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TIME PASSES FASTER AT SEA by Graham Irvin

March 21, 2019

In Korea everyone called my grandfather Pete because they didn’t know he was going to be a grandfather some day.

When my parents got married Pete punched me in the face. He wanted me to grow up tough.

My mom won’t forget the stories Pete told her about working radar in the belly of a battleship, seeing big green blips of terror appear and disappear. He told her they were bigger than the ship, by two or three times.

My mom says, ‘What could that have been?’

When there was a big green blip approaching on the radar Pete thought, ‘I’m dead.’ And when that big green blip disappeared Pete thought, ‘I’m not dead.’

When Pete was my grandfather he told me to never grab myself when I jump off a battleship. It’s the one sure thing he learned in the Navy.

He said, ‘It will rip your stuff right off.’

He asked me to paint his red weathervane like a confederate flag. I said, ‘I don’t feel like it.’ Then he died.

Pete’s battleship crossed the international date line in the Pacific Ocean every few weeks. He wrote in his diary, ‘There is no tomorrow.’

He wrote a poem about being the world’s loneliest soldier.

He wrote his girl Jen and asked if she was seeing any of the neighborhood men when he was out of town.

Jen was what people called my grandmother before they knew she was going to be a grandmother.

When Pete was in Japan he met a woman called Mitchi.

When he was in San Francisco he met a woman called Ilene.

When he was docked in Alaska he saw a seal carcass with blubber that moved like hair.

He wrote a story longhand about a girl who put a garden hose inside of herself before having sex with her brother. Then the girl had sex with her aunt. And then her brother and aunt at the same time. Pete bought a manual Underwood to type a second draft.

My grandfather lived in the hospital with cancer for a week. I sat in the backseat of my mom’s car and listened to Death Cab for Cutie on a portable CD player on the ride there.

When he died my grandmother gave me his old guitar. I learned to play Title and Registration and then gave up.

Pete played mandolin in a gospel band with his brother and sister. They even recorded a song for the radio once.

Then Pete joined the Navy.

Pete wrote in his diary, ‘Some days are Monday and other days are Tuesday.’

And, ‘Everything written is written in blood.’

When Marines from Busen left bags around the ship, Pete stole their guns and boots and sent them to his brother.

After kissing Ilene in San Francisco, Pete called Jen and asked, ‘Have you been faithful?’

And Jen said, ‘Yes.’

The next time he could afford a train to China Grove, they got married.

Pete wrote in his diary about their wedding night, ‘Four times.’

In Florida Pete and Jen took a canoe through the everglades. Alligators rocked their boat.

They had a kid and had a kid and had a kid and had a kid. One of them found Pete’s diary in a barn and wrote their name on a page that said, ‘Time passes faster at sea.’

Pete hid the diary until he died. His stomach turned into a garbage disposal and took him with it.

It was quick.

Jen lived forgetting until she forgot the final thing.

It was two days after my birthday. We celebrated with pulled pork and potato salad.

No one called her Jen.

No one cried about it.

THE VAMPIRE BOYFRIEND by Jessica Drake-Thomas

March 20, 2019

I started ghost writing romance because it was under the table. I make good money, people are reading my work, and best of all, no one has to know where I am. These days, paranormal romance seems to be the big thing with humans. Specifically, Vampire Boyfriends. I don’t mind werewolves, aliens, or even dragon shifters. They’re all harmless enough. But I refuse to write about Vampire Boyfriends. When you live in the shadows, some things just hit too close to the truth. Anton Chekhov had a theory about guns in stories — if a gun is placed into a narrative, then it will go off, sooner or later. Like Chekhov's Gun, the Vampire Boyfriend has a timer, as well — once he’s in your life, it’s only a matter of time before the trigger is pulled and he loses control. He’s hardwired to desire you. Your blood sings to him, and he’d like you to believe that it is only he, and he alone, who desires you to the exclusion of all else. But what calls to him is his hunger. Do not be fooled. The way to the Vampire Boyfriend’s little dead heart is his stomach.

The Vampire Boyfriend is the ultimate apex predator. His physical beauty is staggering — he reminds you of all of the greatest sculptures — every feature has been polished to perfection by immortality. He has it all — the face of an angel, the mane of a wild stallion, the six pack of the Gods, the bone structure of Khal Drogo. You can barely contain your desire for him, and it sparkles through your eyes, seeps out of your pores. It’s like perfume to him— almost primed to perfection. He’s studied all of the great romances. He was alive to see them for himself — Antony and Cleopatra, Tristan and Iseult, Henry VIII and Anne Boleyn. He is able to mimic the correct movements and brings out all of the trappings of the perfect romance—perfectly aged wines he bottled himself, bouquets of roses like blood splatter, his hand placed just so on your lower back. He makes you wait just long enough to move on to the next step, until your need for him is so great, it’s consuming you like wild fire. He’s had centuries to practice, and his timing is on point. He wants you to be intoxicated, so you miss the red flags. He wants to own you, to possess you, wholly. You are the queen of his heart, and he will tell you: you are his.

The Vampire Boyfriend, despite living in a world that contains feminism and women’s rights, has still retained his antiquated notion that the object of his affections requires around the clock protection. He will call it “old-fashioned.” He will call it “chivalry.” You will not have to lift a finger, pay for a thing, or worry about other males ogling you. He moves faster than physics can explain, he has more money than a dragon, and he can easily hold all weaker males in check. Despite your claims that you are a modern woman and wish to be treated as such, he will gnash his fangs and turn a deaf ear in your direction. He’s stuck in the Dark Ages, when women were thought of as property. When women existed only to please men. When women were too delicate to stand alone. Let’s call it what it is: defending his food source. He’s trying to put you in a box. Literally.

You’ll stay, despite your misgivings. Despite the little slips, here and there. You will always stay, because you believe in the façade that he has created. After all, he looks so human. And he cares for you, as if you are a garden. Heed this—Dead things cannot nurture. They can only support growth through rot. The Vampire Boyfriend is incapable of decomposition. He is like a stone. He’s just so good at playing the loving partner. You’ll stay, of course. You’ll stay despite the fact that time, for you, is running out.

