The seasonal jobs came back to town aboard a gleaming, diesel caravan. We all stepped up to carry water and dirt and to do all the other things that would be asked. Brought our resumes, our lunch boxes, our good gloves. Someone was going to see us, buy our labor for a week or month—see something useful in the junk, like Giacomo did as a dropout teen, buying a rusted-out chainsaw to bond with mom and get it running again. And just like that ideation, we’d take off for somewhere else full of better promises. This we knew, believed, felt, etc.

Giacomo had his old hat, the lucky one he first fucked in. He used it to wave down men and women in their shiny white trucks. I spat in the dirt. Same difference, same result. Whatever happens is inevitable. Giacomo never believed in fate. We got picked up, taken to tryouts. Giacomo wanted to swear so bad when he saw all the if-onlys and why-nots pass us to hit the exit ramp last minute. We were heading further out than everyone else. What sun would beat us down then, way out there, we wondered.

They grouped us out, saw favorites quick. Barked like big dogs except we all knew what kinds of barks meant what and how and when and how much. He pushed the crates and I held the hoses. We both considered it best. I heard him try to angle in around the edges, get some networking in, as people liked to say, get some human decency out there in the good spring heat. Sweat in his eyes made him squint like a little bird, one of those no-feather ones, just skin and slime. I tried counting to ignore my present self and state—rocks, steps, crates, yards of hose and stacks of coil, counting everything and anything just to pass through the tautly pulled time we floated in. We heard buzzing off in the distance, something making sawdust, or something like it. 

Giacomo huffed and chattered behind his crates. Hush up, waste your breath on better things, I thought. Push your crates to make the bosses feel the things your words can’t make them feel. They are in their own way illiterate like us, like mom, like everyone else who would care about any of this, but the language of cost and control is better to know than the language of push and carry. I imagined horses cutting down trees because of something Giacomo said years ago.

His hat lay twisted on his head, beguiling, wringing laughs when he passed the foremen and their kids. He didn’t see them chortle over the tall crates, though, or maybe just over his old stubborn spirit. He breathed in our stinking huffs of exertion and sighed out hope. I liked Giacomo and didn’t want to see him spoilt anew. We were small moons in orbit of something pretty which harbors life. We were not the show. I wanted to push him back, somehow put legs on the crates, watch him dance and distract himself to keep them lined up, dunk us into the irrigation trough, rise up laughing like a couple years ago when we thought it best to rinse off the sawdust.

We talked scrapes and cuts before sleeping in the grove under the stars out there by the end of the highway. We talked about distraction, old technology. I was bored and thus unclear, hoping to chisel out some new thing by vagueness, bring our thoughts into a new space, maybe knock him back down off his prideful course, back down to me, where I was. Giacomo was never as down as I even though he slept in the deepest hole on the worksite. Something about initiative, action, teamwork, sacrifice, leadership. I ate my bad food in silence while he buzzed on about these foreign words he found somewhere, something about coffee. I thought then and continue to think that work is work, is the same thing as last year, next year, the very beginning times, the very end times. I considered the stars pretty enough where we lay out in the gravel, but he had thoughts of strange rooms out in the grassy hills with windows as big as our tar-paper ceiling where one could somehow see even more stars, though I didn’t ask for detail.

We worked as hard as needed, but Giacomo caught heat stroke before catching any attention. His mom said to keep your head down and she said it literally, although Giacomo somehow thought he could improve the way deep channels wind through the earth. I don’t think they make a saw big enough for that. 

I saw him lay in the shade while the owner’s son wandered through the stacks and stores trying to devise new things to array and bundle up and sell. It was bad timing, caught recovering in the dirt, hat over face. The boss boy ripped it off and tossed him out. Where to? We held our breaths and worries so no one would think us human. We pretended to be delicate machines in the industrious frontier instead, things just brought in to wring together pretty bundles or rip apart nature. Giacomo got canned, hat in hand, just like he was when we climbed aboard that promiseful truck. Canned is a euphemism for the gorier details of our rumpled-up contracts, as you might imagine.

I dug the ditch he lay in then, and I laid the soil thereafter. It was only natural that I not feel the need to test his boots, swap our hats, turn his pockets—I knew how they fit and what they held. This showed promise to someone, they mistook my sadness for integrity or some other obscure thing they considered good. They gave me a bundle of his things, including a book that seemed impossible to read. I flipped through it and saw things we had together, neatly lined up in little lines.

The company asked me if I had anyone or anything to keep me back in town instead of going elsewhere for more work and more money. I told them no, tamping the dirt with the company’s spade. I told them to take me away.

Emo Phillips stands on a train. He thinks about all the fucked-up people he knows and wonders if people think he’s as fucked-up as he thinks other people are. The train conductor/engineer/driver person clicks on the intercom and thanks everyone for riding the train. Emo Phillips feels like he has never been thanked for riding public transportation.

“Hey, am I fucked-up?” Emo Phillips asks.

“What,” says Dan Brown. Dan Brown is looking at an advertisement for furniture. The train conductor/engineer/driver person clicks on the intercom and apologizes for the slow pace of the train. Emo Phillips takes off his mittens. The advertisements for furniture are very sexually explicit–in one advertisement, there is a picture of two men having passionate sex on top of a dresser–and Dan Brown feels incredibly unloved. He doesn’t want to be on the train anymore.

