Flash

FRANK’S BOUGAINVILLEA by J. EDWARD KRUFT

“When Joey’s husband died,” Stefania stage-whispered to their guests, “he was out of his mind. You know, they moved here to begin with partly because of Frank’s house. Really! Joey’s been…what?...well, obsessed really isn’t worded too strongly.

“You know, it’s only a half a mile from here, as a crow flies.”

The outdoor speakers crackled and Stefania shook her head. “Gerry Rafferty! It’s his newest thing. Who the fuck is a Gerry Rafferty fan? I swear to God, I shit Baker Street.”

Joey approached and Stefania placed a finger to pursed lips. 

“Is she boring you with the bougainvillea story?” he asked, while Stefania wondered, a hair’s breadth from doing so aloud, if his gut was even bigger than it was yesterday.

“Who’s up for a dip?” asked Stefania.

Dip? I didn’t make dip….” said Joey.

Dip. In. The. Pool,” clarified Stefania. “You old poop.” 

“Oh. Oh oh oh oh oh.”

“I’ll dip,” said the man who was way too old to still have a left-ear earring. 

“There are trunks in the bin over there. Or,” said Stefania, “you’re welcome to go au natural.

“Stefanie!”

SteFAnia!”

The guests laughed and Joey threw up his arms and marched off to pretend to fuss with the grill. 

“Anyway,” Stefania continued, “this space here was nothing but desert – a patch of bleck.”

“SteFAnia!” called Joey. “Do you know where the corn-on-the-cob holders are?”

“Corner cabinet!” she yelled. “When our husbands were alive, we’d visit and I’d say to him, I’d say: “Joseph Andrew, for Christ’s sake, why the fuck don’t you do something about this bleck of a spot? You have this pool, mountain views, the fire pit…all you need is an outdoor wet bar and something to color-fy this Godforsaken bit of earth.”

“I can’t find them!” bellowed Joey. 

“CORNER CABINET!”

“Oh. Oh oh oh oh oh.”

The man too old for the left-ear earring splashed into the pool – au natural – causing Stefania to wince for reasons she couldn’t list in mixed company. 

“Found them!” yelled Joey.

Stefania shook her head. “Such an ass. Anyway, it is now, if you ask me, the loveliest spot in the yard. Look at that color! It transforms the aesthetic, n’est-ce pas? And really, what is a house in this town without bougainvillea? Tell me. Tell me!” The guests smiled and a few seemed content that it was time to move on. “Oh,” warned Stefania, “that’s the end of the story, but it’s not really the story. Don’t you dare wander off, now!”

When Joey first heard the story, he was dubious. To this day, he has moments of doubt. But then he stops himself in his resentments and thinks: it’s Stefanie…SteFAnia…so yes, it is possible. 

They were drunk, of course. Dov had just died and Joey was thinking of selling the house and moving up north to be nearer his sister and nephews. 

“It really gives me an ass rash,” she’d said.

“Must we discuss your sex life again?”

“That shit-brown spot over there. Look at it. Look at it!” In Joey’s version, she went on and on and on, until he passed out on the lounge chair and awoke the next morning in his smoking jacket to find all of his mother’s good teacups on the patio table, filled with water and steeping starts of bougainvillea. 

Stephanie was smoking nearby.

“What the hell is all of this?” he’d asked. 

As Stefania tells it to their guests, including the man too old for a left-ear earring, who had cozied himself to the side of the pool, no doubt, thinks Stefania, with his nether-region positioned over one of the pool jets: “Joey was passed out, on that we agree. Third time that week I was abandoned to his drunkenness. Which, I have to say, surprised me some: used to be he could hold his liquor. But we were all younger once, right? RIGHT?”

Joey slid over from where he pretended to be fussing with the grill, something of a Cheshire grin on his unshaven face, for though he enjoyed ribbing her about it, he couldn’t help but love this story.

“Look who’s suddenly alive,” said Stefania, to which Joey put one hand to his hip, and the other reflexively gave her the finger. 

“I said to myself, I said: ‘Stefania, you’ve been griping about that little piece of shit-earth for almost a decade. So shut the fuck up and do something about it already,’ right? RIGHT? 

“And that’s when it struck me. Really, it is like lightning. Not that I’ve been hit by lightning. I was hit in the head by a golf-ball-sized piece of hail once (Joey: explains a lot) and that’s no trip to Joshua Tree. Anyway, I’m creative, I can imagine, after all. So yes, it was just like being hit by lightning. 

“Off I go, hither and thither, stumbling up Indian Canyon and around the bend at Movie Colony, up Alejo Road to the front gate. I’d been there once for a fundraiser and I knew about the bougainvillea. It was everywhere. I remember having this thought about the gardeners who might have planted it back in the 50’s, maybe under Ava’s watchful eye, RIGHT? Gus and Ritchie is what I call them, and in my mind’s eye they were business partners, but sometimes, after a day’s work in the desert sun and a few cans of Schlitz, they were also fuck buddies….”

“She climbed over the Goddamned WALL!” exclaimed Joey, unable to contain himself.