You’ll fight, naturally, because you’ll feel strangled by his over-attention. He’ll say that he’s trying to protect you. That he’s afraid of losing you. That the world is a dangerous place for humans. Chances are, he’ll be proven right because if one Vampire Boyfriend exists, then there are others who think and act just like him. Chances are, another Vampire Boyfriend will smell the combination of your blood mixed with desire, and come hunting. Or, perhaps, he has a long-standing grudge with your Vampire Boyfriend, as they do. Chances are, he’ll attack you, leaving your current Vampire Boyfriend the opportunity to become your hero.

You will become comforted by his attentions whilst you are healing after the attack from the rival vampire. Your Vampire Boyfriend will care for you in every way. He’ll blind you to his faults with his displays of goodness, snuggle you with his ice-cold arms. Stroke your hair with long-nailed fingers. He’ll make you forget everything — like his recent tantrum, your fight last week, that guy from the bar who he murdered for looking at you. He’ll whisper sweet things into your ear, nuzzle his ice-chunk nose over your carotid artery. He’s not really thinking about you, but the delicious river, oozing beneath your skin. How the scent of your blood seeps through the bandages. Now that he’s fought another vampire, he’s starving. Everything he says and does will lull you into a stupor, so that you will not fight back. He will make you forget everything, who you are, who you were, and the gaping wound of his tooth-filled mouth as he finally loses control.

There is a door that I could open, in order to tie this up with a neat bow. But I won’t, because he might be lurking on the other side, waiting to be invited back in. I have run too far for him to find me now. The scars where his teeth tore open my throat have not been smoothed away by time or immortality. But know this: a story about a man who wants to possess you isn’t a romantic story. It’s a story about a beautiful, cold monster and lengths he will go to satisfy his hunger.

DAY JOB by Jon Conley

March 19, 2019

She was a big rottweiler who had had cancer for a time now. She was very big and sad and unable to move well so I went with Dr. Highmore to the house. I brought along a large contractor's garbage bag and I don't think I said anything the whole time. I never said a word in these situations though I had done this many times, been a pallbearer. Although, I would assist in assisted canicides before carrying the bodies away and I don't know that a pallbearer ever assists assisted homicides. Anyway, I’m not a shy person.

With the bag rolled up in my back pocket, I reached my left arm under her neck to put her in a headlock. I put my right arm over her shoulders like a good old pal and she did not care and I grabbed what I guess you would call her elbow, making a tight ring around it with my middle finger and thumb before twisting slightly to make the vein visible. She still did not care. The family cried along and stayed in the room until well after she was dead. I want to say that there was a candle burning but that would be very hopeful of memory. I waited and put my head down but inside I wondered when they were going to move. One of them would eventually take charge and usher the other out of the room to continue grieving somewhere else.

And when they finally did leave I lifted the now piss-soaked towel she lay on top of and I slid the garbage bag under the haunches. If a dog sat long enough that the piss soaked through the towel, the outside of the garbage bag would always get piss on it. And in the struggle to move the body around, the piss would end up on my scrubs, which was common enough for the job but bothered me still.

I tried to lift her with my knees and not my back. She was heavy and Dr. Highmore was built like a reed so I would do it alone. If you lift a body and can't keep her level, there are plenty of fluids beyond piss that would love to take the opportunity to slosh around in the bag. And depending on how well you tie her up, there could be leaks. But eventually I did put her in the van and back to the practice and into a freezer. In Cleveland I would have burned it myself and prepared the ashes but here someone came once a week to retrieve the frozen bodies.

For dinner that night I made spaghetti with a meat and tomato sauce and I washed all of the dishes instead of leaving them to soak until the morning. When I took out the garbage that night I was as scared as I always am taking out the garbage, imagining something or someone coming from behind me as I make my way back.

DRIVING THROUGH by Bojana Stojcic

March 18, 2019

We drove through the city today. We didn’t stop. We just drove through. We didn’t want to get out of the truck and grabbed take-away coffee with ground cinnamon in a drive-thru shared by a coffee shop and a bank, which was super convenient so while sipping it we made some transfers and paid bills. In the meantime, it started to drizzle, which was a drag and one more reason not to leave the truck. Besides, we got hungry, and decided to order low-carb turkey club lettuce wraps to go at a drive-thru diner. While listening to the live traffic news, we watched cars creating a line and moving in one direction. After that, we dropped some Xmas cards in a drive-thru mailbox and had our car washed in a two-lane drive-thru car wash. We both find high-pressure water jets ideal for our truck as it looks all shiny and new without anyone touching it, which we hate. B.J. gulped down his food in a split second and pulled into a Sweet Inspirations drive-in for some yummy donuts.

Hiiiiii, the female voice shrieked enthusiastically. What can I get you, Sir?

I’d like two donuts with dark chocolate and coconut, replied B.J. leaning toward the mic.

Got it. Anything to drink, Sir?

Yes, a strawberry-flavored still water and a diet Coke, please.

We had to wait some since it was crowded at the pick-up window, which sucked.

Did you know, B.J. tried to cheer me up, they had an EOTF service in McDonald’s in the UK.

What’s EOTF?

Experience of the Future, obviously. The thing is, there’s a third window.

Third window? For real?

Yes, the person at the second window tells you to pull up to the third one if you have a larger order and have to wait longer than usual. Basically, this fast-forward window cuts down on wait times significantly.

That’s kewl.

Right?

Totally.

Anyway, we didn’t wait too long after all. I was happy we chose a drive-in restaurant this time because it allows cars to park next to each other. We really enjoyed our dessert, watching other cars parking and driving by and the sky turning red. We couldn’t actually see the sunset because of the skyscrapers, but I bet it was amazing. I reminded B.J. of a drive-thru grocery store as our fridge’s chronically empty but we eventually had a change of heart, figuring we’d be better off without as we hadn’t perused Easy Breakfast Recipes yet. So we picked up something light for the following morning: a skinny high-protein Oreo milkshake for me and a peanut butter and jelly protein smoothie for him. B.J. said we mustn’t forget a drive-thru liquor store to buy some beer for later in the evening. It would have been a bummer if we had. We also stopped by a drive-thru pharmacy to get a lavender-based sleep remedy since we have both had trouble falling asleep lately.

Have we mentioned we met at a drive-in movie theater? No? Do you know we got married a couple of weeks later in Vegas? We so did, interestingly at a special drive-thru chapel. Those were the days.

