Fiction

wayland tracy

THE ELEPHANT EATS THE DOG by Wayland Tracy

I’ve rested my eyes upon the kit cat clock that keeps manic vigil of my darkening apartment. Either this or another video of fish eating birds, and I’ve figured out how all those end.

Its eyes shift front door to back door, synchronized with pendulum tail, sixty back-and-fourths to the minute. A maroon coat with white beard and a clock face on its belly grasped tightly by claws. And a bowtie. And ears like devil horns. Surely the devil keeps time, is timely, time of our lives. But I’m waiting for those eyes to break rhythm, waiting for those orbs of seeming mechanical animation to meet my own and grant me something of a different something, and no, I don’t think it will be good but that’s not what different means.

I’m drinking gin and juice, cranberry juice and gin poured from a broken bottle and even seasoned with the elusive glass flakes that could not be filtered out with fork. I think of Snoop Dogg. I think we could have been friends, but time feels thin now, wavering like mist in the sun, yes, but no who cares, it wavers like the ghost of my grandmother visiting me on the can. I could cry now as I did then, but I’m far too stupid these days. Won’t allow it. I’m sorry, Snoop. Besides, weed makes me doomful and I’m so goddamned tired of being the big bummer.

The gin and juice and glass goes down a little scratchy, but I believe in paying for my vices. I paved the road with five beers. I dropped the sixth after the fifth and let it pool on the kitchen floor. In time it will evaporate, glass and all, and my apartment will be pillaged by old friends and landlord, all matter renewed in the great cycle, kissed cheek and wreathed neck. My deposit withheld. That’s why I don’t clean unless it stinks.

Gin is for all seasons, as is all booze. Don’t be a fool. A Kansas summer is like an old farmer beating you unconscious with a haybale. So you drink gin and tonic with extra lime and oh so much ice. A big glass. Steal the ice from the front of a gas station. A big glass to peer through the bottom and see the future.

I imagine, I must, the cat looks to steal a lover or pull one over a on fool. I am overlooked, time and again passed over. Ha. I actually know the cat to be a dragon hoarding over its treasure, yes, it collects the time I drop at the threshold every evening, and that is why it pays me no mind. I had time and I used it to jack-off before work. Grace up and gone with the beer bottles and sardine cans.

I sneeze something awful, a god-hollering achoo that expels my precious blood through mouth and nose. Kansas is very bad for allergies. It subdues me every year, the gears precise in my sinuses, every year. My cough can only be dried out by smoke. The medicine weakens my blood.

My blood. My blood is sprayed across my arm and speckled on the couch. My mind shouts, Cranberry juice! but no, you fool, it is my blood. That makes sense. Undesirable but expected and all together honestly pretty cool. I take a picture and post it on Twitter with the words, Blood in the sneeze is worth two teens in the trees. I had made my profile private and blocked all my followers. I don’t even get it. It’s not funny.

I had the bottle opened before I opened my car door. Terribly parched and illogical. It jolted my head and kicked my empty stomach as the sun belched in my face. An old woman sat in the passenger seat of the car next to mine with her window cracked as might be done for a dog. She said, Take it easy, young man. As I lifted fist with bottle, middle finger pointed to heaven, the gin slipped from my sweaty hand, nosediving into the asphalt and snapping its neck.

I’m starting to hear whispers beneath the clicks of the cat. Like the voices I’ve heard before sleep, pieces of conversations floating through a crowd. But something else. This now, here, hear it just enough to know its real, one voice sickly sweet and not stopping for air. The mouth is painted on. Eyes frantic search.

The pain is thickening. The scratches in my throat have crawled into my guts and are working it like dogs in a rat nest. Reminds me of the time I had pneumonia as a child. From that I learned the benefits of suffering. No one expects anything of you, me, the contorted and moaning pile of puke and cold sweat. Akin to the dead but with all the advantages of the living: being alive.

I had poured out two water bottles and filled them with the gin I had managed to save. The glass shards floated like dazzling alien fish. Ah, you see? Delusion is simply a positive frame of mind. However, I’ll cut to the chase. The tonic water was missing cap and flat; the limes were rock and rotten. So fuck all that. However, as God gave Noah the rainbow, he gave me a bottle of cranberry juice, at one time intended to be drunk before a drug test. These are the winding currents of shitsville—trust them.

Do you believe in demons? Neither do I. If you said yes, then sure, why not. I tend not to believe in anything, which breeds endless maybes, a hopeless burden. But these whispers. Aren’t all whispers sinister? Didn’t she whisper in ways? Sinister? Sinister, sin, evil, devil, demon, hell? I think perhaps this is a case in which the answer is correct but the question is wrong, like shooting Ted Nugent with a silver bullet. So I call my friend, the priest.

We had gone to high school together, a Catholic institution—uniforms, gym mass, homophobia, plenty of pot, etc. We waited together for our mothers after school. He gave me the lunch he didn’t eat. I admired him because he was quiet and funny without crudeness or vulgarity. And he never condemned me as so many tried. Our lives are on opposite sides of the baptismal font, so to speak. I haven’t seen him in over a year. Love and solitude and all that shit.

Ring. Ring. Pour, sip, ring.

Soft and unsure, he says, Oh, hi Wayland.

Hey, buddy, what’s up?

Oh, you know. Just thinking I guess.

Someone’s gotta do it. I tried once and my hair started falling out.

He laughs like an ill man. It’s easier than saying something.

He says, You sound kind of ill. Are you okay?

No, not ill. Could use some blessings, sure. Always. But the thing is my clock. It’s talking to me. Probably not serious, but you know.

He’s silent. I cough blood into my fist. This has lost its charm. At last, I make out a word from the slick whispers: pejorative.

Are you… Are you on drugs?

No, Jacob, listen…

I think you’re on drugs.

No. I’ve been drinking glass. I know, I know. But it is a Tuesday night!

He doesn’t laugh. He sighs. Let’s get lunch soon.

Ok. Yeah. But don’t transubstantiate it this time.

Again.

You know the church has programs…

Yes, I know. Let’s get lunch.

He hangs up and I finish my drink.

One time at mass, I took the eucharist from the priest and pocketed it. Later, in the hallways, I licked it and stuck it to my forehead, then shook and spoke in mock tongues for the amusement of some friends. Jacob saw me and cried. Right there, in front of everybody, and they looked at him as you might a horse taking a shit in a parade and laughed. He didn’t need any more of that.