“You fucking POOP! How dare you hijack my story!”

“She climbed over the wall and stole Frank Sinatra’s bougainvillea! STOLE IT!”

“Of course,” she added, already over Joey’s rudeness, “Frank hadn’t actually owned the house in 50 years, but still.”

“But still!” echoed Joey, looking at her with a fondness that was reserved for the few.

“But still,” she said, returning the look. 

“Yeah,” he said.

“Fuck you. You old POOP, you.”

And at that, Baker Street began to play.

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MISAPPREHENSION DUET by Graham Robert Scott

Even by nine a.m., the heat’s settled in like a blanket, calories by the zillions, welling out from laboring bodies and machines under the desert sun, trapped under layers of atmosphere and cloud and smog. Damp handkerchief in one clenched fist, Dale Brenner mops brow and crown. He aims his lips at the reporter—Gina? Tina?—and bellows against a cacophony of straddle carriers and trucks, of containers crashing into place: This freight’s all dead tires. Once it makes port, it’s on its way to ’Nam. A sideloader grinds by. As G(T)ina checks her phone, its driver gives Dale the bird. It’s a great deal. We don’t want this shit in our landfills, but Asia can’t get enough of it. G(T)ina interrupts, asks how many he employs. Our op? Forty-two, full-time. See, tires are mostly oil, yeah? So they burn ’em for fuel. Power cement factories with them— Annual revenue? Oh. Look, I’d rather not disclose that. I’m sure you understand. But, see, it turns out tires have some great byproducts, too, once you've pyrolized them. Crumb rubber and shredded rubber as construction additives. Carbon black— G(T)ina glances at her phone, again, and blood pressure swells as Dale squeezes his handkerchief behind his back. Hot date? Gonna write any of this down? She frowns up at him from behind wisps of gusted hair. A scribble goes into the notebook. Unclear whether it’s shorthand or doodle. Sweat builds on his face; in his pits; between folds of belly; in the crack of his ass. Far side of the yard, a truck engine roars to life. Dale leans forward, raising his voice to match, trying to smile at the same time, and looks as a result like he’s trying to eat her. It’s a win-win, see? Rare success story for recycling. Both entrepreneurs and environmentalists happy. Scribble. Gonna take pictures?  With frown and furrow, she shakes her head. Dale pulls his collar away from his neck to unstick it, let it breathe. Back in his office, a sheaf of legal paperwork rustles under the AC; he envies the document its location, loathes its existence. Now, China’s cracked down on imported used tires, which, I won’t kid, cuts off a big market. But Asia’s bigger than the Middle Kingdom, and we’re making new deals every day in other parts of that world. Exciting, yeah?  She performs an oh-look-at-the-time, tucks notebook away, extends a hand. Wait, is that it? So few questions. In particular, none about his recent EPA suit, which at first he took as a positive, a sign she’s not one of those reporters. But she hasn’t asked much else. It’s just, I thought this would be a nice story for your readers. And, he doesn’t say (because it’s understood, isn’t it?), also for his vendors and investors, show he’s back in the game, shit squared away, so they don't fucking bolt. But G(T)ina gives him that puzzled look again. Dale feels words tripping out of his mouth faster than he can edit them, as his face looms closer to hers. I mean, is this going to be a nice profile? Not a hit piece? ’Cuz I thought maybe this would be forward-looking, optimistic. We got a bright future here. Now I’m worried you only called because you wanted to write shit about that settlement deal. Regina—he remembers her name now, out of nowhere—retrieves her notebook. Her hand is smooth, without callous; her face, without wrinkle. Only now it dawns on Dale, maybe he’s misread how much she prepped for this visit.

Settlement? she asks, and clicks her pen.

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FOR INTERNAL USE ONLY by Julie Watson

Two weeks after Jane and Richard sent their only son Bobby to college, Richard lost his job. He’s been talking in his sleep non-stop ever since, nearly six months now. Jane is exhausted. She knows any sane woman would have exiled her husband to the guest room by now, or marched him into the office of a reputable sleep specialist. But for Jane, Richard’s new habit is revelatory. Since he started talking in the night, Jane has learned more about her husband than she did in the entire twenty-two years prior. 

Richard’s job search is going poorly. In order for him to sleep at all he first sought the escalating assistance of bourbon. Every clank of ice in the glass was another reminder of the bleakness of their situation. Richard’s drunken sleep was deep at first, his midnight ramblings nonsensical and humorous.

“We’re not getting a fourth cat,” he said one night with a firmness Jane found hysterical. Thanks to Richard’s severe allergies and disdain for pets in general (filthy and expensive, he said) they would never get a first. On another night, he sighed in a way that made Jane picture the disappointment on his face, so clear she was certain he was awake. Yet, when she moved to comfort him, he rolled over and said simply, “I know, but he’s a dumbass.” On still another night, she woke to Richard shouting, “the scrotum!” with William Wallace-style conviction. Jane was forced to bury her face in her pillow that night, biting down hard on the cool cotton sheets to keep from howling out loud.

