ELAINE SUN, KRAMER MOON, GEORGE RISING: An Interview with Donald Quist
I’m still thinking through and discovering all Seinfeld has, and will, teach me about creative writing, particularly poetic movement, and/or MacGuffins as a narrative technique.
I’m still thinking through and discovering all Seinfeld has, and will, teach me about creative writing, particularly poetic movement, and/or MacGuffins as a narrative technique.
Like Terminators or cockroaches, dive bars will always rise again. They’re one of the last bastions of organic and spontaneous social connection.
I just kept doing it until I had over three dozen paradoxes saved on my computer. Some of them allowed themselves to be shaped into publishable stories.
What’s the relationship between reality/life/history and stories? When do stories productively enrich our lives, and when do they overtake them to a troubling degree?
I enjoy the wish fulfillment of making up a controlling, overbearing asshole and then torturing him by making everything go wrong no matter what he does.
Kyle experimented with ChatGPT once: “What are twenty-five short story ideas?” The answers it puked out were uniformly terrible, except for one.
I knew I was going to love it when the head started to vomit guns. The tone felt like a Monty Python film. Is that a common comparison?
At my most pessimistic I’ve worried that this collection is akin to charging people to watch me at the gym; when I’m more optimistic, it feels like I’m just flexing in different genres.
There was this thing near San Antonio when I was in high school called the Elmendorf Beast that killed livestock. It turned out it was just a coyote with mange.
I don’t feel free, Vi. Never have. I know you don’t either. I don’t know anyone who does, or has. Maybe nothing is, nor should it be.