I hear the whispers with more clarity, like I’m tuning into a new frequency, but they’re jumbled and missing something, or I am. I cup my ears to the cat. Close my eyes.

collective damage and fusion             guilty parties      beguiled and bled through

the management of waste        you have painted       the gaul

you have      tasted and never once      I watch        I watch     I watch and never once

 this faux misery         entrusted to the blind and        guilty parties         never

     seldom sought in a seething pit I know        the opportunities arise

I used to talk with this homeless guy back in that time when I wandered downtown in the bad hours. Named Mislow and plagued with the creeps. He moved in escape. He conducted our chance meetings like a general losing the war. Crickets crawled over his bare feet and sang within the caves of his rags. He had told me that moles invaded the city offices through the sewers, that g-men were rounding up vagrants for weapons testing. He told me the truths as never before imagined, in hi-def technicolor 3D explosions. I offered him cigarettes and anything else I had to share. Secrets swapped for secrets. I’ll look over your shoulder if you look over mine. I gave him a hunting knife and he slipped it into the labyrinth of his garments. Said I’d get him a gun if I could. He reminded me of my father.

I told him one night that I planned on falling in love soon. A girl who gave me the day. With music and laughter and so fond touches on my face. It was to be. But it halted him, his eyes, hands, and lips. He had finally pinpointed an enemy, the deceiver lying low in my chest. He punched me in the gut, knocking the wind out, grabbed me by the shirt and said with a spray of garbage juice, You want pussy, fine. But these are the times of war.

Last I saw of him was a mugshot after he stabbed a cop.

I’m on the second water bottle of gin and trying to remember if alcohol is a blood thinner. Regardless. I add more cranberry juice to put it in as fast as it comes out. Mindful. Such a cheap word.

Now rhythm. Droning. It appears the cat has found its mantra: the elephant eats the dog.

I have had no luck in fixing anything by smashing it. This, a life of handcrafted logic, an artisan belief system. Everything works until it doesn’t. I have the brain of a lizard wearing a beret. The elephant eats the dog.

My hands shake, spilling my drink over and over and now I sit feeling silly and soaked in blood, gin and juice. Those eyes aren’t slowing down, though, and I don’t believe they will ever stop, not for me. Suspicion creates the future. The desire to fuck and love and be reborn creates the future. My blood creates the future. The tracking and ticky tocking of time finds the future too late. The future, in all its wisdom, whispered into your ear the dreams you had in your crib.

Now, a sound of world crumble and rattlesnake, an offbeat screech: the tell-tale buzz of my phone left on the floor. It shines in the darkness like an end of a tunnel. The name on the screen cannot be, a mistake and malfunction of our collective dumbass unconscious, surely. It rings and rings and rings.

The elephant eats the dog.

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bud smith

RIVALS by Bud Smith

Last night a cop came uninvited to the party and tasered people for ten dollars. He was a year away from retirement, and so, was relaxed, even breathing from the mouth, acting like a pal.

A lot of guys tried the taser. One even was shocked while he was downstairs in the shower. The cop got so excited. Three women did the taser too, holding hands together sharing that electric. They paid $3.33 each, pretending to be Siamese twins.

It was whatever it was. They secretly hated each other. They publicly hated each other too.

When the taser ran out of battery the cop went out to the cruiser and got the charger. He also carried in his ‘spoils o’ war’ collected in a big plastic bin, hoisted on one shoulder.

Now he had left his badge and uniform in the car, and he was down to his white undershirt and his boxer shorts, black athletic socks, shined up cop shoes.

It’s impossible to love anyone more of less out of their costume.

I mean, I should know, I used to be the mascot for the local college. The team being the Charging Bulls. Their uniforms were brown and shaggy and they had little foam horns on their helmets. Because of their uniforms, and their losing record, they were known un-lovingly as, the Shit Monsters.

The Shit Monsters had never won a game for as long as anybody could remember. But then, out of nowhere, my twin brother leapt out of the gene pool and started throwing touchdowns.

Speaking of things changing, now he is on death row, awaiting execution.

We’ve all got our biblical problems just like any small creature would. Put it to you this way, I don’t love my brother any less now that he wears those orange coveralls and spends his time in the penitentiary getting fat, smoking and watching TV. I love him the same now as I loved him when he dressed up like a Shit Monster.

While the cop charged the taser he leaned back on the couch and put his hands behind his head, fingers laced together. The little sister of someone else I didn’t know had her hand on the cop’s knee and the little brother of someone else I don’t know had their hand on his other knee. There was a show then that began in the bottom of the sunken den.

Two friends of mine were rolled up in an emerald carpet and having sex inside the carpet. Or making faces like they were. It’s always hard to tell. They urged everyone to step harder on the carpet while they grunted. Step harder! The hostess stomped and stomped and the couple seemed on the brink of orgasm, and the hostess started jumping on them with both feet. But the phone in the kitchen started ringing and she went away.

I’d placed the call, my friend who was on the bottom had turned blue.

I said, The call is coming from inside the party.

And she said, Oh you, Bozo.

She slammed the phone down.

I came out of the garage with a lite beer and the couple was unrolled from the carpet, all sticky and sweaty and with basically Xs over their eyes. I kept waiting for someone to dump a jug of icy Gatorade over them. But nobody did so I walked over and poured my lite beer over them and they laughed like people did when it was revealed that they were on Candid Camera.

The mess didn’t matter. There was a big tarp on the floor with plastic over that. You could have cut someone apart with a saw and the tile underneath would still be nice the next morning.

And then the cop had got off the couch and the taser was ready and he prowled up the stairs like a creep, visible boner. Socks off. I wanted to call the cops on the cop but I was worried that the cops who came to arrest the cop would be worse.

The hostess sat down at the table. She said, You’re acting weird.

I figured she meant the collar and the leash around my neck. The lead, my own, was in my hand. So I said, I lost my dog the other day.

She said, What’s your dog’s name?

My name, I said.

Oh, she said, raising both eyebrows.

She was digging around in the spoils o’ war cubby by the coffee pot.

Confiscated heroin, oxy, PCP and magic mushrooms.

I think we are on the honor system, the hostess said.

I put six dollars in the cubby and bought a 1/4 oz. of mushrooms and ate them immediately, handful after handful washed down with Sprite. Then I went out looking for my dog.

I lead myself away from the glowing house and into the peppermint night. Calling my name in a booming voice. There was two inches of crusty snow where I started, falling forward. Sometimes the snow got waist deep, and then got shoulder deep, other times it disappeared.

