AN INTERNATIONAL NETWORK OF SHITHEADS: An Interview with Kyle Seibel
Kyle experimented with ChatGPT once: “What are twenty-five short story ideas?” The answers it puked out were uniformly terrible, except for one.
X-R-A-Y SPECS: ZARDOZ (1974)
I knew I was going to love it when the head started to vomit guns. The tone felt like a Monty Python film. Is that a common comparison?
OUR MONSTROUSNESS AS A TEMPLATE: An Interview with B.R. Yeager
At my most pessimistic I’ve worried that this collection is akin to charging people to watch me at the gym; when I’m more optimistic, it feels like I’m just flexing in different genres.
I’M JUST LIKE EVERY INSECURE WRITER: An Interview with Drew Buxton
There was this thing near San Antonio when I was in high school called the Elmendorf Beast that killed livestock. It turned out it was just a coyote with mange.
MY IDEA OF SELF IS SELF-INFLICTION: Jared Daniel Fagen in conversation with Vi Khi Nao
I don’t feel free, Vi. Never have. I know you don’t either. I don’t know anyone who does, or has. Maybe nothing is, nor should it be.
TROY JAMES WEAVER DOES A LITTLE CHATTING WITH GRAHAM IRVIN
Troy James Weaver is the author of Wichita Stories, Visions, Marigold, Temporal, and Selected Stories. His work often centers around young and vulnerable characters from rural areas struggling to fit into the world. He writes with an unparalleled rawness in quick, powerful bursts. A Troy James Weaver novel is quick and slim, but will change the way you think about writing and people both. In a blurb for Temporal, Scott McClanahan wrote, “[Troy] is our Witold Gombrowicz.” For Marigold, Michael Bible wrote, “[he] is the poet-laureate of Midwestern absurdity with a heart a mile wide.” Dennis Cooper wrote, as a blurb for Selected Stories, Troy’s collection out with…
INTERVIEW WITH SIMON HAN with Taylor Hickney
Simon Han, an Asian-American writer whose critically acclaimed debut novel, Nights When Nothing Happened, comes out on November 17th, took the time to speak to me about growing up as an immigrant in Plano—a suburb of Dallas, Texas—the racism of the American Dream, his craft decisions, and more. *** Taylor Hickney: To me this novel is about loneliness, families, the immigrant experience in America and the racism that goes along with it, the facades of the suburbs, and more. Where did the kernel of this story come from? How long did it take you to nurture it until it became what…
“FIND THE PATTERNS”: A Review of Chloe N. Clark’s Collective Gravities by James McAdams
To lift one particularly apposite description of a character in “Like the Desert Dark,” Chloe N. Clark “likes thinking about ‘ifs.’” Collective Gravities, her third collection (The Science of Unvanishing Objects, Finishing Line Press; Your Strange Fortune, Vegetarian Alcoholic Press), posits a world replete with paranormality. Like a symphony, these stories repeatedly touch upon the same subjects, explored, revealed, and experienced from a diverse variety of narrative perspectives. We can represent the frequency and range of this symphonic collection numerically. Subjects (admittedly subjective): # Stories these subjects occur in: astronauts/paranormal investigation…
INTERVIEW WITH JAMES McADAMS by Jo Varnish
James McAdams’s Ambushing the Void is released this month by Frayed Edge Press. I caught up with him for a chat about his book, his writing process, and his inspirations. JV: Ambushing the Void is a collection of stories drawn together by themes such as relationships, loss, and nostalgia, and told through truly memorable characters. Professor Pankova and Teo are two of many that will stay with me. Did you draw from real life counterparts for these and other characters? JM: It’s pretty easy for me to look at a person, or read/hear about a person on a podcast or Tweet,…
INTERVIEW WITH JEFF JACKSON: “HOW DO YOU MAKE ART THAT HAS STAKES WHEN PEOPLE AREN’T PAYING ATTENTION?” with Chris Gugino
jeff jackson is a writer/playwright/artist/musician. he lives in charlotte, NC, and sings, writes, and performs with the group julian calendar. in october of last year, he released his second novel, destroy all monsters, which is a beautifully twisted novel with two sides, like a record (literally, you finish reading the first side and then flip the book over and read it from the back cover, returning to the middle of the book). destroy all monsters concerns an epidemic of musicians being murdered during their performances. there’s no tangible link between the victims, their killers, or the method in which said…