Fiction

SPEECH CAPABLE by Elias Chen

Changliu and her sister were huddled over the kitchen counter. Between them lay an unopened bowl of instant ramen, shrink wrap intact, the container propped upright on a folded kitchen towel. Changliu and her sister looked directly into the smiling face of the man printed on the lid. The image was animate, blinking, shifting his shoulders, his lips parting now and again like he was about to speak but waiting for a cue. It was their idol, Xiao Tan.

What was supposed to happen? After they opened the package, Xiao Tan was supposed to launch into a ninety-second monologue from the lid of the ramen bowl. Something along these generic cadences: thanks for buying, felicitations, please enjoy your meal. But most importantly, after that, you could talk to him freeform during the final thirty seconds. You’d ask questions and the tiny, animate Xiao Tan would respond, provided the answer wasn’t explicitly NSFW. In order to do this, to answer your questions, the print Xiao Tan was imbued with a bare-bones version of the living Xiao Tan’s personality. Even more crucial, this simulated personality held a selection of the person’s real memories. It knew what Xiao Tan knew.

Changliu held her phone over the packaged ramen. Several pop-up windows flashed on the screen, glowing windows superimposed over the live camera image of Xiao Tan on the lid. There were rapidly changing rows of letters, numbers, lines, and numerals. Changliu’s first task was to override Xiao Tan’s initial ninety-second dialogue, and then she’d ease the parameters of his Q&A script. All this made it possible for her sister to spend two entire minutes just asking him questions. 

Now here was a specific endeavor. Changliu, her sister, and hundreds of other sisters all around the country had bought every single ramen bowl in this particular batch just to do this exact procedure with every one of them. Citing production errors, the manufacturer had issued a recall, but between when the announcement was made and when supermarkets had begun to pull stock from the shelves, someone had figured out this hack. It was a miracle. In less than twelve hours, the sisters had mobilized, and they’d bought almost every unit of the defective batch before they were confiscated.

After consulting the experts among themselves, the sisters had collectively engineered the most straightforward way to jailbreak the ramen bowls in order to ask Xiao Tan their questions. The questioning would be done in pairs or in groups, with one sister responsible for jailbreaking the bowls and another sister responsible for asking the questions. The entire session would be recorded for later transcription and analysis.

The questions had been workshopped. Each group of sisters was responsible for asking a specific set of questions, so none of their efforts were redundant. The goal of this vast endeavor was a common, vital, sisterly interest. Changliu and her sisters were going to figure out whether their ship, a pairing of the male idol actors Xiao Tan / Gang Yinbo—They were going to figure out whether it was real.

“Are you ready?” her sister asked.

“Thirty seconds,” replied Changliu. 

Changliu tapped the screen of her phone. The shifting rows of letters and numbers began to cohere into legible sequences. They flickered once and then they stopped. On the lid of the bowl, Xiao Tan’s pupils froze in their sockets.

“Five seconds,” said Changliu. She, her sister, and Xiao Tan all blinked in unison, and then her sister tore the shrink wrap away from the bowl. She started asking their questions.

Were you in X place at Y time? Were all the actors housed on the same floor of the hotel when you shot Z drama? How often would you eat dinner with your co-star, Gang Yinbo? Did you become familiar with your co-star’s eating habits? How familiar were you with your co-star’s personal behaviors? Were you generally aware of how much he slept? When he went to bed? Did he prefer the room bright or dark? What was the first thing he did upon waking up?

Xiao Tan answered with the direct concision of a student getting quizzed out loud. But as he spoke, Changliu felt cold dismay settle in her stomach. His replies were single words or phrases, and while knowing the answers was good, the constellation of information they formed seemed almost incoherent. There were any number of reasons why Xiao Tan might know that Gang Yinbo ate one slice of whole grain toast and a hard-boiled egg every morning. When Xiao Tan professed not to know his co-star’s sleeping habits, Changliu remembered an interview where Xiao Tan had said their chaotic filming schedule meant that almost no one slept regular hours. It’d be incredible, delicious, and incendiary if he did know when, where, and how Gang Yinbo slept, but that he didn’t know meant very little. There was no conclusion to draw.

Changliu tried to imagine. Summer in Hengdian, where the drama was filmed, the air stifling and close, the heat of the season undissipated even long after midnight. The hotel’s air conditioning would stick clothes to damp skin, the sharp chill only getting worse between the lobby and the elevator.

“Comrade Gang,” Xiao Tan might say, slouching against the elevator’s chrome handrail, staring at Gang Yinbo with vaguely bloodshot eyes. “I know it’s already two, but we’re not filming until later tomorrow. You only have that interview around lunch, so how about coming to my room to look over the script now? We could practice our lines before bed.”

Changliu imagined Gang Yinbo leaning back, one hand raised to push the hair out of his eyes. She imagined him asking, brows lifted: “Are you sure?”

He’d rake his fingers through his hair. Xiao Tan would grin, and then—

Changliu realized the kitchen was silent. Her sister was looking at her, tense and slightly lost. She was done asking their assigned questions. Changliu glanced at the timer. There were twenty seconds left.

The animate Xiao Tan looked at them with pleasant expectation. Acutely aware of the effort they’d gone through, of the moments sliding past, a single question rushed out of Changliu’s mouth: “You—Do you love Gang Yinbo?”

For the first time, Xiao Tan smiled. Changliu’s scalp went numb, and sweat broke out on her temples.

“Of course I do,” Xiao Tan replied. “I also love Rei-brand Ramen! Remember, just add water, wait two minutes, and it’s ready to enjoy. Thanks for buying! I look forward to seeing you soon~”

With that, Xiao Tan settled back into print, the fine-grain twitches of his animation slowing down until he was an image on the lid. His mouth still curved with the trace of a smile.

Changliu and her sister looked at each other. Without speaking, her sister went over and turned on the kettle. She unsealed the ramen, and once the water was boiled, she poured it inside. They waited two minutes, just like Xiao Tan had said. Afterwards, sharing the same bowl, they ate together in deep, persistent silence.

Once they finished, Changliu indicated that if she wanted, her sister could drink the broth. Her sister raised the bowl to her lips. A trickle of soup leaked out of her mouth, dripping down to stain her collar with a vivid, orangey bloom.

Changliu’s sister slammed the bowl onto the table. She coughed twice, eyes watering, and yelled, “Surely this life is cursed! What the hell did he mean?”

“I know,” said Changliu. “I know.”

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Monologue of a pirate ship that doesn’t have a figurehead, or maybe it did, long ago, but it’s hard to tell now because its bow is encrusted with these ossified clam shells and barnacles, which, during a storm, scuttle about and open up and scream, as though they had mouths. by Jiaqi Kang

I only ever wanted to know how it felt to have the wind beneath your feet, eager to hoist you up to where you needed to be, hands outstretched, palms faced upwards and fingers laced together, inviting. As a sapling I watched children do that, paid special attention to the one at the bottom who was always getting a faceful of leg, ass, and hand as his friends used him to clamber over the wall. I was friends with the wall. My roots were entwined with the bricks at its foundation. We’d come up around the same time, the wall erected where before there was only common. When the time came for me to leave, it was difficult for them to cut me down. Like the wall was holding on to me, trying to keep me there. They had to smash some of the stone to tear me out, and dig their heels into the mud and pull and pull. 

Afterwards, they stripped my bark and made me smooth. Made me bend and curve the way they wanted. The wall stayed put and did its job, which was to enclose, and forgot me. Part of me became the holster for a sail, and when the wind blew across the water and filled my puffed-out cheeks I learned that nothing is as good as you think it’ll be when you’re lying on your back on a common that no longer exists while your mother rubs your belly in comforting circles. I learned that you can miss stomachaches, and the sky when it’s placid, and children who snap your branches and tuck their garbage into the crooks of your trunk. I learned that you can be seasick. 

The sea was so wide, the first time. The sky was empty. I crossed them and crossed them and didn’t leave so much as a mark. The water held no imprint. It took me years to realise that the waves lapping against me wanted nothing from me, and had nothing to say to me either.

My captain sings to me when he thinks only I can hear. My captain shares his rum with me and sometimes falls out of his bed so I can feel his skin. My captain saw my run-down husk and replaced each and every one of my planks, some himself, some by others under his orders. When I first met my captain he was only a child. He reminded me of myself at that age: supple, wicked, with conniving thoughts. I watched him shed his skirts and cut his hair. I watched him kill his masters with a cleaver he pocketed from the kitchens. I was there when he lost his leg and I gave him a part of me to use as peg, and it was like how he used to run a finger across the coarse grain of my body to see if I’d splinter him; that hiss of pain and prick of blood always such a thrill, as though in that moment he understood me. The splinters always pushed themselves out some days later but when he received the peg, it was mine for him to keep. His.

My name is Shen. It means deep. It means God. It means aunt. It means that I live in the gap beneath your bed and only come out to call you down to mealtimes. No, it doesn’t. My kidnappers only thought it would be an easy name to use for when they needed me to wade into the water on their behalf. Sometimes, I drop my anchor into the sands in the dark and wonder if I’ll fall in love with whatever I find next. There was a particular ripple that passed through me once and made me wonder whether that’s what it feels like, when it happens—as though something has moved through you, has made use of you in that moment as some kind of transit or vessel, and now all you want to do is to follow it wherever it goes so that it may use you again. I think it was made of sound, the ripple, though I don’t know what it sounds like. 

