X-R-A-Y SPECS: Toys (1992)
In fact, my experience watching Popeye is what this film most reminded me of: the feeling of alarm, then dismay, and then the slow death of acceptance.
Rebecca Gransden lives on an island. She is published at X-R-A-Y, Burning House Press, Expat Press, Bruiser, BULL, and Ligeia, among others. A new edition of the novella Figures Crossing the Field Towards the Group is released May 2025 at Tangerine Press.
In fact, my experience watching Popeye is what this film most reminded me of: the feeling of alarm, then dismay, and then the slow death of acceptance.
Podcasting has forever cured me of being precious about writing time or having writer’s block. There’s so much commitment in podcasting, I’ve learned it doesn’t matter if I don’t feel like it or whatever, the time to do it is the time to do it.
And isn’t a catechism a religious text that takes the form of questions and answers? Is our conversation a catechism? Or just a cataclysm? Ha.
As a writer I think it’s helped me to guess which questions an author might really want to get asked. So many podcasts solely focus on the writing. As a writer, I know that can be exhausting.
It’s infuriating to watch my peer group become less intelligent and more certain as time winds on. It’s supposed to go the other way. The more reality you experience, the less certain you should be.
Isn’t that what every artist wants? To do the thing in the way they want to do it and have everyone they care about want that for them, too?
A shocked reaction to this work really just makes my point about why I wrote this novel. It’s all so obvious, and I’m bored to death.
You wouldn’t go back in time, but you would stay forever in the present moment. At least that’s how the dream went.
Christina was the John Swartzwelder and Kurt Vonnegut of this book – all of the funniest scenes and lines with the best comedic timing are hers.
This film is a Freudian’s dream. The way Cheryl constantly offers him milk isn’t exactly subtle.