Interviews & Reviews

TRYING TO FIND SOMETHING BETTER: An Interview with Steve Gergley

Since 2022’s A Quick Primer on Wallowing in Despair: Stories (LEFTOVER Books) Steve Gergley has been steadily and consistently adding to an impressive body of work. The Great Atlantic Highway & Other Stories (Malarkey, 2024) is a showcase for Gergley’s specialties, and reflects the ache at the center of modern existence. Contemporary fables grounded in grit follow tales of high weirdness, and the mundane frequently threatens to be undone. A fuzz pedal is just as likely to be encountered as a strange angel. I spoke to Steve about the collection.       Rebecca Gransden: Like it always felt like

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TRANSMISSIONS: Another Fucking Writing Podcast

Tyler Dempsey is the author of 4 books. He hosts Another Fucking Writing Podcast and lives in Utah with his dog. Another Fucking Writing Podcast can be found here and at Patreon. Rebecca Gransden: How would you describe the podcast to someone who is unfamiliar with what you do? Tyler Dempsey: It’s kind of a literary podcast. Kind of. I don’t know anything about writing. Don’t have the language to talk about craft or know what a Hermit Crabcake or Villanelle is. I just fell in love with books in college. And, when I’d finish a good one, always hunted

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LOSS, GRIEF, SADNESS, MAGIC: An Interview with Bradley Sides

In Crocodile Tears Don’t Cause the Flood (Montag Press, 2024), Bradley Sides folds heavy themes like grief and loss into lighter elements like magic, resulting in an experimental short-story collection that feels relatable even at its most uncanny. Set very firmly in the South, each of Sides’ stories hums with an inventive playfulness that always complements, never overwhelms, the narrative. Sides was kind enough to answer a few of my questions about his craft, his collection, and more.   Elizabeth Crowder: What was your inspiration for Crocodile Tears Didn’t Cause the Flood? Bradley Sides: The book had kind of a

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LOVE IS A SHITPOST FROM THE SOUL: A Profile of Cash Compson by K Hank Jost

“You ever waste much time with this guy?” Cash has removed from the bookshelf a tattered volume of Hunter S. Thompson. He holds it aloft with a smirk I will come increasingly to recognize as punctuation to a dry joke.  The both of us are now newly in our thirties, young but fresh in our next decade, and our trip to the bookstore has largely been a coming to terms with all that we once read and held sacred. Kerouac. Bukowski. Thompson. Hemingway. All the etceterated, quintessential, sensitive but itchy-fisted guy-reads. The one, though, that we mutually hold in unshakeable

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X-R-A-Y Specs: THE PLUMBER (1979)

I don’t think Max’s colonization of the bathroom is an accident. It’s a place where we feel vulnerable, and many times we attach a lock to the door to prevent others from walking in unannounced.

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