Here’s what I do know: I know that aunts are meant to look like dads, all square faces and round eyes, lips clicking around pistachio shells. I know the sound of my captain’s footsteps, the drag of him across the floor. I know that the color purple exists, though I have never seen it. I know that the common is gone. I know that my captain’s parrot did not die of an accident, that the first mate poisoned it, that he will use the same poison to kill my captain. I know that I will not let them throw my captain’s body into the ocean after they kill him. I will not even let them touch his body, which only I have felt, his breasts tucked between his chest and the straw mattress when he sleeps, his scarred and mottled arms, the snail that lives in his hair, he sound of his snoring. I would sooner sink myself and every soul that has carved a space for itself inside my brig than let my captain’s crew dispose of him like some aging widow too old to sweep an alehouse floor. 

They think because I am an aged, creaking thing, because I am ugly and damp, that I cannot fight back. What they don’t know is that my captain loves me for what he sees of me. I’d always hoped I’d die by fire, but if I am to drown, for my captain, I’d be glad, I’d be honored, I wouldn’t cry. Let the breeze take the pieces of me to some faraway shore, with enough wood to start anew.

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MISSIONS by Ali Raz

Mission 1

 

We weren’t in any particularly good place, just a parking lot without any cars. Part of the lot had been flooded and now resembled a pond. It was only a matter of time until A, high on soda, stripped out of his clothes and plunged in. The others encouraged him with maniacal hoots of laughter. I ducked over to untie my shoelaces, squeezed a tube of explosives from inside of one, and proceeded to attach it to the underside of A’s Toyota.

I waited for two hours to be out of sight before I dialed The Number from a phone booth. Two hours beforehand, A had started his car and burned to a crisp. 

 “It’s done,” I said into the payphone. This was difficult; the most difficult part of the whole operation. Each of us were questioned by the police, but nothing came of it. Of course it didn’t. They were incompetent fools. 

***

Surveillance structures in Looptown (not a name; a homonym) are designed with sightlines in mind. This sounds obvious when thus stated, yet one would be surprised by how commonly it is overlooked—in other cities. The whole of Looptown is the work of a single architect. This has given the township a coherence of design rare in modern cities. Looptown is distinctive in other senses, too, being the brainchild of bureaucrats who gathered in parliament one afternoon and decided en masse that a new city was necessary. The king was pleased. Preparations began forthwith. An engineering competition was launched—anyway, not to go on. The point is, there was a point in Looptown’s emergence. Unlike the mass of historical cities, it was not formed through the step-wise action of historical time. It burst upon the planet all at once, complete and fully formed, much like Mr. Bean’s fall from the sky (for the careful observer, that show—and no other—has predicted the future in other ways, too).

***

Of all of Looptown’s many noteworthy architectural features, none is more immediately striking than the design of its surveillance structures: police station, prison, courthouse, post office, grocery store, and bank. Observed from aerial view, Looptown is a cube. Each structure is situated in a way that allows it complete and unobstructed sightlines over each of the cube’s six faces. The task was impossible—which is exactly why I had been given it; I, and not my dear eliminated A, had been the intended eliminee. In executing the mission, I had evaded my own death, switching it out with A’s. Would it matter? I hoped that it would not. Which is why, filled with hope, I made the circuitous trek out of the police station and walked with my back to their expanding glass wall, always aware of the 100 eyes upon my back, until the moment I occupied the vertex where the domain of the police station ends and the post office begins. It wasn’t a blind spot. It was an interference zone. Policemen and postal workers dried out their eyes in staring contests as I, meanwhile, picked up the receiver and dialed The Infernal Number.

 

Mission 2

Men have no regard for each other.

For example:

In Wes Craven’s B-movie extravaganza The Hills Have Eyes, two families have a stand-off. One is a normal family. One is a cannibal family. The Normals bust a tire and run out of gas in the middle of an endless desert. Soft sand and dry heat form mountains of grit that run a ring around the horizon. These hills have iron in them. The iron scuppers the radio reception, meaning they’re good and truly stuck. Really cooked—as both families know. Have known, each independent of the other, from the moment they stopped at a gas station and encountered a strange old man, saw a bloody handprint on a door, listened to warnings they’d no mind of heeding. Each of the six holds this knowledge within themselves while maintaining a false exterior for the others. They each of them front. Which is why, as families do, they will each of them rot, burn, and lose their minds, sustain bullet wounds and be stabbed to death, in a single night lose everything that they hold dear. The seventh, a baby named Catherine, meanwhile, had no idea any of this was happening, or that she lived with such utter fools.

***

The film doesn’t end. It only stops running. The last frame is of Doug Wood, the golden boy. Unable to pull the wool over his eyes any more, Doug plunges a knife into the cannibal father the way one plunges a clogged toilet bowl. Beneath him, out of frame, the father cannibal experiences ecstatic death. It’s hard growing up in a desert. It’s hard living with animals like an animal. It’s hard being ugly, maimed, malformed. It’s hard to be spurned, scorned, denied, expunged. It’s hard to eat baby Catherine, but it’s easier than the alternative, which is to starve.

Mission 3

Iron has magnetic properties.QQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQA3333 and it will, and it will lead me to the true North.

“Melissa,” I said to the spider, who turned in her web and wagged her face at me. “Do you think it would be wise or unwise for someone—not myself, of course—but someone else, to respond to radio messages not intended for them?”

The coffee pot pinged and I poured a large cup. I drank it in the living room with Melissa.

The telephone rang around noon: six hours too late. “You’re too late,” I intoned into the phone. Behind me, Melissa started up her mezzo-soprano scales and I cupped a hand over the mouthpiece to keep my interlocutor from overhearing. “It’s already over.”

Hardly had I said this when a fist pounded on the front door. Melissa’s voice broke on a note. I curled a hand over the pistol in my waistband and moved softly towards the door. The silhouette was a woman’s. I tucked myself flat against the wall and asked the stranger what she wanted.

She told me she needed to make a phone call. Her car had broken down—looking out the kitchen window later, I’d indeed see a Beetle with smoke rising from the hood—and she needed a mechanic. A breathless moment passed. Then I slipped the pistol back into my pants, yanked aside the chain, and welcomed the stranger into my house. Highly irregular behavior from a serviceman, but I had had queasy dreams the night before. Queasy dreams, whenever I have them, make me act queasy until the feeling goes away.

“Would you like some coffee?” I asked her when she had made the call. “Cereal? A sandwich?”

The woman politely declined each of these. She said I was very kind, but she had to be going. At the door she paused, perhaps pitied me, turned to kiss me a little on the lips. Her tongue had darted into my mouth before I had time to react, and then she was gone.

“Wow,” I said aloud, and spat out the pellet she had deposited against the inside of my cheek. When I’d unrolled the tight little paper tube and dried it out, I saw that there was an address on it. The address was my own.

***

“Melissa,” I asked Melissa. “Do you think I ought to take a shower or a bath?”

So I stood under warm flowing water and moved a loofah around me, trying to get clean. Melissa had picked my outfit for the day. She’d gone all out. Lime-green suit, bowler hat, stovepipe socks and brogues. The last time I’d worn all that I’d been getting married.

Which was fitting.

I hid the bomb in the cake. This was easy. A ten-layered wedding cake, to arrive intact at an event, has to be assembled on the premises. A team of bakers ferry the individual layers to the venue in a trademark iced truck and, when the time is right, carefully and with bated breath, stand each layer atop the other. Frosting and icing are added along with decorative bits and bobs. 

I hung around the bakers and snatched a moment when their attention was diverted to slide the pipe bomb into the side of the vanilla cake. I covered the point of insertion with icing and, with my work having been accomplished, wandered further into the party. I was enjoying canapes and champagne in a far corner of the garden when the bride and groom cut into the wedding cake and sprayed blood and marzipan all over the place.

“It’s done,” I said into the payphone, and hung up. Then I was on the ground and vomiting, really heaving, my whole gut was in my mouth. The shadow of the man who had poisoned—of course, poisoned!—the precise canape that was served to me fell over the ground, and then I blacked out.

***

Phones were ringing off the hook. One phone would be answered, and another would start ringing and mixed up in it all were the murmurs of male voices. Low and officious—that is how the men sounded, as consciousness slowly returned to me. I couldn’t see the men, and this is how I knew there was a hood over my head. There was no feeling in my hands and feet. My butt was hurting on a hard metal chair. Leather straps kept me pressed to it.

“He’s awake.”

“Light him up.”

A set of floodlights blazed on in my face and the hood was yanked off by a wire. I know that I screamed because there was the taste of blood in my throat; I’d bitten down on my tongue in the shock of the lights. There was a gibbering sound like turkeys at play.

“We have you. F__ Gott__, you are under arrest!” A voice spoke into a mic. I know that he was using a mic because there was a lot of feedback. Especially when he raised his voice and got all excited, and the mic exploded in a chainsaw of artifacts. Someone got him a new one.

He read me out my list of crimes. Everything I’d ever done, and some things that I hadn’t. While they had me, they must have thought, might as well pin some loose ends on me. It was policework, plain and simple. I didn’t hold any grudges on that account.

“Who sold me out?” I asked, when the recitation had ended and my cop captors asked if I’d any questions. A universal tittering went up.

It was Melissa,” the man boomed into the mic.

Melissa, Melissa, Melissa, the others echoed. 

Melissa

Melissa

Melissa

Someone threw the switch and the straps fell off from around me. Immediately, I teetered, lost balance, fell thirty feet into an ice bath of piranhas. 