At the end of the cul de sact I saw my childhood home lit up in red and yellow. It had fallen to a fascist regime. Spaniards. My mother and father were dead and the Spaniards could not get them in the underworld where the Norwegians go to be with the other Norwegians. Our dead parents could sit together and drink aquavit and munch on crispbread. They’d killed themselves just a week after Scotty’s sentencing. The suicide note said they’d had this pact since they’d met as youngsters at the skating rink. Sixty years old was as far as they were willing to go. Also the note said, Uncle Kim and Aunt Aud, can go fuck themselves. Well! Thanks for the heads up Mom and Dad. Enjoy your crispbread and aquavit. I’ll make sure Aunt Aud and Uncle Kim never see this sad note. Yet, considering their suicides, I was neither proud, nor ashamed. With the money from the sale of the house, I bought a house boat that sank quickly in a freak storm and I bought a tractor trailer full of Marlboro lights, which I still cart over to the prison at the bottom of the valley.

Before too long I found myself sitting in the warm grass, and my hands were quaking uncontrollably and I got furious again at the college’s museum which had made me pay for the damage that Scotty had done to their suit of armor. He’d cut the metal hands off and  had started wearing them whenever he wasn’t on the field.

I should tell you how it happened, once and for all.

First those boys broke my hand because of that nursery rhyme regarding how to deal out the treatment of identical twins: Cause one pain, the other feels it. This was during a football game of no significance other than 100 years of rivalry. Well my pain didn’t stop the winning touchdown pass. After that those boys got me again, our teams meeting in a further bowl of no importance. Mind you I was just a nobody but the team mascot, with my rodeo clown head off, feeling the breeze. Pre-game they got me. But this time they were dead drunk and mistaken in another way, thinking I actually was my brother, the star quarterback. They shattered my other hand, so now I had none to use. My brother was wearing those heavy gauntlet gloves. When he heard the news of my attack, he came out from the locker room to seek revenge. It’s sad but it’s funny. He killed two of the three, one punch each, and went to prison instead of playing the rest of the game. So, after all, it seemed, they got us. Our second stringer throwing four interceptions and losing it before halftime. But still I say, we won. Some fans broke the mascot’s hands. Our QB took two of them out of this world.

I tied a bandana over my eyes, spread out in an X on the fifty yard line, and entered into a world inside my lost dog. I searched through her guts and then her veins. I came to a big beating heart. The heart was afraid. I saw there was a door. I opened the door of the heart and looked inside and saw an even smaller room with a couch and a TV and a bookshelf full of books. I picked up one of the books and it slipped from my hands because my hands always have lightning bolts of pain. My friend at the video store did the surgery. Finally though I was able to open the book with my teeth and my tongue and wouldn’t you know, the story in my trip was a story about me, about how I was no longer in any kind of danger. I’d finally found peace. Euphoria washed over me.

There was some noise and I lifted the bandana and the marching band was taking the field and the players in their Shit Monster costumes were running drills all around me and the stands were filling up with a few straggler Shit Monster fans on one side and a throng of opposing fans waving orange pendants on the other side and the moon was an ice cube eyeball and I stood up and got out of the way of the marching band which looked to me in that moment like a panzer tank engulfed in flames, set on annihilating everything in its path.

That’s when I was apprehended by the Shit Monster coaching staff who thought I’d returned! Thought I’d decided to accept my fate again as the mascot of their sorry team!

Someone was yelling, What are you doing? Get dressed get dressed. The  game is about to start.

I tried to pull away but the football team wasn’t having it. A Shit Monster line backer had my left arm. A Shit Monster defensive end had my right arm. A punter had my foot, I shook my foot free and kicked him in the gut. A Shit Monster tight end gabbed that foot. The assistant coach came running over with the rodeo clown outfit and I went into wild hysterics. The mascot’s outfit was pulled over my thrashing body. They finally released me when I was zipped up in it and had the zipper Velcro’d down so I couldn’t find the way out. I’d become the clown and I was loose on the field, stumbling and rumbling across the thirty yard line and then sharply into the visiting team’s orange huddle.

I broke away from them and fled under the bleachers. Some kids were under there, I didn’t see them first as kids. They were crabs passing glowing white orbs back and forth in their pinchers. I burst out the back of the bleachers and hit a chain link fence, kept thrashing against it. And behind me there was cheering, something had happened on the field. I could hear the marching band making mistakes. The whistles went wild. Voices were closer and mumbling my dog’s name.

I grabbed the clown head and I pulled it and then there were other people helping and it came off with a savage tearing and I began to scream. I’d wrongly assumed that my actual head had been ripped from my spinal column. But there was the cool night air and the back glow of the stadium lighting bathing the cedars in blue, and I was alive!

The pinchers hoisted me over the fence and I crashed down into the forest on the other side. That’s where I learned I still had my own skull and my own face and my own past and my own future. I took the head of the jester in my oversized gloves, with my bells jangling, and threw it violently back over the fence onto the playing field. The size twenty clown footwear, acted like snow shoes that helped me trudge through deepening powder, away from the contest.

When I reached town, I saw my reflection in a shop window. I looked like a mutilated cartoon, but all the gore was scribbled on with a white crayon. I decided to walk to the jail to see my brother. On my way there, I saw a pile of dog shit outside of the VFW hall and I stood in that spot for an hour or so, trying to figure out if there was any chance it had come from my dog who was lost out here. I’d take a gun from a sleeping guard and I’d shoot the locks and break Scotty out and then we’d go to the underworld to get drunk with Mom and Dad. But I knew—ah, my brother is in the underworld already. And headed to another, as soon as the judge finally signs the order. Wait, on closer inspection, this couldn’t possibly be my dog’s shit. It was just a paper bag stuffed between the leg of a park bench and an overflowing garbage can. I put my hands on the icy chain link, composed myself.

Down the street I saw the cop coming. He was shirtless in his car. He stopped, You need a ride?

No.

I found the velcro, I found the zipper. I gave him the costume for his bin.

He waved and kept going around the bend.

Did I tell you? I forget if I told you.

At the joint wake, my father’s identical brother, Kim, was there looking down into his brother’s casket, holding the edge so tight I thought he’d splinter the wood. While just feet away, my mother’s identical twin sister, Aud, was looking down into my mother’s casket and her palms were up as if supporting an invisible baby.

Meanwhile, our lives whatever was left of them, were suddenly, same as ever, our own to live.

READ NEXT: Melissa Goode's "Here We Are Now"

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SPD TOOK MY BLIND DATE AWAY by Braxton Younts

Once she told me she was an Iraqi war vet, I was hesitant to meet up with her, but I was lonely and horny, so I invited her to join me at my neighborhood bar after work.

Back then I was more attracted to militant feminists. I liked my women brooding over gender politics, listening to Bikini Kill, tattooing their arms, and dressing in combat boots. You know the one: mohawk haircut, bone through her nose, and an anarchy patch on her black leather jacket. Studs intricately arranged as if bedazzled by a seamstress on meth. Let me see if she can hang. See if she can verbally spar with me and my boys. If she can drink with the best of us.

