Flash Archives

THE TRUTH IN SOMETHING BLUE, AN ART LECTURE AT THE AUCTION HALL WITH MEDIEVAL ART SCHOLAR MARC LAFERNE ON THE R___BERG “MARIAN” IMAGE by Erika Franz

September 20, 2019 · Fiction

The picture tells the entire story of the court B___, Duchess of R___berg. It’s a strange language, though—the economics of color in the late medieval era, the templates of the religious, the indifference to women in love, and the varying devotion to the differing mores of Christianity, framed for you in Gothic arches.

Most of you carry around a mere caricature of the medieval world. You assume Puritanical prudery—but the Puritans belong to a later age.

So, to the picture, once tucked into a niche at the convent at R___berg. Surely, this is a religious devotional.

Here is surely Mary, Mother of God—after all, is she not dressed in her signature ultramarine, the stunning blue of ground lapis lazuli that was brought from far Afghanistan? At the time, this color was worth its weight in gold and often reserved for the Virgin on this very account.

Here, surely, is her dear cousin Elizabeth. See, how she wraps her arms around the Virgin? How intimate. And these two small babes playing in the grass at the Virgin’s feet must be the Baptist and the Christ. Surely. Here, even, is a bucolic spring to foreshadow the Baptism.

The Duchess of R___berg was herself thought to be a virgin. Her parents arranged her marriage to a younger brother of a wealthy family before they died. She was famously described demanding abstinence of her husband on their wedding night.

Of course, these tales come from the sources out of the same convent in which we found the painting, where she was well-loved and to which she was quite generous. Her confessor, shepherd of the convent’s flock of nuns, attested in his little old-fashioned Vita to her many virtues, including holy virginity.

It is rather a different story from across the river. There you find a monastery, at other times tied quite closely to the convent. At the time of this tale, however, there has been a sundering between the two religious houses by the secular intrusion of the Duke of M__, also known as the Stag of M__, who acquired lands west of the river at the Duchess’s expense and had designs, yet, on R___berg itself.

Given his ample support of the monks in the Benedictine house on the west bank, perhaps it was merely political support for their benefactor that led them to vilify the Duchess of R___berg as a Sapphic, who spurned her sacramental marriage. It was quite possibly this allegiance which prompted them to name him the Stag, which in Christendom was the killer of snakes, defeater of evil, and often a stand-in for Christ, himself.

Or perhaps both versions of the story are correct depending upon your point of view. After all the monk who does the vilifying really cares less that she is a Sapphic and more that she refuses to consummate the marriage as a good wife should. Medieval men were generally unthreatened by the bumping of shields—only another’s sword thrust could cuckold him. Her husband, apparently found his fill piercing other shields than his wife’s, and was relatively unconcerned by these monastic aspersions.

A Lady G___ was the woman accused by the monk of being the duchess’s distraction from her marital duties. A widow, she was known to have raised two children in the Duchess’s court, and when the Duchess’s husband died, the eldest of these two was named her heir.

Let us return, then, to the painting. So here we have a virgin in the arms of another woman, two children playing at their feet. A virgin, but perhaps not the Virgin. Elizabeth and Mary are not described in the New Testament as having met after the birth of their children. Biblically, John the Baptist first appears leaping in Elizabeth’s womb at his divine cousin’s in utero arrival via the Virgin Mary. The lads don’t meet again until the river Baptism, shortly before John’s beheading for Salome at Herod’s court.

And here, across the stream from the happy family, we see the small stag. Is he there to defend the holy family against evil? Or he is the Duke of M__ relegated to the corner and his holdings west of the river; in the foreground, but minimized in the narrative in that way that Medieval artists could do so well. The Duke of M__ never got R___berg.

So, what have we then? Perhaps two women, lovers, hiding in plain sight behind the religious iconography of the day, painted by an anonymous nun. The very wealth of the virgin’s robe providing plausible deniability. A touching family scene eventually enshrined safely in a convent, away from the eyes of men.

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ONLY THE FRUIT BEARING TREES by Kate Gehan

September 19, 2019 · Fiction

The morning after a stormy night spent hiding in a windowless room while sirens announced a green sky, Nichole discovers the last plum tree has fallen on the soggy side of the house. She runs her palm along the fungus scaling the trunk and plucks at the earnest flower petals. At the bottom of the yard trapped against the fence, a large red bouncy ball swivels and shudders in a puddle. The taut plastic reveals a phone number written in black marker along with a smudged word beginning with a T. Nichole drops the petals into the grass and sends a text.

She watches a goldfinch land on the fallen tree until her phone chirps.

You found me

Trish? Talia?

Neither

Tom? Tony?

Time

The wind picks up and take the goldfinch with it.

I have your ball

Yes and you have time

Time for what?

Whatever you want

Nichole thinks this is some bullshit.

Do you want it back

Up to you

Some mom sharpied the return info on her kid’s ball and now the dad was is having fun with Nichole because his life has become a perpetual Wednesday. She prays to the bird, which now watches her from its perch a few fence panels away, that the dad won’t send a picture.