Melissa

Melissa

Melissa

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NOSEBLEED WEATHER by Marilyn Hope

Twelve-year-old Tibby Wallace takes the winter with him when he dies, but it's an act of rage. Summer scrapes through the valley overnight. Pollens convulse, lakes flood. Hundreds of snowshoe hares wear their December-whites in the sudden verdure; easy prey for owls, foxes, Mazzie Mako's feral cats. Soft, torn bodies everywhere. Tibby evokes eight-foot-tall stalks of hogweed from every ribcage, furious and toxic to the touch. But it's the yarrow that spells murder to me and Cricket.

"Never seen anything natural grow in such straight lines," Cricket says, studying the row of rusty blossoms that slit across the town limits like papercuts. "Earth don't plant in processions."

"Speaking of processions," I say, nodding to the single-lane road. Mrs. Wallace is driving back from the cemetery in far-off Stanton in her battered station wagon, heading the autocade at a crawl. Everyone's still got their winter tires on. Wallace rolls down her window, melting snow clinging to the tulle veil of her fascinator: she must've stood graveside for a very long time.

"What's all this?" Wallace asks. "Hemlock?"

"Yarrows," says Cricket. "Also known as 'soldier's woundworts' or 'sanguinaries.'"

"All right, Policegirl Posy. What they mean?"

"Mean he's angry." Cricket's thick black hair hangs heavy with sweat and rain. Tibby has been tantruming short storms and grueling sun in turn across the 5.80 square miles of our town all day. "Mean there's something else he wants us to see."

"Always got to have the final word, my boy," says Wallace. She and Tibby lived in a small house full of fatigue. They were hard-eyed but shy, both of them better hiders than seekers. Mrs. Wallace's hands are all knuckle as she tightens them around the steering wheel, so hard that the old leather cracks. "We following through or not?"

Cricket and I get back into the squad car and hit the siren. We're in haphazard plainclothes for today's mercurial weather. I’m wearing a denim romper and snow boots. Cricket’s in a sage-colored button-down, men's trousers, and a disposable rain poncho. Badges on ball chains circle our necks.

"Seen this before," Cricket tells me, dodging hogweed as we drive. "My neighbor's daughter in Cheongsando went missing one spring. Found the body surrounded by endangered musk deer, the kind that live in the boreal forest, right there in the island green. They died so quickly. Fangs everywhere, like punctuation marks. But for a spell, they brought the taiga with them. Jezo spruce and bog rosemary and fireweed—"

"You know your plants," I say, startled.

"I know everything that's got a place," says Cricket. "And I know a pointed finger when I see one. That girl laid dahurian larch all around the house of the man who killed her. I didn't have the seniority to convict him then, but I've got the numbers and the shadows to back me here. Not that I think Tibby'll have left much for us to fingerprint. If this sun is any indication."

Sweat slips down our temples. Cricket pokes the AC vents open.

"Hell-hot," she says.

By the time we reach the house at the end of the yarrow, tiny red petals have swallowed the doctor entirely—a woman's silhouette tethered to the ground by a net of stems. Cricket and I draw closer on our tiptoes, seesawing as we try not to step on the flowers’ open faces. So many and so close, the copper clusters of florets smell full and peppery, like someone's cooking. Spindly white spider lilies canopy her expression, rising from her eyes and nostrils and mouth, as if in censorship.

Cricket presses one hand to the doctor's wrist for a pulse, then pulls it back with her middle finger raised toward the ceiling.

"Oh, boss, don't pout," I say. "Let the boy have his revenge."

"And what pretty revenge it is," says Cricket, sullen. "Just wish the achillea came with answers."

But it doesn't. Tibby had been back in the phlebotomy chair the last afternoon we spoke. I asked what they were testing for this time, and he replied in that voice of his, dry as dust: “Toxins. The really-hard-to-find ones.” 

He liked us—Cricket's terse concern and thin mouth, my cheerful banter, the silly things I could do with my eyebrows. The way we believed him when he said someone was poisoning him. “I wanted to do what you two do”, he said, the doctor tapping gently at his inner elbow. “I wanted to keep listening after everyone else gives up.”

There was nothing we could say to that, his resignation, our failure. I watched the test tubes fill one after the other, his tiny veins bulging with blood. Almost beautiful. 

“Like branches,” I said.

“Like roots,” Tibby replied.

Outside, Mrs. Wallace honks her horn twice. She and the funeral cortege are pulling up to see the damage. I can address the grief in her expression—there are enough ways to say "I'm sorry" and "I know you loved him"—but I can think of no acceptable reply to the fury and shame that twist her mouth when she sees where the flowers are leading her.

Cricket and I walk to the front porch and stand shoulder-to-shoulder, shivering. Now that we've found the body, Tibby has released the weather again, fast as a snap of the fingers. Not far beyond the final car, it's beginning to snow, winter creeping up on the mourners like a slow, slender needle.

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KERNEL PANIC by Rebecca Rubenstein

When his mind went blank, Benno walked to the water store. Smack-dab in the middle of a strip mall a block downhill from his apartment, it was the kind of place that didn’t pull punches. It sold water, and vessels with which to hold water, and that was it. 

Water cooler jugs lined the walls on one side, and empty aquariums formed a barricade on the other, and the floors teemed with pallets of imported bottled water—glacier runoff from Iceland and Switzerland and all the lands. Metallic shelving flanked each side of the store, and on those shelves sat sturdy, eco-friendly water bottles, rows and rows of them in bright, cloying colors. Shocking pink and neon-yellow and toxic-sludge-green and orange the shade of emergency road cones. No blue, though. 

“We used to sell blue,” Azazel, one of the two brothers who owned the store, told Benno once. “But they drew a bad element, so we stopped.” 

The store always seemed empty whenever Benno dropped by or passed it on his way to do laundry next door, so he asked Azazel would he please be more specific? As far as Benno could tell, there was a good chance he was the brothers’ only customer. Azazel dropped his voice to a whisper and put his hand to his chest, as though he’d been wearing a wire and wanted to convey he was sorry, he wasn’t really a snitch, this information would be for Benno’s ears only. 

“Techie scum,” Azazel said. “They’re fucking everywhere these days, ruining the neighborhood.”

A handful of odd jobs filled Benno’s time, and one day, while he was trying to create a series of crosswords for the local alt-weekly, his mind shut down completely. The puzzle was movie-themed, but he couldn’t remember which Bergman was the director and which was the actress, and before he knew it, a thick fog had settled in without intent to leave. This was happening with some frequency, and Benno thought maybe, if he had good health insurance, something other than what the state provided for low- to no-income people like him, this would be the kind of thing to get checked out by a specialist. But just the prospect was laughable; these were penny-pinching times and he could barely even afford a 10-for-$20 frozen pizza deal at Safeway after all his bills were paid up. Instead of just googling what he needed to know, Benno exited his crossword-making app, turned off his computer, and headed downhill.

Edgar, the other brother who owned the water store, was sitting behind the cash register when Benno arrived. The little bell on the rim of the door jangled, but Edgar didn’t look up from the detective novel he was reading. Even when Benno cleared his throat, the bushy-browed man kept his eyes on the paperback, sucking a slushy through a long red straw.

“Hey, Edge.” This was the nickname Azazel liked to use, and Benno thought it might snap his brother out of it. “Earth to Edge?” 

Edgar stuck his index finger in the air, a swift and sharp gesture that gave Benno pause. “If you’re going to interrupt me while I’m mid-paragraph,” the man sneered, “you can take your ass elsewhere.”

It was almost 2 p.m., the golden hour when the brothers usually traded shifts. Azazel was better to shoot the shit with. He kept current on the news and knew more about what was going on in the neighborhood. During their chats, he usually filled Benno in on who’d been cited for public urination the night before, or, more seriously, whose shop was being offered a buyout by the local real estate sharks dead-set on gentrifying their corner of the city. There were already condos going up on either end of the main thoroughfare, and there was chatter about a pilates studio taking over the space where a bookstore had sat for nearly thirty years, before it shuttered suddenly due to an egregious rent hike. 

Edgar, on the other hand, lived in an alternate universe: men wore trench coats, called women dames and broads, smoked cigarettes like they provided nutrients. In Edgar’s world, the organized criminals still walked around with feathered fedoras and tommy guns, not low-foam lattes and realtor business cards.

“Have you ever considered selling something other than water? Maybe get some tropical fish for these?” Benno tapped on the glass of one of the aquariums like there were already some beauties of the sea swimming inside. He had never been to Hawaii or Fiji or the Bahamas, but he’d seen photos of snorkelers in pristine pools, their faces surrounded by candy-striped fins and iridescent fins and gauzy green fins you might mistake for seaweed.

Edgar sighed. “Don’t you have somewhere better to be? Someone else you can bug today?” 

He still didn’t take his eyes off his book, and to Benno it looked like he was talking to it, like Edgar was scolding one of its characters instead of him. One of the lowlifes. One of the floozies.

“I could help you get some,” Benno offered. “I know a guy who knows a guy.”

Edgar snorted. “Benno, how long have you been coming in here? Two years? Three? You can’t pull one on me. The only fish you have access to are the ones that live in your freezer.”

