Fiction

BEACH LAND by Lucas Flatt

Bushels of sargassum had washed up among the rental chairs. They clogged the beach. And so, fittingly, the day began with disappointment.Marjorie hated it, done up in strawberry print and pale as the moon with sunblock on her little face, thick like cream cheese. She scooped and hurled the stuff away from the chairs, scowling, haranguing the clods of seaweed.Gracie, implacable behind her sunglasses, rummaging through something on her phone, wouldn’t look Paul in the face.Paul toed the pile before his chair. “It’s got berries. We’ll make wine out of it.” Gracie frowned.“I have our tagline: ‘It’s not gone off…it just tastes like that.’”Their daughter made a move for the water and Gracie half-stood, but the little girl sat instead to pout in the damp sand a yard back from the water, to throw into the surf a limp plastic shark, and Gracie settled back into her seat.“It just tastes like that,” Paul said again.The sun climbed and bore into their left sides. Their little girl returned to the work of casting off the seaweed and asked, as ever, for the hundredth time that morning, “Will you play?”Paul took a branch of the sargassum and gave it a long sniff. “Notes of ocean water and fish butt.” “Will you play with me?”“It’s the answer we’ve been looking for–we’ll have to move down here to set up the vineyards.”“Will you play with me?”“I guess we’ll have to cultivate in the ocean. How much is ocean per acre?”Gracie groaned and put her thin hands over her face.“You’d think it’s less than beachfront, at least.”“You play with me.”Gracie lifted her hands, their shadows imprinting on the tight skin around her mouth. “Who are you talking to?” 

***

 By the pool, Paul still watched Gracie’s face in profile while she watched Marjorie swim with two brothers around her age, one probably younger and the other older by as much. She’d asked the boys to play; she’d ask anyone.Paul asked Gracie, “Why are you mad at me?” He couldn’t stop himself asking.“I’m not mad. Everything is fine.”If Paul ever heard the expression “everything is fine” again he vowed to pick a direction and run forever. Forever for his body would not be long or far, but he hoped his soul, such as it was, might propel then from his eyeballs and keep going at least a little farther.For now he climbed down the pool steps and swam to the deep end and floated there. And just as on each prior afternoon, he recognized that he did not care if he sank or emerged or simply dematerialized. “That’s my daddy,” Marj told the boys.This brought him back. He sang, “Do do, do do,” went under, holding one hand up vertical like a fin. When he caught hold of his daughter’s ankle, she didn’t squeal or kick. The thin bones of her ankles felt reedy and the clouds came across the sun and Paul closed his eyes and lay there long as he could, until she pulled away. 

***

 On the pretense of buying ice cream for them all, Paul went down to the taco place across the parking lot from their condo and waited in a long line to order a drink. He’d been sober almost seven years. When the sandblasted Heidi asked his order, Paul teared up. She opened her gray eyes wide, as if to say, This isn’t the line for existential crises, and he ordered a rum and Coke. He never used to drink rum and Cokes. He’d drunk beer, which made him fat, which made him uglier.It occurred to him, squeezing into a stool at the far corner of the bar, away from the lines for drinks and tacos, that he might be feeling sorry for himself. That seemed possible. He took a sip. It helped, a little. The weight of the guilt of breaking another promise to Gracie never fell onto him. It just floated up there with the rest of it. A woman near his age took the empty seat beside him despite a good line of empty stools stretching back to the crowded part of the bar. “This seat taken?” She looked him dead in the eyes.“No.”She resembled his high school sweetheart, or at least how he imagined her twenty years later: small face shaped like a heart, round body, hair dyed an aggressive crimson, very tanned. Maybe local, though this bar seemed to be for tourists. She wore a Gov’t Mule t-shirt with the sleeves cut off. “I’m Jen.” “Paul.” They clinked their glasses. He took a bigger drink and the rum curled his lip. “Guh.”“Not much of a drinker?”“No. I always think I’ll like it. Whiskey.” He looked at his drink. “Rum. Whatever. It looks good on commercials.”She slugged her drink, which looked like rum without the soda, and smacked her lips. “Love it.”“It just tastes like what it is. Like you put corn or wheat or whatever in a barrel and left it there and forgot it and then came back and poured it in a glass.”“Well you got some soda pop in there. That should help.” She muttered something, maybe “pussy,” and killed her drink.“Did you call me a ‘pussy?’”She gave him another long look. “What if I did?”Paul considered this. He didn’t have an answer. He said, “I’m not,” but didn’t believe it.“Put your arm up,” Jen said. She slapped the bartop.“I’m sorry?” Paul pulled back on his stool.“Do it, pussy.” “Are we going to arm wrestle?”“You’re goddamn right.”He won without much effort, but when he’d pinned her hand they left theirs clasped on the sticky bar. Paul’s last clear thought before he made himself let go and take another drink was, Buddy, this is getting out of hand. 

***

 They grunted and tried to dry-hump in the front seat of her SUV, some kind of Jeep, but didn’t fit well behind the steering wheel. Paul wished like Hell he’d look out over her shoulder and see Gracie likewise straddling some douchebag somewhere in the half-empty parking lot. Maybe also in a cobalt-colored Jeep. But all the Jeeps were empty save this one, steaming up.“Yes,” Jen stage-moaned.Her butt-bone dug into his thigh. “Shift a little,” Paul said.“Ooh.”“Uh huh.” Just as things became pleasantly frictive, Jen pushed back till she squashed against the wheel and said, "I don’t know if I want to.”This was a relief. “Me either,” Paul said. “I already feel guilty.”“Me, too. I'm married. We're separated. I came down here to spend my savings and drink myself to death, I guess. Like that Nicholas Cage movie.""Face/off.""Yeah." Jen reached down to the console for a pack of Camel Lights. "Let's just talk.""Ok. It's kind of hot in here.""I didn't mean dirty talk.""I wasn't.""Tell me something about yourself, Paul." She stayed on his lap and felt in her shorts for a lighter.Paul thought. "I always park in the same place at the grocery store so I don't have to look for my car.""That's honestly fascinating.""It is?""No, Paul. I wish you'd told me any other thing in the world."“Where’s your husband?” Paul tried not to sound peevish, but mostly everything he said these days did.“Home. Birmingham.”“Why are you split up?”“He wants me to stop drinking. I told him I’d quit the first of the month.” Today was the tenth. “My wife told me I had to ‘get over it’.” Paul waited for Jen to ask about “it.” She did not. “I think I want a divorce. I’ll probably tell her about this. That’ll do it.”“Don’t tell her.”Paul ran his hands through his hair. “I don’t know how not to.”“Just don’t.”“That’s the problem. I just do. Every little thing that bothers me, it’s like I have to. It burns in here if I don’t.” Paul rubbed his solar plexus."OK, tell her, then. Sounds like it won’t matter. Because I’m sure she didn't mean to  marry a big whiny bitch." She slid into the passenger seat and lit her cigarette.Paul considered. “That’s probably true.”"She must be a profoundly strong woman to put up with you. You should run back to her fast as your mismatched legs can take you." "I forget my legs are different sizes."They both regarded Paul's legs. Jen frowned. "I'm afraid I never will." Paul coughed and popped open the driver’s side door. "Well, enjoy drinking yourself to death." He hung in the doorway, waiting for her snappy retort, but when none came he looked back at Jen's tight-lipped profile. She stared ahead at the sunset through the steamed-up windshield. This was a record, two women he'd put that long face on in a single afternoon.When he'd made it halfway to the cross walk toward the beach he looked back and saw Jen pouring the last of a bottle out of her window. She nodded to him and jumped the curb and screeched off toward highway 98.Or anyway that's what he pretended he'd seen, not looking either way at the intersection, just watching his legs carry him to the water. 