Directly after clocking out of the kitchen at work, I booked it up hill on Pike Street, but before arriving the watering hole where we were to rendezvous, I stopped off at The Comet for party favors, including but not limited to one gram of shitty-stepped-on coke. Dad may have been a functional alcoholic. Dad may have enjoyed the competition of NASCAR racing and ACC basketball. He may have wondered why I preferred painting and science. But over years of self-realization, I gained a competing edge, winning the battle of egos, when I one upped his substance prowess and graduated to the hard stuff. And the hard stuff wasn't straight whiskey, rather my hard stuff was mainlining heroin and snorting eight-balls of cocaine on the back of toilets in Seattle's dive bars. In dank holes in the wall, I found camaraderie. Guys who didn't care about sports, stocks, jobs, life, or limits. Unlike my role model, Dad, we broached subjects like shortcomings, tattoos, and latent homosexuality. Fears and weaknesses. The unfairness of capitalism and racism. We even allowed each other to cry, sometimes.

When my date finally joined William and I at the bar, we had been there for a couple hours prior. You know, warming up. The more I drank the more loquacious and affectionate–the more human–I became, so theoretically it behooved me when trying to impress a potential lover to get a jump on the liquid buffet.  A few bumps of shitty coke with William. A few beers, and I was worth being around.

"Don't talk to that guy. He's not friendly until he's had at least three beers," said Brad. "He's a sensitive writer." Brad said with a suggestive, presumptuous, indicative lisp.

"Fuck off,” I said. “Had at least seven since work."

My date and I had only seen pictures of each other via email. When she walked in, I didn’t readily recognize her. A cotton candy-colored, asymmetrical bob with Chelsea fringe and a fatigue jacket was what I noticed. Warning signs in my flight manual. Yet she took to me like a duck to water, running her fingers through my greasy locks without invitation. I introduced her to William, and she said she could tell by our boyish giggling he and I had been sitting a spell and to pay her no never mind. By her calculations, she simply needed to slam a few tequilas, and we’d all be on the same level. Over her shoulder, I spied bulging set of blue eyes and plum-colored mug observing the entire mess. With Bukowski breath, Tim was not only a playwright, but also an actor and director. A literary movement was in the making. More than one of us artists would make it. I was positive.

After a few more rounds and very little equalization, a naked man waltzed into the room, past the row of bar stools, past the jukebox, past the big gay Indian who always became more affection toward me with each beer. At first no one batted an eye, for it was Friday evening in Capitol Hill, Seattle’s most odd neighborhood. Mr. Birthday Suit began pestering the bartender for drinks and said-bartender refused him service. All the while, beers were imbibed, and people made merry.

"How do I know I'm not gay?" said Turpin. Shaking my head, unsure I wanted his answer, I waited in kinetic anticipation.

"When I was locked up in NOLA, I let a guy fuck me in the ass. And didn't like it," Turpin said, laughing. William and I laughed, nearly spewing beer out our nostrils.

William was a barstool philosopher, an addict and an artist. Turpin was a cook, a junkie, and a tattooist. I was a writer, a cook, and a drunk. Were drunks attracted to the arts? Or did the arts attract drunks? Or did crushing self-doubt attract us to substance abuse? Who knew? Who cared? Not us.

True alcoholics we were. Nights when booze and coke absconded all our money Turpin and I, on occasion, popped in at The Man Ray or Sea Wolf to wrangle drinks from men. We cozied up to flamboyant, intoxicated patrons, gave a sly smile, and made small talk. Attention starved, these guys bought us beer after beer. If it worked for women, then shouldn't it for us. And, brimmed of what we craved, Turpin and I parted ways and staggered to our respective beds.

How we arrived at this level of chaos was vague. The bar atmosphere here was jovial and thus conducive to heavy-handed pours and over-consumption. Feeding the jukebox quarters, the bartender, Bayonne Bob, was playing quintessential AC/DC: "Highway to Hell," "She Shook Me," and "Have a Drink on Me."

At some point, not long after aforementioned Mr. Birthday Suit’s entrance, Bayonne Bob, nonchalantly locked the front door, trapping Birthday Suit. When someone phoned the authorities, my date decided to become a liberator. She took up the cause of freeing the imprisoned naked man. Like so many innocent Iraqi civilians, Mr. Birthday Suit needed liberation from a dictatorial bar staff.

About then two Seattle Police Department pigs rolled up, and my date was in a full-on donnybrook with bartenders and customers who were attempting to corral Mr. Birthday Suit. As the police entered the establishment, they inadvertently released the naked man while scraping with my date. She thrashed around and cussed at the cops. To no avail, implored them to release her war-torn ass. After a quick word with the bartender to ensure all was good in the business of intoxication, the pigs cuffed and stuffed my date into the back of a police cruiser.

A time later, after the we stopped giggling and gasping for air, William and I slammed one last beer, paid our tabs, and staggered out into the dank air to say our goodbyes. And as I was walking away, I heard my name, disembodied, from the interior of a parked cop car, “Braxton, can I call you?”

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kristin lafollette

SHOOTER by Kristin LaFollette

I was walking next to Maureen at a slower pace than usual. She was always walking slowly, mostly because she was usually talking too much. I was actually surprised to hear from her when she had called me the day before. It had been months since I’d heard from her. I knew it was because of the incident, but if I was truly being honest, I wasn’t sorry for what I’d done. Maureen had always been a subpar friend, even if we did claim to be “best friends.” Every time I had a crisis situation going on in my life, she would still find something about herself that was more important to talk about instead. She drove me crazy most of the time, but I had agreed to meet up with her in an attempt to clear the air about the whole Ryan situation. Over lunch, she hadn’t even mentioned it once, which was good, I thought. I didn’t want her to see my less-than-genuine apology if it came to that. Plus, I didn’t want to have to tell her that Ryan and I were still seeing each other.

“So, how’s your job going?” Maureen asked as we walked into the coffee shop around the corner from the deli where we had eaten lunch.

If there was one thing I hated talking about, it was my job. I was home for the summer between my junior and senior year of college and had landed an internship at a small magazine in town. I thought it was going to be prestigious and give me great experience to take back to my writing program at school, but all I did was follow the editor around and do his paperwork for him. The truth was that I was embarrassed about how belittling the job was, so I always felt the urge to lie every time someone asked me how it was going.

“It’s fine,” I said, standing in line with Maureen behind a couple of young girls in halter tops. “I think I’m getting a lot of experience.”

“Have you written anything lately?” she asked, staring at the menu behind the counter as if she didn’t always order the same thing when we came in.

