Fiction

THE TROLL BY THE EAST BRIDGE by Helen Armstrong

The thing that very many people fail to grasp about city planning is that a lot of planning goes into it: ha ha. This is always my gag at parties and it very often falls upon deaf ears. I’m uncertain whether people don’t want to find me funny, or if they just don’t understand my humor. When the troll by the East Bridge – creatively named by Richardson, the city planner before me, whose interests included golfing and beer and golf clubs – demanded a sacrifice or he’d torch the town, people certainly weren’t laughing anymore. And they weren’t laughing

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PRINCIPAL ALPACA by Richard Leise

Interim Principal Gregory Jenne has Alopecia universalis.  But he is accustomed to this; has dealt with the condition all of his life; survived the childhood taunts; rationalized the rejections; no longer dreams of eyebrows and eyelashes.  Having recently celebrated his thirty-fourth birthday, he assesses his present position. He finds that he is satisfied, proud of his accomplishments. Lesser men would have created excuses.  Weaker individuals would have hidden in their parents’ basements. He likes to think of himself as methodical. Scrupulous. Tall, his arms are longer than they should be, and this makes it difficult—no, this makes it impossible—for him

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THE PROBLEM WAS STARTING by Alex Behr

The problem was coming up with reasons to scoop rice on the plate one more night. The stove worked. She could boil water. Pasta. Rice. Pasta. Rice. Boil and pour and scoop and swallow. The problem was the streetlight. The streetlight leaked through the blinds, and she could put the extra pillow over her head, but she feared the nightmares. She waited until the birds started singing or squawking or whatever they did at 4 a.m. from branches the cat couldn’t reach.  The problem was her son: she forgot to smile at him. But she scooped the rice. She scooped the pasta. She

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MEALS OF OUR CHILDREN by Will Gilmer

I put chicken breasts next to the eggs to thaw and wonder if these eggs were born from the birds whose bodies will become my dinner. I pull out oil from olives that will never become trees and baby bean sprouts who will never know pods of their own. I make double in case Trevor decides to come down for dinner. I know it’ll matter on how many pills he took, how much he slept today, and if he’s even here. When he vanishes I “run the circuit”, drive from flop house to flop house scanning over the buffet of

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D1NAH BREAKS THE SET LIST by Anna O’Brien

G1rl on the Road If, and this is an astronomically huge if, D1nah makes it through this song without her throaty howl cracking during the third refrain, Fage the drummer owes her $27.39. This is the cost of a soy caramel latte plus interest compounded weekly, the frequency of every gig the band now plays. So far, the wager has been compounded eight times. Fage is confidant that she’ll never have to pay up even if, on their five-hundredth gig twenty years from now, cynical, saggy, broken, and bionic, D1nah holds that “Ohhhhhhhhhhhhhh” in “G1rl on the Road” for its

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PEOPLE I WISH I WAS by Socrates Adams

ONE He writes a song a day. He keeps a diary next to his bed and every night, without fail, using his guitar, he transcribes thoughts into the book. The tunes are repetitive folk melodies. They are circular, looping reminders of the pattern of his days, weeks, months. He works as an actor. He attends read-throughs of scripts he likes. The projects he really loves rarely get off the ground. He is a dreamer and dreams of affecting the lives of other people. He lives alone. He’s tried relationships but they don’t fit with the rest of his life. He

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DEAD MOTHER’S CORN OIL by Diane Payne

Long Distance Lover was happy I finally agreed to spend time at his dead mother’s cottage in the middle of nowhere.  I already lived in the middle of nowhere. After making the 850-mile drive to spend a week or two with him at his house in a real town, with real things to do, I dreaded heading out to the place where he longed to retire.  Ahh, her teapot wallpaper in the kitchen. Ooh, the moldy carpet in the living room. Woo, the surprising amount of kitschy lighthouses though we were nowhere near the lake. Then the biggest surprise. His

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SIX FEET, BLEEK, AND BURIED by Exodus Oktavia Brownlow

Six feet could be ten feet. Six feet could be sixty. Six feet was not a lot. Six feet was one of him. It starts with an ending. Bleek, a man with big hips. They curved against the box. And he saw their fullness. The mirror reflected. Lying, they looked more grave. And he understood why. Why they gave him such looks. Why they envied his curves. Six feet could be ten feet. Six feet could be fifty. Six feet was not a lot. One new fridge—a big box. Bleek had an old iPhone. With service still intact. It was

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BUMMING by Chelsea Harris

We’re outside the corner store bumming smokes off each other. He’s a redhead, says he’s got a bad habit of picking his face. The whole thing covered in craters. Our friend shows up, Andy. He’s got something to show us. We take a drive. Up the road there’s a car. Totaled. Hit a tree. We get out of ours and I slam the door, hard, a privilege. There’s someone inside the wreck. A crumpled napkin. A pair of puckered lips. Andy tries to pull her out but her body has been deflated. I poke at the airbags. She’s dead, the

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ETYMON STREET VIEW by Mike Corrao

She (subject) receives a note which says, “I am without past.” On the backside is a photograph of a street sign: Roberta Ave. The crossroad is obscured. What used to be green is now dull and graying. Its metal spine curves to the left. Backgrounds are warped by time. The subject is tasked with determining the origins of this symbol. Finding what has been vacated of context. Erasures performed without audience. Certain criteria are arranged to flesh out her process. Suites are dressed in ethernet cables and blue light filters. Rounds of copper are blanketed in rubberized shells. She moves

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