FFS just give me your address

Baby, let’s take it slow

From the putrid swamp of her yard Nichole considers the last of her fruit bearing trees, as it dangles its roots suggestively.

+++

Twelve trees flocked the property when Nichole and Ted bought the house. Their first loss was the gum—split in half by the wind. Nichole still unexpectedly weeps when she registers the reason for the abrasive light in the living room on fall afternoons. The spring Nichole miscarried the third time, the sour cherry and pear trees drowned in the soupy earth. The men who come to take everything away promptly sliced them up and shoved them into the wood chipper. How many trees were left now? She deliberately refused to count, in the same way she refused to compute a year in the future at which point she would reasonably be dead herself. Ted called it willful ignorance without understanding her means of survival.

Nichole had become defensive about the trees as the years passed and she failed to keep important things alive. A few days after another loss, she had shouted at a neighbor during a fire pit backyard hangout that her ash tree was not infested with the invasive emerald borer beetle. When someone muttered Nichole needed to face reality and cut it down to save the expense, she explained that at great cost the tree doctors were preemptively treating it. And then she turned her hot cheeks away from the fire towards the man who lived at the end of the cul de sac who was identifying constellations with an app. He told his small son all the clusters were not visible because of light pollution. Nichole had no interest in what she couldn’t see or how their little fire, their town, everything around them, was perpetually tilting away. She thought mostly about developing additional healing rituals, like positive energy chants to encourage growth while she massaged the soft new tips of her fir branches, or focused meditation in twenty-minute increments while she wrapped her body against the sticky trunks. Ted wasn’t bothered by the loss of speechless organisms but she did not believe in replacements. Nichole didn’t want to plant anything new—she wanted to save what was already there.

+++

She puts her hand on the hot red plastic ball, testing its pressure. The men always come after storms and soon a pickup truck hauling a wood chipper rumbles along, its wheels scraping the curb. Damage cleanup, damage erasure.

“Hey,” a bearded dude jumps out. “I can clear that away for you right now. Sixty bucks.”

She texts again.

Maybe I want to keep it

Take what you want baby

What I want is everything

Nichole wants a repair man, a man to reassemble the plum tree, to glue it back together, wrap bandages around its weaknesses. She wants firm, gentle fingers to caress the hurt parts, pet the tiny leaves, whisper to the petals words of encouragement to flourish, to turn towards the sun.

Cigarette in hand, the tree guy stares at her, chin up, his question still floating between them, a promise, a threat, an invitation.

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GARDEN TOOLS by Amie Norman Walker

September 17, 2019 · Fiction

I crunch numbers on my Excel sheet and pause to reflect upon the decency of the dirt beneath my fingernails. I dug in my garden all weekend, pulled up weeds, ground plants, and potted them. Back inside my office, I question if gardener was the correct occupation for my soul to hang from. Using a business card, I carve the dirt from my crevasses over my one-lined to-do list. I was tasked with contacting the new business partner’s accountant by a woman who sat through the recent meeting with no contribution other than to nod and smile at the two men who promised through baritone voices the new partnership would revitalize customer satisfaction. Reviewing the delegated functions, one commanded, “Cher, give her Benjamin’s number.” She sang back, “Oh yes, absolutely,” with certain ease.

Posing weaponry against cubicle small talk, I don a gaudy headset to call Benjamin. His brisk answer upon the first ring and the stern tone in his introduction suggest I cut to the chase.

“Hi. I’m to retrieve the documentation I need from you before we can process your checks.” Through the distinct sound of water smacking against the already over-watered soil of a house plant and over the crinkle of papers shuffling, Benjamin's voice shifts into rushed apology. “I’m sorry, honey. You know they told me you would call. I thought they’d explain to you there is no reason for this at all. Who was with you? With you in that meeting? Was it Cher?” I explain that Cher was there and gave me the number under the direction of two distinguished men. He put me on hold after saying, “Excuse me, just a minute.”

While waiting with patience, several people pass my office. Two attempt to enter, see my headset on, put a finger up, as if they were genius, and mouth I'll catch you later. I flip my calendar from May to June. Suddenly, Benjamin is back with raised voice. “I’ll need to see you soon.”

I’m unsure if he is speaking to me or someone else in the room. “Excuse me?”

He explains his firm does not send any legal documents via email, fax, or mail, absolutely no way, so I’ll have to pick up the document in person. I confirm that is no problem at all; a mileage check will be cut from my own company. We set a date for the fifth of June, and he sang goodbye to me with a pleasant tune.

I pull up to the office of Brooks and Dune at quarter past noon. Befitting her character, Cher is poised in the window eating butter biscuits and smoking a cigarette. Benjamin’s name plate is the only one in gold font near a variety of buttons indicating which section of the building the offices are in. I press the buzzer, and the click of unlocking mechanisms invites my hand to the brass handle. Pleased I do not have to wait for Cher’s return from lunch for entry, I step into a long atrium with cemented sidewalk, windows, and foliage from ceiling to floor, nauseating and hot, like a birdhouse in a mid-western zoo.