With each passing week, the balance in their savings account dips lower, along with the number of Richard’s boxer shorts Jane runs through the wash on Wednesdays. When the bourbon stops working, Richard switches to a rainbow of over-the-counter pills and supplements loaded with scientifically-proven ingredients. With these, he begins to open up.

“I don’t want to fail,” Richard says.

“Fail how?” Jane asks, rising to her elbows.

Richard nestles his head into the pillow. “I’m barely a dad. I’m a half-assed husband.” The words appear in a voice that isn’t Richard’s, too supple and watery to belong to her precise, authoritative husband. “All I had was that fucking job.”

In the morning Jane tucks away his confessions like the expensive chocolates she hides in her sewing table drawer. The only sound at breakfast is the clicking of keys on Richard’s laptop, his angry, intermittent sighs. Jane buys more sleep supplements and another bottle of bourbon. 

“She never loved me the way I love her.” 

Jane has taken to coming to bed late, counting the cars that pass on the street until Richard begins to speak. Carefully, noiselessly, she leans in to hear.

“I’m just security for her, and now…” Richard trails off, smacking his dry mouth.

“Now what?” Jane says.

“Exactly.”

In his sleep Richard is someone else, by day he is exactly who he’s always been—making lists, creating budgets, complaining that Jane has purchased the wrong brand of mustard. 

“Expecting an interview any day,” he says, his voice hard with determination. “I might need you to take in my suits.” 

Jane listens to the old Richard and squints, trying to square the sound with man she sees in front of her, pale and shrinking under his bathrobe like a week-old balloon. She takes in his suits and buys the right mustard and waits for the new Richard to meet her in the night.

“What have I done?” 

Her husband’s words are crumpled like the balled newsprint he tosses into the fireplace. Jane can tell he’s crying. The same way she did when his mother passed away, or when he got that gash in his hand while cleaning the gutters, Jane touches his shoulder.

“Shhh,” she whispers, “It’s going to be okay.” 

Richard startles at the contact, his body flopping about like a fish on the edge of suffocation. Jane rolls away from his unpredictable limbs. When he sits up in bed a moment later she can see the whites of his eyes, still glossy and round with fear.

“Must’ve had a bad dream,” he says, commanding as the dark gray shadows around them.

#

Richard puts his bathrobe in the wash and tosses his sleeping pills in the trash. He rescues his running shoes from the garage and wipes them clean at the kitchen sink.

“Pity party’s over,” he announces. 

Jane cannot pry her eyes from the wastebasket. She sees only Richard’s rainbow pills, resting on a bed of discarded mostaccioli.

“I’m done with the drugs, done with the booze,” he tells her. “Getting back into running will help me start sleeping again.”

Running does help Richard. In no time at all his mood improves, his thighs harden and compact. At night he is silent.

“Feeling really good about my prospects with Whitman Courier,” Richard says over dinner one night. “Good feeling about this one.”

Jane is listening, but only halfway. She misses the night Richard and sees more than enough of the old one, his former arrogance wrung out and replaced with a fresh version in a sleek new athletic container.

While Richard is out running, Jane visits her doctor. 

“It’s just been difficult,” she tells the doctor, “What with Bobby off to college and Richard’s job search taking longer than we thought—”

Jane has looked in the mirror. She’s seen the dark rings of sleeplessness under her own eyes, her cheeks hollow with worry. She stays awake all night, but hears nothing more than Richard’s shallow breathing, the rhythmic hum of their four-bedroom, three bath suburban dream.

“And are we having trouble sleeping?” the doctor asks his clipboard.

“I’m afraid so,” Jane says. 

#

Jane starts slowly at first, unsure. Crushing the pills proves difficult, until she finds the mortar and pestle she ordered when she had designs on making aioli. Her first attempts are tentative—granules of powder sprinkled onto a chicken breast, a bit more stirred into the pudding she serves Richard for dessert. Perky with anticipation, Jane waits while he drifts into a still and wordless sleep. Richard sleeps so hard he is unaware he’s clutching Jane’s breast.

Slowly, Jane increases his dosage, searching for recipes to mask the taste. She changes the bed sheets twice a week, invests in heavier curtains. She fills their room with essential oils known to induce deep and uninterrupted sleep (or your money back). At last, Richard speaks.

“She’s taken good care of herself, but you want to know the truth…most wives get fat.”

Jane decides to research just how much is safe. She is no longer sure how many pills she is giving him, or how much it will take to bring the other Richard back. On a whim, she adds some to his early-morning protein shake. According to her findings, a nice, even release should yield positive results.

Richard returns early from his run, waving his phone in the air. 

“Just got a call from Chuck at Whitman,” he says, breathless and grinning. “They want to see me today. Right now.”

Jane opens her mouth to speak, but Richard is a blur. He grips her by the shoulders, kisses her firmly on the forehead, and makes his way to the shower. A short time later he is at the door in his perfectly-fitting suit.

Richard doesn’t get the job, at least not that day. The car accident leaves him indisposed.

“I explained the whole thing to Chuck,” he says in the emergency room. “They want to see me as soon as I’m feeling up to it.”  

Jane fusses with his blankets and cords, tells him their first priority is getting him well.

