgot something and came back. Only then did we take the rolled-up scarf from Nicole’s closet, a neat package containing a lighter and two perfectly rolled joints, the result of Nicole practicing with tobacco while me and my clumsy fingers sat and watched. We took the bundle and crawled out her bedroom window onto the roof.

We pressed ourselves against the building in case her neighbors could see, lit the first joint. The days were finally starting to get longer and even though it was almost eight there were still traces of light in the air, the sky that cobalt blue right before it turns black. We held the smoke in, the way we’d seen people do in movies. It made us cough. It made us feel cool.

We’d gotten the weed from the Ryans, the only other friends we had at the Christian school. Except “friends” wasn’t entirely accurate. The less cute Ryan, Ryan M, lived down the street from Nicole, so the three of us carpooled each morning. Ryan D was Ryan M’s best friend. We sat together at lunch, occasionally hung out voluntarily after school and on weekends. We liked the same music and swapped mixtapes. We smoked. We got sent out of class for talking, sometimes stayed in at lunch for detention.

That was the friend part. But the Ryans could be mean. They liked to call us “flat-tittied bitches.” They made fun of my acne and Nicole’s thick thighs. They asked us if we liked non-existent bands and if we said we weren’t sure but thought we did, they called us posers. I tried to brush it off – maybe they saw us as their little sisters – but in truth their comments made me cry. I never admitted it, not to Nicole, not to anyone, but it was hard to go into the bathroom and be confronted with the smattering of red bumps on my forehead that wouldn’t go away, and not hear their nasty voices telling me I was disgusting. Saying things like “Hey pimple girl,” the way they did when my skin was especially bad. It made me envision stabbing my pencil into their eyes, blood running squishy and their screams.

Also, they were always going on about all the weed they smoked. But I never saw them do it, never saw them stoned either. I’d never smoked pot before but I wanted to. Same with Nicole. But we had no idea where to get it. Partially we didn’t ask them to get us some because I wasn’t sure the Ryans were telling the truth, but mostly I was afraid they’d make fun of us.

One day we were sitting around Ryan M’s room after school, video games because we had nothing better to do, and once again they wouldn’t shut up about how they’d gotten so high that weekend, drawing out the vowels the way the skateboarders did in the skate videos we sometimes watched. Finally I got to the point where I couldn’t stand it anymore so I just came right out and asked where they got it.

They were quiet for a moment, and I thought they were trying to think of some sick burns. But then Ryan D said, “None of your business,” at the same time Ryan M said, “From my brother.”

Then they called us dumb little babies for never having smoked pot.

“Fuck you,” Nicole said.

“Yeah,” I said. “Fuck you.” I was so sick of their shit, of them acting like they were so much better than us when they were two stupid junior high boys, with no facial hair and skinny chests. “You’re fucking lying anyway.”

“Let’s bounce,” Nicole said.

“Good idea.”

So we left. We went back to her house and watched TV.

The next day at school, they acted like nothing had happened. At lunch, they came and sat with us and were nice, asking us what we were doing that weekend and did we want to record Ryan D’s new Descendants album. Nicole and I just looked at them. Yesterday we had agreed we were sick of them. This niceness was fucking everything up. And then Ryan M said if we really wanted pot, he could get us some from his brother. We pretended it wasn’t a big deal, that we didn’t care either way, but I could tell by the look in Nicole’s eyes and the flutter in my chest that we were excited.

After we smoked the joints and felt nothing, and waited half an hour just in case, we took the rest of the “weed” and compared it to the herb jars in the kitchen. Just as we thought. It was oregano.

We should have known the weed was bunk when they didn’t try to smoke it with us. We should have known the weed was bunk when Ryan D said that sometimes you had to smoke weed a couple times before you got high. But we didn’t know any better, had no idea what weed was supposed to look like other than a dried green plant. And a dried green plant is what they sold us.