I follow the sidewalk to the next set of doors that do not have a buzzer or lock; it’s the type of door you had to question whether to push through or knock. I find Benjamin’s name on another boldfaced gold plaque. Momentarily pausing between my knocks, I turn my ear toward the seam to pick up any respondents noise; first I hear nothing, not even a breeze, just the hum of a distant air conditioner and birds in the sun. Mid through my third round of two tap raps comes the sound of an impatient man, who briskly presses back his chair as he demands, “Come in.”

Inside, I find two parrots and a lizard in bird cages hanging from the ceiling directly to my right. To my left is a table over which two men play an intense chess game. I debate with myself: did the glassed hallway perform time travel to the future or the past? Rushing to stand, approach, and reach for a shake, is first Benjamin, whose grip is quick and brisk. He pulls up a chair for me. “Come girl, sit down,” Benjamin demands of me. “Don’t you know we’re on lunch until three?” I ask if I should come back, and he insists no while introducing his brother. Paul’s eyes are deep blue, concerned and slanted, as if fixed permanently in concentration, giving the impression he’s thinking about the handshake we’re having right now. His hand is soft and polite, cold at the fingertips and warm in the palm. Our grip remains entwined as we all sit in the same breath that Benjamin uses to express his discontent; I’ve interrupted their game.

A certain type of money buys special bulbs to light a room to imitate the sun. The atrium was top-to- bottom windows, while this room has but one with its curtain black, pulled shut, and dust around the edges, suggesting the tenure of its position. The room is lined with houseplant and on hanging shelves and atop each flat surface in sight except the chess table and chairs.

Without a word or explanation, Benjamin and Paul resume their game of chess. After several moves of what appear to gain nothing, Benjamin says, “Brooks and Dune owns this building. Aren’t you impressed, sweetie?” I look at Paul and back at Benjamin, bite my lip, and say, “Sure. The grounds are lovely as far as I can see.” While they continue their game, I wonder if I should ask where the documentation are, if maybe someone else, an assistant like Cher, could retrieve them for me. Just then, Benjamin starts to question me.

“Do you remember the company who paid for this service before Brooks and Dune?”

“No, I’ve only worked here for two years.”

“Do you know the by-laws?”

“No, above my pay grade, I suppose.”

“Stunning,” says Paul.

They continue their game, not minding me at all. I cough ahem, and Benjamin shrugs. “Dear, we’re going out on the boat later. We hope you’ll accept our offer to be a barmaid. Be certain you’ll be justly paid.”

Paul peels blatant disgust off in his loud sigh, exclaiming, “Oh, just give up the charade! Bennie, the girl clearly has no clue!”

My mouth opens slightly, my head askew.

“Girl," Paul says, placing a watering can in my hand and gesturing toward the adjacent wall of plants. "I have something to offer you. Be careful not to miss. You look confused. First, let’s have a drink. Sit back down here, and we’ll go over the whole stink.”

Benjamin explains, while Paul runs his hand up and down my leg and stares at me with the softest look of horny I’ve ever seen on a man that large. “Dear, we’ve been watching you, not you particularly, but your now former employer, the one who sent you here, for some time. We’re running the undercover operation pinning the formulation of human trafficking rings on Senator Briggs. Paul seemed to think you had no idea and wanted to spare you anyway he could. In order to do so, we had to keep on with the game until we could get you here to sign your clause of employment over to us. We’re doing you a favor.”

Paul’s hand slides up my skirt. I count ten seconds in reverse and notice next to Benjamin’s chair a bucket with gardening tools. Smelling the sweet foliage in the clammy air, the soil's deep moisture, and the weeping whisk of petals under the central fans crisp air, I am inspired. I pick up the shears and, in my most even tone, say, “Please. I’d love to pour a cocktail, but I have to prune on my own. I’ll take up your job offer in exchange for a business card with the title gardener and freedom to roam.” Paul stands with grace to catch me, as Benjamin's box knife nicks my neck bone.

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WRESTLEGY by Timothy Parfitt

September 15, 2019 · Creative Nonfiction

We met under the spotlights, cast as Macduff and Banquo in our high school’s production of Macbeth. Alex and I became fast friends. We goofed around a lot back stage, smoked a little weed in the alley. My big moment was when I got to run onstage and yell “horror” until the word lost meaning. When the production was over, Alex invited me to join him and his other upperclassman friends in their backyard wrestling league. Boys playing dress up, immortalizing our daring feats on a bulky 90s camcorder. I played a janitor in coveralls and wielded a mop. We fell on each other from great heights, a mattress or trampoline underneath us. If you do it right, it’s a kind of embrace.

Dark Arena. Ring stands empty.

Into the light dances a myth,

purple feathered boa wrapped around torso.

Pink boots a stompin’.

Larry Sweeney barrels down the aisle

and dives between the ropes of the ring,

bounces to his feet, taunts the crowd,

delights in their jeers, flexes, preens.

His shoulder-length bleach blond hair is wet,

droplets rain with every whip of his head.

