Samuel M. Moss Interviewed by Perry Ruhland
In Samuel M. Moss’ debut novel The Veldt Institute (Double Negative Press, 2025), anonymous patients seek the cure for their own ineffable malady. Their treatment is conducted on the grounds of the titular institute, some strange cross between an abbey and a sanatorium, where their philosopher-doctors prescribe a wide range of strange and specific activities. Reading this great book, and particularly the accounts of these treatments, prompted me to take long walks, sit by the lake, and stare at my ceiling. I asked Samuel M. Moss about some of the practices behind the cures. Perry Ruhland: One of the
GOTH TACOS by Paul Stinson
Tom wore black jeans, black Bauhaus t-shirt, no makeup. Three al pastor on corn, no onions. Clayre wore the long black lace skirt, black and yellow zebra top, black lipstick. Two barbacoa on flour. Tom was a lab assistant, Clayre a speech therapist. Funny, Tom had a daughter named Claire, with an i, a fourth grade sweetheart whom he saw on weekends. Funny, Clayre had a brother named Tom, a Grade-A turd who did real estate in Phoenix. Was Tom the coolest, best looking guy at Goth Tacos that Wednesday? Nope. But was he kind enough and safe-seeming enough to
YOU MAY APPLAUD NOW: JOSEPH COWARD ON ‘JESUS CHRIST KINSKI’ BY BENJAMIN MYERS
Klaus Nakszynski was born in Germany in 1926, and within a few short decades became everything from Nazi conscript, to piss-drinking mental patient, to one of the most prolific and notorious stage-screen presences of the twentieth century. Despite everything he was as an actor, Kinski (excising sections of his name after returning to Germany from a Colchester POW camp) became better known for his psychopathic behaviours both at work and recreationally. He screamed at Werner Herzog for an hour and a half over a cold cup of coffee; he once stalked one of his psychiatric nurses for three days before
ROAD HEAD by Lila-Rose Beckford
Leroy wakes up in a desert turnout, contorted in his truck bed like he tried to hold himself together in his sleep. His head throbs. His mouth tastes like blood. The sun is already climbing. The sky is too clean, too wide. No eyes for miles. The desert has stripped him thin, but that’s the point. It’s burning off the wrong parts, leaving only what his wife will recognize when he goes home. Athena wakes in a guest bedroom with white plaster walls, glass doors, and a rug that was woven by someone else’s hand. The lovers have the
DEATH DRIVE by Quinn Broussard
One night, I text my boyfriend, Next time we have sex, I want you to hit me and tell me I’m worthless. He doesn’t respond to it. In the morning, I drink black coffee and don’t eat. He texts me between my classes, Come over later, and so in the evening, I sit on his couch and watch him watch sports. It’s a different one for each season and I can never keep track when one starts and another begins – it doesn’t follow logic, that the Super Bowl is in February and they’re still in these same thin jerseys
THE HOUSE AT THE EDGE OF THE FOREST BURNS by Timo Teräsahjo
The boy stood barefoot in the snow, staring at the house, a blaze of light in the darkness. It seemed like all there was in the world. The living room window gaped open; green curtains fluttered in the wind, oddly soft and warm. The shouting had stopped. Only the murmur of the spruces remained. He closed his eyes and imagined waves crashing on smooth rocks, the air salted with mist. He was very young, not even ten. His mother had pushed him through the window, and he did not know where to go. The front door banged open. His father
by Mike Topp
$25 | Perfect bound | 72 pages
Paperback | Die-cut matte cover | 7×7″
Mike Topp’s poems defy categorization. That’s why they are beloved by seamstresses, pathologists, blackmailers and art collectors.
–Sparrow