So we made a plan. On Wednesdays, Ryan M didn’t carpool home because he had tutoring. His older brother had baseball practice every day. His mother didn’t get home until at least 4. We didn’t know his dad’s work schedule but we figured it was a dad work schedule, and he wouldn’t be home until 5 or 6.

We told Nicole’s mom we were going to buy ice cream. The door to Ryan M’s garage was unlocked, just like usual, tools perfectly lined up on the wall by their hooks. From there we walked into the house, and then up the stairs to his room. I kept thinking someone would catch us, his brother home sick or the cleaning lady, but then I remembered what dickheads they were, the twenty dollars they’d stolen from us, and I told myself the house was empty and it was fine and he deserved everything we’d planned for him.

We opened the door to his room. There was underwear on the floor, dingy white boxers, and the bed was unmade, but otherwise it looked the same as it always did. Posters on the wall of hot chicks and Kelly Slater. A wall of CDs, a big TV, a big stereo.

We’d bought a can of sardines a few days earlier at the grocery store. I popped it open, the metal lid flicking the nasty oil onto my hand. We put the fish where we figured he wouldn’t look, grabbing them by their slimy tails. In the heating vent on the floor. Underneath the bed. I went into his closet, and Nicole boosted me up while I hid one on the top shelf, behind a plastic bin of baseball cards. His bookshelf only held old schoolbooks – a Latin dictionary, the textbook from Pre-algebra 1, To Kill a Mockingbird – so I pulled them out half an inch and tucked one behind. We put two behind his stereo.

Nicole went to put one in his desk drawer, but when she slid it open, she found a big rusty hunting knife. I wanted to keep it, but Nicole said she wanted it too. We stood there, trying to figure out who got to keep it. But I started thinking about Ryan M’s stupid face, his cocky smile, the fact that he seemed completely unaware he was an idiot with dirty boxers on his floor. And I took the knife and stabbed it into the desk, which looked expensive and heavy, pretending I was stabbing him. Stab stab stab. It felt so good. I imagined his screams.

Nicole laughed. The knife made neat little gashes, splitting the thick waxed coating of the desk. She took it from my hand, stabbed again. The wood splintered this time. Then I stabbed it, a whole bunch of times, hard, like I was trying to kill it. Like I was trying to get deep at the bones. Nicole did the same, yelping this time like a warrior. I was laughing. She was laughing. We were two maniacal bitches, and the Ryans would be sorry they fucked with us. I took the knife and stabbed it in the desk one final time, deep enough that it stood up straight on its own. Then we changed his radio from the rock station to a Spanish one, turned the volume up, so loud the bass crackled in the speakers, and then turned it off so the next time he went to play it, it would scare the shit out of him.

We left his house, skipping and laughing our way back to Nicole’s, throwing the empty can of sardines in the gutter. My heart beat fast in a way that wasn’t fear. It was beating fast with power, a warrior drum that kept me strong. It was the heartbeat of a maniacal bitch. I kept imagining Ryan M’s face when he walked in and saw the knife, when he turned on the stereo, when the fish started to rot.

I hoped it made him afraid.

I hoped it made him feel small.

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michael mungiello

A BOLD NEW KIND OF STORY by Michael Mungiello

Something new…

Something new…

I need to do something new…

Something new…

Something new…

I need to do something new…

It will be new…

It will come now…

Somehow…

Somewhere…

I know…

It will start on the next page…

One time I was reading important books…

It was very important that I read them…

They addressed concerns…of the people…of the elites…history…art…religion…politics…

I was interested in those things…

People I admired were interested in those things…

So I read in pursuit of these people’s interest…

In the hopes that one day…a book would be written…about me…by all those I admired…

When we are young we believe such things…

We feel born to be admired…

Books feel like they can go on forever…and we can keep riding the train…along with these writers, their writing, their voices, their faces waiting for us at the station of arrival…