We stayed friends but never became close ones, even after I followed Alex to the same Midwestern college. After graduating, Alex moved to Pennsylvania to train with Ring of Honor. That’s where he created Larry Sweeney. I followed his career from afar, got Facebook invites to his matches when he was in town. He doggedly pursued his art, something I admired and even envied. Mine was an idealized notion of Alex. I only heard about the rest later, after he killed himself. Barthes said “In wrestling, a man down is exaggeratedly so, filling the spectators’ entire field of vision with the intolerable spectacle of his powerlessness.” Alex lived to put on a show, so to mourn him, so will I. Good taste is never of paramount importance, least not in wrestling. Book an arena of the mind. Reanimate the dead. Print fliers. Spread the word: a rematch.

Good evening!

What a treat we have in store for you tonight.

Re-birth, Re-venge. The Re-turn…of

Sweet ’n‘ Sour Larry Sweeney!

Close up of Sweeney’s face in pain.

He takes his pink aviators off.

Then puts them back on.

More, More, More demands Larry’s theme music.

When a friend kills themselves, there is no ref to whom to appeal. I read online that Larry hanged himself from the turnbuckle of a ring in Louisiana, that it was his parents who found him. “Unnatural” is a word people use when parents bury their children. Kayfabe is the concept in wrestling that the shared fantasy created in the ring is a code and that the characters and stories created in the ring are sacred. Reality outside the ring, once acknowledged, betrays the fantasy created within it. To “break” kayfabe is wrestling’s greatest sin.

Venue change: Starbucks.

Behold Alex, gravel-voiced bipolar disturbance.

He delivers a kick! to the plate glass window

then stays to kick and kick

until the shatterproof glass comes down.

Stays long after

the baristas call the police.

Rematch implies the possibility of changed outcome. Alex is gone but some version of him (Larry?) kicks around my head. I hate movie suicides, the sad minimalist piano music, the familiar storm clouds and pockets full of stones. I watch dedications online, teary bloggers recount what they all agree was his low point.

Toyota Center Parking Lot:

Shaky camera work,

an opponent named the UK Viper.

Fans getting a chance to mix it up

with a fallen star.

Alex is a manic

and good-natured ringleader.

Tractor trailers in the background.

Halfway between Alex and Larry,

switching back and forth.

When the amateur announcer calls him Larry,

he stops him, and speaks of the name his parents gave him.

I track down and speak to a man who shot the video, who documented what others describe as the zenith of Alex’s unchecked mania. Aaron was a kid skipping school when he met Larry in a McDonalds down the street from the arena. Over the course of that afternoon, Alex became something like a mentor to him. Aaron was the “promoter” of that improvised parking lot match witnessed by a dedicated handful. No one had believed in him like that before. Before what I saw in the video was a tragedy, a fallen star vamping for attention and beer money. After talking to Aaron, I remember Alex could be plain fun. So many known and recorded versions of Alex: artist, friend, inspiration, danger to himself and others, suicide.

Crackling audio of Alex discussing

the awakening that sealed his departure

from Ring of Honor:

“The sky parted ways.

They opened up.

I don’t know how else to describe it, man.

It was like God

staring directly into me

and through me and

I was looking back at him.”

In his own words, 2009, the year of the parking lot match, was the worst of his life. A qualifier though, when he speaks of it, one that haunts me. He calls it the “worst event of my life, up to this point.” “Up to this point” is probably just Alex being realistic, life is a series of hurdles, but to me it sounds expectant. I track down Aine, one of the witches from Macbeth. They never dated-dated, but he was her first kiss. Back then I thought he walked on water, she says. She tells me of the time Alex drove halfway across the country based on a message he heard within the “Jesus Christ Superstar” soundtrack. How far do the dead plan ahead? He would have done big things in the big leagues.

Sweeney kicks a tombstone into an open grave,

then begins to shovel.

Breaks free, jumps upon the turnbuckle,

makes the international gesture for suck it.

Fireworks punctuate the gesture.

From my spot on the mat,

I regard the figure on top of me,

monster stitched together from Youtube,

memory and daydream.

Surely this is not Larry, much less Alex.

Once he was gone, Alex became a sinking feeling. Instead of making sense of his death, I wallowed in the messiness of it, got lost in the versions of him that live online. Dying in the ring made him myth. Reanimating him has done little to make the spectacle of his death tolerable. My imagination has failed me.

A flicker passes across his eyes,

recognition perhaps,

or resignation.

He jumps, sends his feet

out in front of him, cocks his elbow,

his hair streaking in the wind.

It’s a very interesting question,

though only one person who can answer it.

The man under that big black hat.

Credits roll, time marches on.

Tune in next time.

Larry elbow drops into the ether.

I remember his bark of a laugh. Put the various versions of him away. I’ve been grappling with him so long fantasy has dried into memory. What a poor promoter I was. None vanquished, no new storylines to pursue. If anyone real were involved were my checks would have bounced. I miss Alex. I close the browser windows.

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QUEEN OF THE BEES by Juniper Tubbs

September 11, 2019 · Fiction

Today, naturally, I saved the bees.