“I still just—I don’t know what happened,” Richard says, pulling at his temples, shaking away the cobwebs. Jane places a hand on his shoulder and strokes his hair until he falls asleep. 

The doctor tells Jane how lucky Richard is, if accidents can be lucky. Nothing more than a sprained wrist and some abrasions, he says, and Jane feels some relief.

“He’ll be a little stiff, so I’m sending him home with some heavier pain relievers today. Should have him back to his old self in no time.” 

Jane shakes the doctor’s hand and finds her forgotten smile.  

“I should mention,” the doctor tells her before he leaves. “You’ll want to be careful. Those pain pills will make him a little sleepy.”  

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PRAYERS FOR PIGEONS by Chris Wilkensen

On a bright summer morning, Edith craved something different to do. In the 1960s, without school, TV or a radio, she went outside and peered at the pigeon coop, maybe the only clear possessions of value that her father owned. She decided to say hi to them, the closest things she had to pets. 

Pigeons weren’t cuddly or pretty. But they were company for Edith, creatures that wouldn’t take out their frustrations on her and she enjoyed feeding them. Watching animals eat was almost like going to the movies. Edith picked up the cup inside the 50-pound bag of bird seed, making sure it filled to the top. “Breakfast time.” She opened the gate. One pigeon squeezed through the slightly open door because Edith wasn’t fast enough to feed them.

“You’re going to get me in big trouble, little bird,” she called out after it. While she had her back turned, another pigeon pushed out and flew into the sky.

“Not you too! Please come back, you have to come back! Father will notice that two of you are missing! Please.” She closed and locked the gate so no more could escape, vowing this was her first and last time feeding the pigeons. 

The more she yelled for their return, the more out of sight they flew. They had disappeared, just as she had sometimes thought about running away from her father. She scurried back to the house to make sure that no one saw.

Like most of the summer, Edith was alone during the daytime hours. Her father was at the store cutting up meat. Her stepmother worked a full, floating schedule between bakery clerk and office building cleaner. Thank God she wasn’t home because Edith’s stepmom might have told on her immediately. 

Edith wished she had a brother or sister around, never more so than today. They could have talked about what to do, how to split the blame, how to calm down her dad, something, anything. Edith locked up the house and walked to her friend Clare’s for advice. She knocked on her door, but her mother answered. 

“Hi there, Edith. I’m afraid Clare can’t play today because she’s at Vacation Bible School. You could’ve gone with her if you were Lutheran like us.” She smiled and shut the door in Edith’s face. 

But that gave Edith an idea, one she thought would actually help. She would go to her Catholic church and pray for the return of those two fly-away pigeons. Her father, who didn’t seem to like anything, didn’t seem to mind going to Saint Joseph. There, she saw him do things he never did anywhere else: kneel, cry, and, occasionally, smile.

So Edith entered the Catholic church, found a pew, and sat. She said in her heart the words to the Our Father, Hail Mary, and Glory Be hundreds of times during those hours. She also prayed directly for those pigeons, that they were safe, but most importantly, that they would return. Or that her father wouldn’t know they were gone. Everything would be OK then.

The sky dimmed to dusk. Edith’s tummy rumbled louder and louder, but she had no appetite. “It’s late now. You have to go, my child.” A nun said from behind, walking toward the front of the church.

When Edith felt the summer breeze, she got goosebumps. She knocked on Clare’s front door again because she had to be home from Vacation Bible School by now. Clare’s mother answered. “Do you have any idea what time it is, Edith? For heaven’s sake, go home!” The door closed in her face again.

Half a block allowed meant time for one more “Our Father.” Edith hoped they returned. When she arrived at the pigeon coop, she counted the pigeons. The numbers added up, including the two that left. They must have returned. A miracle! She skipped to the house, opened the doorknob that led to the kitchen. 

“There she is!” her stepmother called out. “Enough worry for one day. I found two pigeons waiting outside the coop when I got home. I put them back in and didn’t tell your father. Would you know anything about this?”

Before Edith could answer, her father came in the kitchen. “We were worried about you, that something happened to you. Gone all day.” 

Edith’s prayers, that either the pigeons would return or that no one would find out that the pigeons fled, must have worked. She was so happy she started to cry. 

“You have no idea how much you worried me by staying out all day and into the night. You’re my daughter, and I thought something happened to you. Don’t ever do this again.” Her father removed his belt, rolled it up ,belted her on the back. He started to count out loud while Edith prayed in silence. 

God, please let him get tired soon, Edith prayed on the inside, cried on the outside. It’s past my bedtime and he should be in bed. 

“Don’t be too hard on her. This is the first time she’s been out after supper. I’ll be in bed.” Edith’s stepmom walked out of the room. 

After her father counted to five, he put his belt back onto his pants. “Now go to sleep, Edith. I love you.” He turned off the kitchen lights. 

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THE FIRST ONE by Michael Wade

I got the digging part off the Internet. You can use spray or bait, but I don’t use poison on my land if I can help it. I read how in Texas they just dig 'em and fling 'em. You want a big sharp shovel. You go out a morning with no wind, before it gets hot and they get too active, and you slide the shovel right up under the hill. 