I was on a train…

I saw a sign…a train sign…

A sign for the train…

To tell it what was coming…

How fast to go…

How far away it was from somewhere…

What it was leaving behind…

I don’t know…

It was in another language…

I was travelling by train, to see a woman I was in love with…

No I wasn’t…

I was there to visit my Dad…

He was on a business trip…

I was abroad…

But I was reading a book about a love affair…

And I thought to myself…

My, what splendor…

The romance…

What it must be like to be young and travel in a train in Europe to the woman you love, whose role in your life is…mysterious…

Yeah…

Hey…

Give me a break…

I was young…

Books made an impression on me…

But this sign distracted me from this book…

Which I thought meant so much to me…

And which I thought would continue to mean very much to me my entire life…

But I looked up from the book…

To contemplate a line I’d read in it…

To look out the window and think…

Oh, wow…

What a good line…

So true to life and my heart…

Look, the landscape…

It almost reflects what that line means…to me…

But I saw the sign…

And the font…was so much bigger…

And I thought to myself, That…

That contains more meaning…

Than anything I’ve ever seen before…

I couldn’t read it…but it was telling me something…

Not just me…but the whole train…

The letters were so big that even people who couldn’t read would be interested…

The letters were so big…God would be interested…

This…

This was something new…

This was something I would never forget…

I forgot the exact letters…

But I have never forgotten the sign…

The feeling…

To perceive something I knew was important but also knew nothing about…

I have tried all my life to capture that feeling once again…

I had the feeling that I could recapture this feeling by…

By…

By…

Doing something new…

Getting back there…

But how…

Become…rich…

No…

Become…good…

No…

Become…strong…

No…

Become…pure…

No, haha…

I could do it one way and one way only…

By writing a book of my own…

To make my own letters…

My own signs…

Charting the course of my own voyage…

That was the ticket…

But how could I write a book…I had nothing to say…no argument…no expertise…no polemic…no religion…no politics…no art…only the desire for people to never forget something that didn’t mean anything to them, beyond being unforgettable…

But that still had something to do with Dad…

With love…

With journeys…

Was that enough to make a book for… with…towards…against…

Well…

Well…

Well…

I don’t know…

But then I thought…

Well…

Well…

Well…

If I just…make the font…really big…then…

Then the book will write itself…

All I need to do is provide the…elementary materials…

A narrator…(me)…

A setting…(Europe)…

A character…(my dad)…

A plot…(the quest to recapture a feeling)…

A point of view…(mine, the correct one)…

A theme…(literarture)…

And it’s all there…

And everyone will root for my demise…

The end of the book…

The return back to life…

Which you didn’t like while you were there…

But now that it’s been interrupted…by this story about me and my Dad…and my imaginary lover…and Europe…

Now that you’ve come this far…

You’re back in your life…and you can regard your life…the same way you would home…after a trip…the pleasure of return…

Thank you for reading this…

It is a mystery, is it not…

The ways we deserve each other…

How we see each other across the tracks…

Books are like trains…books are like tickets…books are like stations…

But reading is boring…

We just do it for…some other reason…

 

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lanny durbin

LIBERTY KID by Lanny Durbin

I saw the kid's face when he got hit by the car. He was standing there on the sidewalk with a blank look and then the car jumped the curb. Just nailed him. The blank look stayed on his face when he flew through air, stared right at me. Like he meant to do it. A party trick.

He was wearing a statue of liberty costume, which, for a short moment, made the visual a little funny. He stood out in front of the Liberty Tax building a few nights a week, one of those preying fast tax return spots in the same lot as the grocery store I work in. He stole a pack of smokes out of my car one night I'm pretty sure, but he was just a kid, seventeen at max. I wished it was the regular guy standing there that day, the day shift statue. That guy danced and waved at the passing cars like he really cared. Either he would have seen the car coming and been vigilant enough to dodge it or he would've been the one to get creamed. Both seemed like better outcomes. The kid was just there for a couple extra bucks—he wore the foam green hat and matching frock with no pride and stared at his cell phone. Lady Liberty's lost disappointment of a son. The hat caught the wind and drifted away when he careened over the hood of the Nissan. It looked like he was doing a killer move on an invisible skateboard.