As we’re growing old, we normally talk about death and such. When you die, I told B.J. the other day, I’ll go to the drive-thru funeral home to get your remains and scatter you all over our favorite drive-thru joints.

Don’t you sometimes wish there was a drive-thru hug station, B.J. uttered, melancholically staring into space on our way back home.

WOODEN SKY by Max Halper

March 17, 2019

She has beautiful veins. Like stained glass, he thinks. But everything is stained glass when he’s this high. Everything is one big hallowed tableau. This is what church endeavors to be, he thinks, on his back. If church and heroin did a collaboration, he’d be the Pope of that shit. The Dope Pope. Pope-on-some-Dope. He watches her veins through lashy eyes. He watches the needle, erect, rapacious. The back of his brain whistles, like tea in another room. He has no memory of anyone ever making tea. He must’ve seen it in a movie. But it’s tea. Everybody knows what tea sounds like. He doesn’t need a movie to tell him. He was born with that shit. Her veins, like stained glass. Like milky light. Like milky tea. He’s so fucking high. He did a huge shot. He should tell her not to do such a huge shot. Like she would listen. And he really can’t speak. He really can’t move. But it doesn’t matter; where does he have to go? Go to work? Go to school? Go to church? She feeds the needle to her vein. Even supine, his eyes two hairline fractures, he can see she’s doing a huge shot. She’s got the belt really choked. There’s gonna be a lot of light on this one. It’s gonna hit her like a fist. Like a train. But she deserves it. She deserves the light, as much as she can get. All he wants is for her to be happy. All he wants is for everyone to be happy.

∞

Fat, like tunnels. A needle finds its stride in veins so fat. Everything about her is stride. Everything about her is fat. Beautiful, fat stride. Everything about her is church. “You’re fucking church, baby.” She bounces the needle on her fat veins. He wants to bounce on her fat veins. “You’re church,” but he’s not convinced words are coming out. He’s so fucking high. He did a huge shot. The whistling is abrading, like a bomb went off. Or maybe that’s only what happens in movies. He wouldn’t know. Movies are liars. Everything is liars. Everything except her. She’s church, and he’s the Pope. And together they’re the fucking Vatican. Together they consecrate the masses. She feeds the needle to her vein. It’s a hungry vein, fills its plate, doesn’t even say grace. The belt slides off her arm and her whole body rumples into a smaller body. Her head swoops and dangles. The bed sags as if someone else has climbed onto it. Gouache light bubbles around the fringes of the motel curtains. Everything is static. Everything about everything is one big hallowed tableau vivant.

∞

They make her happy, and that’s all he wants. That’s all anyone wants. The bed feels fat, like stained glass he thinks. But he’s so fucking high. He did a huge shot. So much light on it. It’s completely the middle of the day, despite where the sun may be. He’s so far on his back he might as well be upside-down. He can barely see her through the jungle of eyelashes. She is a snarl of veins. A derelict church. That seething squeal is venting from her, a building crowded with children and fire. She hasn’t moved in a long time. But neither has he. Maybe she’s thinking the same thing about him. Thinking that… thinking that… what was he thinking? He’s so fucking high. He feels borne through a tunnel, pliant, prodigal. It furls him along the bed. There’s a smell, somewhere else. Dead flowers. Spoiled milk. But smells happen. It’s nobody’s fault. Nothing is anybody’s fault. Everything that happens happens to us. We are laic, we cannot read what’s written down. We just nod. We stand when You ask us. We repeat after You.

∞

Like estuaries from the sky. Estuaries seen from the sky. A smell like the mouth of a river, brine and blubber. Rounded, milkless glass. Something scuttles fitfully across the sandy bed, burrows, disappears. Oily seagulls charge into wind. The ocean is a silent maniac. There may have been someone else in the room, with too many shadows across their face. But they’ve gone. Now it’s just the two of them again. Him and her. Like it should be. Like it always has been. He is only himself when he is alone with her. This is who he actually is. Some people think they are only what other people think they are. But how can this be? How can you exist only in someone else’s mind? He’s so high. So fucked. He hasn’t moved in years. He might be growing moss and mushrooms, boarding mollusks. She is a fallen tree, half swallowed by the wet ground. They are ruins. A once great civilization. They used to roll heads down the temple stairs to their flock. Now they are barely discernable from the jungle itself. They used to be fat. Now they are rickety. They used to hear music. Now they hear only a shrill frequency, a dwindling pool of radiation. He feels a puissant kinship to the atrophy. It is beautiful. A beautiful return. If he didn’t know any better he’d say it is all a metaphor for death. But of course there are no metaphors for death. Only for being alive.

∞

Protuberant, proud. They stand when she asks. They repeat after her. He cannot see them because her arms and neck are buried in blankets, but he knows they are there. Wherever she goes, her veins follow. What would she look like if You removed everything except her veins, walked her around like that, made her try to live? Something gliding along the seafloor. Pliant, deracinated coral. He laughs. But it’s not funny. It’s wretched, a wretched image. “I’m sorry,” he breathes. He doesn’t want violence done to her, even in his mind. She’s had enough of that for a lifetime. For ten. He never means to think the things he thinks. How is even that out of his control? There is a knock at the door of the motel room. A muffled voice from outside. He sidles his dry eyes over. The chain-lock dangles free. Hadn’t he secured it when they’d first come in? He remembers doing so. When he was a kid he watched his older brother cut the eyes off a snail with a pair of Mickey Mouse scissors. The snail hadn’t bled. It hadn’t tried to get away. He’d asked his brother if it could feel pain. “Can you?” It was a good question. He still doesn’t know the answer for sure. He knows that she feels pain. He sees it in the ditches of her face. In the graying of her skin. He hears it when she speaks, when she cums, when blood whistles through the tunnels of her veins. He smells it wafting from her drowned flowers. Her spoiled milk. The door opens. Garish light gushes in, overloads the room with truth. The housekeeper stands half inside. Her eyes narrow. Her nose crinkles. For a moment all is still. A tableau of discovery. Then she recedes, closes the door, and the tawdry light deliquesces. He rolls his eyes back into place. She has not moved in a long time.