Then you fling the whole thing downwind, hard as you can. Let it fly apart. See, when they get separated from the queens, they just run around like fools til they die. And that takes care of that hill. 

Anyhow. I don’t want you to say nothing to nobody about the rest of this, T-Dot. All right?

This morning I’m down at the dam end of the pond and there’s the biggest nest I’ve seen. The hill was two foot high or more, three foot around. It’d take three or four shovels full to get it and after the first one I knew they’d be riled. I’d need to move quick.

I slide that shovel under and lift.

There was a face under that nest. Bone-white. Wide as the shovel. Great big black eyes and a narrow chin and nothing but a line for a mouth. And then something like a claw, like a crab or lobster but big, comes up below the chin and rubs over that face, like it’s trying to cover itself with dirt again. That claw kept rubbing like that, feeble-like. Them eyes looking right at me. 

It won’t no Halloween mask. It won’t no skull. It won’t nothing human or made by no human. It won’t like nothing I ever seen or you ever seen, neither. Clean and alive. No ants on it.

I don’t know. What I do know is that whole time I stood there, holding the shovel and froze cold like it was January, looking at that face and that claw rubbing over it, not one single fire ant touched me. You know I shoulda been covered up. They shoulda eat me alive. Why didn’t they? What was wrong with them?

It won’t no white rock. It won’t no damn grub worms or no mole that was moving in that ground.

It’s ten o’clock in the morning, T-Dot. And you know I ain’t touched a drop in thirty years.

What’d I do? Well I laid the shovelful gentle right back over it and I got in the truck and come here.

I’m going to let it be, that’s what. I reckon it ain’t hurtin’ nothing. Though part of me thinks I should’ve hit that face with the shovel hard as I could.

Something stopped me. Scared as I was I halfway felt sorry for it, the way it tried to cover itself again with that big claw. But them eyes. They won’t like no animal, or no human. Looking right at me. I got to thinking what if I miss with the shovel. Or what if that head is hard as it looks, like bone, what then? 

I don’t know if I done right. That thing controlled them ants, somehow. They didn’t touch me. Maybe it controlled me, too. That’s what I thought, right before I covered it up, just like it wanted me to do.

I couldn’t think of nobody to tell but you. I just felt like I ought to let somebody know. Just a feeling. In case…forget it, T-Dot. 

Forget it. Forget I said anything. Now I think about it, it prob’ly was a rock, crawlin’ with ants, the sun throwin’ funny shadows. That’s prob’ly all it was.

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MARTELLO TOWER / NATIONAL MUSEUM by Nate Kouri

Sweet memories: Ciara the star turnBroadcaster Dr Ciara Kelly—an ambassador for Dementia: Understand Together—pays a stylish visit to the 'Memories Are Made of This' show garden at Bord Bia's Bloom Festival, which opens today at 9am for four days at the Phoenix Park, Dublin.

Book with 'satanic pledge' was found in room of Boy B, Ana trial told

The copybook contained a drawing entitled "satanic pledge", a list of names, including Boy A and Boy B's names, and a list of rules. The rules included "no talking about Jesus or God, only Satan," the court heard. Boy B's father also said his son doesn't respect him and didn't want to "share his truths" with him. Boy B told Gardí he called it a "Satanist cult" because he didn't want people to join who he didn't want to join. It was really a homework club, he said. The accused, who were 13 at the time, have pleaded not guilty to murdering 14-year-old Ana Kriegel in a derelict farmhouse. Boy A has also denied a charge of aggravated sexual assault. The trial continues.

—The front page of the Irish Independent on Thursday, May  30, 2019

This is Iowa: Kids keep baseball game going as tornado touches down within sight near Montezuma.

Des Moines Register headline, the same day

How children watch scenes in the fire: flames rolling over, wheeling back into waves red and red and roped by black, flamefoam rising, spinning out into circled eyes (squeezing eyelids, batting out) spreading between, sticking under (the midnight curtain drawn).

Watching through the grass on my stomach, leaves like cornstalks tall above the children who look flat like shadows in front of the flames—skipping, linking hands, like silhouetted paper dolls spinning in a Zoetrope—I hear the squat multitude chanting and I am touched but not moved by a vision of where I used to live. Seeing again a fading footpath through the rice fields where a military marching band set down their trumpets, the sun slowly kneading its thumbs into the hot brass like clay: handleside by morning, spoutside by night. Leaving home, I passed the band sleeping, surprised (the band and I) their chests falling and falling mechanically like four lazy whiskey stills (or don’t they move?), at least like ferris wheels and I didn’t think about violence for more than a minute, the way I would have as a child when I could still feel the force of gravity dragging me by my center down until I was temptation touched so I would not move hidden in the rice field. A farm has become a place to hide to. How many rows of crops could they check? Not here where city girls pull out roots, giving his limbs more leverage, their fourdoors half-tilted in the plow’s path off to the side of the road. Or here where Boy A and Boy B are in the soybeans making marks on the stalks with their teeth like rabbits, doing things to each other so…completely unavailable to the adult imagination, things they’d never really believe, couldn’t even read if they were written down and printed prominently in the newspaper. And soon the boys will forget each other too, the uncontrollable sounds once forced from their red faces erased, yes, entirely.

