I WROTE IT ONLY FOR YOU: An Interview with Joshua Mohr
At its essence, this story is about existential amnesia. What do we need to remember? What do we want to remember? And what’s the difference between them?
AN EERILY RECURRENT CREDENZA: An Essay on APPARITIONS OF THE LIVING by Dave Fitzgerald
No matter how much paper we push around in this life, or the next, or inside the crumbling filing systems of our own minds, the termites are coming for us all.
SEX IS SECONDARY: An Interview with Matthew Binder
In retrospect, it’s obvious to me that I’m writing about my desire to feel a part of something greater than myself. I know that’s an impossibility, however.
X-R-A-Y SPECS: All-American Murder
All-American Murder isn’t bad, but it’s almost an extraterrestrial product, a movie made for humans by something that has no relationship to the physical universe.
NO EXIT NEEDED: A Review of Danny the Ambulance
If the Jury Room is supposed to be some kind of hell, we should all be so lucky to wind up in a hell like this.
MORE WRITERS SHOULD JUST BE DOING THIS FOR FUN: An Interview with Tyler Dempsey
Everyone believes there’s something more out there. And if we were just braver, had more time/money/whatever, we’d Don Quixote it up.
SARAN WRAP MAGIC: An Interview with Amy Cipolla Barnes
Where neighbors handed warm zucchini bread over fences, a 10-year-old drove me around a farm in a rusty truck, and I most likely met a serial killer.
ELAINE SUN, KRAMER MOON, GEORGE RISING: An Interview with Donald Quist
I’m still thinking through and discovering all Seinfeld has, and will, teach me about creative writing, particularly poetic movement, and/or MacGuffins as a narrative technique.
X-R-A-Y SPECS: BLOODY NOSE, EMPTY POCKETS
Like Terminators or cockroaches, dive bars will always rise again. They’re one of the last bastions of organic and spontaneous social connection.
THE WORLD IS AN UNCOMFORTABLE PLACE: An Interview with Tara Campbell
I just kept doing it until I had over three dozen paradoxes saved on my computer. Some of them allowed themselves to be shaped into publishable stories.