∞

Despite the bruises. Because of the bruises. It was the first thing he noticed about her. A girl who wore her bruises on the outside. On her arms and legs. On her neck and on her back. Purple and yellow and brown. A garden of woe. She was barely hanging on when he met her. The earth whirled with such ferocity, strove to cast her into space. She clung to roots, wheedled herself beneath roots and down into the soil and buried herself in the dark there. It was not lavish, but it was safe. He understood that she could never come out. But she was light deprived, anemic. So he brought the light to her, and he burrowed into the dirt with her, and they’ve been there ever since. Together they ride out the furious, bucking planet. Together they are rooted in place. He finds he is awake enough to roll over. The bed whistles beneath him, as if to get his attention. Light gathers around the periphery of the curtains like an infection. He does his best not to jostle the bed. She needs her rest, as much as she can get. If it were possible he would let her sleep forever. But of course everyone wakes up eventually. There is only one cigarette. He’ll leave it for her. She’ll need it more than he does. And she’ll be hungry. Maybe he’ll walk to the Gulf and get some snacks. A fresh pack of cigarettes. That will make her happy. All he wants is for her to be happy. She is his church. She is the sky. He touches her bruised, milky skin. It is cold and dry. She did a huge shot. He never means to think the things he thinks. Sometimes it’s like his thoughts come from somewhere else, from someone else. Hurry and get her food. Cross the interstate. It might take awhile. Be back before she wakes, so that she doesn’t, for a second, think he abandoned her.

LOOK WHERE WE’RE GOING by Anna Vangala Jones

March 15, 2019

Nina had informed him of the unplanned pregnancy that morning, as casually as she was now asking him to admire her appearance. She spun away from enjoying her reflection in the mirror to face him. She spread her arms and twitched her hips. “How do I look?"

Amol observed his light haired, light eyed girlfriend, dressed in an Indian sari and covered in ostentatious gold jewelry, with a mixture of pride and amusement. She looked wonderful and yet wrong at the same time. Like an excited young girl playing dress up. So precious but not real.

"You look amazing." He sat down on the bed they shared most nights in his modestly sized Manhattan apartment. Nina described the color on the walls as a drab and dependable gray, without being asked. The blanket on the bed was black and Nina's sari in front of him was an electric blend of pinks, yellows, and greens.

"Your sister taught me how to drape and pin the sari last week. I did okay?"

He smiled. "Better than some Indian women I know."

"Give me a break." She returned to the mirror, putting the final touches on her appearance and applying a ruby red to her pale lips.

He stood up to find sandals to complement his long beige kurta. They were headed to his cousin's Hindu wedding in Connecticut. Nina tossed her lipstick onto the bed. Irritated, he picked it up and walked over to the vanity to return it to its place.

"We should get on the road now. Don't want to be late."

Amol knew he was kidding himself. With Nina coming along, of course they’d be late. Amol’s mother, with her quiet dignity and grace, believed beyond a shadow of a doubt that loud, cursing, irresponsible Nina was nothing but a fling. Something Amol had to get out of his system.

Amol’s mother knew her meticulous son needed someone who would drop her clothes in the laundry hamper in the evening. Not step out of her pants and skirts, leaving them discarded on the floor like some kind of helpful chalk outline to aid him in tracing her last steps. He needed someone who would understand and respect their Hindu customs and beliefs. Not try them on like a costume when it suited her. Someone he could actually take to temple and family gatherings, with no sense of dread that he was teetering on the edge, about to make one wrong move and plummet. The girl didn’t have to be brown, his mother insisted. She just couldn’t be Nina.

Amol, even as he rebelled for the first time and resisted his mother, wondered if she was right. The baby made it all so much more troubling somehow. What if this unpredictable life of his was simply a precursor to the one yet to happen?

Thanks to Nina, he'd found himself on a flight to Greece in only their third week of dating because she was just really into her new Mediterranean cookbook and wanted to see the birthplace of it all. It was at her insistence that they woke up in the dead of night once to go ride their bikes through a pitch black Central Park in the winter. Amol could still remember how the cold had seized every muscle of his body, until they screamed and ached, and then the exhilarating release when the wind whistling in his ears and the crunch of the white frost beneath his wheels made him laugh. Without Nina, he would have ordered takeout from the little Greek hole in the wall down the street or just exercised on the bike machine at his gym under the warm, comfortable glow of a heater.

He tried to picture the steady, reliable partner he hadn’t met yet, but she had no face. And yet a part of him still wanted her. Was waiting for her. Assumed they’d find each other someday. Then Nina’s chatter in the car paused.

"You're too quiet. What’s wrong?"

Amol was surprised Nina noticed.

"It’s the baby."

“I knew it.” She was trying to catch his eye, he could tell, but he avoided her penetrating gaze. The road stretching long and unknown in front of him was all he could see.

“I have to look where I’m going.” He felt her pressing up against his arm as he drove on without turning to face her, the gold chain of her elaborate, chunky necklace leaving an uncomfortable indent in his skin through his thin sleeve.

"We can do this,” she said.

"I—I don't want to.”

The next few moments felt gaping and cold. The gray seatbelt cut into his flesh. Darkness had fallen. They were almost at the wedding venue.

"I wasn't expecting this.” He released the steering wheel, hot from his tight grip and cold from his sweat, and reached out to rest his hand on her knee. The fabric of her sari felt scratchy and thick to his touch.

She shifted her knee so that his hand dropped to her seat.

He turned back to the road in time to see the deer, a light brown blur, dart out in front of the car. He jerked the wheel with both hands and his eyes widened as the world spun into a dizzying shock of colors in the heavy darkness.

Once his brain started whirring again and sensation surged through his body, Amol became aware that he was alive. Nina’s hand touched his face.

“We’re alright,” she said. “We’re okay. So is the deer.”

Amol rolled the window down. He felt the pressure in his head and lungs lessen as the cold air rushed in and he laughed. The sound circled him and Nina both, banding them together tighter and tighter, until they could hardly breathe. Her teeth scraped his cheekbone as her kisses attacked him, hungry and wanting. He closed his eyes and listened. All he could hear was the violent beating of their three hearts.

NOW HE SEES SHADOWS by Gregg Williard

March 14, 2019

“Painting has been real eye opening for me. I mean, now I see shadows.”