The EMTs showed up, cops showed up, blinking lights and stoic professionalism. They set out orange cones, scraped the kid up off the asphalt. I watched them work quickly. I stocked shelves most of the day. I opened the store and counted the till. I dealt with the customers, took the trash out, locked up the store at 9 PM. I watched the EMTs take the kid away and thought that I could probably do that. A little training and I’d be alright, but then someone would need to be here to receive the produce delivery, so I’ll leave the rescue work to guys with nothing else to do.

The officer was terse when taking my statement, like, this dipshit in his work uniform better give me a straight answer. I thought, hey man, we both wear uniforms. Yours is dark blue, mine's orange and white creamsicle. We both have our names on our shirt pockets, but hey, mine's only safety pinned—they stitched yours right into the fabric. Officer Ottman. You’re locked into the force, like a blood oath. I could take my name tag off right now and disappear to a new life. I can stock shelves anywhere. A valuable skill set.

Maybe I don't know how to hold a pistol or book a perp at the station but I do know when the frozen goods delivery is coming, what'll be on it, where to stock it. You don't have to deal with Ms. Henderson when I tell her the Amy's Chile Relleno meal was out of stock, she'll have to wait until Friday. Your stern bullying wouldn't work on her—she requires a more delicate approach. I'd like to see you be the shift supervisor in this goddamn place. I'd love to see it.

They towed the woman’s Nissan away while she gave her statement. She was crying, inconsolable. Was on her cell phone and bam, jumped the curb. She probably killed a teenager but she did get to read that Facebook notification. I recognized her from the store. She came in to buy slivered almonds, which reminded me that the bulk order was due in by noon and all this police business was holding me up.

The next morning, the regular Statue of Liberty guy was out on the curb, inches from where the kid was nailed. The guy danced and waved like a real dipshit. I went out and asked him if he’d heard about the kid.

“Yeah,” he said. “Heard he broke his legs and ruptured his spleen or something.”

“So he’ll live, huh?”

“Sounds like it.”

“Can’t you live about the same without your spleen?” I asked. “I think I read somewhere your liver just takes over for it.”

“Heck if I know,” dancing statue said with a big dopey grin. “Hey, I’ve got to cover his shifts until he gets back, so hopefully one can live without a spleen. I should get back to work now.”

I walked back inside to the office in the backroom and googled spleens. I thought about the kid without a spleen. I read that you sure can live just about the same without one; you could just become more susceptible to infection. I thought, hey, that’s not so bad, considering. Plus, working in the vitamin section here at the store, I’ve picked up a few things about nutrition. The kid would want to cut back on dairy fats, for starters. I decided that, if I saw him again, I’d offer the kid a job on the spot, here at the grocery store. Your life was rarely on the line in here, Nissans rarely careened into you in here.

I knew that Officer Ottman wasn’t going to help the kid get back on his feet. Offer the kid a badge? Yeah right. He didn’t really know anything about protecting and serving his community. I’d love to see Officer Ottman try to run this store. I’d love it.

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marisha gene hicks

EVERYTHING GOOD I REMEMBER ABOUT MY REAL DAD by Marisha Gene Hicks

He called his old white SUV the White Elephant. We sang “Row, Row, Row Your Boat” in rounds. We had a secret handshake. We celebrated unbirthdays. He made us unbirthday cakes. He taught me how to make cream cheese frosting. He taught me how to ride a bike in the park. He said I looked like a doll when I was born. He bought me a mountain bike. He let my sister and I rent Mannequin and Puff the Magic Dragon every time. When I was older he let me rent Repo Man. He had a three-legged dog named Lucky or maybe it was one-eyed. He was a triathlete and maybe he still is. I think he competed in IRONMAN one year. He once took us to George Strait’s house when he was doing construction on it. He showed me how to use a drill. He bought me Lemon-Lime Gatorade every time he stopped for Coors tallboys. He took us to eat menudo. He bought us Sprites at the bar. He let me sip his beer. He let me take the wheel. He made a really good venison stew once. He bought us personalized clothing and jewelry and accessories. He bought us binoculars and monoculars and cool glow-in-the-dark astronomy books. He carried a beeper. I think that’s it.