***

 At the showers by the beach access were a few sandals and someone’s boogie-board leaning against a splintery railing. It wore the Tasmanian Devil and seemed too small for Paul, who stole it anyway. If he’d ever stolen anything before, he couldn’t recall it. He thought someone might shout for him to stop, but there was no one around.By sunset the beach was empty save the kid who rented chairs who stood up from his tented kiosk and welcomed Paul by name. “I just broke down your chairs,” he said, apologetic but not offering to set them back.Paul waved him off. “Thanks, Brayden.”“Hunter,” the kid said, still apologetic. Paul nodded and headed in. The tide was out and he had to walk a good way before the water reached his knees. One family watched him from the sandbar.He waded to the bar, went over into deeper water and began to float on the boogie board. The water was warm and he paddled out, unhurried, wondering how far he could get. There was some kind of fishing boat puttering along the horizon. When he looked back, the beach was far and someone–probably Brayden–stood cupping their eyes and looking out, probably at him. He waved; the person didn’t wave back.The waves came heavier and he had to hold on to the boogie board to keep it under his flabby torso. The family on the bar were looking out at something his way. Here it is, he told himself. It’s time. He really wanted another drink, shuddered away the image of Jen in her Jeep, glad at least not to have to explain that to Gracie, or anyone.Out of habit, he still imagined himself explaining, how he’d bring it up, what combination of words would yield which response. He didn’t know how to stop. But what he wasn’t imagining, despite blinking hard several times and wiping the salty haze from his eyes, despite truly hoping that he was, were the sizable dorsal fins trolling toward him from farther out to sea.  The people on the sandbar shouted.“Fuck,” Paul said.The sharks neared. They circled, two fins, one significantly larger than the other, like a mother and child, perhaps. A father and child. He was going to die as some kind of hunting lesson for a shark.He held very still, but the circling closed and closed. He tried to pull himself up entirely on the beach board but the scrabbling only seemed to excite the sharks.He decided to try something. He lied to himself. Paul, you can fight off these sharks.It helped. He said out loud, “I’m OK. This is going to be alright.” And just before the shark clamped down on his leg–the smaller shark on the smaller leg–he finally had it, just a glimmering thought, but halfway to a plan that possibly might save his marriage.“Ah, fuck!” It really hurt. 

***

 In the end, he did fight away the sharks. In his shrieking and flailing he kicked something several times. It didn’t fight back. He must taste bad, was the only logical conclusion. The sharks circled. They trailed away, possibly regrouping.When his panic ebbed, he felt himself and found what he guessed to be a decent tear in his calf. Blood came smokily up in the water rolling around his board.For once, his mind was truly blank. Then there was a great noise and he violently peed himself. It was an air horn blast. The fishing boat had spotted him in the dying light and shone some kind of spot his way. It trundled on. Somehow he knew the sharks were gone.Any semblance of life-altering epiphany had voided with his bladder. He let go of the board, slipped into the water with his eyes closed, and shouted away his air, his breath bubbling and his head immediately light. He was deep enough to turn all the way over and with his head facing down he kicked out his arms and legs and sank. He opened his eyes to the saltwater, expecting silty purple-black, but found instead a tawny haze.  Then it was like he could breathe in some kind of air bubble, and in the golden light he saw someone, a person, smiling at him. A radiant woman. She wasn’t a mermaid. She had on a pastel blouse and very kind, pale blue eyes, and a gnarled hand with swollen knuckles reaching out for his. He took it. It was his mother, who he’d not thought about in maybe a week. She shook her head and held his hand. She looked into his eyes and then Paul rolled over into the purple-black and kicked up into the spotlight of the fishing boat. 

***

 After the old couple had helped him aboard with a rope and a lot of undignified scrambling, his shorts halfway down his ass, his leg bleeding on the boat’s slick beige finish, Paul sat in the cockpit with blankets around him and a towel done up on his head. The old lady had gone somewhere out of sight looking for a first aid kid. The bite on his calf was curved and long as a hand.The old man, Hank, sat above him and worried with a radio. “We watched you for a while but you seemed like a strong swimmer. We didn’t think anything until we saw the sharks.”“That’s OK,” Paul told him again, touched, honestly, to be called a good swimmer. He loved compliments.“What were you doing out there?”He was cold. It was hard to remember. “I guess I meant to drown myself.”“Huh.” The old man, Hank, turned that over in his head. “Well, we could get you out past the sharks a ways and let you out.”The old woman, Joanne, was back in the cockpit with a box and flashlight. She gave her husband a long look, shaking her head. “God damn it, Hank.” 

***

 The last of the sun burned out and the navigation lights glowed so that the horizon dimmed away and they were just rocking on the purple-black. It might well have been outer space.Hank gestured around them to the boat itself. He’d been extolling it for a while, Paul thought. They were borrowing it from a friend. “If we buy it, we get to name it, of course. What should we call her?”Paul knew without thinking. “Sweet bitch of the evening time.”Hank squinted at Paul, turning this too over in his head. “Did you say ‘time’ or ‘tide?’”“Tide.” Paul liked that better.  

***

 Heading in, Paul played out what he would tell Gracie. He thought about seeing his mother and that she wanted to tell him something. What was it? What had he been thinking before the sharks attacked?“What was your name?” Hank asked.“Carlos.” He lied, and felt better, and it was coming back, the answer to everything. He leaned against the cockpit railing and closed his eyes. “Carlos Santoya. My folks are from Spain.”When the dock came into view Paul said, “Hey, I think I was just in shock before. I wasn’t really trying to drown myself.”“Oh yeah?” Hank frowned. “Nope. I was training. Boogie boarding. Walton County, regionals.”“Regionals?”Oh yeah.” Paul nodded with big emphasis. More emphasis than he’d had in years. All of it, surging back. 

***

 He came into the condo wild-eyed, angry for no reason that Gracie wasn’t waiting at the door, and found her on the couch, Marj sleeping with her head in her mother’s lap. Don’t blow it, he told himself, knowing that he was.She asked, “Are you OK?”“No. God, no. I need to go to the hospital.”She looked at his bandaged calf.“Did you get hit by a car?” “No!” Paul’s hands curled into fists, which Gracie hated.“You don’t have to.” She looked down at Marj, awake now, feigning sleep. “You don’t have to be an asshole. Where were you?”“It doesn’t matter. I need to go to the hospital.”“Let me see it.” Gracie reached for Paul who pulled back.“Not for that. Not that kind of hospital.”And they were fighting, and the girl was awake. Before Paul could get a handle on himself, she was carrying Marj into the bedroom, locking the door. 

***

 That’s how Paul imagined it, provided the old Paul. The elevator smelled like cat urine and some kind of slime glazed the carpet. He braced himself at the door, punched in the code and slipped in quietly, limping, laden with ice-cream.Marj slept in the bottom bunk and he knelt there and tousled her hair.“Paul?” Gracie looked asleep, and scared, standing in the kitchen.“Sorry, babe. What a night!”“Where were you?”“Let’s get this in the freezer.” He limped there for effect. “I went to talk to Brayden about the chairs.”“Who? Hunter? The chair guy?”“Yeah, and there was all this pandemonium.”Only now did she seem to notice his limping.“Oh my God!”“People were running around. They were pointing at something in the water.”“Oh my God.”Paul closed the freezer. “There were some kids out there and this lady was just yelling, ‘Come back, come back,’ and people were watching. The lifeguard was dragging over a kayak or something.”“You went in?”“Well, I’m a pretty good swimmer. But it was just instinct. I didn’t really even know what was happening. I went in with my shoes and everything.” “You got bit by a shark?”“A little one.” Paul held his hands apart yay far.Gracie made some kind of squeal and wrapped him up. Marj climbed out of the bunk bed, mostly asleep, came dragging her blanket and wrapped up their legs.“Oooh, easy,” Paul said. But it didn’t really hurt. “Daddy’s a hero,” Gracie said. She was crying hard into his shoulder.“No, no,” he said. “It was the lifeguard who got the kids.” 