-George W. Bush

I wanted to serve as an advisor to President Bush and his cabinet. I was 60 and had no qualifications. It would have taken years to move through academia and politics before I had even a remote chance of gaining access, so I decided to go the military route. I’d become a soldier. A soldier of art. When I reached the president and the cabinet all I wanted was to show them a bunch of my favorite books, movies, music and art and hang out with all of them, watch and read stuff and talk, because I believe in the transformative power of art. If Bush, Rumsfeld, Rice, Cheney and Powell could learn to appreciate painting and fiction and films, especially low budget 1950’s and ‘60’s horror and science fiction and metaphysical noir thrillers (things like Figures in a Landscape or Vanishing Point or even Who’ll Stop the Rain or El Topo or Kiss Me Deadly or Not of This Earth) it would be impossible for them to carry out misguided or malevolent policies and pointless wars.

I was the manager of a movie rental store and too old to enlist. My previous employment was in Mental Health (Art Therapy) and teaching (English as a Second Language). I was and am reasonably fit from walking and climbing, but hate competitive athletics and sports/military culture. I was a Conscientious Objector during Viet Nam and oppose our foreign policy in the Middle East. I read constantly but I am not an academic. I have poor study skills and barely earned a B.A. I’m obsessed with art: painting, books, movies and music. Some of my favorite writers are Fernando Pessoa, Jorge Luis Borges and Raymond Roussel, Flannery O’Conner, Robert Stone, Elizabeth Hardwick, Ben Lerner, Leslie Scalapino; Some of the musicians are Robert Johnson, Tom Waits, Bernard Herrmann, Brian Eno and Arcade Fire; or painters like H.C. Westerman, Pieter Brueghel, Henry Darger, Philip Guston, Charles Burns, Art Spiegelman, Charles Birchfield, Ed Valentine and Fred Valentine, Manuel Ocampo, Shusaku Arakawa; or filmmakers : David Lynch, Guy Madden, Maya Duran, Fritz Lang, Orson Welles, Steve DeJarnett (Miracle Mile), and Fred Wilcox (Forbidden Planet). Besides watching movies or reading or seeing and talking about art and drawing and writing my idea of fun is being left alone with a sketchbook, a notebook, some papermate black medium point pens and a thermos of dark coffee.

But I wanted to be a soldier. It had a lot to do with reading Robert Heinlein as a kid. I grew up devouring his stories of skinny, unpromising kids who find they have a special talent for combat, boxing, martial arts, flying planes, leadership, tolerance for pain or grace under fire. I believed I was meant to be one of these boys or men, and decided it must be true because this belief persisted in the complete absence of any supporting facts or experiences. For example, I discovered on the playground that I was not a natural leader, and never would be. I was not tough. I did not win the respect of my teammates and teachers through sheer spunk, grit and will. I was not the favorite of toughened war vet teachers or stern martial arts instructors because of my great determination and spirit. I was never in a fist fight, or later, a fire fight. I did not have a natural talent for shooting guns, or breaking them down and reassembling them in the dark. In the rain. I joined the Boy Scouts, but never advanced beyond Tenderfoot and quit after 4 months. (I never learned the correct way to tie my scout kerchief). I took up Karate, Judo, Tai Chi, Tai Kwon Do and Aikido but quickly dropped them because of my lack of coordination, panicked resistance to building physical memory and jumpy aversion to discomfort, let alone pain.

So I worked out really hard (High Intensity Interval Turbulence Training), dyed my white hair brown, and paid the kid across the street to make me a fake ID. I managed to squeeze into the National Guard, and then the Regulars. (The recruiting offices had quotas to fill so they were far less discriminating than usual). A female soldier I was close to that likes guns and fighting practiced with me, which helped a little. Real Basic Training was very difficult, not only because of my age but also my lack of coordination, panicked resistance to building physical memory and jumpy aversion to discomfort, let alone pain. Even harder was the lack of privacy. The only time I was left alone for three or four hours with a notebook, sketchbook, black papermate medium point pens and a canteen of coffee was after lights out, and by then I was too tired to draw or write anything. And like in Elementary, Jr. High and High School I was not tough, or a natural leader or a favorite of my platoon. They had only disdain for my jumpy aversion to discomfort let alone pain and my lack of coordination. The guy on the bunk above me said his favorite movie was Starship Troopers, directed by Paul Verhoeven, based on the Heinlein novel. I was immediately relieved, but as we talked, I realized he didn’t think it was an ironic critique of fascist science fiction action films disguised as a fascist science fiction action film at all, but was actually just a science fiction action film, critiquing lazy civilians and intelligent bugs.

“But the officers’ uniforms look just like the Nazis,” I said. His reply: “Have you looked at our helmets lately, dude?”

Because of my writing and art background my female soldier friend thought I’d be a natural for Officer’s Training, or a Psy Ops specialization that would take me off the field, where I seemed to be mostly useless. From a distance I sort of resembled a soldier. But like the Boy Scouts, I couldn’t wait to go inside and be left alone for three or four hours with a notebook, a sketch book, some black medium point papermate pens and dark coffee.

The Specialist tests were difficult. My panicked resistance to building physical memory made me slow at the keyboard. My poor study skills had me scoring too low to even join the C.O.’s secretarial pool.

But the female soldier, now Sgt. Marie Falcone (my girlfriend in art school until she dropped out to join the military) was eager to help. Like I have all my life, I’d rather hang out with girls and women than boys and men. Sex seemed to be the one physical, collaborative activity that I am “good at,” that I can find myself in doing. In basic we did extra field practice off hours with a variety of knives, semi-automatic weapons and grenades. She was an excellent hand-to hand combat teacher, due to her infinite patience and slow, reassuring hand movements. Even when she was simulating breaking my back or crushing my thorax in slow motion (maybe especially then!) I felt a safety and acceptance that eluded me in the barracks with the guys. And one of her favorite movies was Dark City! She’d read the P.O.W. literature, (especially James Stockdale, Epictetus and the stoics) and had wilderness survival and training in S.E.R.E. (Survival, Evasion Resistance and Escape). She could munch on maggots like they were M&M’s. What a great girlfriend!

Later, (and with some doctoring of records by Sgt. Falcone) I managed to pass my exams and combat training requirements. Because of my background as an Art Therapist I was reclassified with a GS-15 in Psychological Evaluations of returning troops. This involved asking soldiers to draw a house, tree and person. Many of the soldiers were on stop loss before rotation back to active duty, and I was to be alert to trees without leaves, and houses on treads. One of the soldiers I interviewed drew a tree on treads, and a house on fire. He wanted a Hor de Combat (or deKON ba – “out of the fight “) ruling. I told him to take the treads off the tree and the fire off the house. He got the ruling. I realized that in my position I could help other soldiers in the same way, especially older ones who had already done multiple tours in Iraq or Afghanistan.