It was true: Benno liked fish sticks a lot. They were affordable and filling. But in this moment, he regretted mentioning it to the brothers only to have the information used against him. It was the type of sabotage that reminded him of childhood. In the third grade, Benno made a terrible miscalculation about the secrecy of eight-year-olds. During a sleepover with his best friend—a wisp of a boy who called himself Jo-Jo, even though his name was Aleksandr—Benno revealed something deep and dark that had been plaguing him for months. Any night now, Benno warned Jo-Jo, ants were going to crawl into his eye sockets while he slept and create a worker colony in his brain. Benno couldn’t shake the thought. It was part of why he’d opted to stay home from sleep-away camp that summer, why he refused to visit his cousins in the Upper Peninsula. All it took was one fatal brush with the wrong log. The closer Benno was to nature, he reasoned, the more likely the ants would come. Jo-Jo listened with that glistening, rapturous stare of his, nodded when Benno said he was terrified. Then Jo-Jo hugged his friend and declared he would protect him, and they even spat into their palms and shook on it, Jo-Jo swearing on his parents’ antique rattan furniture that he would never, ever, ever tell. 

But the next week at school, when Benno accidentally ate his whole chocolate chip cookie at lunch, even though he’d promised to share it with his best friend, Jo-Jo went ballistic. On the playground at recess, he pushed Benno to the ground. He grabbed a fistful of Benno’s hair and pulled hard. He slapped Benno clean across the mouth and called him a liar. “You don’t know what a promise is!” Jo-Jo screamed. He slapped Benno again, and again, each hit harder, forcing Benno’s lips into the ridges of his teeth and drawing blood. 

And then Jo-Jo told everyone within earshot what Benno had told him. It didn’t matter that there were only a few kids around—by the end of the day, their entire class would know, maybe even the whole third grade. That’s how things worked. 

“You’re a big weirdo baby!” Jo-Jo cried. “I hope the ants crawl into your brain! I hope they eat you from the inside out!” Then Jo-Jo began chanting Antsy Nancy

At first, the other kids didn’t know what to do. They looked at one another inquisitively. Did Benno deserve this? What, truly, was his crime? But then another kid joined the chant. And another. Soon, it was all Benno could hear, a droning choral arrangement not unlike the ones that filled his ears on Sundays at church. Antsy Nancy. Antsy Nancy. The name stuck hard, like gum pressed against a stucco wall. Benno was Antsy Nancy for years, until junior high, when his parents got divorced and his mom moved them away from everything: that one-trick town, those unforgiving kids, that shitty excuse for a best friend.

That was probably when Benno should have figured he wasn’t cut out for the world, that he was doomed to be a weirdo forever. But he kept soldiering on, kept telling himself life was bound to get better once he became a grownup. 

And then he became a grownup and life did not get better, no sir. Benno just shifted into a more permanent state of hopelessness. Far as he could tell, the only things he had going for him were his rent-controlled studio and a loosely-defined friendship with two guys who ran a store that was, in all likelihood, a front for drugs or money laundering or both.

The overhead light in the water store flickered for a moment, and Benno wondered if the bulb was about to pop. 

“Where’s Azazel?” he said.

Edgar shifted in his chair. “He’s coming in later today. His laptop keeps crashing, so he’s getting it fixed.”

“What’s wrong with it?”

Edgar sighed, and for the first time since Benno had entered the store, the man looked up from his novel. “I don’t know,” he said slowly, enunciating every word. “Something called ‘canal panic,’ I think? You’ll have to ask Az when he shows. I don’t know shit about computers.”

Benno left. Edgar knew he wouldn’t buy anything, and it was only a matter of minutes before the man would really lose his mind. Benno had seen it happen. It wasn’t pretty. Sometimes the brothers got into it, and the screaming and insults would peak until Azazel threatened to enroll his brother in anger management classes and Edgar threatened to kick his brother’s ass until there was no more ass left to kick. Only once did a knife appear, and Benno remembered this moment often: the way Azazel put up his hands, saying, “Be cool, be cool,” and Edgar shouting, “Give me a fucking reason to be cool,” and the long, tense few minutes when it seemed like anything might happen, even murder. Benno had left that day thinking maybe he shouldn’t come back anymore, maybe the store would be a crime scene next time, where instead of water there’d be nothing but pools of blood. But he couldn’t stay away forever, not until the store became another real estate casualty and was gone for good.

At home, Benno’s fridge didn’t have much in it that wasn’t expired, so he opened the cabinet above the stove and took out a tin of baked beans. During those awful Antsy Nancy years, he’d developed a habit of coming home after school and eating Chef Boyardee straight from the can. He didn’t mind that the tomato sauce wasn’t heated through, or that the ground meat bits in the center of the ravioli were cold. He just wanted something that tasted familiar. He figured he might not have any friends, or any social consistency, but at least he could depend on the predictable comfort of processed pasta. Now, as an adult, Benno did the same with baked beans. Plunging his fork in, he stirred to unstick and loosen the beans, and the sweetness of the brown sugar in the sauce and the salty, nubbed texture of the bacon pleased him.

On the couch, Benno opened his laptop. Between mouthfuls of beans, he searched for “canal panic” and scrolled, but all he got was a plethora of articles about swans attacking tourists and buildings in Venice threatening to collapse. Then he noticed the prompt: did he mean to type “kernel panic”?

Kernel panic, he learned, was an unrecoverable system error. The heart of a computer’s operating system is called a “kernel” and when something goes wrong—say, the code of the operating system is subtly corrupted, or on a larger scale, the memory the operating system uses can’t be read from or written to—the computer shuts down. It feels random, Benno read, but the computer effectively jumps ship to protect itself from more damage. Almost as if to say: “I can’t trust myself to go on without further harming my most integral parts.”

Was the same thing happening to Benno? Was this why his memory kept shifting in and out? His fear of the ant colony had never subsided, not really—had they finally found their way in? Had they set up shop inside his brain and were they now busy chipping away at it? Ants can carry massive amounts of weight—were they rearranging his gray matter, carting pieces to and fro, reorganizing his pathways? Maybe, Benno thought, his memory issues were his brain’s way of fighting against the ants. It knew something was wrong, and by shutting off from time to time, the most critical part of him was defending itself from certain doom.

The fizziness in Benno’s mind had swelled, and his workday, he knew, was over. So he finished his beans, popped a CBD gummy, and let sleep overwhelm him.

Several hours passed, and when Benno finally woke, the sky had grown dark. His phone assured him it wasn’t as late as he thought, and he wondered if he could catch Azazel before the man closed up shop for the evening. It would be nice to see a friendly face. And maybe Azazel would know what to do about his worsening memory problem. Benno threw on a hoodie and his sneakers and walked back down the hill. 

 When he arrived at the water store, Azazel and Edgar were both behind the register. The two were eating a sub they’d split down the middle. Breadcrumbs dotted the counter, and Edgar had mayo splotched on his stubbled chin. It looked like something else, like he’d been doing a whole lot of something else, and for a hot minute Benno thought maybe he should keep walking, do a lap around the block, grab a $1 hot dog from 7-11, and head home. But Azazel saw him and waved, and it felt like a waste to not even say hi.

“Twice in one day. To what do we owe the pleasure?” Edgar smirked, and Benno almost turned right back around, but Azazel punched his brother in the shoulder and said, “Edge, don’t be an asshole. B, you know you can come in here whenever you want.”

Benno sucked his teeth, stifling a grin. “How’s your laptop?” he asked.

Azazel shook his head. “They’re keeping it overnight. Like it’s a sick animal.”

“They might have to put it down,” Edgar interjected, then pitched his voice up, “Did you have time to say goodbye, Az? Give it a good pet?” He nudged his brother, cackling, but Azazel didn’t take the bait. Edgar’s sense of humor was almost as out-of-touch as all those old books he loved to read.

“That’s a shame,” Benno said. “I hope they can fix it.”

“You and me both. Having to buy a new one would murder my finances.”

Azazel had the most remarkable way of phrasing his woes, and Benno was about to say as much when Edgar rammed his fist against the counter.

“What the hell, man?” Azazel looked at his brother like Edgar had just tried to pop him in the jaw. “What is wrong with you today?”

Edgar shrugged. “There was an ant.”

“You don’t need to crush it like it’s a goddamn cockroach. Do you want to break our fucking countertop again?”

A few months before, during one of their fights, Edgar had cracked the glass. In the midst of an outburst, he’d slammed his fist down with such force, the surface had splintered, webbing as though a bullet, not bone, had found its way through. The faintest of shards had embedded in his knuckles, causing the skin to glisten for days, until Azazel finally removed them with a pair of tweezers. Sometimes, Benno envisioned Edgar’s home and how it must have walls full of holes the size and shape of his fists. Benno couldn’t imagine living with that kind of anger—what it must do to the mind, eating the raw parts whole.

Azazel wiped up the bug’s body, smearing it with a napkin. Benno noticed a few more on the counter, idling near the register, and hoped Edgar wouldn’t see. But the man’s eyes weren’t downcast. Benno realized they were fixed on him.  

“What is that?” Edgar’s eyes had suddenly gone wide, the same way Benno’s had as a kid, when Jo-Jo had wailed on him on the playground and all their classmates had waited around nervously to see what would happen next. The terror in those eyes. The uncertainty.

“Sorry?” Benno looked behind him, and all around, but all he saw were the same pallets, the same jugs, the same empty aquariums that were always there.

“No, no.” Edgar shook his head and pointed. “That. What the hell just came out of your mouth?”