***

 Later, with Marj back asleep and the ice cream containers stuck to the coffee table with the spoons standing up together, Paul and Gracie held each other on the couch.“I’m gonna fix everything.”She squeezed like maybe she believed him.“Oh yeah?”Oh yeah.”She pulled back and put her hand on his collarbone, her eyes wet. “I want you to know, you don’t have to change yourself. You don’t need to be a different person for me to love you.”He pulled her in. “I know that.” He grinned over her out the balcony window. Lying felt better and better.She called him a hero again. He let her. “I guess I am,” he said. He tried to push away any kind of questions. The only one kept resurfacing was, what now? How does this end? Maybe that’s what his mother wanted to tell him. She’d seemed worried. That had been her way. But not now, maybe. Why should she? She was like a mermaid queen all gold and radiant in robes that billowed in the undertow, emerald scales. Or maybe she wasn’t. She’d just been his mother, underwater, quite unhappy. Her pale eyes pleaded. She was mouthing something, but there wasn’t any sound, of course, underneath all that water. Probably she’d wanted to tell him not to start this. You light it, you build it up, you’re glowing and you’re billowing, it seems like you’re coasting over, it seems like the answer, but when do you stop feeding the fire?He looked out into the dark toward the ocean where heaven must be. He wished he could tell her. It was OK. For once he had the answer. You never do. Not ever. 
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POTENTIAL DOWNSIDE OF REPLACING YOUR EYEBALLS WITH CORN ON THE COB by Tyler Plofker

Me and Johnny replaced our eyeballs with corn on the cob. One cob stickin’ out of each socket. Buttered. Went in easy. Johnny’s aunt, Joann, said, “Stop that, you boys need your eyes!” We said, “Shut your trap, ya old hag!”We ran into the backyard. Could see just fine. The cobs fell into our skulls and bumped around as we climbed into Johnny’s treehouse. He dared me to dare him to jump from the treehouse to the grass, which was uncharacteristic. I dared him to jump from the treehouse to the grass. Johnny jumped from the treehouse to the grass and broke his right leg and right hip bone, and then we weren’t allowed to hang out with each other for three and a half months.
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LADIES OF THE PRIVY CHAMBER by Mark Iosifescu

“There was a russet-coloured moon of ominous size too low above the whispering bushes; he danced exuberantly for five minutes beneath it after the click when his neck broke. His bowels opened. What a mess!”—Angela Carter, “Elegy for a Freelance” It was on the basis of his sorry reputation that we arranged for Puccio the ex-valet to desecrate the chapel. When we first arrived in town, we were told by villagers of every description—the lordlings and plainclothesmen, the monastics and innkeepers, the stewards and eelbaiters and whores—that he was a timid man and a coward. Puccio was, they said, bumbling and ineffectual, hopelessly maladroit, constitutionally avoidant of drinking and fights, a slow worker, and a punk around women. The older nuns recalled how, as a child, he’d been too scared to milk the cows. Though he had the body of a nominally grown person, all spotted and hairy, he yet retained the anxious, carping predisposition of a little boy. He was stunted and aggrieved, so pilloried as to justify any counterclaim. He was estranged from creation itself. Mwah. He was perfect.We devised a plan: the town pariah, the dead animal glorified, and the awful village brought low. Whirlwind, heat, and flash.To prepare for the ritual, we camped out in open forest by night. Mornings we entered the village, disguised assiduously, to collect information. Few in town knew where to find the young man, but eventually a pair of pockmarked merchants pointed us in the general direction. These days, they said, Puccio kept mostly out of sight, bivouacked with the sick and unwanted animals in the far field behind the burnt stable.“They say he accidentally started the fire,” one of the merchants told us, clutching his wool wrap against the biting wind. “Since then he’s been a shiftless louse, Mesdames, if you’ll pardon my saying so.”The men were under the impression we were Ladies of the Privy Chamber, maidservants in the household of a regional consort. Though they were determined to play it cool in this regard, they were idiots, and their titillation was obvious.“I’ve seen his type before,” the merchant continued. “Too lazy for a trade, too womanlike for military service.”“And too warped for the church,” the other one said. “Prone to unholy acts, how I’ve heard it put.”The first merchant clucked and shook his head. “You don’t know that, after all.”“What, about his deviant behaviors?” The second man made a lewd gesture and grinned, revealing several broken teeth. “His tendencies contrary-to-nature?”The first merchant covered his ears. “You shouldn’t speak of it, not in front of strangers—”“It’s alright.” We affected clean, girlish accents and placed reassuring hands on their shoulders. “I’m sure we’ve heard worse before.” “Course they have,” the second man said, looking us over, trying to be impressive. “Anyway it’s just how he is, innit? Once a stableboy, always a stableboy.” 

***

 We emerged from the woods on the third night, rubbed clean and slicked in hot tallow, moonlight catching where it would. Each of us had drunk heavily from the consecrated sacks of wine, and as we sprinted through the dark, our breaths inside our masks resounded like wet slaps. The members of our detachment were giddy, lightheaded by the time we reached the clearing and fixed sights on the ruined stable.It was a four-cornered plot, patchily mown but much neater than what the townspeople had described, at whose center the smolderings of a recent campfire smoked beside some wire-lined animal hutches and a pair of shabby linen tents. Though the intervening distance was largely obscured by darkness, we’d taken care to reconnoiter the whole of the field during the prior days of close observation. We knew exactly where to be.We squinted through the loose, flappy eyeholes, trying to bypass the smoke from the camp while our visions adjusted. Finally, at the clearing’s far edges, we saw them: our Sisters, in all their finery, standing stock still. Shapely forms, angles all glistening, fleshly knots of curve and slick straightaway culminating at their necks, where the fearsome glory of the masks slipped over the top like a churchmaid’s headdress. Gazing at them, noting their formidable bodies against the dark, their towering nakedness, the easy dominance of their stance, we felt rushes of pleasure. We loved the idea that this was how we looked. We howled the signal across the clearing. The other detachment howled back its readiness. And together we moved in.We found Puccio in the larger tent, asleep on a pallet of loose cloth and hay, a small earthenware bowl balanced on his sweaty belly. In the corner, a clatter of personal items: sacks of food, sheep shears and farming utensils, a bridle, a guitar, other pieces of frippery. Beside these, a corpulent sow lay snoring facedown, a dozen or so fussy piglets vying for access to a single exposed teat.“Peace?” When he woke, Puccio’s voice was high, tentative, trembling. He couldn’t see us yet, but he knew someone was there.“Shhh,” we answered.We bound him to the tentpole with his bedclothes. Within a minute or so we’d commandeered the rusty shears and started in on his long, greasy hair. On account of our not having gagged him, he made a lot of noise at first—shrill, ribboning sounds that seemed to aggravate the nearby animals, some of whom we could hear neighing and stomping fitfully from their hutches outside. But everyone soon calmed down, and by the time we completed his shave, Puccio had become docile, accepting, eyes sort of passively unfocused as he gazed into our false faces. It was as though, in feeling the monastic tonsure we’d cut out of his crown, he’d begun to intuit his role.The assault on the chapel and the breaking of the town would require, we knew, another animal of sufficiently encrusted contempt. We asked after the ones in Puccio’s care: their number, the nature of their ailments, the causes of their abandonment. It turned out he kept an ancient pack donkey named Cephas who’d been worked to lameness by a village farmer, beaten badly and left at the edge of town. The creature couldn’t walk or even stand, having developed enormously inflamed hoofs; it also suffered from infections along its flanks, where it frequently worried the flesh and bit itself raw. It would be dead by Sunday.“Can the animal be transported into town?” Our speech flowed slow, slurred almost to indecipherability; the night was heady, and our voices caused the air to warp inside the tent.But Puccio nodded easily. “I can use the old stable van,” he said. “It made it through the fire in good shape. Two horses should be enough to pull it.”We smiled beneath the masks, petting the halo of locks we’d left intact along the rim of his skull. Puccio’s cheeks were clammy, and a steady, obedient pulse could be seen beating out from a notchpoint at his temple while we whispered instructions into his ear. Our little monk. 