Over the next few months I approved psychiatric exemptions for dozens of stop loss candidates. I found paranoid-schizophrenic diagnostic cues in their projective drawings and tests, and in our private sessions we hung out and talked about, read and watched many movies and books. Another of the soldiers I helped had a father with Washington connections and friends in the Department of Defense. I was offered a posting at the Pentagon as an Intelligence Analyst. I brought along now Captain Falcone as my aide.

Losing my way in the Pentagon came easy because of my panicked resistance to building memory, but Captain Falcone had an excellent sense of direction. We made a good team, and I was recommended for another promotion (with her as my aide). My/Our record reflected a unique melding of combat skills, historical and psychological perspectives and aesthetic sensibility. I was a soldier with fresh ideas. “Not since T.E. Lawrence” sneered a jealous colleague at the Pentagon water cooler as I moved my things out of the small office in the 8th corridor of D Ring to the bigger office in the 7th corridor of C Ring.

From the bigger office we made appointments and prepared reports. I wrote about what I know, and love best: science fiction surreal thriller visionary movies, books and paintings. “It’s like this,” one report began. “It is no accident that Paul Verhoeven is the director of Total Recall and Starship Troopers, the former based on a Philip K. Dick story, and the latter on a novel by Robert Heinlein. The continuum from Heinlein to Dick so perfectly realized in these two films by Verhoeven is the quivering tightrope our foreign policy walks every day.”

I wasn’t able to meet with Cheney but managed to secure time with Donald Rumsfeld, Colin Powell, Condoleezza Rice and the President.

Initially they were puzzled by my recommendations: to view a compilation of selected films, read and discuss a stack of paperback books, and listen to music from CDs. They all complained that they were too busy, but I turned to Donald Rumsfeld and said, “Mr. Secretary, when was the last time that you went to a movie, read a book, heard music or saw art that made you say, ‘that is so cool!’” the Def Sec did a squint and scowl into an acrid middle distance that way that he did; the Secretary of State stood at his side but was set aside, that way that he sat; the National Security Advisor (Condoleezza Rice) crossed her arms and glared, that way that she crossed and glared. I got a tart reminder from Dr. Rice that she is a classically trained pianist, and enjoys Dostoyevsky in the original Russian, facts that I knew already and appreciated. She said that Dostoyevsky’s politics were distinctly conservative, and that if he were alive today, he would surely be a supporter of the president. As she spoke her irises hung very high in her eye sockets, exposing the sclera below, possibly displaying the sanpacu condition of acute spiritual distress. Condoleezza probably had a much finer

artistic sensibility than I do, so my single “arty” claim to distinction among the members of the cabinet seemed kind of worthless. She appeared to sense this and interrogated my dyed brown hair with pitiless sanpacu. I soldiered on.

I struggled to frame the fundamental questions in the right way. The questions that, if at least considered, could promote saner foreign and domestic policies. In so many words: how can you love, really Mozart, and still support this president? Why won’t you all at least try reading Philip K. Dick or Franz Kafka or Bruno Schultz or William Gibson, Kelly Link, George Saunders, Rebecca Solnit, H.P.

Lovecraft, Thomas Ligotti? Mr. Secretary of Defense, for the love of (your) God, sit down with some good buttered popcorn and Diet Rite and watch Eraserhead! Or here, how about David Cronenberg’s They Came from Within or Scanners or Videodrome or Existenz ? Surely all of you must notice the vast world of living art, film, literature, music, performance all around you! Do you think all of this stuff is just, like, marginal weirdness that doesn’t have anything to do with the “real” world, or what?

The Secretary of Defense watched me. There was a snap to his voice like those little semaphore flags in the wind. In a tight, tart voice he reminded me that throughout history culture has been one thing, and politics another; that the Nazis loved Wagner, that the Greeks butchered the Melians. He sure knew his history. And of course, he was a real soldier and I was a fraud. But the question remained: if they were so smart, what were they doing doing what they were doing?

On a personal level the President seemed like an OK guy. I felt dizzy with the disconnect. Clearly his niceguyness did not translate into nice, even sane, leadership. I discussed with him as best I could the worlds of culture that surrounded the White House like a great strange sea. “It’s a science fiction/thriller/surreal world, Mr. President,” I said. I talked for a long time about how it feels to really love certain books, poems, paintings. He listened politely and then he said preferred TV, and his favorite book was the Bible. “I appreciate your point of view,” he told me. “But many Americans do not enjoy modern art or space stories. That’s what makes our democracy great. And why the enemies of freedom hate us.”

He didn’t understand, and I don’t understand. Sure, there are creepy people who love Forbidden Planet and Jim Thompson, Ed Wood and William Burroughs, Luis Bunuel and John Ashbery, Edgar Allen Poe and George Pal, Emily Dickinson and Roger Corman, Battlestar Galactica and Things to Come, Denys Wortman, The Day the Earth Stood Still and the music of Harry Partch and Arvo Pärt, and The Clash. But they don’t become the “evil doers,” the right-wing zealots, do they?

NAKED STEW by Michael Graves

March 11, 2019

Today is Saturday, another date with my kitchen floor. While Gram’s famous hot dog stew simmers, I admire the double-mopped laminate that has already been host to four veteran potlucks.

Kurt’s pickup bleats, turning into the driveway. Spears of oak and birch fill the sagging bed. Kurt sees me at the screen door and side grins, his cauliflower ears pink from the chill.

“Floors are dry,” I holler.

He almost tumbles from the cab. “You sure? Want me to drive around the block a few times like last week?”

“Just don’t get shit all over. Please? You’re covered in sawdust.”

Kurt thumps the hood, smirking wildly. “Jesus, Henry! What do you want me to do?” He hops up on the porch.

I smell schnapps, gasoline. I smell Kurt’s smoke-drenched hair.

“Don’t fuck my house up,” I say, eye-smiling.

He stamps off his boots. Wood flecks ping about. He strips his sweatshirt and his under shirt. A pale yellow spotlight of dust quickly surrounds him.

“Ms. May will call the police again,” I say.