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LONGBEARDS by Chris Dankland

Before The Smiths signed the contract for the brand new house they were set to purchase, the real estate broker said: I have to tell you that in the last few weeks a few of the construction workers have sighted some Longbeards near the woods. I'm only mentioning it because you said you have a small dog.

Yes, said Mr. Smith. Thank you. We'll be sure to keep him inside the house at night.

That's what I'd do, said the real estate broker, nodding. Just in case. I'm sure that as more and more people move into the neighborhood, the the Longbeards will retreat further into the woods. Longbeards like to be left alone. Maybe you'll hear them howling late at night.

Gregory! said Mrs. Smith, playfully poking their seven year old in his chubby belly. Are you excited about hearing some Longbeards howling? Sounds like fun, huh?

Gregory nodded ecstatically, lifted his head and cried: A-WOOOOOOOOOO!

Laughter filled the office like the bubbles in their glasses of champagne.

///

The first time the family heard the Longbeards was two weeks after they moved in. A sound like seven singing trumpets broke the seal of night. It was 3am. Mr. and Mrs. Smith sat up in bed at the same moment.

Longbeards! said Mrs. Smith in a hushed gasp, touching her lips.

There's a lot of them, said Mr. Smith. He headed toward the window.

Gregory appeared at their bedroom door. Mommy! he shouted. On stubby chubby legs he ran in and dived into their bed.

It's okay baby, said Mrs. Smith, cradling her son to her stomach. It's just Longbeards.

Everything's fine. Listen! Do you hear them howling?  Gregory moaned and pushed his face deep into his mother's side.

Sparky ran into the bedroom and hid beneath the bed.

They sound sort of spooky, don't they? said Mrs. Smith. The Longbeards' howls were a combination of tornado sirens, rat screams, and alligator snarls. Woe to the usurping inhabitors of the earth, they howled. Woe to those who wear the crown of pride. Woe to those who scatter and destroy the sheep of the pasture. Woe to the wicked gluttons. Woe to you all on the day of our furious wrath.

Mr. Smith nodded. They do sound strange, he said. A wave of unease rolled through the room. But they're much more frightened of us than we are of them, he added.

///

The Smiths were one of the first families to move into the new neighborhood. All day the surrounding streets were filled with the sound of hammers and buzzsaws and the chatter of Latin American construction crews. But at night, after the construction crews had gone, the neighborhood was as still and silent as a stone dropped in the ocean.

Mr. Smith was proud of the new house that he'd bought for his family. It had not been acquired easily. It had cost tens of thousands of hours of toil at the law firm where he worked. His legal specialty was handling peanut allergy lawsuits. Mr. Smith worked for a candy company that made a small chocolate covered confection called Bloopers. The candies were sold in nearly every movie theater in the country.

But, six or seven times a year, some unfortunate soul with a deadly peanut allergy would purchase these candies, consume them in the dark theater seats, and go into immediate anaphylactic shock. Due to the contents of the candies, which contained a particularly potent peanut butter cream center, these allergic reactions were sudden and almost always fatal. Men, women, and children alike would swell up and suffocate in a matter of minutes, choking in their seats even before the previews were over. This created terrible litigation problems for the company. It was Mr. Smith's job to ensure that lawsuits from grieving families had a minimal impact on company profits.

But they are gone! the families whined. The ones we loved are dead forever! And now we are alone.

It's the unfortunate nature of the universe, answered Mr. Smith. The universe gives and the universe takes away.

You are responsible! the families cried.

We are not responsible, answered Mr. Smith.