Or here, the paddy rice where during the night lightning repeatedly struck the band’s bass drum, the bolts turning green as they touched down on copper screws, blowing out the drumhead hides with such bassy force that it drowned out the sounding thunder, bursting the snoring heads resting on each side, chunks of their skulls sent into the distant cornfields as their bodies were flung, limbs limply collapsing, into the bog of the rice paddy with a thick splash, water landing on the hood of a truck parked in the ditch of a nearby country road as mud swirled around what was left of them tighter with a boagrip tighter through the age of image and tighter past the century of hands, the four bodies hugged motherly close by fertile Iowa mud in the dark, drowned farmland that a thousand years later, drained and dried into a hill, would unveil them in a cauldron on a crannog, its alloy engraved with intricate animal designs, their right hands raised in blessing, left hands gripped to croziers or tillage spades, and their so-called discovery by a group of Newsweek reporters stranded by a broken-down fourdoor en route to a routine smalltown caucus report would lead to the corpses’ Caesarean removal from nature’s tomb and entrance into the whim of human designs, passed between towns in territorial diocese disputes and finally sealed—the mud vacuumed out of them, their prehistorical dandruff dusted off, leaving only muscly potatoskin shells with a few fully formed organs or limbs jutting out—by an art dealer in a plexiglass human-sized jewelry case with cute poems and crude drawings of the bodies from first and second-graders pasted under the museum display, passed idly by students pointing at a portrait of W.B. and yelping yeet yeet!

Or that’s what I would have seen at eight when I looked for drama between the flames when I knew all the chants and before I despised the rain.

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DEATH LAB by Howie Good

Air Like PoisonHey, did you see those sea turtles down there? I often see them, though not as often or as many as I did before there were boats, the bridge, some buildings, even a small amusement park. Wherever they go, the turtles seem to leave a trail of watery stools behind. The ocean feels a little sick right now. There’s actually too much sunlight. And it all comes from the same place, a place with air like poison, where you can view the millstones that early New Englanders used to crush Giles Corey to death for being a witch.Grandson (with Apologies to Werner Herzog) Now that you’re almost 8 years old, you have to know how to travel on foot. You have to know how to make fire without matches. You have to know how to catch a trout with your bare hands. (It’s fairly easy. You just have to understand how the trout thinks.) You have to know how to forge a document, let’s say a gun permit, in a country under military rule. You have to know how to open a safety lock – surreptitiously, of course, with burglar tools. Most important, you have to know how to tell at a glance night from other darkness.Lost in BlockbusterThere are places a person can get lost and not even realize he’s lost. I had to cross the creek by tiptoeing over a rotting tree, ignoring as best I could whatever that was I felt grabbing for me with big, meaty hands. Some of you actually believe in fight, fight, fight, the three worst things you can do. So it wasn’t just happenstance that no one but me happened to be there, or that it was night by then, or that everything was also nothing, a lot like when the next to last Blockbuster Video store on Earth closed. 
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MOTHER BUDGIE by David Cook

You push open the cracked old oak door and marvel as you step into the room. A whirlwind of budgies, of burnished gold, sunset red, ocean green and all hues in between, swoop down around your ears, chirping merrily, joy infused in each and every note. Others sing from up in the rafters while still more chirrup in colourful cages that line the walls from ceiling to floor. Being here lifts your heart.A woman approaches, clad in a shawl as bright as the birds that skitter around her. This is Mother Budgie. She is famous. Tourists come from all over the globe to visit her. She gestures you closer and says 'Welcome,’ the warmth in her voice reflected in her eyes. The budgies echo her greeting. 'Welcomewelcome,' they trill in chorus. She beams at them and several settle onto her shoulders and chirp 'Mommamommamomma.' Mother Budgie hand-rears every beautiful bird in her establishment and has patiently taught them all to sing these words. Their refrain is picked up by all the other budgies and the echoes of ‘Mommamommamomma’ are almost deafening. Amid all this, Mother Budgie simply smiles, a beacon of peace and contentment.As the clamour settles momentarily, she invites you to choose the birds that appeal to you most. You carefully select four, no, five; two the bright yellow of an undisturbed shore, two the startling blue of a clear sky and one the scarlet of freshly-picked cherries. Mother Budgie nods, then guides you through another door set in the back wall.This room is full of people laughing, chatting and eating. Merriment bounces off the stone walls. You sit at a table and wait for maybe twenty-five minutes as the noise of gaiety reverberates around you. Finally, Mother Budgie reappears, smiling as always, and places in front of you a delectable golden brown pie accompanied by soft mashed potatoes. ‘Enjoy,’ she says as she leaves. Five small beaks emerge from the pie’s inviting crust. Each is slightly open, trapped in silent song.Grabbing your knife, you stab the pastry surface. Rich, thick gravy oozes from the fissure and pools into the bed of mash. Another diner is admitted into the room. As the door opens and shuts you hear the cries of 'Mommamommamomma' from beyond and imagine more birds settling upon Mother Budgie’s shoulders.