Scrap has even nested in Kurt’s crooked trail of navel hair. He unzips his jeans and wrestles them down.

“What are you…?”

“If I take everything off, I can’t make a mess.” He steps from the puddle of denim.

“Unbelievable. Punk." I say and smirk.

With a rude boy grin, Kurt strips off his boxer shorts, faded tan lines agleam. He knocks on the prosthetic arm he calls Bixby. “What about this old bad boy? Want him off too?”

Ms. May’s drapes part. “Get inside,” I say, coughing from my laughter.

When preparing Gram’s hot dog stew, I become steeped in the fixings. Onion, celery, and basil stitch into my flesh for days.

I pass Kurt the thawed bread heels. After chugging a glass of milk, he arches over a large bowl. He slurps and gobbles the brew of discount links.

“I hope you don’t catch cold,” I say.

Kurt glances down at his bare cock. He snickers.

“How was the wood haul?” I say.

“Not bad. Jessie’s chainsaw shit the bed by eleven. That blew. Filled up all our trucks though. I’ll get one more load if it kills me.”

“Channel five said a nor’easter might be on the way.”

“They don’t know shit.” He crushes two heels and begins to smear them with crumb-speckled margarine. “I’m gonna pack our porch, Henry. Biggest wood pile you’ve ever seen. Keep us warm all winter.”

I stare at Kurt’s new eagle tattoo, scabbing on his chest.

“This tastes great,” he tells me. “Best batch, I’d say.”

My entire face crinkles. Immediately, I’m huffing. “I followed her recipe. It should be the same.”

Kurt mimics my sigh in jest. “Yours tastes different.”

“It shouldn’t.”

Shrugging, he says, “But it does. Better maybe. It’s so good, it’s giving me a chub.” Kurt begins to swill the stew loudly, defiantly. He grins, a potato chunk clinging to his lip.

I swat the air.

He says, “Hey…how ‘bout you take off your clothes too? Shouldn’t have to be naked all by my myself.”

Cars stream by, chugging toward Sunday services. Some tap their horns, and we wave with Irish coffee smiles.

Clad in cowhide gloves, I stack wood, row after row, tidy and flush. I hear a pop and then scuffing behind the pile. “What the fuck?”

Kurt bends down and aims his cell phone flashlight into the rear gaps. He kicks the heap thrice. An opossum thrusts out its pointed white face. It lunges. It hisses.

“Jesus Christ!” I vault backwards and drop a wedge of oak.

Kurt cackles, his breath prancing in the frosty air. “I can see a family of ‘em.”

“Don’t get bit.”

“They don’t bite, Henry.”

“Yeah, they do,” I say. “They have teeth, right?”

“She’s just protecting her babies. Anyway, when opossums get really, like really scared, they play dead.”

I shed my gloves. “That fucker will attack me. Like when I’m taking out the trash.”

Kurt shakes his head. He points to the opposite side of the porch. “Let's put the wood over there instead. Move the boot trays, the shovels. I’ll get a tarp or some shit.”

I grind my slipper into the cold slate. “Can’t we scare them away?”

“Naw.” His face softens. “We’ll leave ‘em. They’re just tryin’ to set up shop. Same boat as us.”

PARLIAMENT OF DRUNKARDS by Mbizo Chirasha

March 10, 2019

In previous years, the Mandozas hosted the New Years’ parties. They reared sheep and goats, and they invited the whole village to enjoy roast mutton. There was beer for the elders, but the young ones were relegated to raspberry and fizzy beverages. I learned about balloons and tissues at the Mandoza household. Mandoza himself was once our Father Christmas, until time burned his years into old age.

But to my surprise, the Mandoza homestead this New Year was quiet. It was as if somebody had poured a bucket of ice-water to wet the embers of life in their home. The silence indicated deep secrets behind those concrete walls. The magnetic ears of the village had failed to attract any news from the walled homestead, so no one knew what was happening.

Despite this, this new year boomed to life with cheap firecrackers, sparking the heavens open for blessings. The faint scent of Christmas had vanished, long since fading into the burning heat. The latest music vibrated the entire village. We enjoyed so many assorted meats, their tastes were all as one in our mouths. Fanta and Coca Cola drinks soaked our okra-hardened bellies. We ate English and drank American that day.

Our farting was American. We called it civilized farting.

We hummed Nigerian’s P-Square. We imitated and recited Pidgin. We did everything, said everything, and ate everything. We even sighed in Chinese, as Coke fizzled through our black, soot-tamed nostrils. Cousins from Egoli and our capital city had brought niceties. Such was the merriment. Everyone present was high-over-the-hills with excitement.

Yes, our joyful morning went by with its gossip-beat; the afternoon elapsed with sweet odors of roasted meat and sunset shadows, and then, the once-silent Mandoza took over our night by spewing gunshots, death threats, and insults.

Through the roasted-meat-oiled air, the moon peered over our land, and Mandoza’s wives--Ndaneta, was leading the pack, followed by Ndagura and a whole swarm of children behind them--dove into our merriment. The fearful intruders sardined themselves into the far end of our packed hut. Mandoza’s lips quivered as he glared at them. He refused to blink.

Merry-makers dumped their drinks. The jukebox screeched to silence. Cockroaches scrambled into their closet. Rats followed suit. Children screamed. Dancers packed themselves underneath dinner tables, and some lucky others ducked out behind the hijacker.

Mandoza cuddled his long gun with that devilish grin each of us knew so well. Our murmuring ceased. I heard nothing but the rippling of blood through my heart, although I knew the elders were wishing Mandoza bad omen. Mandoza fired another gunshot, the echo stirring birds from sleep.

The stampede aroused the headman from his sleep. His eyes were blind with sleep and heavy with hangover. He had been dead drunk an hour ago. Now, he lazily scrubbed the sleep off his face. Mandoza was the headman’s closest drinking mate. They were as close as dirt-water and fungi.

Mothers clutched their breasts, and young girls winced and wiped their tears with their armpits as Mandoza pointed a gun at the headman, who froze before tottering and falling softly as a cotton ball. Mandoza clobbered Ndaneta with the back of the gun. She barked like a wounded baboon as he crushed his clenched fist into her terrified face .A shower of blood sprayed from her mouth, and she fell--thud. The acrid stink of urine wafted under our noses.