This was another question I hated to be asked, but I was always getting asked it anyway. I had really slacked off on my writing that summer, mostly due to the fact that I was spending so much time with Ryan. But I couldn’t tell Maureen that. I was starting to question why I had agreed to meet up with Maureen in the first place. Ryan was all for us meeting up and talking; he said Maureen had a right to know about us, but I felt differently about the whole situation. I would have rather ignored Maureen for the rest of eternity than tell her the truth. I hated conflict.

“I’ve been working on some short fiction for a compilation I’m putting together,” I lied. “I’m hoping to have it finished by the time I go back to school.”

She looked skeptical. If there was one thing Maureen knew about me, it was that I loved to talk about my writing in detail. When I didn’t, she had to know something was wrong.

We ordered our drinks and waited for them at the end of the counter. Maureen was playing with a curl of her blonde hair, something that was a very annoying habit of hers. It made her look stupid. I was trying to think of something to say when she spoke up again.

“Chrissy, I just want you to know that the whole situation with Ryan is in the past. I’m over it and have moved on. Things don’t have to be awkward between us.”

I should have felt relieved, but I felt suddenly nauseated instead. I felt a strange pain deep in my organs somewhere. She was willing to move on from the whole thing, but she didn’t know the whole truth. Ryan was actually waiting for me a couple streets over in the parking lot of a bookstore we often went to together. We were meeting up after my outing with Maureen. I knew he would want to know how lunch went, and I would have to tell him that I didn’t tell her the truth.

“Great,” I said. “That’s what I was hoping you would say.”

I didn’t know what else to say. I felt like a coward, especially because I wasn’t quite sure how Ryan and I would continue our relationship without her finding out at some point in time. I just didn’t want to start an argument with her, especially in the middle of the coffee shop.

We left the coffee shop, walking slowly again while Maureen examined her paper coffee cup in an effort to avoid the silence between us.

“Don’t you have anything you want to apologize for?” Maureen finally asked.

Here was the moment I had been hoping to avoid the whole time. I kept looking down at my feet as we walked, unsure of what to say. My first instinct was to lie.

Before I could say anything, I noticed a one-hundred dollar bill lying in the grass next to the sidewalk. I stopped walking. Maureen took a couple more steps and turned around. She saw the money, too.

For a moment we just looked at each other. I turned back and the money was still in the same spot it had been. I looked a little closer and it looked as if the bill was stuck to the ground with a sewing pin.

“Aren’t you going to pick it up?” Maureen said as I stared at the bill.

“It’s pinned down, like someone put it there,” I said. “Like it’s a joke or something. Like some prank.”

As I was contemplating whether or not to pick it up, I glanced up at the high-rise apartment building in front of us. About five stories up, I saw a man standing in the window. The window was open and the white drapes were fluttering around him in the breeze. He had a gun propped up on the windowsill and was looking down at me through the scope.

I pointed up at the window and screamed.

“Run, he’s got a gun!”

There were many people lining the street and sidewalks, and they all looked up at the window. Everyone started to run at the same time, a stampede of wild animals.

I took off running with my head down and as I heard the gun go off. I didn’t know what kind of gun it was, but it kept going off. I had my back to the shooter as I ran. I kept expecting to feel a sharp pain and then a hot stream of blood down my back. I ran as fast as I could to try to clear the street and get around the corner. I didn’t turn around, but I heard people screaming as I ran. I thought of Ryan, sitting in the driver’s seat of his car in front of Barnwell’s Books on Main Street, waiting for me to jump in with my coffee in hand and tell him all about how Maureen had given us her blessing. Could he hear the gunfire?

I finally made it to the end of the street and ran around the corner, dropping to my knees as soon as I did. I couldn’t catch my breath. I didn’t realize until I had stopped running that I had managed to lose my purse in the process of getting away from the shooter. I didn’t dare look around the corner to see how many people were down or if the police had arrived. Or to find Maureen. It was like I was deaf. I couldn’t hear anything but my own breathing.

My feet hurt from running. I looked down and saw that my skin was raw and red from the straps on my sandals. I took them off and left them on the sidewalk. I needed to find Ryan. I started jogging to put more space between myself and the guy with the gun. As I neared the street where I knew Ryan would be waiting, I saw the Barnwell’s Books sign in the distance. Underneath the sign was Ryan’s blue car. He had the windows down with his music playing, as if nothing in the world had changed. As if people weren’t dying on the street nearby.

I sprinted to his car and pulled the passenger side door open, nearly diving in and slamming it behind me.

“Chrissy?” he said, reaching forward and turning down the volume. “What’s wrong?”

My hair was stuck to my forehead with sweat and I wiped at it with the back of my hand. I was sweating everywhere. My hearing was coming back to me and I heard police sirens in the distance.

“Didn’t you hear it?” I nearly screamed at him. “Couldn’t you hear the gun?”

“What are you talking about, Chrissy?” he said, his expression changing from curious to something between concerned and angry. “Where’s Maureen?”

“I don’t know,” I said. “There was a guy standing in a window with a gun. He started shooting. How could you not hear it?”

We sat there for a couple minutes in silence, not saying anything. Ryan had his hand on my back, my sweaty heat radiating to his palm. My skin stuck to the leather seat of his car.

Finally, Ryan said, “I’m getting out. I’m going to find Maureen.”

I slowly opened the door of the car, putting my raw feet on the hot concrete one at a time. I had been so worried about not letting Maureen know about Ryan and me, and now all I wanted to do was find her and tell her. Maybe out of guilt. Maybe because I didn’t want to feel like a coward.

We walked back toward the street in silence. I heard ambulance and police sirens echoing off of the buildings around us. As we rounded the corner to the street where the shooter was, I saw a figure in a blue dress standing in the distance. Her blonde curls bounced as she talked with a police officer. She was crying.

“Maureen!” Ryan yelled as he took off running.

I hugged my arms around myself.

Maureen turned around and ran to Ryan. They hugged each other as Maureen spotted me over Ryan’s shoulder.

“Chrissy?” she said. “Chrissy, I had no idea where you went. I thought he got you, the shooter.”

I walked up and hugged Maureen. Her sweaty hair clung to my neck.

“Ryan, what are you doing here?” Maureen said, wiping tears from her pale cheeks.

Ryan glanced over at me. I kicked a cigarette butt around on the ground with my bare left foot. For a moment, we were all silent.

“We never stopped seeing each other, Maureen,” I said, looking down at my feet.

Maureen looked at Ryan. She was still crying. Behind her, dozens of policemen and emergency workers were ushering people out of the street and onto the sidewalk. I saw one man lying on the pavement, writhing around and grabbing at his leg. Another woman lay face down in the middle of the street.