Benno pawed at his lips. Had he felt something before? A slight tingling, perhaps? But then his lips were often chapped, often buzzing with discomfort. At first Benno’s fingers looked like they always did: slightly pruned, the cuticles ragged from years of nail-biting. But then he saw what Edgar saw: small black ants crawling around, crossing his nail beds, punctuating his fingertips like errant commas.

Azazel had his hand on his chest, like that time he told Benno about the blue bottles. “What in the world? B, are you okay?”

Benno wanted to say yes, of course, there was absolutely nothing to worry about. He liked to steal sugar packets from the coffee shop down the street—maybe one had ripped open in his hoodie pocket and attracted a few of the critters. But when he looked down, Benno saw a swarm of ants marching down the front of his hoodie. There were maybe fifty of them, and they seemed to come out of nowhere. They certainly weren’t crawling out of his pockets. The lot of them crossed at a diagonal, an insect sash clean across his chest.

After that, it didn’t take long for an entire army to descend. It happened in what felt like seconds. At first Benno thought they were only emerging from his mouth, but then he felt a tickle in his nostrils and his ear canals, and he knew the ants were finding their way out of those holes, too. He had no idea what to do. He couldn’t keep them in. They just kept coming. 

And then he began to vomit. 

Wads of ants fell from his mouth. If Benno had seen it in a movie, he would not have been able to suspend his disbelief. They were rounded and gnarled—like hairballs but alive. 

It was around the time that Benno coughed up the fifth or sixth antball that Azazel called 911. There were ants everywhere. On the floor. On the pallets. Hugging the rims of the fancy glacier runoff water bottles. Benno could tell Edgar was screaming at him, because his mouth was moving and his face had morphed into the kind of red that skin takes on when you are either irate or asphyxiating. But Benno could barely hear him; the ants had blocked up his ears completely. 

Benno swung his arms around, as though it would help. He swung his hips and his ass and the brute stretch of his legs. As though making his body seismic would create a quake so severe, the rattle would rupture the ants’ hearts and they would just die on the spot. But they didn’t die. They kept coming. They kept coming and coming and clinging to every single part of him, and in his mounting panic, Benno wished his body would just shut itself down. Maybe that would end the nightmare: if his body jumped ship. But that’s the problem with the body—it does what it wants, when it wants. It’s animal like that. Benno understood full well you couldn’t will yourself into a coma, just like you couldn’t will people to be your friends, just like you couldn’t will friends to keep your secrets, just like you couldn’t will secrets back into the dark so your life would turn out differently. Would turn out better. Some things, Benno understood with clarity now, are beyond one’s control. 

And so the ants kept coming. They didn’t stop. They wouldn’t stop, Benno knew, they were as permanent as the parts of him he loved and the parts of him he despised. They would keep coming until, somehow, Benno burst, and all that remained would be piles and piles of ants, surrounded by water that could very well drown them.  

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ALBTRAUM by Corey Miller

I coax Mother’s wheelchair through Newark terminal to our United gate. I pray she knows where she is—where she is going.

I can’t understand her anymore; sensing death she no longer speaks in English. She dreams of her hometown, Essen, Germany. Unaccustomed mother tongue, I download Duolingo on my iPhone to learn Deutsche. To decipher her code.

Returning Mother to her homeland, I use all of my sick days from work, expecting to catch a bug at some point throughout the year. I’ve never traveled outside of America. My passport on the verge of expiring.

Mother’s lips are as tight as a treasure chest when it’s time for her medicine. The airport terminal eyes us foreign. Vacationers ready for a good time, not to witness the end of the line. I force her to consume healing capsules. The army of tablets are protection, so she won’t panic in public, believing she teleported there.

Duolingo is good at teaching single words and building up to sentences.

Good day. Guten Tag. Goodbye. Auf Wiedersehen.

I am a man. Ich bin ein Mann.

I am a strong man. Ich bin ein stark Mann.

Meine Mutter hasn’t been back to Deutschland since she was twenty, arriving in America with unborn me. She recalls stories of riding her Westphalian horse through the town center as a Mädchen.  She raised me by herself in America. She would always talk about how much of the world she experienced growing up, how much of the world I missed by tending her needs.

On the plane, meine Mutter doesn’t speak—she screams. Her body is a guitar string, wound tight and vibrating. The other passengers all look the same to me as I pan between them, restraining my final family member. The crew is bilingual. They say Mother cries of foals and mares. They watch me force the pills down her throat like I want her to throw up. An inflight map depicts a plane surrounded by water.

Growing up, Mother would tell me I was gifted when the other boys called me names at baseball practice. She would tell me I was strong and I’d accomplish greatness. What if that’s a mantra mothers are required to preach? A page from The Mother’s Playbook. I didn’t have time for friends when my mother required all of my love. Now I cook softer foods, my opinion of makeup turned into application, I accompany her up and down each step.

My mind is a freezer thawing. Memories sitting in ice trays, warming back into water and evaporating. Did meine Mutter dye these thoughts different colors? Grün, blau, und rot cubes containing the times we cantered the horses bareback through open fields of clover. Bits of purple memories kicked into my backside, the shape of a horseshoe.

We fly into Dusseldorf because the airport in Essen is classified as a minor unscheduled facility. “Essen” in Deutsche means “to eat.” A town made of food, I think. A whole gingerbread village where everyone can be a cookie-cutter friend. The little I know isn’t enough to save me here.

Pushing her wheelchair across cobblestones through the treeless Altstadt to the train station is like pushing against a wall. The resistance ist stark. Ich bin stark.

In Deutschland, you count starting with your thumb as if everything is A-OK. Four is spelled “vier” but is pronounced “fear.” Ich bin ein stark Mann.

Mutter peers at statues, mouth agape. I learn of a German word that doesn’t translate into English well: Gemütlichkeit. It’s a feeling of warmth usually associated with having close friends present.

The city smells like it’s been here since the start of time. Aromatic honey and barley overflow from the shops and the peddlers manage raw food with their bare hands. “Hell” means “bright.” The sun is hell, berating my doubt and casting shadows of those who stand tall.

I hesitate translating the train system. Lists and screens and platforms — I don’t want to go the wrong way.

The stories she told me always ended with how her Westphalian died of colic. Pferde can’t vomit because their esophagus contains muscles shoving in one direction, the inability to vomit can tangle their insides.

We board the train with assistance from the conductor; he lowers a bridge to mind the gap and wheel aboard. The towns come and go, divided by farmland large enough to home a cow for each resident. Shelter is necessary for livestock, but I wonder if, like humans, there’s such thing as too much. I ask Mother if she knows where she is. “Wo sind wir?” She smiles as she collapses out of her wheelchair, crumbling onto the floor. The doors slide open, the conductor announces Essen, next stop Bochum. I see banners hung in the station that I cannot read, yet, it feels like the vertebrae in my spine have realigned. Pictures of horses jumping obstacles and pulling plows for Equitana, one of the largest horse festivals. Meine Mutter smiles, not looking outside. She locks eyes with me and I can see the years she’s bartered for this final moment of clarity — for the pair of us.

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JUST A SHOT AWAY by Hannah Grieco

I can picture Mark’s face, the surprised V between his eyes as he watches the news. Or answers his phone at 2AM. Or opens the door to two police officers. Who knows how he first finds out?

But I know he’s shocked, absolutely floored, in full denial. This has to be a mistake, he insists. Nat would never, she barely even—

We have video footage, they tell him. We have a clip of your wife shooting a pretty blonde bank teller right in the face. And Mark says, my wife? Natalie? She couldn’t—

We have another one of her blowing up a gas station, my man. Spraying gas all over a young man’s brand-new pickup truck, the 30-day tags curling in the wet, the gun rack drip dripping, and her flicking a lit match at that truck like she didn’t care if she went up in flames, too. But don’t worry, she’s a fast little number, as you must know. She smiled at the security camera and took off in a neon green Suzuki Samurai. It was practically held together with duct tape, it was so old. That’s not your car, right? Not according to state records.

A Suzuki Samurai, Mark says, I didn’t know those were still street legal. Where did she get it?

He pauses, before asking almost hopefully: did she steal it?

No idea. We couldn’t make out the plates. But she drove off with these two other women. Hot young things, too. Has your wife ever mentioned an interest in women?

Women, Mark says, and a whole new world of possibilities opens up, as if he’s been blindfolded and now he can see. And right then Joey comes in, rubbing his own eyes. His pajama bottoms sagging in the back from his pull-up.

Mommy, he asks? Is Mommy back?

No, no, Mommy’s some kind of serial killer lesbian now, Mark says, and the words feel true, they feel good, they roll off his tongue with a buttery victimhood that settles his nerves, relaxes his tight neck and shoulders. All the arguments, the simmering shame—he knew all along the problem wasn’t him.

We’ll get you a nanny, he whispers into our son’s soft hair. Maybe Grannie and Gramps can come stay with us for a while. You’re safe, kiddo, don’t worry about Mommy.

I can picture his face, the V between his eyes smoothing out as he walks Joey back to his bedroom. 

I should feel more than a slight pang at the idea of never seeing my kid again, but all I feel is relief. A luxurious, deep-lung breath that I hold for a second and then let out.

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I LIKE PICKUP TRUCKS by Kayla Soyer-Stein

Here is what I am doing this summer:

1) Drinking.2) Riding around in the backs of pickup trucks.

There’s not much else to do on this island.

Tonight me and Kate think we are the drunkest we’ve ever been. We are outside the bowling alley and looking up at the sky at this one star, which is chasing us all over the place and about to fall on Kate’s head. LOOK OUT, I scream and Kate covers her face and falls all over me, knocking me down, and we both lie in the wet grass and laugh like witches. 