You impale a chunk of meat with your fork and take a bite. It is soft, tender and exquisitely delicious, just as you’d heard it would be. Your taste buds croon with happiness. You dab your lips with a napkin and take another mouthful, already planning when you’ll return

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BACKSEAT OFFERING by Janice Leagra

He’s just had a cigarette and a TicTac after doing a line on the console. His tongue tastes of tobacco and peppermint. The car is almost too warm. The engine’s running, the heat on full-blast. Still, goosebumps dot your skin. The light from the stereo shines lava red. It’s a raw, frigid night. The threat of snow hangs like a skullcap over Maple Lake.

It’s the eve of your fifteenth birthday. He’s seventeen. He’s giving you your birthday present. Here, in the backseat of his Camaro. Fourteen isn’t so young. That’s what he’s told you for weeks. You thought sixteen would be better, but now you think he’s right.

The car is enveloped by an arched snarl of brambles cut out along the lake’s edge. The bare branches flail in the wind and screech as they stroke the car’s roof. You think of horror movies. You love horror movies. The enclosure is enough to conceal the car from cops and passersby. You wanted to come here. This is where you want it to happen.

Your parents don’t know you’re here. They don’t know you’re with him. If they knew, they would forbid you to see him, ever. He’s not the right sort. You go to Catholic school. He doesn’t go to school at all. He’s too old. He smokes. He does bad things. To you, he’s perfect. They don’t know that he shimmied up the cedar tree next to your house, climbed onto the roof, tapped on your bedroom window, wanting to be let in. You told him to wait for you across the street in his car. You snuck out and ran along the deserted road. The thump-thump of the car’s stereo beat its rhythm from within. Taillights, cherry-red beacons. Exhaust smoke reaching skyward in the wintry air.

There are stories about Maple Lake. This part of New Jersey has lots of stories. Old ones. About these woods. Things people have seen, heard. You’ve read books. Every book you could find. You’ve told these tales to him. You write about them in your diary.

The windows are fogging. Good. There’s no moon. It’s so dark. Still, it’s possible to see things. Movement. Shapes. Flickers.

“Why Can’t I Have You?” by The Cars is playing on the radio. It’s important to remember that for your diary. You’re shivering, but not from the cold.Are you okay? he says, not really caring, all quick breaths and awkward movements on top of you. You nod. Your bare back sticks to the vinyl seat.You focus your eyes over his shoulder to the passenger window. It’s steamed up. But there’s something there. You think of the stories. Cloven hooves, red eyes, horns, wings. They’re just stories, he’s said. There’s no such thing.His fingers. Your underwear. His belt. Your lips. His mouth. No one knows you’re here. Only him.

You look at the window again. It’s closer. Something big. Looming. Red.

Wait. Not yet, you say.

Not yet? Come. On.

There’s something there.

Where? he says.

Out there. Just outside the car. Something big. Moving.

There’s nothing there. Shh. C’mon.

His tongue. Your thighs. His hands. Your hips. The music. Candy smile, all the while, glinting.

It’s happening. This is it. It’s happening.

His body finally goes limp and heavy on yours. He breathes on your shoulder.

The radio voice says it’s 11:29. You’re still fourteen. He doesn’t say anything. He doesn’t caress or hug you. He just lies on top of you, sweaty.

Then at the window. Gleaming red.

Look. See it? you say.

He sits up. Rubs at the fogged window with his balled-up shirt and peers out.

There’s nothing there. What, you think it’s the Jersey Devil? Christ.It could be.

He laughs, puts on his clothes, tosses you yours. Grabs his cigarettes and lighter from the console. He gets out to smoke and take a piss. You dress and think of everything you want to remember for your diary.

A tiny orange flame flickers outside, lights up his face, then fizzles. You climb into the front seat. Then, a thunk. The car rocks. You rub your cuff on the window and it squeaks against the glass. You press your forehead against the cold surface and look. Nothing.

Except for a distant glimmer.

You roll down the window. The cigarette pack is lying on the ground. Your breath puffs out of you in tiny, faint clouds. No sound but for the gentle lapping of the lake water.

Two bright red embers stare back at you from the shore. They start moving toward you. In the feeble glow of the taillights you can make out the shape of horns and the points of wings as it gets closer. It’s just like the stories.

Perfect.

No one knows you’re here.

It stops near the back of the car. The glowing slits of its eyes consider you. You smile. It seems to nod. Its leathery wings unfurl and go taut as it leaps up into the night sky.

You leave the warmth of the car, but you don’t feel cold. You begin the long walk home and think about what you’ll write in your diary. Your plans, maybe…for next time.

He was right. Fourteen’s not so young.