***

 That weekend, the chapel was full, the sabbath having drawn the attendance of nearly every townsperson: the church officials, of course, but also the midlevel nobles, all manner of working folk, indigent passersby. Sneering shopkeepers lined the benches beside combative drunks, shameless propagandists and wifebeaters, sanctimonious elders and loudmouth zealots. The merchants who’d shown us the way to Puccio’s camp were also visible in a front pew, their skinny, dour families crumpled beside them. They didn’t recognize us in our disguises, but we knew everyone, and as we scanned the room a hot feeling of anticipation moved through our centers.The portly priest stood, and his painted throne heaved a sigh. Though he wore the highly decorated garb of his order—the ornately-woven sackcloth and cuffs, the heavy pendants and jewelry, the bulbous crown of damask and gold cloth—he resembled nothing so much as a bloated pigeon.He began his invocation, turning toward the altar and chanting in a low voice while a pair of punctilious aides bobbed along the perimeter with perfume censers. The congregants picked up their end of the chants indifferently, eventually finding a sort of delicate unison, one filled with subtle desynchronizations and flatnesses of tone, with distracted murmurs and slow lullings. Human voices, shabby and drifting; testaments to impoverished, complicit spirits, to lifetimes of violent disregard. And our miracle, sudden and senseless, coming to free them.We closed our eyes, listening as the crowd thrummed and droned toothily, and thought of the instructions we had given the stableboy, that night in the tent beside the broken stable. “You might imagine it as a doorway,” we’d said, directing his lolled-over head toward the small symbol we’d painted in the dirt: a loose oval, an egg shape, rendered in the darkened purple of our upchucked wine. The ritual, we explained, required that the symbol be wordlessly pondered, fixed on with concentration, revivified in the incorruptible space of one’s steadfast attention and enlarged, slowly and carefully, to a greater and greater stature. To the size of a key. To the size of a knob. To the size of a door.“Carefully look over the door in your imagination.” Puccio’s hands had been tied, fingers outstretched, bloodless white. Tears on his cheeks as he nodded.“Now open the door.”At that moment, a crash was heard from the chapel’s entranceway.We opened our eyes just as an enormous shape skidded across the floor. The broken donkey, lobbed deadweight into the center of the space. A terrible smell filled the air.“If you wish to fatten up on blood,” a voice said, “then spill it in sight of the throne.”A hush had fallen, but as soon as the congregants could see who was speaking, the tone changed again. People scoffed, rolled their eyes. More than one attendee gestured to their neighbor, indicating the speaker’s clerical haircut with ridicule.“Stableboy.” From the altar, the priest snorted. “Are you good?”Puccio entered, his head low. Stubbly patches had begun growing back in across his scalp the last few days, little crusts of dirt and bunchups of dead skin along the crown, along his neck and thin forearms and the furled hideaways beneath his threadbare tunic. He looked beleaguered, filthy, abject, the way they thought of him. But his smile was clean.Looking up, he loosed a stream of curses, of invective, of magic in the old style. Probably he spoke of youth and humiliation, of unspeakable memory made concrete if not quite knowable—the details of what was said being academic, really, where actual practice is concerned. Nothing to relate about his words that isn’t irrelevant, not so much paltry or inadequate as altogether meaningless when conceived in context, amid generations of injustice, of massed mourning, of increments of voltage accumulated, held, and discharged, finally, in a single paroxysmal move. Of what consequence is language, anyway? We’re talking about action here.Instantly, the building itself seemed to slip out of phase. A chair snapped and splintered of its own. A mother wept, staring at her baby. The flames in the censers leapt their containers, and the shocked aides dropped the vessels to the floor. The donkey’s hoofs began to twitch.Puccio had been speaking continuously as he came up the aisle. “If you want to feed your gods on sacrifice,” he said, “then take a look at what it is they actually eat.”Probably nobody heard him. The crowd pressed against itself, flexing and roiling, falling into the walls and the locked doors. The flames from the censers spread slowly, inching themselves along the timber floorplanks, fingering the tassels on the woven rugs. We stood, calmly, irrevocably, and in one move, cast off our disguises and revealed our true faces. Cries, prayers, panic. Behind us, the merchant with the broken teeth, desperately avoidant of our sightline, was trying to climb the masonry, scrambling over his family, knocking over icons and paintings.In the cleared central space of the room, the donkey wiggled a leg, pressed on it tentatively, and rolled onto its feet. It breathed steady amid the building smoke, rocking back and forth for a moment, then reared up on its hind legs and, with an unbidden bray of pleasure, began to cross and uncross its forelimbs. It stood on one hoof then the other, trotting and shuffling, circling the burning chapel decorously. With a stately tempo, it danced a processional for the end of services.
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LOST HAM OF VIRGINIA by Joseph Young

That’s a dog, he said, thumbing a pink eyebrow.No, she answered, that’s a bear.Muzzle’s too long.That’s how they come around here.The creature climbed the far hill, cleaving the dew grass in two halves. It got to the door and pushed in, a clattering of end tables.Bears don’t act that way, he said.Dogs who act that way get taken off.He grabbed her by a hip, turned her around. Her nose was burnt so he kissed it.Like aloe jelly, she said. She pressed his dimple. Bzzt, she said.The bear or dog came out again, a ham in its plastic among its teeth. The dog got to the hill, stumbled, the ham set loose and tumbling down. The bear watched it roll until it hit the creek, a little plosh.Dog’s going to be unhappy, he said.Bear’s going to be pissed, she said.He pressed against her. Thighs, groin, stomach.Everything about you, she said.All about you, he answered.The bear, the dog, was rolling in the creek. It howled. Another world of pleasure in its sound.
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ZOO DRINKING IN AMERICA by Avee Chaudhuri

Dutta placed a map of the zoo on the wall and reviewed the group’s itinerary. First they would shotgun beers in the parking lot, then visit the reptile house. There, they would shoot rum (hip flask left pocket) and handle the sloughed snake skin on display very delicately so everyone else would think they were respectable patrons of the Lincoln Children’s Zoo. Next they would watch the giant apes and pull bourbon (right pocket). It was rumored that the lowland gorillas were in a lustful and shameless mood of late. At this point they would purchase concessions to reduce the irritation to their stomach lining because of the booze. Usual fare, cheeseburgers, hotdogs and Coca Cola. The latter would be used to mix double rum and cokes before taking in the majesty of the large African mammals, the giraffe, elephant, rhino and hippopotamus (latin for “river horse” Dutta explained smugly). A single shot of blended scotch would be sufficient before mounting the camels and riding naked across the Sinai. But at least another double rum and coke, if not a treble, would be necessary to steel oneself for gator wrestling in front of a crowd of whooping sorority members from Oxford, Mississippi. It would reek of clove cigarettes. And finally, on a quieter note, the four of them would end their day beside the tiger enclosure at the far end of the zoo. Perhaps at this juncture a magnum of champagne would be produced from the large, intangible folds of a Burberry overcoat. A tiger had once spared Dutta’s father decades ago when he was a boy in Darjeeling. It’s a story Dutta Senior told often.
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DEAR PHONE MAN by Karris Rae