“Like, am I weird, I guess,” Emo Phillips says. “Like, is there stuff weird about me. To people”

“Yeah, dude, uh…I guess. Or not,” says Don Brown (easier to type than Dan Brown). The furniture advertisement seems really fucked up. “But yeah, probably.” He imagines himself making love on top of a dresser for a photoshoot. He imagines himself being paid $7,000 in twenty-dollar bills for the photoshoot. He imagines not telling his lover about the photoshoot and using some of the money to buy a new dresser because of how good it was to be fucked on that kind of dresser during the photoshoot.

The train conductor/engineer/driver person clicks on the intercom and suggests that more people should get off at the next stop so the train can go faster, because of the weight of the people. Almost everyone on the train checks to see what the next stop is.

“What?” asks Emo Philips (one l, spell check seems cool with this). He is looking at the advertisement. The man penetrating the other man in the advertisement has an Emo Philips tattoo on his right shoulder. The man being penetrated has his head flat on top of the dresser, looking away from the camera.

Emo Philips feels worried. He remembers that the furniture store from the advertisement is at the next stop. 

don brown (no caps) clarifies that he doesn’t know what Emo is asking. They are lovers, and they are on the train, and The train conductor/engineer/driver person clicks on the intercom (copy pasting this now) and begins to cry into the microphone thing, pleading for everyone to leave.

Every day I went outside to find new bugs. I found bugs on the ground. I found bugs on the street. I found bugs in the garbage. I found bugs on a dead skunk on the road. I found bugs writhing around the inside of a tree that had split in half during a windstorm, in the middle of the night there was this incredible cracking sound, like thunder, but there was no rain, it was just the tree snapping in half and then it crashed onto the ground. The inside of it was a network of narrow passages and wavy, warped wood, all the way through, like a tall, dense sponge. I imagined that it had been filled with bugs for weeks, maybe months, maybe over a year, the bugs slowly burrowing through it, setting up colonies—a colony of ants, a colony of beetles, a colony of wasps, a colony of aphids, a colony of termites—and moving around, digging into the wood, boring holes in the bark, scooping out the wood and replacing it with mush and larvae and piles of their own dead. And finally the windstorm came and it was enough to bend the tree so much that it buckled under the weight of itself, the bugs only having colonized so far high so that the bulk of the rot and hollowed-out wood was near the bottom, right at head height, so the rest of the top of the tree with all of its branches just got too heavy, the wind pushed it and that was it. The bugs were still writhing around inside. I could see the chambers they had eaten out of it in profile. I could see the bugs that had been split in half when the tree buckled, their sticky, mangled bodies lay smeared onto the tops of the serrated striations of the inside of the tree. It was like they were crawling around inside the mouth of some terrible monster that had rows and rows and blunt, wooden teeth and finally it snapped shut to eat them. Most of the ants that had been split in half were still twitching, and all the other ants ignored them. The ants that were split in half were still mostly alive, just like the tree—split in half but still alive. They must have been like that, split in half and twitching, for hours, since the tree had snapped. And I saw the chamber with the queen in it and all the larvae she had produced, piles of terrible little half-bodies in the hollowed-out nooks of the tree, and a beetle was also in the chamber, picking up the larvae and snapping them in half and eating them, and there were ants trying to tug at its legs and the legs of the other beetle that was crawling into the chamber, now that it was all exposed and open. I could just reach in and grab all of them, the queen ant, the larvae, the beetles, the ants tugging at their legs, scoop it all out in one hand. I thought about the time I was a little kid in my grandparent's backyard in California and I was sent out to clean up the overripe avocados all over the ground under the trees while my grandparents cooked dinner for everyone. My parents were coming to pick me up after the three weeks I had stayed there, and we were going to have a big dinner in the backyard and my grandparents didn't want anyone stepping on a mushy avocado. I picked up maybe twenty or thirty and threw them one by one over the fence and into the easement that butted up against the concrete drainage area, and sometimes I threw them hard enough so that they cleared the easement and I could hear them puck wetly onto the concrete. I picked up a small, leathery one from near the compost bin that was squishier than all the others and when I squeezed it, the skin split and bloomed open and a wad of maybe thirty red wrigglers poured out, I felt them pinch and squeeze between my fingers and gush out a hoary, stinking juice into my hand and down my wrist and arm. I threw the mass toward the fence, brown gunk and dripping, writhing worms exploding in the air like a plume, or spray, before smacking against the wood, the pit thumping dully, worms clinging wetly to the pine boards and then flopping down onto the grass. My hand smelled like the worm juice the entire dinner, night, and subsequent two-day car trip home, I would wash my hands, scrape bars of soap with my fingernails and let the soap stay there, then later soak my hand in hot, soapy water, but nothing helped, nothing got rid of the smell, every time I scratched my face or picked my nose or rubbed my eyes, I would smell it, the same sick, fetid smell of bile and rot. That was what I thought of when I saw the beetles and the larvae in the tree, I tried to conjure up the smell of it, but I couldn't remember exactly how it smelled anymore, all I could smell was pine sap, tacky and raw—some of the ants were stuck in the hardening sap, wiggling their antennae and mandibles in little tiny death throes. So I did, I put my hand in, scooped out as much as I could, the ants, the larvae, the beetles, the sap, the splinters. I felt it all as a mass, squeezed it, felt it gush and congeal, felt the beetles crawl out onto my hand through the mangled everything else. There are bugs everywhere. Everywhere there are bugs. It’s better if you go looking for them. It’s better if you go looking for them and find them first and know what will come when you squeeze.

Then you can squeeze.