Let me be clear - today I read that the bees are going extinct. I also read on the internet that if you put a bee in your freezer, it won’t die, it’ll just become very, very tired and then go to sleep. Then, if you warm it up a little bit, it’ll fly off without a care in the world. I hope you can see where I’m going with this.

I gathered the most beautiful lilacs and freesias, the most gorgeous orchids and begonias and zinnias; and threw them all in a pile in the back yard. Flowers of colors and hues that I couldn’t even understand, but I knew the bees could. A billion, buzzing fuzzy little bodies, whizzing through the wind, sniffing out my flowers. I took my biggest butterfly net and caught them all, waving it through the air like a flag, a flag that says yes, I am saving the bees, and I am proud. One by one I set them soundly in my kitchen freezer. I always thought that when a bee snoozed, they gave little shudders. They don’t, and I’m disappointed.

I imagine that when someone asks what happened to the bees, I’ll tell them the facts. That the bees aren’t going extinct, in fact, I have them all, and they’re safe and sound, dozing softly in my home. That, in fact, I saved them, and that they can’t die in my freezer because there’s no pollution in my freezer. Only bees. And they’ll say, wow, Cassia, you must be the queen of the bees. And I’ll reply with confidence, that yes, in fact, I am.

I want to knit them tiny blankets, but the bees are too small, so I settle for building them little mahogany beds, with snipped satin sheets and down feather pillows. As I pick up the bees and tuck them in, I say to them wow, bees, you’re living better than me. But I swallow my envy, because bees are hard workers, and I am not. I’m only a temp worker with a job to do.

I wonder what to feed the bees when I wake them up from their slumber. Do bees drink honey matcha tea? Or is grapefruit and açai berry yogurt a better breakfast for them? I realize, horridly, that I do not know how to care for bees. I am queen of the bees, but I am not mom of the bees. I wonder if their bee-mom ever fed them peanut butter sandwiches with agave nectar before going to bee-school because their bee-dad was away at bee-war, like my human-mom did. I decide, probably not, because I don’t think bees like peanut butter.

I look up how to care for bees, and I realize I’ve made a grave mistake. Bees, when nestled in tiny mahogany beds and satin sheets in the freezer will only snooze soundly and happily for so long. Then, they will die. I’m coming for you, bees! I cry out. I take them out of my freezer, one by one as fast I can, and set them on my kitchen table in the sun. I worry that the bees will hate me now. I worry that I was not democratically elected as the bee-queen, and that the bees will have a mutiny, and use their little bee-guillotine to chop off my human head. I think I am in the clear, because a bee-guillotine isn’t big enough to chop off a human head. I tie them all on strings, just to be safe.

I decide to bake the bees apology cookies for when they awaken. I use honey, oats, and a good helping of vanilla, because I only want the best for the bees. I am not good at baking, but I hope they understand the thoughtfulness of the actions and do not chop off my head.

When the bees begin to wake up, I grab the ends of all the strings. I ask them to calm down; tell them that I made cookies and I can make hot chocolate for them too if that sounds nice. But they buzz and buzz, and they start to fly at the windows. I am reluctant, because I do not think the bees understand or appreciate the kindness of my gesture, but after some persistence and well thought out rhetorical buzzing from the bees, I relent. Fine, bees, we can go outside. But I’ll have you know that I worked really hard on those cookies.

When I take the billion bees outside, they fly all around, buzzing like an orchestra that’s mainly composed of clarinets, and maybe an oboe or two. They sound happy, I think, and I consider that maybe I am a good bee-mom after all, that maybe after their bee-moms died from cancer, like my human-mom did, they needed a kind but stern maternal figure in their life. They start to fly towards the sky, and I feel lighter and lighter.

When I feel my feet lift off the ground, I start to cry. Is this the democratic process? I ask. Have you voted me in as your new bee-queen? The bees buzz and zooz, which I do not think is a word, but sounds correct. As we soar through the air towards their bee kingdom, I give my acceptance speech. Yes, I will be your queen, I say. Yes, I will serve the common bee-good for years to come. And never, I say, will I leave.

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MIND WHAT’S GOOD by L Mari Harris

September 9, 2019 · Fiction

The girl sits on her old teeter totter in the backyard, eating mini marshmallows out of a bag. Pushes off. Crick. Down. Crick. Pushes off again. Crick. Pork Chop the Chihuahua watches each marshmallow go from fingers to mouth, cocking one eyebrow, then the other.

A man in a black suit and hat walks down the alley. It’s early August, 98 degrees. He has something in his hand.

“Hey, Mister! What’s in your hand?”

The man stops at the fence and holds a hammer and a bar of soap up.

The girl and Pork Chop stare. Mrs. Potter from three houses over once walked through the alley carrying a squawking chicken she was going to turn into a nice soup with noodles and carrots and celery, but that was about as weird as the girl had ever seen.

“Why you wearing that hot suit?” The girl scratches Pork Chop behind his little ears. The tiny dog leans into her hand, shivers with contentment.

The man smiles and leans his forearms on the fence. “Would you like to hear the Word of God?”

“You a preacher or something?”

“Something like that. I help people, showing them God’s goodness and grace.”

“How you find them?”