Hey what are you doing all the way over there, Riley yells, come back over here. So me and Kate fall to our feet and trip over there where everyone else—Sadie, Adam, Benjamin, Max, and Riley—is sitting outside this little house, I don’t know whose, across from the bowling alley, drinking the beer that Adam bought because he is twenty-eight. Sadie is getting really close to him, giving him a back massage. I look over at her to see if she is having fun because she found out a few weeks ago that her father has cancer and will probably die soon. Her little sisters are living on the mainland with her mother who is working an extra job there for the summer.  And her older sister Melody who is only seventeen is pregnant and living with the man who raped her two years before, only here they don’t call it rape. Don’t judge her, Sadie always says, they’re in love and besides, every girl on the island does the same things that Melody does, except Melody is the only one who gets caught.

You have to be careful what you say around Sadie because even though she hates living on this island, she gets very offended whenever anyone says anything bad about it. Like if I was the one who said that about every girl on the island doing those things, she might never speak to me again. We are practically sisters though, at least we have been every summer since we were eight and nine, when Sadie’s family moved out of the house next to ours and Sadie basically moved in with me and my mother.

They’re summer people, Sadie always explains about us, carefully pronouncing the R at the end of summer, and it’s true: we’re not really summer jerks or as islanders say summah jerks, because my family has been coming here since before most islanders were born, and our house is just a small old one walking distance from town, not one of those ones down a private road that leads to the ocean, and we don’t have boats or parties or really much of a social life, my mom just likes to come here and read and go on walks and pick blueberries and I don’t do anything unless it’s with Sadie. Still, it’s like she’s saying mentally handicapped instead of retarded.

Kate lately has been saying retarded all over the place—like that’s so retarded, or whoops! I’m retarded—and when my mom tries to get her to stop, she rolls her eyes as if we didn’t both attend the same hippie private school our whole lives until we graduated eighth grade last year and Kate went on to public school as if it were her own superior idea, as if it wasn’t just because she’d been rejected by all the private high schools she applied to. It was lucky though because at public school she learned how to drink and smoke and wear eyeliner, so I learned those things from her, and Sadie apparently was busy learning them here at the same time, so that this summer minus the eyeliner we can finally all do them together, which is such a relief and exciting, like finding out we all speak the same language.

It’s a relief especially because the last time Kate was here, three years ago, it was a problem because she and Sadie did not get along. Specifically, Sadie thought Kate was a snob, by which I think she meant show-off, because Kate rode a boys’ bike and taught us how to play Red Rose, the game of pinching each others’ forearms until they were covered in bruises, and in Truth or Dare her dares were always things like: run down to the end of the driveway naked and stand there until at least one car drives by, which she couldn’t understand why Sadie refused to do, especially since Sadie, unlike Kate, was still totally flat-chested. But the truth is that Sadie probably wouldn’t have liked any of my friends when we were that age, because I was still pretty much her only friend then, and in the summer, unless someone was visiting, she was mine. 

Now that Sadie has her own life on the island, though, she and Kate seem to have reached some new understanding. I’m not sure what it is exactly, but it’s like they have something in common, something that I might not have in common with either of them. For example: this morning we were riding our bikes to the quarry and right near the swamp that used to be the town ball field there was this green snake in the middle of the road. It was pretty big compared to most wild snakes I’ve seen, and instead of slithering head first the way most snakes do, it was working its way peacefully across the road sideways, like a big S rewriting and rewriting itself, so that it seemed like by the time it got to where it was going it wouldn’t even be the same snake, but a new, refreshed version. Usually I’m afraid of snakes, and I won’t even look at the ones my mom finds under the rotting boards in the yard, but for some reason I liked this one. The way it moved was so cool and strange.

Hey, I screamed to Sadie and Kate, who had both biked on ahead without noticing. HEY! DID YOU SEE THIS SNAKE?! And then, just as they stopped and put their feet on the ground and turned their heads, a car drove by right over the snake and cut it in half, and all of the different snakes it seemed to have been while it was alive disappeared back inside that one cut-in-half body, and suddenly instead of watching a snake doing its weird sideways thing, I was staring at its guts or whatever snakes have oozing out onto the pavement and feeling like I might throw up. 

Don’t just stand there looking at it, Sadie yelled back at me. Jesus fucking Christ! Get out of the road! Sadie has been saying Jesus fucking Christ a lot this summer, but she used to say Jeezum, a word I have never heard used anywhere except here.

And I knew, because I know Sadie, that what she meant was don’t just stand there looking like you have nothing better to do than notice a stupid snake that got cut in half, like you’ve never seen a snake before, and like no one has anything more important to do than swerve out of the way to avoid hitting you. Looking, in other words, like a summer jerk, the kind who thinks it’s okay to bike on the wrong side of the road, who thinks she can just walk down the middle of Main Street barefoot, who expects restaurants to serve breakfast until noon on weekdays, who pronounces frappe fra-PAY and laughs and asks what the difference is between it and a milkshake.

Kate didn’t say anything but I could tell by the way she turned and put her foot back on the pedal that she was on Sadie’s side, not for the same reasons as Sadie, exactly, which she couldn’t have understood, but for some reason of her own which amounted to the same thing.

 

A woman in a pink shirt leans out the window of the bowling alley. If you’re drinking alcohol, shame on you!, she shouts. And if you’re underage you’re going to have to take that beer somewhere else. I can’t have you kids drinking on my property. 

Can’t have you kids drinking on my property, Max repeats, except he’s not actually saying the words, just echoing the rhythm of the sentence in high-pitched woman noises. 

Well, we can’t be here anymore so we all get into pickup trucks. Adam and Benjamin have them. I like pickup trucks because you can sit in the back. I am the only one who thinks to do this, everyone else scrambles into the front and flips around with the radio. 

Yessss! I love this song, I hear Kate say, because she is like that, even though it’s a country station and she hates country music and I’m pretty sure she has never heard whatever song this is before in her life. She’s just saying it to impress Benjamin, Max, and/or Riley—I can hear them all talking through the little sliding window in the back of the extended cab. Adam’s truck does not have an extended cab, which is why nobody is in it with him except for Sadie.

Let’s go, I say. So then we are streaming through the night and the air is cold hitting my face and my hair is flying around crazily. I look up at the stars and I can’t even see the one that was following Kate earlier, and I want to tell her but she is sitting in front and can’t hear me, I’ve been screaming this whole time and no one can hear me OH MY GOD SLOW DOWN I’M GOING TO DIE SLOW DOWN SLOW DOWN! I think of this accident that happened a few weeks ago and of the boy in a coma in the hospital on the mainland and how something like that happens here at least once a year, and I know Benjamin is drunk and shouldn’t be driving but at the same time I think this is the most fun I’ve ever had. I think it in exactly those words, a complete, self-contained sentence, which layers itself on top of itself in my head until I stop screaming and Benjamin finally slows down because apparently we are in town, or the village as summer jerks call it, or downstreet as islanders do, all meaning Main Street, which if I had thought about it is probably where I would have guessed we were going. 

I can tell you everything on Main Street with my eyes closed, not just everything that’s here now but also everything that used to be here. There’s the tiny post office where Sadie’s mom used to work, with the eagles carved out of granite from the quarries in front. There’s the hardware store where two old men used to sit on stools by the door and smoke pipes and hand out brown paper bags to any kid who came in, and each bag had an orange inside and some perfectly stale ginger snaps, and the smell and texture of the orange peel and ginger snaps and paper bag all mixed together in this way where it was like those three things were meant to be together, always. There’s the IGA which is the island’s one supermarket, and next to that, the gift shop that used to be Gibson’s, which was sort of a general store that used to sell penny candy, with all the jars lined up on shelves that were built into the walls. There’s the bank and the store that rents videos and sells T-shirts, and the new fancy restaurant that I have never been to, and the art gallery, and two real estate offices, and the Pizza Cove where we sometimes go to play pool. 

The Pinching Claw, at the end of the street, is one thing that hasn’t changed yet, where me and Sadie used to get ice cream sundaes literally every day after swimming from Melody’s old friend Christine, who works there, who we all used to play with when we were little, but who has a baby now and is so fat that you can hardly tell her apart from her mother, who also works at the Pinching Claw. We stopped going there last year not because the new place that opened down by the ferry terminal was better, but because we felt awkward ordering from Christine, whose fatness not only made it hard to recognize her sometimes but also seemed to make it hard for her to recognize us, and she glared out at us through the takeout window in a dull, impersonal way, which we thought was the same way she glared at all the customers but then sometimes we were afraid it was a special glare, just for us.

Anyway, all that is lined up on one side of the street, and on the other side is the parking lot, which is probably the most beautiful parking lot in the world, or maybe the only parking lot that could ever be called beautiful. There are benches facing the harbor and you can sit on them and eat takeout from the Pinching Claw if you want to, and throw french fries to the seagulls and watch the ferries come in and out.

It’s one of those places where me and Sadie used to go but where my mother would tell us to stay away from after dark, because even she knew that, like the playground and the frog pond, it would be taken over by smoking, drinking, swearing teenagers, except now we are those teenagers and we’ve taken over not only the parking lot but also the upstairs room with the pine cone wallpaper in my mother’s house, and the front yard where we have pitched a tent which is where we prefer to sleep so that we can smoke and make noise and come and go as we please.