Maureen reached up and slapped me across the face. I didn’t move or say anything, I just looked down at my red feet again.

“Chrissy, I told you my brother was off limits! How can you be my best friend and go around with my little brother behind my back? Don’t you have any boundaries? Any morals?”

Ryan stepped in between us and grabbed his sister by the shoulders. He was talking to her but I wasn’t listening. My ears started ringing and I feared the deafness would return. I turned and looked up the street again. Off in the distance, I could still see that one-hundred dollar bill stuck to the ground, the sun reflecting off the tiny piece of metal pinning it down.

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TRIAL by Zarah Butcher-McGunnigle

The mystery shopper is ambitious, athletic, with a big dick. It looks good on you. I’ve been here for a while. I ask him what his Myers-Briggs type is and he says he is an INFP. What, INFP, but I’m an INFP. You don’t seem like an INFP, I don’t know if you are actually one. I am, he says, that’s what I got when I did the test. Ok, I say, I’m going to the test right now and pretend I’m you while I’m doing it.

I walk the perimeter of the mall. I really want to buy something but I can’t find anything to buy. Then I can’t find my way out of the mall. I get lost three times. As I am getting lost someone I know messages me to say they just matched with my ex-boyfriend on an online dating site. I am late to my job trial. The job trial is in a suburban but industrial part of town. I have to put pasta sauce into 50 plastic bags with a very large ladle and I’m not supposed to get any sauce on the sides of the bags. I am very slow and I keep checking the weight of the bag and trying to scoop up excess sauce back out of the bag with the large ladle which keeps touching the sides of the bag. I’m not a practical person. Two people are watching me and the warehouse we are in has high ceilings and no windows. One of the women watching me says, Are you just out of school? I say, No, I’m 26. She asks me what I studied at university and I say creative writing and she says Oh, well, that’s not going to lead to a job is it. She criticizes the way I am placing spinach on rice. She pulls me aside. We’re not really sure what you’re looking for, she says.

I take a taxi to the mystery shopper’s house. Did you get paid for the trial, he says, and I say no. We lie on the bed. I say my hand is too sore to give him a handjob right now sorry because of the arthritis in my hand. He says, You don’t look sick, you seem too young to be sick. I want him to be my boyfriend but he doesn’t want to commit. The mystery shopper says, Maybe you should be a teacher I think you’d be good as a teacher and additionally, you already dress like a teacher. I say I already thought about that. I applied for teacher college and a few weeks after my interview, the interviewer called me to her office and asked me what my plans were for the upcoming year. I said, Well, the teaching course?? I hope? She told me I was academically strong. But that I seemed too fragile and submissive to be a teacher. Are you sure you want to a be a teacher, she said, Why don’t we brainstorm some other possible options for you for this year?

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marc olmsted

ART NAZIS by Marc Olmsted

Spainhammer's gone, of course.  Flattop blond muscleman Viking male stripper and street hustler who wrote for Curtains' ReSurface, grumbling about not getting paid, and mad at Crazy House Press publisher Enoch Poorboy (whom he threatened with a syringe of his own AIDS blood ) - that was the event of Floyd Lice's "ironic" Hitlerian performance rant at the Bijou, where my Japanese friend Tony Amida ran into the famous Satanist's daughter "who was surprised they let Asians in.")  I liked Mick Spainhammer and sat on Tony's back porch 1988, both of us smoking cigarettes, as he discussed the "art nazis" framed within the kitchen door at the party which included Floyd Lice in usual arrogance,  holding the hand of a razor-thin Aryan punkette in a dress with a lowcut back that showed her asscrack, that "new cleavage" that still hasn't quite caught on. Mick was still ready for his close-up, Mr. DeMille, with no sign of the ravages to come, not just to him but to our city, our day jobs, our planet.The most amazing story about Mick Spainhammer was told to me by Tony 25 years later, reminiscing about this old San Francisco that was evaporating before our eyes.  Spainhammer was fisting a trick and Spainhammer was on acid.  The trick farted and a spray of blood went all over Mick's chest.  On acid. It definitely took our hustler to another realm - staring into the Abyss, so to speak. Still, he didn't freak out or go on a bummer. That was something you had to respect.

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isabella esser-munera

BANGKOK by Isabella Esser-Munera

He begins to paint.

Frescos. No. But layers. Layers.

There are faces. Clouds. He paints feverishly. Time is obsolete. His hand is limitless; it isn’t his. His body; not his. He makes love to himself in paint.

~

It is July 4th and he takes the four pieces that are left from the box in his drawer.  He eats them quickly and quickly lays down on his bed.

It is a mat, long and thin.

The room is bare and feels like it is opening. Like a box, as though the walls were slowly falling away by a pulled string. The color white, but something softer than that.

The man is not old. His arms are thin and at his sides. They fold over his chest. He is waiting for something.

Then he gets up, rapidly, like he knows. This is when he begins to paint.

It happens like this:

He left the room, saw two people. More accurately: two people saw him. Face bent, angled, Asian. Sharp hair, sharp features, light cutting across his shoulder. A staircase shadow, sinking down the steps. Cloaked, eclipsed. Harrowed. Gone. He was quick, he did not see them.

It is difficult not to pause, outside the door.

He pauses outside the door.

He is breathing.

What he is breathing: smoke, gasoline, food, other things. More importantly: the building, and their inhabitants. There is color. Flesh.

He walks.

Swiftly, anonymous. Like everyone else. It is fascinating. He thinks this to himself: fascinating. Escape: into, onto—others. There is color, there is flesh.

He hears it: gently, twinkling like a lullaby. Not the cart, the infinite piles of avocados. Not the man, woman, child. A pruned face giving way to a smooth one. Not the multitude of flashing eyes: lecherous, tired, pleading, bored. The twinkling, silver drums.

He sees them: ten thousand silver, pure, thin-sheet-silver metal drums. Tiny porcelain dolls, robots, playing on the drums. A long line like dominos. They are drumming their nails.

There. A window like a fish tank. It is glowing. He feels it, there, in his chest. His ribs are plastic. They are bowing out. He feels bigger. His heart overflowing. He walks into the store.

Things are slow and up close.

Or maybe no.

In the store there is color.

No flesh.

Color. Brilliant, saturated, blossoming.

He feels it in waves of texture. He breathes, dizzy. So much. The paint lined against the walls like dominos.

A small windmill outside the door spins, is singing.

It sounds like an angel.

He wants the color. He swallows it, standing there. It is not enough. He wants more. His ribs are plastic. Burst into arms. Reach out. His heart is bigger. Overflowing. Dribbling to the floor. Drooling.