“They tend to find me.” The man juggles the hammer and the bar of soap to his other hand, pulls a handkerchief out, wipes his brow.

The girl sees her best friend by the trees. Maggie?

The girl and Maggie, flip flops slapping on the sidewalks, giggling, arms draped around each other’s shoulders or waists, eyes down when the older boys would rev their engines and shout as they roared by, then giggling again, clutching their arms, the downy hairs tingling. Then, the girl’s daddy already downstate, springtime, one of the older boys stopping as she walked along the road, offering a ride, No thanks, offering it again, No, really, I’m almost home. Next day, girls laughing, boys pointing, one sticking his finger in her face, We hear you’re a good time. Everyone laughing, the girl cutting through backyards, missing her big bear of a daddy who still called her Princess Sunshine, missing her momma who's distracted from working three jobs, missing her best friend who called her trash as the girl ran out the school doors.

The man in the suit turns and looks. “See someone?”

“No, guess not. Mister, you haven’t said what you’re doing with those things.”

“Why, to do my washing and build a house for the Lord.”

The girl hears a saw start up in the garage. Daddy?

The girl’s daddy, building her a bookcase on their last weekend together, the girl sitting on a milk crate, watching, listening over the buzz of the saw and pounding of nails. Made a stupid mistake, baby. You mind what’s good and you won’t go wrong. But make sure it’s the good you’re hearing. That’s where I got it wrong. The girl wrapped her arms around her daddy and didn’t let go until her arms went numb.

The man in the suit cocks his head. “Hear something?”

“No, guess not. You got a long ways to go? You thirsty, Mister?”

“No, thank you. I’m on my way to Redemption. I was told it’s just up the way a bit, past the edge of town.”

“Past Mr. Elwood’s dairy farm?”

“So I hear.”

“What’s this Redemption look like?” The girl wonders if it’s a town she’s never heard of or maybe that church out on Hwy B where talk is they play with snakes and fall to the floor. She hopes it’s not that.

The man in the suit drums his fingers on the gate, furrows his eyebrows. “Horses with velvet-soft muzzles tickling your palm for sugar cubes. Lilac bushes big as houses. No fighting. Fresh sheets on your bed every night, and the smell of bacon frying every morning. No one ever has to go away or find themselves alone, because there are no mistakes and no lies. All the ice-cold lemonade and chocolate donuts and French fries with extra ketchup you could ever want.”

She loves it all.

Pork Chop jumps up and down, wagging his little tail. He loves it all too. The girl and the man both laugh. She scoops up Pork Chop and walks toward the gate. She wants to see this Redemption for herself.

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LOVE RUNS AWAY TO JOIN THE CIRCUS by Kieron Walquist

September 4, 2019 · Fiction

The Ringleader lets the circus run itself into the ground, unsupervised. Ever since the accident, he hides himself in his trailer. Away from the police, the press, the public. All who lie in wait outside, hunched and hungry. Ready to ambush. Ready to accuse: how could you let this happen? Confined by choice, the ringleader doesn’t eat much. Drinks religiously. Sleeps. Occasionally peeks behind the dusty blinds at the sun. You stay with him in his misery. Longing to be loved. But he refuses to want you. Says: you don’t belong in the circus! Go home. You tell him the back door is unlocked. That anyone could break into such sadness.

***

The Acrobat makes the dance look effortless. Without the weight of wings, she flies. Streaks the skyline of the tallest circus tent. Bound in a blood-red ribbon of silk, she unravels. Becomes undone. Tumbles towards you. The cops, the cameras, the citizens. Down below, everyone evacuates. Clearing a patch of hard-packed earth for her. There’s no safety net. Suddenly, she stops. Hangs herself by an ankle. Unharmed, the acrobat spreads her arms. TA-DAH! But the onlookers leave, having seen it all before. You promise that she was enough. That your love is enough. She swears it isn’t. Sighs. She really felt it this time. Fame. You tell her they wanted a fall. One more circus catastrophe.

***

The Beast Tamer feeds the menagerie of animals raw, red meat. Refills the empty stock tanks with cool, crisp water. Scrubs the dust and dirt off the elephants. Tousles the winter coat of the black bear. Playing nice, the beast tamer puts on a show for the authorities, the anchormen, the audience. But you know better. Before the accident, his animals were often sedated and starved. Never let loose. You want to be abused. To have that harsh, heavy kind of love. He says you’re feral. Too wild to hold down. You counter that his crime is obvious. That others will see the suffering safari and wonder: where did the meat come from?

***

The Fire Eater buries the evidence deep inside a burn barrel. With blistered and blackened hands, he rains gasoline over the remains. Strikes a match. Ignites a fountain of fire. Inhales the smoke. Singed by the hush of heat, he walks away from the blaze. Burning up. Bejeweled in beads of sweat. You follow. Feverish from head to toe. You vow to keep it all a secret. You won’t tell a soul. Not the rangers, the reporters, the residents—no one. He thanks you, but rejects the thought of romance. With you, it’s just too cold. You ask, if he eats fire, when did he become so scared?