My mother knows we went bowling tonight but she has no idea where we are now or who we are hanging out with—she doesn’t even know who these people are. She’s probably asleep by now anyway but if she’s not and she asks us tomorrow what we did we can always tell her we ran into Matt, this boy from Boston we met at the quarry last summer who my mother likes and whose mother she knows. We can tell her we went night swimming, which is something we’ve done before with Matt. My mother used to take me and Sadie night swimming once or twice every year—she would park on the road side of the main quarry and stand shivering on the rocks with a flashlight, watching us take turns diving off the low ledge.

When we went with Matt, though, we decided to go to the other quarry, the one invisible from the road, where some granola-y summer jerks swim naked during the day and island boys sneak around in the bushes and spy on them. We’d never been there before, and we thought night would be a good time to see what it was like without having to look at a bunch of naked people or be naked ourselves. It was obviously much better than the regular quarry. You couldn’t see or hear any cars, for one thing, and the whole thing was completely surrounded by trees. The water was so still and black you could not tell it apart from the sky, and there was a high, flat rock jutting out into the middle of it which me and Sadie climbed up onto in the moonlight to undress, and when we climbed back down to dip our feet in the water Matt had already made the mistake of taking off all his clothes, and I saw his dick for a second before he noticed that we were not about to take off our bras and underwear and then he quickly pulled his shorts back up as if nothing had happened. 

 

Benjamin turns off the radio and stops the truck just in time for me to hear Riley yell: You faggot! I’m going to beat your ass! He is just joking around with Max but still, I’m shocked to hear him talk this way because the last time I saw him he was wearing a T-shirt with my favorite band’s name on it which made me think that he was different from the other island boys, sort of an outsider, more sensitive and aware of what was going on, and I thought maybe he dreamed of getting out of here and doing something, like maybe being some kind of artist or musician, and I imagined that it was similar to the way I feel about my high school, how different and superior I feel to everyone there, all the preppy girls who listen to the same shitty music and dress the same, and how I know there is something much better in store for me. And all of this sort of made me like Riley before, I mean sort of have a crush on him, even though his hair is long and greasy and he has terrible skin, but it occurs to me now that I know nothing about him, or any of these people besides Kate and Sadie, and this scares me and makes me feel suddenly homesick, not for my mom or our house the way it is now but for how it used to be here, the things me and Sadie and Melody used to do, like play poker with penny candy on the braided rug in the living room, and how the hairs from that rug would stick to the Sour Patch Kids and Swedish Fish, and the rug itself became sticky and dandruffed with sour sugar until finally my mom rolled it up and took it to the dump. It’s stupid because those things don’t even exist anymore but I still feel like I’m betraying them somehow, like the fact that they don’t exist anymore is my fault.

I jump down from the back of the truck and everyone else climbs out of the front and we all stand around under the giant seagull statue holding brown paper bags crumpled around cans of beer. What are we doing? I ask, because we all know it’s only a matter of time before the cop shows up and we have to go somewhere else. Kate starts telling me how Riley told her about a party he knows of at someone’s house not too far from here, and that lots of people there are going to be rolling, and if we get there soon enough we can probably roll too.

Rolling? I repeat.

She looks at me like I’m mentally handicapped. You know, like, taking ecstasy?

I know what rolling means, I say. I just think it’s stupid to call it that. 

Why? Riley asks, but Kate doesn’t ask why. That’s because she knows what I’m talking about, how she once told me all the words people at her new school have for smoking pot, like puff and blaze, and we agreed that we would rather never smoke again than talk that way. We never specifically discussed the term rolling since neither of us have ever done ecstasy before, but obviously it’s the same sort of thing. 

Never mind, I tell Riley. 

It’s not really a party, he says, just some people hanging out. Not the kind of party you girls are probably used to, anyway. But they said they have some extra pills if you want to buy some. 

I look at Kate like: What kind of party does he think we’re used to? But she looks so excited, it’s like she’s been waiting her whole life for this opportunity. So I go over to consult with Sadie about it, who is still sitting with Adam in his truck. I can see their faces turned towards each other in the dark, Sadie’s long hair hiding her expression like a curtain and the smoke from her cigarette drifting out the window.

I’m sorry about your dad, I hear Adam say when I get closer, and that’s when I remember that there is stuff going on in Sadie’s life that none of us have been talking about, stuff that has nothing to do with me or Kate or the fact that it is summer but that Sadie has obviously been thinking about this whole time. I hear her say awkwardly: Thank you, just as she sees me come up to the window and then I pretend that I didn’t hear anything they just said and I start telling her about the party Riley told us about and how people are going to do ecstasy at it. 

That sounds fun, Sadie says. You and Kate should go.

I give her this look, like: Really?

What, Sadie says.

I think maybe it’s the ecstasy she’s not excited about, and since I’m not even sure I want to do it myself, I say: Well, what are you guys going to do, then? Do you want to go swimming? 

We’re just going to stay here a while, Adam says. It’s the first time he’s said anything to me directly, and for the first time I really get a good look at him: shaggy dirty blond hair, small blue eyes, flannel shirt. I still don’t see what makes Sadie think he’s so cute, or how it’s even possible for someone that old to be cute.

You guys should go, she says again, this time like she’s actually trying to convince me. I’ll meet up with you later. Okay?

 

So now we’re standing in the kitchen with a bunch of people we don’t know, eating orange popcorn and gummy worms out of giant bags while we wait for the ecstasy to kick in. 

Where the hell is Sadie, anyway? someone asks, a big guy with a red face and his pants still tucked into rubber boots from the haul. 

Her and Adam are having sex, I say without really thinking about it.

Holy shit, they are? says a blond girl with glasses and a tattoo of a butterfly on her shoulder. She also has a black eye, but no one else seems to notice this and she is acting so normal I wonder if I could be hallucinating. 

No, I say, I just made that up. But... it is a possibility.

Hmmmmmm, we all say and widen our eyes at each other, and I like this new way of talking I seem to have developed, this way of just saying whatever comes into my head. I see my reflection in the dark window over the sink and its beauty is almost obscene. 

But oh my god I am so cold. My teeth are chattering.

My heart is beating really fast, I say. Is that normal? Does anyone else feel like their heart is beating really, really, really fast? 

She’s rolling, the same guy with the lobster boots says, and it occurs to me that if I am rolling, there is nothing I can do about it, nothing that can make me stop rolling or roll back the other way, and that even if something is wrong and my heart is not supposed to be beating like this, there is nothing I can do now to make it stop beating like this because whatever it is has happened, it’s happening, and you can’t make things unhappen.

She’s freaking out, the guy says. He looks like he might be starting to freak out, himself. I clench my teeth hard to make them stop chattering.

No she’s not, says the girl with the black eye, she’s fine. Come with me, she says, and I follow her down a hallway and through a door into the bathroom, where it is blindingly bright and there is a mirror so shiny it makes me nervous, like at any second our wild faces could leap out and kiss us. 

Close your eyes, the girl says, and give me your hand.

Our hands and arms are two icicles that melt as soon as they slide into each other and combine to form one slithery half-liquid creature that seems to have a whole life and feelings of its own.

Oh my god, I say, what are you doing, what is that?

She laughs and I open my eyes and see that she is holding a small pale green bottle of lotion in her other hand and that it is the kind that smells like cucumbers, and then I notice for the first time that our hands smell like cucumbers and I laugh too. 

Are you okay now? She says.

I nod, and it’s true: I am okay, I feel great. 

We go into the living room and I sit down next to Riley on the couch, I mean loveseat. Apparently I’ve forgiven him for the language he used in the parking lot. Are you rolling? I ask him. 

Riley nods like a maniac and falls into my shoulder. But I thought you hated that word, he says into my ear. It sounds like I love you, the way he says it, and I’m kind of flattered but at the same time I feel like things are maybe moving too fast, and by things I don’t just mean whatever with Riley but things in general, everything.

I do hate it, I say. I just said it because I’m rolling.

On the other side of the coffee table, Kate laughs very loudly. I almost forgot she was here, but now I’m so glad to see her that I get up and move over to her side of the coffee table and sit on the couch next to her and lie down and put my head in her lap. 

Kate thinks I’m funny, I announce. Kate, do you think I’m funny?

Sometimes, Kate says, looking down at me, yes.

Kate is looking very queenly and indulgent tonight, like a beautiful mother who thinks her daughter is even more beautiful than she is. I want to tell her this but I know it doesn’t make sense so instead I start telling her how happy I am that she is here, that we are both here, and how lucky we are, and how lucky it is that she and Sadie are friends this summer instead of hating each other, because I want them to like each other, because they are my two best friends and my two favorite people, and I’m so glad we’ve finally all reached this point together where it’s like we all speak the same language and it’s not just because I’m on ecstasy that I’m saying this, it’s really true, I’ve always thought it, I mean I thought it a long time ago before we took the ecstasy and nothing is going to change after it wears off.

Kate is smiling at me. 

What?

You’re talking really fast, she says.

Meanwhile, Riley’s eyes are practically bugging out of his head and he’s drumming a beat on his leg with his fingers like he’s been waiting and waiting for me to finish talking so that he can say what he wants to say, which is: Let’s dance.

No, say me and Kate.

Don’t you want to dance? He says.

No, we say louder.

Come on, he says, I have so much energy, and leaps up from the loveseat and starts blasting this terrible goth music or whatever and jumping and spinning around the room tossing his hair like a crazy person. Now I’m back to not liking him. I can’t make up my mind.