Hello. I am Roy Whitaker. I have mailed you before, or maybe not you but someone else at your office, because my phone has been disconnected. I think this is because you think I am dead, but I am not dead, so I would like you to please reconnect my phone. I am waiting on a call from my daughter and if I have no phone I will never get it. And I would shimmy up that pole and see if I could reattach it myself only I am pretty old anymore and I do not have a little neighbor boy or young man or really anyone to help me. So you can see why I am stressed.I have mailed your office every week for two months and still every day my mailbox is empty. You have probably noticed that I have not been paying my bill. I refuse to pay for something I do not have, which is a working phone. How could it be so hard to find my house when it is the only one even around. I am waiting here with my toolkit and if you tell me ahead of time I will make sun tea.Maybe if I tell you why this is so important, you will make sure it gets done. See, there are these five girls in my house. Wait no, I will start with the rooms so when I get to the girls you can imagine them each looking the way they do. So to start, my house has six rooms. A living room, a bedroom, a bathroom, a porch (which is not really a room only it is screened in and I think anywhere bugs can not go is a room), a kitchen (which also has a dining table) and another bedroom. I do not need two bedrooms, but it was already there, so now that is where the phone lives. All the other rooms have a girl, and they all kind of look like my daughter, only I guess she is an adult now and the girls in my house are different ages. I do not really know I do not know when they got here but one day when I came in from knocking icicles off the front porch light there she was, sitting at the dining table. About gave me a heart attack! She looked cold and tiny, and I did not have any coats her size, so I wrapped her up in a blanket, and in the summer, I take it off. The kitchen girl is probably my favorite one. Her head is down, like she is praying before dinner, even though she never eats. I peeked under her hair once at her face and not to be rude, because I know she can not help looking like that, but I will never do that again. But I like her because when she is praying like that, I think about how lucky I am to have a full pantry, which we did not always have, plus that even if my phone is disconnected (which, it is) at least they did not come to take the whole phone when they thought I died. Which, I did not.And just so you know, I did not take these girls away from places they should be. I have tried to give them food and ask them, would they like to go home? But they never move or talk or eat, or nothing. It is okay that they are here. There are all kinds of animals in those woods and I would not want them out fighting coyotes and bobcats for sleeping places. There are even black bears. Only, I wish that they would talk to me because no one else is here, and even if my daughter is trying to call me she can not because my phone is disconnected. But you can tell I am alive because alive men are the ones who write letters. So, that is the kitchen and dining girl. The porch girl is the youngest. She has a face like the other one, and her, I kind of wish she would move because she is on my porch swing so I am afraid to use it, because if I swing too hard maybe she will slide right off. I sit beside her on the swing (not swinging) and we watch the sunset together. It is like when my daughter would come home for the summer every year. She was such a little thing back then and had so much energy, good Lord, but she would settle down in the evening to say good night to the sun. And then it was back to bouncing off the walls. But when she was all quiet looking at the sun I could see the beautiful grown woman I am sure she became. Actually maybe, this one is my favorite. I hope you are still reading, sir, because I have not forgotten about you. It is just important that you know about the girls so when I tell you what the phone is doing to them, you will understand why we have to make it stop. And that means reconnecting my phone, and fixing this whole not-dead kerfuffle.The girl in my bedroom gives me the heebie-jeebies. I feel bad about this, so when you do come here to fix the phone please do not tell her. First of all there is the way she looks, which, as I have said, the way these girls look is not my favorite. But probably cats were creepy to the first people they lived with, too. Staring, and such. Which is what this girl does, sitting there in the rocking chair that looks right at my bed. It was hard to get used to and this is why I leave the light on when I sleep now. Which means you have one less excuse about finding my house, because even if you got really lost and showed up way after dark, you would see the light on. You must not have tried very hard.There is one thing I like about the girl in my room, which is, she is the only one that moves (usually, but I will get to that). She rocks back and forth so the chair creaks. Sometimes she touches the chair with her nails and it makes quiet noises like tck tck tck. I always liked sleeping while someone else knits a hat or nurses her baby or takes notes for night school after her husband goes to bed. Anyway, long as I face the other way and keep the light on, I sleep way better now that the girl is there. And if anyone ever breaks in and tries to kill me or some such, she will scare the bejesus out of them. There are two more, yet. And I know that some people would think it is weird that I am just an old lonely man with all these little girls in my house, but I like to see it as, if a stray cat came and had her babies on my porch I would suddenly have a lot of cats. I did not pick it, and even I tried to just leave them there, but then my daughter named the babiest one Pretzel and once the darn thing is named, it is too late to put it back. I even tried not to name the girls, calling them the bedroom girl and such, but then that became her name before I knew it. My own father told me “Whitaker” means wheat field. I guess a lot of names are plain like that, Pretzel (because she twists all up to lick her rear), Bedroom Girl, Whitaker (wheat field), and Hope.Actually right now I am sitting beside the girl in the living room. This girl is mostly just quiet and keeps me company while I work on important things like this letter. She is the quietest child I ever heard of, and she does not distract me, or ask questions about nothing like normal children do. The last book she read was Jane Eyre. Or, she was looking at it and when I walked through the house at night for a glass of water or something, usually because I did not want the bedroom girl looking at me anymore, it would remind me to turn the page. When the books are out of pages I get a different one for her. These are not my books, I mean, I guess I own them now, but I did not buy them. They are all women’s books, like Jane Eyre and Little Women and Wuthering Heights. Sometimes when I have a few glasses (my mother always said find what you love and let it kill you, I love Scotch) I read to the living room girl. I do not know if she likes it or even hears. Sometimes I come to a sentence or something that feels like I have read it before, even though I have not, and I hear it in my wife’s voice. Then I stop reading for the day. Then there is the one in the bathroom. I did not leave her last because I like her less, but she is kind of hard to put into words and I had to think. The reason for that is, she is only inside the mirror. Or maybe she is outside it but also invisible, but I am a little nervous to touch the place where she is standing. I do not touch any of them if I can help it. That one must not be wearing shoes, because when I drip water on the floor it pools around in the shape of small, naked feet. Like a footprint but the opposite. Her feet are shaped the same as mine, with a high, girly arch that is not good for playing sports. She is lucky she is a girl. I maybe am not lucky for that, though, because her being a girl is why I have to wrap a towel all around myself before I take my pants off in there. It is also uncomfortable to hold the towel up while I am having my time on the toilet so she does not see anything shameful. As a man, I am sure you understand. Or maybe this is the first time I’ve thought you’re maybe the receptionist? In which case, I am sorry for bothering a lady with details like that. Please give this letter to the phone man and he will know what to do.Anyway, I started putting a towel down on the floor when I step out of the shower, so no more puddles, which means no more footprints. The ladies, my daughter and my wife (now ex-wife, I guess), complained about that forl so many years, and I only changed once they were both gone. It is funny how that works sometimes. The bad thing is that she never gets any older, but I do. When she stands behind me it is like a side by side comparison of our faces and wrinkles, or no wrinkles, depending. And her with not a lot of other things on her face either, eyes and so forth. Me, I never thought I would have so many. Wrinkles, I mean, not eyes. I always thought I would die sometime in my twenties, which I guess is why I made the decisions I did. And here I am, so many years later, and I never stopped making decisions the way I do. And now it is too late to change.See, this is why you have to fix the phone, sooner than later. Some people I am sure have months to sit around with their thumbs up their behinds, waiting for the future. And maybe I am wrong today about dying tomorrow, but I am running out of days to be wrong. Me and my daughter, we have not talked in a while and I just want to know is she okay, is she married, does she hate me. And then when I die for real you can have my phone and anything else you want, I do not care. Only I do not know what you would do with the girls because a school would maybe not know what to do with them. I guess I had better be not-dead for as long as I can.Unless you would be willing to take them home with you? Would you do that for a tired old man? They do not need much, but I can not stand the thought of them here all alone after the Lord calls my name. Especially as the critters and plants all creep into the house, and you people cut my electricity and water too. That girl in the bedroom sitting alone in the dark for who knows how long, making little tck noises for no one. No one around to even see the bathroom girl, who otherwise kind of is not anywhere. Maybe I think too much of myself, but I feel like they need me as much as I need them. Anyway, just consider about it. But I have not even gotten to the part where I explain how the girls and the telephone are all part of one big thing. What I mean by that is, I think the girls like when the telephone rings, and they do not like it when it doesn’t. The telephone has to ring every once in a while or else they get restless and start moving around, which is fine, only I would be lying if I said it doesn’t make me nervous. As I said, after her brothers and sisters all ran away I used to have a little cat named Pretzel (this is before she got eaten by coyotes) and she was such a smart cat, she knew when it was dinnertime. She followed me around until I thought oh no! I forgot to feed Pretzel, and when I did she would go back to mostly ignoring me. But like in that way of ignoring that actually means love. Poor thing, I never should have put her out that night she got eaten, only I was so mad at Hope for throwing out half her dinner again, like I wasn’t busting my rump to put food on the table. Another bad decision.But when the telephone does not ring for a while, the girls follow me like Pretzel used to, wanting something, only real slow. So slow I can not really tell they’re moving, only when I leave a room and come back, I realize they’ve moved a whole bunch back to their normal spots. And it is very hard to read their faces, because they do not look like mine and yours (probably, I can not see you), but I am pretty sure the look on their faces is not happy. Usually this is when I get a call from a telemarketer, or those awful phone banking people, and it puts them in their places for a while. But no such luck these days. Please do not say you won’t take them now. I am sure that you, a Phone Man, probably have a better phone than anyone else. You probably get calls all the time from your friends and ex-wife and daughter. Actually, my girls might be happier with you, and if I was a better man I would beg you to please take them now. But as I said, I have always made bad decisions.I have to say, the worst one for the moving is the bathroom girl. These days I shower with the curtain open, even with the water going all everywhere. Else when I open my eyes from washing my hair, I see the shapes of little fingertips poking into the curtain. And then I rip it back, wham! There is her reflection of her standing on the other side, reaching for where I was not two seconds ago, not in the corner where she belongs at. At least when there is water everywhere (and I do not bother with the towel on the floor anymore), I can see the not-footprints coming to me. Somehow that makes me feel better. It means she is not just in the mirror, so I do not have to worry about seeing her behind me upside-down in my spoon when I stir my coffee. I will be honest and say that I have not been washing myself as much as I should, but after all, there is no one around to offend their nose. To be clear I do not think she would do anything bad even if she did get her fingers around that curtain but it is hard to explain, I do not want her to touch me. The way her little fingers curl is like when you are so angry that there aren’t any real thoughts in your head, just noise. I know how that goes. Please Lord let her not touch me.These last few days I have not been sure where to sleep. Usually the bedroom is a good place, but now that the girl in there is moving, I can not fall asleep. It is like she gets up out of the chair in slow motion. It puts her in positions other people can not hold for so long. I dragged a chair over beside her so I could try to match her, and maybe it is because she has young legs, but I can not do what she does, hovering with my legs bent for hours. And the whole time it is tck tck tck with her nails only when she’s out of the chair they are making that noise against each other, not wood. Sometimes I dream that she is making that noise against my teeth.So when the tcking gets too close I take my pillow and my blanket and I go to the living room. I do not really know what the living room girl wants me to do when she gets like this because she keeps standing up and the book falls out of her lap. But she stares down into her empty hands like the book is still there. It makes me wonder if she ever wanted the book at all, or if there has always been something on her hands only she can see. So she shuffles toward me with her head down and her fingers spread as if asking what have I done, and meanwhile I am just trying to sleep. I know when it is time to go back to the bedroom when I hear her feet slide through dust. My ex-wife would say I should vacuum more, but she never trusted that I have reasons for the things I do.And the thing of it is, and it is hard to tell, but I think that the girls are getting faster. The tcking and sliding noises come a little earlier every night. I had to move from my bed to the couch and from the couch to the bed again last night. I will probably have to from now on. Whatever room I am in, there she comes, all wanting something except what? I already let them stay under my roof out of the cold and away from the animals. I even gave the one books. What else could they want from me?Are you starting to understand the pickle I am in? This whole time I have to keep moving from room to room. I never fall all the way asleep so I can hear when they get too close. I do not shower for very long either, and when the weather is nice sometimes I go outside and use the hose instead. But hose water is so cold, and I know there is no one around to watch, but I do not like being naked outside and my feet all muddy, especially when the cold has shrunk me all up (if you know what I mean). It is just not the best situation. And I keep feeling like maybe this is the day I die (not from the girls who I am sure would never hurt me but maybe their skin feels like a dead thing’s and I never liked that), all before I ever hear Hope’s grown-up voice. I know that your phone office probably did not realize all of this when you disconnected my phone line. And maybe still you are thinking oh, he should just leave, but I can not leave, because this is the only phone number my daughter ever had for me. I can not leave and I can not die because if I do, I will never tell her that I did not mean to mess everything up with my bad little decisions every day.Thank you for reading my letter. I know it is probably longer than most of the letters you have to read, but if I may, it is also your job. I hope this will convince you that I need help and that your company are the ones to do it, because as I have said, this situation is not the best. And thank you for taking the girls to your house after I am gone. They will be going to a good home.I hate to ask, but could you do one more thing for me? It is a very little job, but it is everything to me. Please, if something happens, please tell my daughter that I am sorry I was not a part of her life for so long. I would like to say so much more but I do not want the message to be so long you forget the most important parts. I will put out some sun tea today so it is ready when you get here. I also have cards.Sincerely,Roy Whitaker
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THREE WORKS by Myles Zavelo