***

The Magician replays and rehearses the old routine. He shuffles the cards, carefully picks the one unknown. Stuffs a rabbit into a top hat. Makes it vanish, then reappear. He saws the pretty girl in-half, but she always comes back together. Every trick he has up his sleeve works. He makes no mistakes. Nothing goes wrong. Yet, something did go wrong. Just once. And they want an explanation. The law, the live broadcast, the locals. You come to his defense. A good magician never reveals his secrets. That’s what you love about him. He begs you to leave. You’re only making it worse. You have no trouble disappearing on your own.

***

The Fortuneteller meets with the ringleader. The acrobat. The beast tamer. The fire eater. The magician. Welcomes them into her sanctuary. A small space—a room crowded by candles. Air thick with the scent of incense. Roses. Beeswax. Something dead. With milk-white eyes, she considers her crystal ball. Translates her Tarot cards. Looks over the lines pressed into palms. She forewarns them of a frightening future. This time, they believe it—before, they had laughed. You believe the fortuneteller. Offer your hand. Ask: is there love between us? She looks. Shakes her head. I see no future with you.

***

You were the brave volunteer. Out of hundreds of outstretched hands, they reached for yours. Chosen, you were carried from the crowd. Brought up on the stage. Held still by the ringleader, the acrobat, the beast tamer, the fire eater, the magician. Electric, the circus performers declared dangerous acts. The swell of sound from the audience—cheers and cries—left you feeling frozen. But you couldn’t have backed out. Not in front of the high-wire. The black bear. The flamethrower. The water-filled tank. You had to play the part. And you did. But before you died in the accident, you looked back at the performers. Thought they all felt it. Love.

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A CHILDHOOD IN FIVE ACTS by Suzanne Craig-Whytock

September 3, 2019 · Fiction

Out back behind the house, there was a rusty old oil drum that Da used late at night for burning stuff. Once Sammy and I found what looked like some kind of animal bones in it, but we didn’t dare ask about the kitten that Sammy had found the week before. This is how I grew up.

I couldn’t help Sammy, I couldn’t save him because he would always cry, even when I whispered, “Don’t cry, don’t.” He couldn’t stop his eyes from leaking like a broken tap, that’s what Da would call him, “Ya fucking little broken tap,” and Sammy would squeeze his eyes together tight, but the more Da yelled at him, the more he cried, and there was nothing I could do about what happened next. This is how I grew up.

I never talked at school, and my clothes and fingernails were dirty. Ms. Carmody would ask, “What’s wrong, Delilah?” but I couldn’t answer because deep inside I liked her, and I couldn’t stand to see her eyes change when she looked at me, like I was a little broken tap too. This is how I grew up.

Once, I got caught in a tree, and Da looked out the back window and saw me hanging there, choking. He ran out and saved me, and then he took off his belt and hit me with the folded leather over and over and over again, yelling, “Stupid bitch, you coulda died,” until I wished I had. But I didn’t cry, I wasn’t like Sammy. This is how I grew up.

Da was Hephaestus, forging us and pounding our wings until we couldn’t fly and we couldn’t remember ever having feathers. Sammy evaporated in the quench, but I got folded into myself and hammered flat over and over and over again until I was hard as Damascus and double-edged and no longer myself. This is how I grew up.

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JUDITH, MOTHER by Matthew Lovitt

August 11, 2019 · Fiction

Judith didn’t want to force the boy, but Jacob refused the chance to be reborn in His image. Willow, the regression therapist, said he suffered a PTSD-like disease, and that simulating a second birth would release him from the trauma of years of processed food, daycare by television. And so she held tight the down blanket wrapped around his body, the mock vaginal lips that parted at the crown of his head. He kicked and screamed, and she whispered that soon they would be together again.

Willow said, Again?

And Judith imagined what it would be like to cut the crusts off of her boy’s sandwiches, chauffeur him to cotillion, and buy him his first semi-automatic weapon—everything that she didn’t get to do for her first Gift. Because God bestowed upon the faithful riches—Judith was a vessel for Him. Perfect posture, tiny steps, shirtsleeves past the wrists.

The boy vomited in his womb, and the therapist considered Judith’s many mounted animal heads—antelope, deer, and ram.

What would you call this room? Willow said.

An office, I guess.

And how many rooms do you have?

Twelve if you count the workshop out back.

Willow whistled a cartoon whistle, as if she was impressed. Judith sensed a twinge of contempt. But the therapist didn’t know how dearly she paid—a dead husband and organs.

Judith forced a smile. I’ve been blessed.

Willow said, It would be better for him to birth into your arms, so that you can wipe away the afterbirth from his eyes, nose, and lips.

But his mess, Judith said.

The first of many, I’m afraid.

She grimaced.

And to have him otherwise could make him upset.

Well I’d rather not.

Who would?

Ruin this blouse, I meant.

In his down womb, Jacob writhed, gagged, and spit.

Judith held the mock-opening against her chest.

Willow reached for the boy.

She yanked him away, shot the therapist a look like you’re next.

He could die, Willow said.

Every life comes with certain risks.