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A DIFFERENT KIND OF FIRE by Marina Flores

Firefighters in reflective neon suits stormed into the blazing Texas Thrift Store as helicopters circled the building in surveillance. The flames that escaped from the structure’s openings whipped and stirred together like vermilion lovers beneath a glassy black sky. A generator on the roof of the thrift store flickered—once, twice, like the first few seconds after lighting a sparkler on the Fourth of July—seconds before an atomic cobalt and orange explosion. Fire swallowed the structure in one gulp, almost offended by the attempt to save the remains of the building with hose water. That night, not much light was needed for the team of hundreds who, for hours, battled the inferno. The slight glimmer from the flames flushed against the white and crimson of parked ambulances and firetrucks from 83 units. Crime scene tape labeled “do not cross” enclosed the perimeter of the thrift store’s parking lot: danger, keep out. 

As I watched the media’s minute-by-minute sky coverage of the Texas Thrift Store’s four-alarm fire, I held my breath. I wrapped my arms around my knees and pulled them close to my pajama-ed chest. I imagined the sorrow on the faces of onlookers, on the faces of medical crews on standby when two firefighters were not accounted for after an emergency evacuation. Inside the structure, the heat of flames sizzled around brave suited bodies, the smoke heavy like weights in their throats and chests. One firefighter was found and rushed into the back of an awaited ambulance, his body covered in a sheet of black residue. Where was the other unaccounted fireman? Why hadn’t they found him yet? 

Parts of the thrift store’s roof caved in and collapsed, like a house of blocks that tumbled down and down and down, as the blistering fire singed through the walls of other businesses in the shopping center. A tingling sensation tugged at the backs of my eyes, but I continued to watch the news updates, mostly nauseated over what might be unearthed after the last flame was extinguished. As the footage continued to play across my television screen, I wondered if my estranged father watched the yellow firestorm engulf the place we once visited so often.

On one of the two weekends a month I spent with my father, John took me to the Texas Thrift Store. He held my hand as we walked in through the glass doors and underneath giant red letters. The inside smelled like one big garage sale. We browsed the little girls’ aisles for clothes and shoes until I snuck away to the more interesting area of the store: the toy section. These rejected or donated toys—some brand new, others slightly used with a film of grey tinge—were piled in low, rectangular wooden bins for children like me to rummage through. Layer upon layer of toys were thrown on top of one another, sometimes in a pile of rubble already plowed through by other curious children. There, I glanced over dolls with ragged hair, play cash registers without batteries, puzzles, and boxes of Legos with missing pieces. 

John found me in one of the aisles and held up shirts and bottoms that clung to plastic hangers: a faded floral blouse; a pair of scuffed, knock-off Sneakers; and a few pairs of wrinkled jeans and cargo shorts. Round tags that hung from the garments read five dollars, some two dollars. At the sight, I envisioned the little girls who had worn those items before me, how their daddies had purchased these clothes for them, brand new, as a birthday gift or just because. John pushed the items into the crevice of his arm and led me by the hand to the register. A tired shadow clung to the lower-half of my father’s round jaw and his unshaven skin, but his face still looked so much like mine. 

When my father removed his withered and worn wallet from a jean pocket at the register, I recalled how his face looked when I asked for a McDonald’s Happy Meal two weekends before our trip to the thrift store. John had just come home from work on a Saturday afternoon. His skin always smelled of a greasy mechanic’s shop, sometimes with the stale twang of cheap beer and a female stranger’s cigarette smoke. I tugged at the bottom of his shirt that was still stained in white patches near the chest and armpits.

“Please, please, please daddy, can we go to McDonald’s?” I extended the vowels in the question, too eager for the plastic figurine in the Happy Meal.

My father slapped his jean pockets with ashy hands. “We don’t have money for McDonald’s,” he shot back. John used that tone with my mother on the phone. I once overheard my mother say we didn’t need a dime from him, that he could keep his unpaid child support. 

His mother, Ruth, whom I once called Momo, chimed in before I could ask another question. She pulled out a few dollar bills and quarters from her coin purse. The skin on Ruth’s face and arms sagged like the withered branches of the front yard’s pecan tree during summer months. The tree was heavy with rotting pecans and empty bird feeders. I blocked out the fact that John’s mother bathed me, head-to-toe, at age eight, age ten. In the court custody battle, Ruth stood on the stand and testified, under oath, that she always waited outside the bathroom door while I showered. My mother cut my hair like Velma’s from Scooby-Doo because, for most of my elementary school years, I refused to bathe or brush out the knots from the bird nest on the back of my head. Ruth handed her son the money, kissed my cheek with thin, wrinkled lips, and sent us on our way.

The newscast on the thrift store fire continued well on into the early hours of the morning. That night I tried to remember when John and I left the thrift store for the last time. I couldn’t. The television screen lit up my living room like an open furnace until the final firefighter’s body was located. The man, a six-year veteran of the department, was a father of two, his wife still pregnant with their third child. I imagined the Texas Thrift Store’s charred entrance doors that John and I entered and exited through before and after our brief shopping trips. These same doors are the doors that many expected one firefighter to run back through, unharmed, able to return to his off-duty life as a dad after a grueling day of work battling other people’s blazes. For those few hours I exhumed memories shriveled and dried like raisins, discolored by the hue of scarlet fury. For those few hours I, too, battled my own fire. 

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