My First Cousin Once Removed: Regarding Your Inquiry1. Sure.2. She’s still young, I guess.3. She paints and wishes and likes fancy things.4. Never believes me.5. Teases me mercilessly.6. Canned foods repulse her.7. Pretends she can’t stand me.8. Can't orgasm to save her life.9. Makes everything about herself.10. Suffers from excessive jealousy.11. Doesn’t have a family anymore.12. Acts like she has no choice.13. Knows how to seem extremely polite.14. Has consistently failed to make a dent.15. Always mad and sad and never the same.16. Loves Gatorade (almost every popular flavor).17. Wants a destination wedding — wants elegant wedding moments...18. Growing up, she bullied her younger siblings sadistically.19. Grabbed her mother’s genitals once at the breakfast table.20. Got grounded for six weeks after that.21. Then set a small fire in her father’s study.22. The mother: a successful homemaker who made sure to feel good about herself always.23. The father: a closeted bisexual businessman who thrived in 1980s Manhattan.24. I’ll get to my first cousin once removed’s terrible grief in just a moment.25. She used to have a sense of humor.26. She needed to get a life.27. I needed to get a life, too.28. Want to French kiss her again.29. Want to ejaculate on her face again.30. So sorry that I said that.31. Just really wish I could have sex with her one more time.32. But certainly you don’t want to hear about my mess.33. And now I’ll never get to her terrible, terrible grief.34. We used to get together every now and then.35. Rebecca. 

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 CilantroMy ex-wife, she hated cilantro.My father and brother, they hate it too.My mother and I, we love cilantro, we put it in fucking everything.My father, brother, and ex-wife say it tastes like soap.But my mother and I: we severely disagree with them.We raise our voices at them, we wish cardiac arrest on them.Because they are useless freaks with legitimate genetic conditions.And when it comes to useless freaks with legitimate genetic conditions, we must force the worst possible outcomes.Love against hate, good against evil—my mother and I burn alive.  

