Interviews & Reviews

MONROE LAWRENCE IN CONVERSATION WITH VI KHI NAO

VI KHI NAO: Almond was mentioned quite a few times on page four of About to Be Young. Can you tell me about your relationship with this edible oval nutty thing? When I was in Spain, eating pistachio ice cream for lunch, dinner, and breakfast, the ice cream maker kept repeating “almond,” and “almond” over and over to imply the almond tree growing in the winter months a few hours from Granada. It reminded me of your poem that begins with “Oh God” and ends “crying almond, almond, almond        into the night.” Will the poets in my

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JAMIE GREFE on film with Rebecca Gransden

I grew up surrounded by woods, fields, an old mill, a Lutheran church, a cemetery just down the road, a local “party store” in the other direction, and farmland for miles and miles. It was glorious, really. And thank God for that party store.

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A TOY, A TOOL, A LEVER: Rebecca Gransden interviews Kathe Koja

If anyone can be considered a psychonaut of literature it is Kathe Koja, a writer who utilizes prose to explore every altered state the page has to offer. With her latest project, Dark Factory, Koja enters the club scene, a place where mind-bending as old as licking a frog meets speed freak technology, and pagan archetypes dance with virtual avatars. I spoke with Koja about the sweet delirium of the project. * What attracted you to club culture for the world of Dark Factory? Everything I write starts with a character, and for Dark Factory, it’s Ari Regon—smiling, hyper-alive, throwing

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