You are the cause of all our misery! You have destroyed our happy home! the families cried.

It wasn't on purpose. We all just want nice houses, answered Mr. Smith.

///

The house is on fire! screamed Mrs. Smith. It was ten o'clock at night.

What? asked Mr. Smith. He was in the living room, watching cable news.

THE HOUSE ACROSS THE STREET IS ON FIRE! screamed Mrs. Smith.

They ran to the backyard and poked their head over the fence. The fucking house is on fire! shouted Mr. Smith. Luckily it was an unoccupied house far away from them, in another part of the neighborhood that was still being built. Bright orange flames swirled through the house's walls and windows like solar flares on a distant star. A giant black river of smoke snaked up from the burning roof.

Longbeards! shouted Mrs. Smith.

Fifteen or twenty Longbeards surrounded the house, jumping up and down on their heavy hindlegs. They were screaming. With giant clawed paws they beat their furry chests and kicked dust into the air. Their gaping mouths were wet with slobber, silver in the moonlight. Their huge eyes glowed like yellow light bulbs. Thick mossy beards hung from their jaws all down their bodies, tangled hair tossing through the air while they danced and howled, blurring the air. They shook their fists above them as if to rip open and tear down the sky.

I'm getting the machine gun! said Mr. Smith, rushing inside. Call the cops!

A minute later Mr. Smith had his machine gun in hand, pointing it over the top of the fence. He pulled the trigger and sprayed wild bullets at the Longbeards. The Longbeards darted in twenty different directions. In less than fifteen seconds they had completely disappeared into the night.

///

Mr. Smith didn't sleep that night, but his family did. Mrs. Smith dreamed that a Longbeard arm was growing out of her mouth. At first the arm was limp and dead, but then it started moving. Little Gregory dreamed that there were thousands of lollipops in his veins. Suddenly a hundred gaping slobbery mouths appeared all around him, sucking at the air. Little Gregory rose up into the air and was pulled apart by the suction. Sparky dreamed that he was trying to run away on broken legs.

After the fire department put out the fire, after the cops came by the house and wrote down his report, Mr. Smith stayed up in the living room with the machine gun resting on the loveseat. His wife had wanted a house with lots of big windows. She loved sunlight. Mr. Smith drank coffee and sat in the living room till dawn. He watched. He listened. He waited. He worried.

///

In the deep dark woods, The Longbeards huddled in their cave. The Longbeards waited too. They lay awake, stretched longwise against the wet March soil, full of freshly sprouted spring buds not yet emerged but slowly clawing out. One by one by one the humans would all be turned to whispers, mere coils in the wind. Evaporated. Dissipated. Forgotten. Tear their poison roots from the ground and purify the dirt that life might rise anew. Better to blast the trumpet and drown the deafened world with silence than to let it mumble endlessly its parched and wicked sickbed hallucinations.

Furious breaths filled The Longbeards black twitching noses. Kill them all and eat the children.

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jennifer greidus

TUNA SANDWICH by Jennifer Greidus

He orders tuna salad because he always orders tuna salad. Today, he also orders bacon potato soup. It’s too hot for soup. He likes to wipe his pretty mouth with the back of a hand. He sneers at the waitresses and only pays attention to the ones with fat tits. One of them, Trina, is my favorite waitress. Her tits are fat. I want to tell her to cover them up. Her skirt is tight, too, and the material that’s supposed to hide the zipper is pulled too far to do its job. He’s not an ass man, though.

My mother’s tits are like that, fallen and fat. Jiggly. To the trucker sitting next to him, Tuna Sandwich whispers, “ A loose handful’s where it’s at, am I right?”

I know my mother’s a whore. But lots of the mothers that Tuna Sandwich fucked weren’t whores. Trina’s a mom, and she’s never whored. Her skin is too pale and clear to be that of a cocksucker. Plus, Trina lets me sit in her booth without ordering anything but seltzer for seven nights straight during the dinner rush. She’s kind. I bet she knits and watches TV until exactly ten p.m. Trina lets me sit here with seltzer and saltines just so I can stare at this fuck who pumped cum in my mother and sliced her cunt when he was done.