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 What Mom Said This Afternoon About My Emaciated FatherDo you know what it’s like to be married to a man whose bottom is smaller than my face!?Then she pressed PAUSE.What a cautious sip of HOT tea on her part...!In the meantime, my father poured himself a stiff, skinny drink.And? What? When water changes? In the COLD afternoon? What an unholy letdown.Then again, life lets you down like this all the time.Have I neglected to mention the rocks in her throat?Then she pressed PLAY.Will you just look at your Daddy’s little disappearing bottom!
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MY HEART BELONGS IN AN EMPTY BIG MAC CONTAINER BURIED BENEATH THE OCEAN FLOOR: AN INTERVIEW WITH HOMELESS by Rebecca Gransden

Have you ever found yourself adrift, without a clue on how you got there? The blue whale is the largest mammal to have existed on our planet. A small person can fit inside a blue whale heart. In My Heart Belongs in an Empty Big Mac Container Buried Beneath the Ocean Floor (Clash Books, 2024) Homeless contemplates the messiness of a heart ready to overspill with sadness, a sadness drawn from fathomless wells, deep and lightless as the bottom of the sea. How many fast food containers have already made it to that desolate ocean floor? I spoke with Homeless about the novel. Rebecca Gransden: The novel opens with the memorable scene of a trio of characters in an orange boat adrift in what appears to be the middle of a wide ocean. When did this cast of characters occur to you? Did they and the scenario appear simultaneously or did aspects arise over time?Homeless: It occurred to me very early on. Probably one of the first ideas I had. The image of Daniel (the main character), the sad-looking blue whale & the empty Big Mac container floating in the ocean, lost. Everything was gradually built off that. That kind of sad, hopeless tableau.RG: “Your heart... you want to bury it, right?”Daniel nods.“Beneath the ocean floor?”Daniel nods again.“Okay. And I’m going to help you do that. Well, I mean we. We’re going to help you do that. Me and the sad-looking blue whales back home.” Daniel, the focus of the book, is a character beset by profound troubles. In many ways the book can be viewed as a quest, one taken by Daniel, whether he’s a totally willing participant or not. Did you have a plan for Daniel upon undertaking the novel, and if so, to what degree did you end up adhering to the plan?H: All I knew at the beginning was Daniel was going to be stranded in the ocean & that he was going to use this ultimate misfortune as an opportunity to really examine himself & his choices. The places he “goes” while lost, the things he sees, those were inspired by his past with the sad-looking blue whales, as well as his tumultuous relationship with his ex-girlfriend. RG: My Heart Belongs in an Empty Big Mac Container Buried Beneath the Ocean Floor. Daniel experiences his own moment of creative inspiration with the book’s title. How did the sentence reveal itself to you, and when did you know it should be the title of the book?H: The title came to me from a song. “The Samurai Code by Motion City Soundtrack. The lyric was My heart belongs beneath the ocean floor. I remember hearing it for the first time &, like the sappy fat ass I am, immediately thinking, My heart belongs in an Empty Big Mac container buried beneath the ocean floor. That one line was it. It set up a ton for what the book would eventually become—the concept of Daniel lost in the ocean, his mission, the sad-looking blue whales who stalk him. So much came from that one line. Once I knew it’d be his mantra, there was really nothing else the book could be titled.RG: The book is set into parts, with its main threads separated into chapters with recurring titles. What led you to pursue this structure?H: For a book about depression, I wanted people to get a glimpse of what it’s like for people who have to deal with it. Only then did I think readers would kind of understand why Daniel is making such an absurd & drastic choice. I wanted readers to see how it affected his self-esteem. His relationships. So I decided to give some background as to how depression can insidiously work. How it alters your way of thinking. I think—I hope—it makes his journey more justified in a way.RG: The role of McDonald’s is important to Daniel. Throughout the book he views it as a special place, one of respite and comfort. One particular McDonald’s is regarded by him with near ecstatic reverence. What made you select McDonald’s to play this part in the book?H: About half of this book was written in a McDonald’s in Bridgeport, CT. Daniel’s safe place is essentially my safe place. The people who eat there, the slightly chaotic ambiance at times, the dirty tables, the trips there with my father when I was younger. It all feels like home to me, so I feel comfortable working there. When I’m in McDonald’s, it’s like I’m with “my people.” Lower class working stiffs just like me, trying to get a cheap, albeit highly unhealthy, meal. There’s a silent camaraderie there.RG: Daniel is painfully aware of how he is perceived by others. The novel repeatedly makes reference to a look Daniel has possessed for most, if not all, of his life. How do you describe this look and what does it say about Daniel’s interaction with the world?H: Daniel’s “look” in the book is a despondent face he’s not usually aware he’s wearing. It’s the neutral face of a person worn down by years of depression. A co-worker once told me I had a “red light face,” meaning a kind of disgruntled, “keep away from me” look, haha. When you’re depressed, you’re drained, both physically & mentally. So it’s kind of instinctual. You’re going through a lot & you need to protect your energy, what little you have, so you keep people at distance maybe. For their benefit & for yours. It’s an accidental coping mechanism. One that keeps you sane but also, unfortunately at times, pushes people away even when you don’t mean to.RG: They controlled Daniel, the sad-looking blue whales, and as much as it killed him to admit it, although over the years he had gotten used to doing so (not that that made it sting any less), the sad-looking blue whales dictated almost everything he did.Central to the book is Daniel’s relationship to the sad-looking blue whales that accompany him through life. He is caught in a shifting power dynamic, with his interactions moving through a spectrum of emotions and tensions. How do you view the sad-looking blue whales?H: The sad-looking blue whales are depression. Sometimes—a lot of the time—it can feel like depression runs the show. It keeps you from doing things you want to do, it helps you remain stuck in bad patterns. You want more than anything to be “normal,” but you have this really strong outside force constantly fucking with you & your good intentions, your attempts to change. This malevolent energy that drains your battery without your consent, that’s the sad-looking blue whales.RG: But often, scrolling through social media sites and reading posts or status updates, or messaging back and forth with strangers online, Daniel would find that the vast majority of people out there felt scared and hopeless and alone just like him. People, most people, including Daniel, led coddled easy lives. They lived in warm houses with indoor plumbing and went to grocery stores filled with food they didn't have to harvest or kill. If they got sick, modern medicine was usually able to cure it, and if not, at the very least put up a fight. And yet, somehow, everyone was still unhappy or stressed or, most of the time, both. Twenty-one centuries of technological evolution and things had become so much easier yet no one was any happier. But the expectancy to be happy had become greater, and when people couldn’t live up to it, when they couldn’t be as happy as the world and its technology demanded them to, it was damn near fucking lethal. It was no wonder sad-looking blue whales ran the world, although now it made more sense than ever to Daniel why they did.The book reflects a generational ennui, an ambiance difficult to articulate. Daniel’s self-awareness only seems to amplify the acuteness of his difficulties. Has the writing of the book brought any insights to you on this era’s specific challenges?H: I think it just made me more aware that our focus & priorities are askew. Technology seems to be speeding everything up when it seems, to me, more people (myself included) need to be slowing down. The pace of life for a lot of people seems to be accelerating to a breakneck speed, where we’re just focused on destination after destination, goal after goal, without ever appreciating where we currently are. Normally, when Daniel chills out in the book & visits “his McDonald’s,” what happens? The sad-looking blue whales leave him alone. He’s at peace. He’s allowed to just be.RG: Daniel is struggling to write. Are there parallels between Daniel’s experience within the book and your own time writing it? How much, if at all, is your past writerly life reflected in the novel?H: I gave up on this book a third of the way through. Then a kind word from a writer I greatly admire about another book I’d written made me believe in myself enough to maybe give this book another go. I think I used to put too much pressure on my writing in general. How much I did. How good it was. How important it was. Now I’m at a peaceful place where I just do my best & don’t stress over my output. I just show up somewhat consistently & the rest is out of my hands. And with this newer, more laid back approach, I also do get stuck a lot less, creatively speaking.RG: If the sad-looking blue whales can be viewed as a symbolic manifestation of Daniel’s depression, outside of the novel are there animals that represent other emotions or states for you?H: Cats represent nirvana for me. The transcendent state. Not the kick ass band. RG: Flipping through censored page after censored page, Daniel comes across nothing even remotely happy. Nothing hopeful or lighthearted. Just more of the same heartbreak, anxiety, shame, dread and self-hate. Daniel’s heart begins racing. He can feel it panicking as a wave of heat that begins in his head quickly sweeps throughout the entirety of his body, a sensation that instantly forces him to begin sweating, and all of a sudden, it’s like Daniel’s right back outside underneath the blistering sun. What is the role of hope in the book?H: Hope is there. In bits & pieces. Because when you’re depressed that feels like all the hope you’re allowed. Just miserly shards of it. In a way that’s all you need though. Just some kind of small hold to hang onto. So in that way it’s important. I wanted the book, as heavy as the topic was, to still be hopeful & light hearted. I wanted anyone who finishes it to have just that, a shred of hope. If not more.RG: At one point in the book a Basquiat artwork is transformed into a sail for the boat. A theme you address is the nature of art, here raising the question of whether there needs to be a ‘living’ or kinetic component to art in opposition to the emphasis on preservation in a type of hermetically sealed, stagnant state. Later, Daniel exhibits mixed feelings on the matter of sharing his writing with the world. Have you arrived at any conclusions regarding art, or have any new questions arisen on the matter, either inside or outside of your experience writing My Heart Belongs in an Empty Big Mac Container Buried Beneath the Ocean Floor?H: I think if anything, this book just reaffirmed to me that art is a necessary compulsion. A way for creative people to grow & learn. Some people just have to create, for better & for worse. The thing people can get caught up in, which I still get caught up in, is how your work is received, how many people have read it, & letting the commercial aspect of art taint or ruin this passion you have. Or worse, you begin to devalue yourself or what you created because it doesn’t sell. When I think the more healthy approach is just doing it because you love it, sharing it if you want to, & then wiping your hands clean of whatever those results may be. Because, again, art for many people is a compulsion & they’re going to do it & keep doing it regardless of acclaim or glory, so why let a lack of those things ruin doing something you love, something you need.RG: Could you explain the significance of the concept of appreciation, to Daniel and to the novel as a whole? What do you appreciate about the book?H: There’s always something to appreciate. No matter how shitty things are. The thing you’re appreciating can be big or small, from past, present or future, it doesn’t matter. It’s the act of appreciating that’s important. Finding something good & focusing on it until the crushing fist of sadness lightens its force. The opportunity is always there & readily available. A kind of short cut through a shitty neighborhood that gets you someplace safer. What I appreciate about the book is that it tackles a heavy topic such a depression with levity & humor. I wanted to write a book about depression that wasn’t depressing to read, & I think I did that.RG: Have you ever seen a lightning bug? H: I’m lucky enough to have two beautiful sons. So yes. 
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WHAT WE REMEMBER by Jorden Makelle