Let’s get out of here, yells Kate. She grabs my hand and pulls me up off the couch and we run outside into the backyard where it is quiet, and then we go around the other side of the house to the road and we walk slowly along it, still holding hands in the dark, until we come to a hill and I realize that it’s the hill that leads up to the playground so we go up there and sit in the swings. Kate picks a normal swing, low to the ground, but I choose the one that is shaped like a horse, where you sit in the saddle and pump by pressing your feet against a metal bar in the front. This horse swing is smudgy white with a blue mane in the daylight and I’m familiar with the way it is broken, like the horse is crippled and leaning onto one of its sides, and each time I pump my feet against the bar it makes a long, shrill, whining noise that you can hear from my house, which you would also be able to see from up here if it were light out. 

We should have a house here, Kate says. After college. You, me, and Sadie. We could just live like this for the rest of our lives.

You mean, like, on ecstasy?

Noooo. Just you know, like this. And we could grow blueberries in the backyard and sell them at the farmers’ market.

And blackberries, I say.

Yeah. And raspberries.

We could grow every kind of berry.

But what would we do in the winter?

In the winter we could make pies.

We’re holding hands again while we swing and we twist our fingers into a tight knot that feels like a promise, and we agree to tell Sadie about our plan when we get back to the tent. Then after a while we stop swinging and lie down in the grass, and Kate puts her head on my stomach and I play with her hair while she softly pinches my arm, over and over, and at first we keep talking about what our house will be like and how great it will be to do whatever we want in it, but then after that we’re just lying there, and that is fun too. We stay like that for what might be hours.

Then something happens. It’s like a change in the light, although the actual light hasn’t changed yet. I don’t know how else to describe it but it’s like instead of being up there on this thing where everything is beautiful and amazing and great, you’re down here again and that feeling is washing over you in waves—or else the opposite feeling, which is like a terrible sadness, is washing over you in waves, it’s hard to tell which one is washing over which. But waves, literally, you can feel them in your chest, you can practically see them rolling up in front of you, cold and salty and gray like you are at the beach, the beach here which is not flat and bright with sand like other beaches, but sharp and craggy with gray rocks covered in barnacles that cut your feet and fog so thick sometimes you can barely see the ocean, only hear it. Which is not to say the beach here isn’t beautiful because it is. It’s maybe even more beautiful, it’s just a different kind of beach.

Do you remember that snake? I say suddenly.

What snake? Kate says.

It got hit by a car.

Oh. Yeah.

The sideways one, I add, and she nods like she knows what I mean. I’m not actually sure why I just thought of that snake, and there’s nothing I want to say about it in particular, so we just sit there for a little while longer in silence. I feel like I’m swimming, like a combination of being weightless and trying hard to keep my head above the surface. 

Are you sad? Kate says finally, like she is reading my mind.

Kind of, I say. No. I just feel kind of weird.

Yeah, me too, she says. Let’s go back.

When we get back to the house where everyone was before, there are just a few people left smoking quietly on the porch. The girl with the black eye is there and it obviously really is a black eye. Riley is there too, and another guy and girl I don’t recognize. The guy mutters: What’s up. Everyone else just nods when they see us.

Sadie was here looking for you, Riley says. We told her you went home.

The sun is finally starting to come up now, but the fog is out too so it’s not like we can see the whole sunrise. The light, though, while we are walking back to our tent is pale and bright and more beautiful than any light I’ve ever seen. I can’t stop staring at it, as if the light itself is something special and specific to stare at, and not just something that is everywhere shining on other things. 

 

So what happened? Me and Kate look at Sadie expectantly. She settles into her sleeping bag and fusses with the pillow. What happened?

What do you think happened?

Everyone thought you and Adam were fucking, Kate says. We laugh a little.

Right, Sadie says and closes her eyes. There is silence for a moment as we try to decide if she is telling the truth.

Really?

Yeah. 

We digest this quietly. That’s weird, I say finally. Was it... fun?

Yeah, Sadie says, oh my god I am so tired.

I’m pretty sure I won’t sleep for the rest of my life, and I think of all the things I should ask Sadie, like did it hurt and is she going to see Adam again? But I can tell that Sadie is removed from us now, defensively wrapped in her sleeping bag. Me and Kate will go back to the city and our separate schools, and next year instead of coming here for the whole summer I’ll go to Spain with my dad and Sadie’s dad will be dead, and this night is something we will never speak of again.

What I finally ask is: Did you do it in the truck?

No, says Sadie, we went into a house. I can’t talk anymore, she says, I really need to get some sleep. And she closes her eyes and lies very still in her sleeping bag, but she’s still awake. I can tell by her face.

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THE CROW CAME ONE MORNING AND WHAT’S LEFT TO WONDER? by Derek Maine

He takes his shoes off by the door. A solemn peek in the hotel mirror suggests pleated pants, starched shirt, taut tie, he’s running out of matching letters to describe his appearance which is always, and only, just that. To himself he appears as an apparition. Do others see him, he wonders often. The meetings today went well. He sold himself. Passed himself off as one of them. Someone they could trust. Someone they could have a beer with. At a baseball game. A hot dog too. He is not that someone. He hasn’t had a beer in some very long time. A hot dog would upset his stomach, surely. He calls his home. No one answers. Everything is being created or dying and he obsesses over which. The crow circled above his house this morning, before he left for his work trip, and that is another thing he has been considering. He steps forward toward the television then steps back. The room looks like all the other rooms. Describing it would kill it, surely. Has he used surely twice? He has. He wishes he hadn’t but it’s too late to change it, he sighs. Someone else is in the room, came in with him. It’s him the other way. There are always two, wherever he goes. He is an unwilling participant in an argument for argument’s sake which has raged on within him for 39 years. Whenever he picks up a new trick, or learns a new phrase, the other way does too. It bores him. He wishes there was another way, but he only contains enough energy to wish. He seeks nothing, he has done no serious investigation.  He avoids the television, walking further into the room, not wanting to stir up an anger. He pulls the curtain to reveal a view of the highway. What a stupid way to live, he says to no one. The phone rings. He picks it up and says something like, “hello.” It is not 1979, in case you were wondering. It is a year, but not that one. His wife is on the other end of the line. He can hear his children screaming in the background. They love him. They miss him. They say goodbye and he hangs up the phone. He wonders who they love. He considers who they miss. It is not him. It is their projection of him. He is too many things at once to miss. He is too many things at once to love, he thinks. He is listless, the other way suggests he could be lifeless, if he’d like. He doesn’t want to be listless or lifeless. His co-pay is too rich for any other state of being. He distrusts professionals of all varieties, preferring amateurs or, better yet, people and things to happen with no explanation whatsoever. Plus, what books have the therapists read? It only ever shows you, on the websites, which insurance they accept. It never digs into their relationship to literature, being the only thing that matters to him. Since he mentioned websites, he can delete the part about it not being 1979. He doesn’t want to. It is a nod to an earlier work. He is conscious of building an oeuvre, even if he still has to look up the word every time to spell it correctly. It’s the “e” after the “o” that always trips him up. His wife sends him a text. She is privy to his rhythms. Suggests he use the hotel treadmill to stave off the thing that doesn’t have to come. He’s missing cigarettes. He’s not missing beer, but he’s always missing cigarettes. He does not want to exercise. He does not know what, or how, to be. It disheartens him. It unsettles him. He will do nothing to improve his prospects of knowing, or being, or being any other way. It is the only way he knows. He is not going to leave the hotel room. He is not going to change clothes or shower or turn on the television or open his computer to write or go outside for a walk or eat any food or think about anything other than how he is feeling, which is an absence, and occurs to him to be the only thing happening in the entire world at the moment. He masturbates when it is time to masturbate. He takes a Tylenol PM when it is time to take a Tylenol PM. He lay on top of the sheets, naked, unable to sleep. He takes a second Tylenol PM when it is time to take a second Tylenol PM. The couple next door is having sex. Or the person next door is watching pornography, whatever the case may be. His wife is jealous of his work trips, his time away from home, his peace away from the kids. But she does not have to be him, he thinks. He does, he’s sure of it. He is in pain at how brief life is. And how poor of a showing he’s made thus far. His oeuvre is weak and wildly inconsistent. He would like to be different, but he does not know how. He wonders what he would write about if he could write anything at all, writing being all he’d like to do, though he’s never examined why, and he’s terribly aware that if he were to, he might find something else to dislike about himself, and so he does nothing. He tries to conjure an image but comes away, as usual, with nothing but formlessness. He is unable to imagine a red dot. Or tap into any visual. It is all, instead, a constant flow of language. He has a business degree and a loneliness he’s immediately thrust onto everyone he’s ever been intimate with, and an immediate regret. He’s lost the plot, control of the narrative, not a natural editor, too fat around the belly, bags under the eyes – the Tylenol PM never works, wondering what the crow wants with him, if anything, probably nothing, he’s made babies and has a life insurance policy and isn’t sure there’s much else left for him to do. He pulls into his driveway. It is the next day now, if that makes any kind of difference. His wife kisses him softly on the lips, she’s headed out to a yoga class. The kids are out playing with friends. He takes his shoes off by the door. A solemn peek in the bedroom mirror suggests pleated pants, starched shirt, taut tie, he’s running out of matching letters to describe his appearance which is always, and only, just that. To himself he appears as an apparition. Do others see him, he wonders often.

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