I still popped out of her, though. Nine months later. My mother likes to tell me that it’s almost a blessing, her sliced cunt, because she had a wider hole to push me out of.

I have been useless to her until now. She loves me, yeah. She always saves me the last piece of donut. But I was in tow wherever she went: welfare office, subsidized child care drop-off, the casino parking lots at two a.m., Hank’s to buy weed and share rum that I was occasionally allowed to sip if I was quiet. I was always quiet.

I was also always useless. For sixteen years, she used the room next to mine to blow guys for ten dollars because she was too scarred up to fuck. If I were a good son, I would have gotten a job. I just stayed in bed and hoped she was focused enough to make them ejaculate quickly so I could sleep.

When she saw him--Tuna Sandwich--she peeped. My mother never does anything quieter than guffaw. It’s the only way I knew; she peeped, turned me around by the shoulders, and we left the convenience store without papers, Fritos, or grape Gatorade.

Now, I spit a thick gob onto my fingertips, walk behind Tuna Sandwich, and fling it into his greasy hair. Trina sees me and lifts an eyebrow. She smiles, then, because Tuna Sandwich calls her Trina Tits-a-lot. He has tucked money into the shirt pocket of her uniform while copping a feel more than once. Until now, her only revenge was wiping her pussy juice on his tuna sandwich white bread.

For me, Trina lifted his keys. Trina told me she serves him his last cup of coffee at 10 p.m. and that my six green pills will be crushed in it. Trina told me he's small but strong.

She joins me in the men’s room, drops his motel key in my hand, and slaps my ass. “You look so fuckin’ good tonight. I’m not going to see you in here tomorrow, am I?”

“No.”

“Do good work.” She kisses my cheek, straightens her skirt, and leaves me be.

------------

Tuna Sandwich wakes up on a creeper. When I said, “Do you sell those dolly things? You know, the ones that go under cars?” the auto parts guy sneered at me. I’m sixteen, for one, and I’m frail, for two. Also, I lisp a little. He asked me if I needed help getting it into my van, and it sucked, because I did.

If I woke up on a creeper in my motel room, it would take me a minute or two to panic. I’d be almost curious when I came to. I might take some time to assess. It wouldn’t make any sense to a good person.

It doesn’t take Tuna Sandwich but twelve seconds to panic, though, because I know the fuck knows he’s led the kind of life where waking up cocooned to a creeper with rope and bungee cords and duct tape over your mouth is the kind of thing he’s been waiting to come around the corner since puberty.

He shakes his head like a dog after a swim. He groans through the tape. I smile from the bed. I was watching Fixture, the one where Kimmy does the bull run in Barcelona. I turn up the TV, super loud. I go to him. I hover.

He’s using his feet and lower legs to push himself away from me. He bumps his head into the wall and squeezes his eyes closed. His nostrils are blown to the size of dimes. His eyes burn: what, what, what.

He knows what. It’s a hundred whats.

It’s me taking off his shoes and socks and jamming my mom’s metal emery board under his big toenail what. It’s me dragging his faggot ass over to the writing table so I can steady myself on the chair, stand on his chest, and stomp up and down on him until I’m sure I’ve broken ribs what. It’s me moving to his balls and cracking down with my heel. It’s me plunging the emery board into his right eyeball.

Best of all, it’s me struggling to cut through the cartilage of his throat with my Swiss Army knife, because I am sixteen, frail, and lispy. A hundred whats let me take my time, and his left eyeball screams at me the whole time I do.

I’m going to sit here. I’m going to sit here and see what kind of piece of shit person shows up looking for this cocksucker because they missed him. No one will miss him. No one. I’ll be sitting here for days, sucking in his stench until I’m bored and go to Atlantic City.  

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