And then Judith hummed a lullaby until Jacob’s life passed through her—water through a sieve. The remnants: tiny deposits of sin. But now the boy was free to enter heaven. Or burn in hell, as God wished. And then Judith lay the boy’s body on the ground, rocked forward to a crouch, and lunged at Willow, pummeled her face and chest. She was surprised by how little blood stained her fists. When the bitch was good and dead, Judith looked over her shoulder to Jacob, and noticed the body fluids seeping through the comforter, blotting the carpet yellow and red.

She muttered, Shit.

Judith dragged Jacob by the feet, to the metal shed out back, and into the storage closet where he and Willow could be stashed. The following day she would dump them in a wastewater pit one county west. The chemical sludge would eat away their skin or at least the fingerprints that might tie her to them. But first, but now, she needed to ask for His forgiveness, receive His wisdom.

Judith sat in the last pew of Calvary Assembly. A gaggle of accordion-shaped matrons gathered near the front of the hall, around Joseph, the preacher, preaching The End. Their task was to hold one another witness to be saved from sin. And it was through such service they might glimpse heaven. Then Joseph said he had to take to the shop his Benz, but there was time if anyone would like to testify their faith to Him. Two women shot to their feet, gave one another a sideways glance.

Judith laughed, lifted her gaze to the heavens, and prayed: God, thank you for saving me. It’s been a long journey, and I’m trying my best, but sometimes I’m not sure if I’m cut out to be in Your service. I know the two followers I delivered to you today were unclean—that woman smelled like cigarettes and likely the boy couldn’t complete a quick slant. For this I ask your forgiveness, and another chance. Please give me a sign: a healthy prospect or a new, functional uterus. Sure every setback is an opportunity, but I’m at the end of my wits.

Judith parked her Escalade two blocks from the elementary. She waited for the last girl to lope down the schools front steps, toward her car, then held out the window a rope of saltwater taffy.

She said, Hungry?

The girl grimaced. Not for your garbage candy.

Judith gasped.

And why are you so creepy?

My word.

Against mine.

I don’t know what you mean, Judith said.

The girl plucked her cellphone from her pocket. Well maybe we should call the police, and see what happens then.

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SLEEPY TIGER by Matthew Bookin

August 9, 2019 · Fiction

Paul started doing deliveries. He was 19 days sober. The passenger side of his car still looked like a carefully crushed soda can. The travel bottle of Listerine was still in his glove box.

Emir’s food truck business had expanded into an actual restaurant. Paul was hired on as their 31-year-old delivery boy. He picked up racks of steamed dumplings from the restaurant and loaded them into the back of his nearly defeated red car. It was early summer and sometimes, mostly on the weekends, he could be out making deliveries until dawn. He felt quiet and newly alive. He was experiencing traffic lights in an honest, gentle way. People smiled at him and tipped with paper money. A woman handed him an apple with a lipstick-lined bite taken from its side. Fire hydrants bled happily into the streets. Strangers seemed mysterious, hungry, and kind. Light rain washed the city dust from his windshield when he couldn’t afford a new jug of electric blue washer fluid.

The sobriety app he’d downloaded offered up an inspirational quote every day. “Be in love with your life. Every minute,” Jack Kerouac told Paul from some place in the past. Paul knew that Jack Kerouac drank himself to death while living in his mother’s guest room. Paul flipped his phone facedown in the passenger seat of his car and imagined a long stem rose floating dumbly in a full bottle of non-alcoholic beer.

When he was wasted, every day was a casino. Now that he was sober, every day was a boardwalk at dawn.

Paul felt good in a fragile way, like an old light bulb that would pop and burn out at any moment. He could barely make eye contact with anyone. He carried mammoth stacks of dumpling trays up marathon flights of apartment complex stairs. He fed lonely people and he fed families. Some doors opened and he’d find himself facing a mirror. He never tried the food.

The feeling he had when he stopped moving was deep and kaleidoscopic. It swirled and absorbed him. It dryly intoxicated. His psychedelic sadness posed no mysteries. It was his belt, looped tightly to the doorknob of the closet. It was circles inside of boxes. Cages and codes. Heart attacks and cracked pitchers of spiked lemonade. Bad vibes he paid for. No giving, just getting. The fifth can of a six-pack. A vast field of patiently unlit green candles arranged like guillotined sunflowers. The “blah blah blah” of his broken heart.

The restaurant closed quickly and sadly. Emir was widely accused of gentrifying the neighborhood, so he shuttered the place and vanished from the city. For a few weeks, every evening after the delivery job died, Paul would buy several cartons of dumplings from a Chinese takeout place next to his Stepmom’s apartment, where he’d been staying. He’d drive around all night long with the unfamiliar dumplings in his backseat, not really going anywhere. His car would smell like scallions forevermore and the wind was getting colder. When the mornings rolled around he’d donate the untouched food to a shelter downtown.

At his very best, he felt like the only man working behind the scenes at a fireworks display.

Six months later, at the conclusion of a particularly cruel day, Paul bought a tall can of Budweiser beer from a gas station lacking a front door. That was pretty much the end of him.

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