Interviews & Reviews

DO THESE BOOKS MAKE ME LOOK WEIRD?: JACK SKELLEY RECOMMENDS

April 15, 2025

Madison Murray, My Gaping Masshole (Self-published, 2025) A tart is born: Announcing Madison Murray’s fiction, poems, collages. The collection is replete with references to Boston (especially North Shore, Massachusetts). You know, Dunkin Donuts, clam chowdah, the Red Sox Big Green Monstah, Paul Revere, etc. My Gaping Masshole is one unholy, whole, big-ass jam on the concept. Murray’s lewd charm stains every page. My fave parts are Murray’s stories, with real laff-per-paragraph settings, characters, dialog. Of today’s several new writers who are also sex workers (or sex worker-adjacent), Murray is the raunchiest… and funniest. The geo-specificity reminds me of this essential

KYLE SEIBEL’S ‘HEY, YOU ASSHOLES’ IS NOT NEAT, BUT IT’S PERFECT: A CONVERSATION by Naya Clark

March 26, 2025

Kyle Seibel is not a veteran writer or a magical realism writer, but he is a veteran and his writing has magical and realistic attributes. He is still breaking into the literary world even though he seems to have a hang of it. He’s witty on a website we used to call Twitter, and can write a hell of a short story. Rarely does he add quotes when his characters are speaking and he doesn’t capitalize his story titles. Seibel is based in Santa Monica and lives with his wife and dog named Snacks—who also has an established internet presence

STUFF YOUR FACE WITH SCOTT LAUDATI by Scott Laudati

March 11, 2025

A special offshoot of our Recommends series, where Scott Laudati enjoys the planet’s best foodstuffs and eateries. New York City, 2010. It’s a 24-hour city. Budweisers are $3. We complain about the rent but a one bedroom is $950. Something big is happening every night in Brooklyn. The So So Glos are playing in a loft and our friend Dasha knows the door code. The garment building hasn’t been annexed by Netflix yet, its basement is rented by an old Marxist who calls it “The CCCP Gallery” and Drew is having his art show there tomorrow. And most importantly, pizza,

An Interview with Jeffery Renard Allen by Kenny Meyer

January 23, 2025

I was introduced to Jeffery Renard Allen’s brilliant short story collection, Fat Time (Greywolf Press, 2023), by Chaya Bhuvaneswar (prize winning author of Dancing Elephants). At the time I was a participant in her short story class. She made a habit of urging me to get out of my reading rut and explore the work of writers from divergent cultural backgrounds. Chaya had plenty of good things to say about Allen’s Fat Time, so I bought a copy. I should explain that I come from the opposite end of the cultural universe from Mr. Allen and the characters he portrays.

CHARLENE ELSBY RECOMMENDS: Books from the Void

January 21, 2025

Since I went to VoidCon 2023, I’ve pretty much been catching up on the books I acquired there. And the problem only got worse after VoidCon 2024. Organized by Evan Dean Shelton and Edwin Callihan, VoidCon is a curated convention for weird fiction and weird horror, including literature, art and music. Art’s that, like, “wouldn’t it be nice if it found commercial success” but nobody’s expecting it to. The void aesthetic is irreverent and fun while dark and existentially horrid, and militantly encourages the participation of diverse voices on their own terms. So as an artificial way of imposing order

AUG STONE RECOMMENDS: Steve Aylett, Kevin Maloney, Madeline Cash, John Patrick Higgins

January 16, 2025

Steve Aylett, The Book Lovers (Snowbooks, 2024) Steve Aylett is back with a new novel that could very well be his best work yet. In The Book Lovers, Aylett’s fireworks are at maximum intensity – dazzling, dizzying, and coming straight at you. Launched from one of the all-time great opening lines – ‘A book is like you and me – glued to a spine and doing its best’ – the text is hilarious, profound, and just a delight to engage with. Almost every sentence is rich, full of meaning, and contains enough avenues of thought to construct a city

THE HAUNTED MEMORY OF A DEAD PLACE: An Interview with Derek Fisher by Rebecca Gransden

January 14, 2025

Is there something up with modern dread? Derek Fisher’s enigmatic collection Container (With an X Books, 2024) strokes the lid of contemporary malaise, and teases the release on stories that simmer like a broiling pressure cooker. This is writing cast adrift on strange currents, Fisher’s domain that of diseased architecture, where dark impulses meet bad vibes. I talked to Derek about this unsettling and dynamic collection. Rebecca Gransden: When did you write your first short story? Has your approach to the short story form evolved over time? Derek Fisher: Yooo. Hi Rebecca, my fellow Lizard Brain! My first short

David Simmons Recommends: Brian Evenson, Charlene Elsby, Kelby Losack & J David Osborne

January 9, 2025

Brian Evenson, Good Night, Sleep Tight (Coffee House Press, 2024) Brian Evenson is my favorite author of all time so I make it a policy to read whatever he writes. Some of you may already know Evenson as the innovator and pioneer of the this-house-we-just-moved-into-has-more-windows-on-the-outside-than-on-the-inside-so-now-I’m-going-to-burn-it-down-with-my-family-still-inside horror genre. Whether it’s the crime noir-religious cult-horror-mystery Last Days or the schizophrenic-Mormon-fever dream of The Open Curtain, all he drops are bangers. His short story collections are my favorite though. Fugue State and Windeye are two of the best collections I have ever read. So you already know I was too hype to get

THE TERROR IS THERE: AN INTERVIEW WITH EMILY COSTA by Kevin M. Kearney

January 7, 2025

Emily Costa’s debut story collection GIRL ON GIRL (Rejection Letters, 2024) isn’t a book of horror, at least not in the traditional sense. These stories can be horrifying, sure, and there’s a palpable uneasiness in nearly every chapter, but Costa’s premises are notably banal: girls at an ice cream shop deal with their shitty boss, two moms take their children on a playdate, high schoolers drink warm High Life in a half-empty basement. That’s not to say they’re boring. Costa’s fiction interrogates how those seemingly innocuous interactions are so often charged with aggression and violence—how quickly a welcoming smile can

KEVIN CHESSER HAS A HEADACHE: AN INTERVIEW WITH A POET WHILE WATCHING AN ORIOLES GAME by Dalton Monk

December 3, 2024

Kevin Chesser lives above a candy shop in Thomas, West Virginia, which is a historical coal mining and railroad town with a population of less than six-hundred people. I met Kevin almost a year ago when he came to Huntington to read from his poetry collection, Relief of My Symptoms, at a reading series I host called Ham’s House. Kevin read his poems, played the banjo, and made people laugh. I’ve thought of him often since the reading, and so have others who were in the crowd—they’ve asked me about him. He has that effect on people. He makes them