Mandoza shoved his steel gumboot into Ndagura’s chest. His daughter waved a thunderous, blinding blow that shook pots and mugs around. It landed on his mouth. He stammered a mouthful of threats. His son gave him another surprising scissors-boot to Mandoza’s throat. He lost control, and the gun fell away from him. His eyes drooped, and he stumbled into the silent speakers with a bang.

What happened to cause all this violent commotion? The gossip buzzed around the room. Mandoza’s family had refused him to bring his third wife into the homestead. They had boycotted his New Year, his goat and sheep meat. They denied everything from special food to new dresses. He was infuriated and decided to kill all of them.

Now, the headman gained his strength and grabbed the gun from Mandoza’s daughter. “Chivara, you want to kill the whole village, vomit your anger?” He dragged him outside for some air.

The headman sent out messengers to bring Jokonia and Jokochwa, the headman’s advisers, and the elders would not sleep without answers. The village court gathered with the Mandozas and all interested villagers in attendance. The council of elders sipped from calabashes of sweet frothing brew (it was their custom).

Jokonia was the strictest of headman’s advisers, and now, he wiped splashes of sorghum off his mouth with the back of his hands before calling the court to order. He read from the Book of Rules and instructed Mandoza to rise. Mandoza fixed Satan’s gaze on him, but Jokonia refused to be cowed. Instead: “Speak! What got into your mind? Speak. The elders want to hear your side. Do not waste our time. The villagers are tired of your games.”

“Jokonia I cannot answer anything. You are a tired, corrupt--corr--corrupt--li--lizard.” He spat in Jokonia’s direction. The court rumbled with reluctant laughter. The headman shook his grey head.

It was now toward midnight. He stood up in haste and waved Ndaneta to stand in the box. She dragged herself from her seat, wiping a rivulet of blood off her face. She made a disturbing loud grunt; she was in deep pain. “Baba want to kill us because we refused his new wife. The new lover is young and is a relative. It’s a taboo. Myself and Mainini, we are enough for him.” She heaved defiantly. The packed court let out another collective, muffled laugh. Ndaneta sat, wiping away a storm of tears.

Ndagura and the children also testified, and the village women wept bitterly. Mandoza shouted more delusional threats. He cursed his wives’ mothers, their cats, their poverty, and their donkeys.

Jokochwa, the self-anointed adviser-in-chief, known confidante of the headman, and staunch drunkard yawned thrice before whispering into the headman’s ear. Jokochwa, who drank everything he could get his lips around--crank, malt whiskies, skokian, traditional brew--and had an insatiable craving for meat and cheap gossip, clapped his hands and pulled a cough from the pit of his tobacco-ridden chest. His dirt-coated teeth were only upstaged by his three missing fingers, lost long ago in a robbery tussle.

He stood up to give the final judgment. With a groan, the villagers lost their spirit for a fair call. Jokochwa folded his torn sleeves, as if he wanted to fight; yes, he was good at dampening people’s hopes. The headman made a drunken grin before he nodded to signal agreement.

“Mandoza, for disturbing the celebration and wielding a hunting gun, you are charged with breaking the peace of happy villagers. You must pay five bottles of Chateau Brandy, three gallons of skokian, and three goats tonight, now. The council needs to enjoy and celebrate the remain hours of New Year--” Jokowchwa grinned-- “and your new bride.”

The crowd waited patiently for more in anticipation of further punishment, but to no avail. “Ndaneta, Ndagura, and your puppies, you have two days to pack your belongings and leave the village. We do not keep witches and killers. You can’t go against the head of the family. Mandoza has the right to marry more women as long as he wants.” He cleared his throat, and with that, the court was adjourned.

Although the grannies of the village beat their chests in disbelief, it came to pass that Mandoza later married his concubine. The village enjoyed meat and beer, and soon after that, he reclaimed the title of Father Christmas.

IN PATIENT by Jenn Stroud Rossmann

March 10, 2019

When the IV pump pings to warn of an occlusion, she no longer waits for someone in scrubs to respond; she unkinks the tubing herself. In the hierarchy of beeps the IV occlusion alert is low, outranked by the chirping pulse-Ox monitor and the angry squawk of the bedside fall detection mat. King EKG checkmates them all.

He dislikes her charts and schedules, cringes when she calls the nurses by name and remembers their children and hobbies. Order is a dangerous illusion. He imagines himself on a science fair poster, her little bean sprout in a milk carton. He is in exactly the same position on Monday when the nurse from Friday says, Yes, the beach was lovely, thanks for asking. The beach can go fuck itself.

She has noticed they’re the youngest people here. They are the ward’s doomed lovers: buds severed before blooming and all. Yesterday she saw a patient making her shuffling rounds, hugely pregnant, her belly a prow. He was sleeping when the woman walked by. “Perspective,” she tells him later. “I can’t even imagine.”

His hands and feet are numb, rubbery and distant as if he’d sat on them too long. Barefoot on the sand would probably feel like walking on the moon. Compression boots on his calves perform a programmed sequence of rhythmic squeezes. A gentle hiss accompanies each release. In the time it takes to count to eighty-seven, they will begin squeezing again.

She can imagine, she has envisioned all the worst things. Each prognosis a coin to flip: an 84% chance of five more years leaves 16% of design space. It was her job to create optimized solutions for stakeholder specs, before it was her job to dose him with Ativan and rub his extremities with mint oil for the neuropathy. This is the only time he does not shrink from her touch. He says he feels unlovable this way. But she has already imagined that this may be the only way from now on; this may be the best it will ever be.

Again with the damn peppermint oil. Somebody on one of her message boards must’ve claimed it gave auntie or grandma relief. He hasn’t been online in weeks, but he is tempted to grab her phone to broadcast: The oil is bullshit. Also, forget the antinausea diet, smuggle in burritos. He misses food that wasn’t engineered to be bland.

His first week in the hospital, she was putting away his laundry when she found the ring box. She does not know whether he’d bought it before the diagnosis. She does not know whether she cares.

On the TV mounted in the corner, he watches nature shows. He resisted these – a message board favorite – at first, afraid of zither music and gazelles loping in slow motion. He does not want to be lulled into anything like comfort. Yet he’s compelled by the red foxes taunting a grizzly bear lumbering behind; the squirrel who thinks he’s outsmarted the hawk only to be swooped upon by a thunder of talons and beak.