He wants the color like a lover. Like water. It is not enough, standing there.

He steals the paint.

All of it.

There are no cameras. He fills his pockets, his pants, his hoodie. Mechanical. He is a robot.

He leaves the store.

He does not stop outside the door.

The flesh surrounds him. A wall.

Get through.

He moves. The flesh surrounds him, parts.

He is swelling. He is peeing. He is fine.

Back in his room.

His room is a box. He never noticed before.

Sweating, sweating. Sweaty. He peels off the navy hoodie with his thin, pale arms; the white, wet shirt. So much white. Sticky. Sweat on his forehead, clinging black hair. He lets out a moan. Unintentional. Glass is falling to the floor. Nothing breaks. There are no cameras. He breaks.

There is color.

White.

He is in a city that does not celebrate July 4th.

He begins to paint.

He does not have a brush. He does not find it until later.

He uses his ribs. His thin arms. His tongue. His penis. He lets out a groan. Unintentional. He is masturbating, he is naked.

Writhing.

There is color, there is flesh, he moans.

He holds up his hands.

They shake. Some asshole called them feminine once. Against the light they are snowflakes. His face is wet. So is his body, so. He looks at them, slender, plastic bones. He wants to bite them. He doesn’t. He looks. Snowflakes.

His cheeks are high and spread across his face like dove’s wings. Dovetailing down: his sharp chin. Like his mother. The blinking eyes which close, curtain. The hair, flattened back in odd angles.

His mother with her face over the bowl of soup.

As if it were a round pocket mirror, propped up, the reflections doubled, split down the spine like a horizon line, one face on the table, one face floating above it. A stillness in the morning, with the feeble light filtering through.

It caught her eyes, set them glowing. The house filled with stillness, cold light.

Her skin was pale and as thin as moth’s wings. Raising her eyes, over the bowl, over breakfast, she was all light, he said nothing. And at the seam where her faces met, the clasp, her chin an arrow pointing in—a necklace dangled, the one his father gave her.

His father is in the United States of America, Long Beach Island now. He could be his younger brother instead of his son, if. His elder sister, glamorously sprawled on the couch with a magazine, smirking, “When you get there, what’re you going to do? Make art? Fuck men? Huh? Fuck men and get high? Go, faggot. Go like your fucking dad.” Her legs scissoring over the couch, cupping a cushion like two fingers the plush meat of a cigarrete. I can’t, fuck, those. Kinds of hips, white as the sky.  

The downturned navy hoodie, she would remember, flattened down in the middle like his nose, his sister thought, as he left. As he left he lifted it over his head with pale, thin fingers. Like a cloak, a curtain, closing, edging down, and with a hiss, sweeping the cloth over the floor.

His eyes are closed.

Making love to himself in the paint.

There are cameras. They are like mirrors. They are like eyes. His room is a box, he is sure. He is sure there are cameras. He is on a stage, there are floodlights, the opening magician’s act, he will saw himself apart, his bones will oblige.

He paints with his body, the white white room.

Finds a toothbrush.

He is going to paint a fresco.

No. But there are faces. Clouds.

He is determined, so he paints. He paints frantically. He is in a city that does not celebrate Independence. Independence Day. There is color. He makes, bleeds, cries color. There is no flesh. He paints. He will find a lover. He will come home. He will not come home. He will not find a lover. He might be crying. There is color.

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shane kowalski

CRAWL ON ME by Shane Kowalski

A lot of times, after having disgusting sex at her slow nephew’s cabin, we’d just get very sick of each other and begin volleying hurt back and forth.

Don’t call my nephew slow, she’d say.

I have a cousin who’s slow, I’d say. It’s okay.

My nephew’s not slow though, she’d say.

Have you met him? I’d say.

She’d put her silver hair up, spit in my shoe. I’d tell her not to do that. Oh what are you going to do, she’d say. And I wouldn’t do anything.

Why am I thinking of this now?

…I think it’s because I was feeling very bored yesterday: a deep, gnawing kind of boredom that begins to change the community of blood inside me. So bored I was, in fact, that I had raced in my car away from my big house to the nearest grocery store. I thought it was going to be like the old days. I’d pick up an older lady in the bakery section, whisk her away, pack of donuts hitting the floor, and let her do disgusting things to me, and vice versa. She’d have a slow nephew, too, and we’d go to her slow nephew’s cabin and not have children that looked like us.

Nothing happened though. The grocery store was practically empty. A couple construction workers waited for meat at the deli. A little boy in tiny crutches, with his average-looking mom, was walking down an aisle. Not one older vixen! Outside, an ugly as hell employee on his smoke break asked me if I wanted to get high. I hated his stupid fucking dumb as shit red hair. I told him that, too. I was looking for something to happen. He punched me in the face—he was strong!

I stayed down on the ground for a little bit: desperately hoping somebody—anybody—might crawl on me and do sexual things to me while I lay there. Soon though the manager of the grocery store came out and said get. Just kick me a little, I said. Go, he said. Just spit on me and give me one kick! I pleaded. Get, freak, he said, or I’m calling the cops. I got up, unsatisfied, and left.

On my way home—after wondering if I might be the exotic topic of dinner conversation later in the grocery store manager’s home; his wife and children all going to bed with steamy, misty thoughts of me in their boring heads—I ended up with only my memories of when getting hurt was fun. I was older now, too. I was naïve to think there’d always be a person willing to hurt and be hurt as much I myself. Then I started to laugh! Ha ha ha! I was in a BMW, unlucky as fuck, lights all turning on around me in the evening, not caring at all that I had somehow let myself—finally, after so many years—become myself.  

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joel tomfohr

UBERLIFTER OR MY BUM HEART OR WOMEN WHO REJECTED ME OR THE RAIN TREE IN THE GOLDEN VALLEY by Joel Tomfohr

Which brings me to this afternoon, like many others this summer I hope. How I was out by Lake Merritt, out next to the giant Children’s Fairyland sign and the fountain, out on that hill right there in the sun trying to you know, like, melt into the earth. That’s my goal. To melt into the earth. And, if I can’t do that, then raise my vitamin D levels as much as I can.

And nothing really in particular happened; I guess this:

An older man pushed his bike up next to my head to get my attention while I was lying there listening to Ambulance Blues and he asked me if he could ask me a question.

“You already did,” I said.

“Hey man,” he said back to me. “What’s your problem?”

I told him I was tired and he asked me again if he could ask me a question and I said sure.

“My wife needs tampons, but we don’t have any money, so can you give me some money so my wife can get tampons?”