What you remember is riding scooters around the cul-de-sac on sun-soaked summer mornings. Me pushing you on our swing set in the backyard. A scruffy white dog lapping up water, its tail wagging. Her blessing the food, pork chops and green beans and cornbread. Running under sprinklers barefoot, tufts of grass tickling our toes. Red and blue and white popsicles staining our tongues. Him lowering the basketball goal in the driveway so you could play. Saturday morning cartoons and chocolate sprinkle donuts. Sunday morning church and lunch at Luby’s. What I remember is always sitting quietly, so very quietly. The all A honor roll. Chewing the insides of my cheeks until they bled. The sound of a hair dryer thrown at the wall. A pair of eyes gone black and vacant. Wondering if Jesus was going to come back anytime soon. Red and blue and white lights flashing in the driveway. Scratchy hotel bedsheets and locked doors. Him calling her crying, begging us to come home. Holding you and telling you that you were going to be okay. Because I knew you would be okay. Because you were far too young to remember.
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BEAUTY QUEEN by Sam Pink

We’re eating chocolate cake for Ronni's bday after work. At a table in the hay barn that serves as my boss’s office. It’s me, Ronni the team lead, my boss, and her two teenage daughters who barback/take out garbage. I’m covered in mud from the waist down because my boss’s youngest daughter took an ill-advised shortcut with the golf cart during a garbage run. So I went out and helped, lifting the back and pushing forward while she gassed it.‘You’re buying him a new pair of pants,’ my boss says, eyebrows up.‘Okayeeee, jeez,’ says her daughter.She’s been crying a little, on account of the embarrassment as well as her sister’s accusations of being stupid. I’d told her multiple times not to worry about it.Ronni puts her feet up on a chair and spreads her legs to ‘air her balls out’ under her skort. She’s wearing a bday girl sash and tiara. She takes a bite of cake with an anguished look and says, ‘Man I feel like a bag of smashed assholes.’ This is her main line, the smashed assholes. A whole sack of them, battered and stinking, amassed from various asses and collected in a single sack as a sign of some greater pain. 'I made out like a bandit though. I knew if I let people know it was muh berfday and had my titties out a little, they'd tip me more.’ She takes a last bite of cake and sets the fork on her plate.I ask my boss's older daughter how her boyfriend’s doing. I met him recently. Bit of a dopey fellow, handshake like someone handing you an oven mitt and all that. 'What’s his name,' I say. 'Ricky?''No it's Walter. He's fine, I guess. I broke up with him tho and he started crying. He's always crying, I literally think maybe he’s gay.''Oh man, I liked him. Seemed like a nice fella. You don't like him anymore.''No he's gross. And his mom saw my texts and started texting me all this angry shit.'My boss says, 'He does have some hygiene issues but he’s a good kid.''He’s literally gay and he stinks,' says her daughter.I eat some more cake. Looking up at the window, high in the barn. A rectangle of bright blue sky. Like something in a video game I’d yet to unlock. The next map, if only I’d the tools. I start thinking about my elderly friend in town, the gunsmith. Hadn’t seen him in a while. He’s like the first character you meet before you go off, in search of other maps. I remember how he described getting into guns/gunsmithing when he was younger. He said he got his first .410 and it was ‘off to the races’––a phrase which I’d heard before many times but only then, and ever since, truly enjoyed and understood, realizing the meaning, to be off to the races, not stuck at the beginning line, somehow already a loser.‘I can’t believe you lifted that thing,’ says my boss. ‘Thank you so much. And again, [her daughter] is gonna buy you new pants.’I look down at the mud, all over my pants and boots. ‘You think these are done?’My boss’s daughters laugh.Ronni says, ‘Hell yeah they’re done, looks like you buttfucked a hippo, son.’The boss's younger daughter is looking at crowns on Amazon. She won runner up in the Ms. [town they're from] beauty pageant and didn't like the crown they'd supplied. 'What about this one,' says the beauty queen, showing her sister, who wrinkles her face, shaking her head. The beauty queen turns her phone to me and asks what I think.Staring at the crown, which has 536 reviews, I say, 'The only way to truly get a crown is to slay the queen currently wearing it. To strike her down. Bring terror to her court.'My boss laughs.Ronni says Jesus, taking her feet down off the chair with a grunt, then says if I want a ride home we have to get going.
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