I was afraid he was going to roll his bike over my head or kick me in the head or do something to my head. I was lying there in my cutoff jean shorts and nothing else. Prone, you could say. He walked off, though, without saying anything else and then I felt like an asshole for being a wiseass to a man who looked like he was at least fifteen years my senior and like he did need the money and it didn’t really matter what for, so much so that he would suffer the ignominy of having to ask someone at least fifteen years younger than him for money so that he could buy his wife tampons. But it was true. I didn’t have any money on me. It was also true that I could just as easily be him if my landlord decided to evict me. I can’t afford rent in Oakland anymore.  

I rolled over and fell asleep while the last bits of Ambulance Blues played, the final duet between the harmonica and the violin—it sounded extraterrestrial, like a portal had opened up and this was the music transmitted out of it and I was following the sawing sound of the harmonica and the violin through that portal and when it finished I realized that I had fallen asleep. When I woke I was disoriented, like I had come back through the portal and forgotten where I was and hazy from the sun and it reminds me now how last summer when I was in Abiquiu for a week staying in a yurt behind the house of two Sufi mystics, a husband and a wife, my girlfriend knows there. So, one of the afternoons that I was staying there, I drove twenty minutes up the highway to Ghost Ranch and I walked through Georgia O’Keefe’s house with its viga-and-latilla ceilings and I saw a bleached out cow skull hanging above a door and outside the little square windows all the red and yellow-colored bluffs like huge walls boxing it in, except that they really couldn’t, not really, because the sky was so big and I hiked up this trail to what was called Chimney Rock and when I got there that’s what it was, a giant rock that looked like a chimney but I realized that that was not really the best part of what I could see. I could see out across the landscape, the old volcanoes, the steely flint of Cerro Pedernal and the blue, blue Abiquiu Lake and the field of white clouds scudding across the sky vividly. I stood at the ledge and I remember being afraid of it. Gales of wind blew and whipped my hair all around my head and dried out my eyes and so I turned around and hiked back down the trail, satisfied that I had seen all there was to see but also not because one could spend an eternity at a place like that and not see all the ways in which it could be seen, the changing light and colors. The sky at night the cosmos like an infinite dynamo.

When I got back to the yurt the Sufis were home so I knocked on their door and the old man greeted me. He wore a light blue kufi and a matching light blue flowing kurta. He brought me to the kitchen where there was a table made and carved from pinon, lacquered beautifully so that I could see the wavelike grain of the wood. His wife was sat there; she wore an emerald green headscarf. They offered me chai, and it was pink and they asked me what I had seen that day. I told them about the Ghost Ranch, the Cerro Pedernal, the red and yellow bluffs. They nodded and smiled.

“It is beautiful here,” the wife said.

“Very beautiful,” the husband said.

When I finished my pink tea I felt more awake, but also calm. “Thank you,” I said.

“Of course,” the husband said.

“Of course,” the wife said.

I went to my yurt around back and lay out on the bed I was so tired from hiking but awake and calm in a way that is hard to describe. I put in my ear buds and listened to Beethoven’s Ninth and I was listening to it and drifting off much in the same way that I drifted off to Ambulance Blues next to Lake Merritt this afternoon and I did and then I was back up on that ledge at Chimney Rock out at Ghost Ranch with the red and yellow cliffs and blue lake and ancient volcano and fleet of white clouds scudding vividly except that this time I was not afraid of the ledge. This time out in front of me just beyond the ledge was a door (a portal) that had opened up and the silhouettes of two human figures stood in the door (the portal) and behind them was only this bright white light, but they were serving me pink tea like the Sufi mystics and I was reaching out for it and I can’t remember if I took it or if it was already in my hands or maybe that was what I was trying to figure out in my vision and then I rose up out of it and I was back in my bed in the yurt and now it was completely dark outside.

So it was in the middle of the day on the little hill next to the Children’s Fairyland sign next to the lake with the fountain splashing when my brother Jason sent me this text about a script he’s working on about a guy who works odd jobs, one of them being an Uber driver, and is estranged from his daughter who lives in Rio (Why Rio? I wondered) and this was the text: Should I call it My Bum Heart or Uberlifter or Women Who Rejected Me or The Rain Tree in the Golden Valley. I ignored it. Instead, I decided to listen to Neil Young with Crazy Horse and I nodded off to the final fuzzy distorted bars of Cinnamon Girl and I decided that that is the greatest closing to a rock and roll song ever and when I woke up again Cowgirl in the Sand was playing and I opened my eyes and Jason was standing there above me blocking my sun wearing his Ray-Bans that make him look sort of like Jason Patric in The Lost Boys. No kidding. He has the same thick curly hair and bone structure, and it occurs to me now that they both have the same name.

“I thought you’d be here,” he said.

I squinted up at him sort of disappointed that he had come here to my spot because I was busy trying to melt into the earth as I said, but I said hey and rubbed my eyes and put on my Ray-Bans and sat up.

“So,” he began. “What are you doing?”

I wanted to say what does it look like I’m doing, but I didn’t. I told him how I was trying to waste my life out here and melt into the earth and he kind of chuckled, but I could tell he was a little concerned.

“Or at least raise my vitamin D levels.”

I couldn’t tell if he was giving me a puzzled look because he was wearing his sunglasses, but I imagined he was.

“I like the titles you sent me.” I paused. “For your script.”

“Oh yeah,” he laughed. “Which one?”

“Why not call it all three? Don’t settle for just one.”

He looked down at me and I looked up at him and then I lay back down on my back. “Can I sit down?” he asked.

“Be my guest.” Now I was happier that he’d come by but also wishing that he hadn’t. I had felt another portal coming on before he appeared but sometimes that happens. I think the moment will arrive and then it gets interrupted or it simply doesn’t and then there are other times when—Boom!—it does and everything opens up and there I am laying in the middle of it all, the sun setting and melting and I’m melting into the earth and generally wasting my life or at least trying to gather vitamin D from the final rays of sunlight and my brother Jason next to me thinking of titles for his script.         

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kevin hatch

RENTAL by Kevin Hatch

My sister was a Blockbuster Video. She was a happening place. She kept her aisles clean, her shelves organized. Children begged for candy inside her. Families made special trips to see her.

My sister was the church of Friday night. She was too inviting. A track-star type took her out, filled her with words and other flesh. Made her too-family. Made her un-happening. Made her un-rewindable.

Her posture changed. Late-fees and rental-rates changed. People tried to be polite. She breathed dust in their face, forced expired candy in their hands until they just stopped coming.

My sister drove her Honda Accord through the divider. The car leapt over the guardrail. Our father and I tried to find her. I climbed into the ditch filled with fridges and trash. I followed the trail of broken glass to the blue-Accord puddle. Father tried to mask my eyes but I saw my sister’s aisles everywhere.

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