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LAND LEGS by E.D. WELCH

Bittersweet day, this final one together. Frighteningly agenda-less, we wander through the aisles of small, art-filled stores, awkward in each other’s company, unaccustomed to hanging out like this. “Do you want to go into this one?” I ask him at each store.  “I don’t care.” His only reply. I learn he likes art galleries—oil paintings, to be exact. I didn’t know. Our aimlessness leads us eventually to the beach, where we find our land legs again. The beach: yes, we spent many, many hours at the beach together during his childhood, so this we know how to do. He shows

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RIDING A BIKE THROUGH THE LONELY CONTINUUM OF TIME by Christian Fennell

His name was Leonard. He was riding a bike. His arms held out to the sides of him, his mind never trapped by his own self, never buckling under the weight of what he should be, or shouldn’t be, understanding the truth of himself, always, in this world, hard as that was, and of course, in this moment too, riding a bike through the lonely continuum of time. He smiled at his knowing, where others couldn’t—or fucking wouldn’t, and he was right, and knew he was right, and always would be. He rode on, his arms still there, to the

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LETTERS TO MACKENZIE by Blake L. Bell

I We were wild girls. Raised with dirty feet, tangled hair. Our dogs followed us down the roads we walked, but our mommas rarely did. We played hard, fought hard, loved hard. Fate cheated us from being sisters, so we bound ourselves together with blood ritual. We couldn’t go downstairs to the kitchen to get a knife, afraid of waking momma. Instead, we broke a jar in the upstairs bathroom and sliced our thumbs open; our skin peeled back, vessels bursting and spilling over. We pressed our cuts together and imagined our blood forever combined. “Soul sisters,” we said, sucking

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MISSING by Brian Brunson

Recollection A: He has a distinct memory of being told the story about Uncle Ringo’s missing index finger. More like he remembers that at one point it was a distinct memory. But that was years ago, when he was five or six, and nothing from way back then is distinct. Still, he is sure that his mother, standing in the kitchen, making fried chicken for dinner, told him and his brother that their Uncle Ringo lost his finger when he was sixteen in a meat grinder in the deli he worked at after school Recollection B: Somewhere, sometime, he is

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MY DOUBLE by Michael Loveday

I made a cardboard cutout of me. Clodagh, I called her, and my family took to her well. That first evening at the dinner table, they didn’t register any difference, as they slurped and gnawed, licked their lips, and gorged on their lavish daily meats. At last, I was spared the disgusting sounds of them eating. I spent more time alone in my bedroom, reading tales of the headless Dullahan grinning on his night-black horse, and slowly starving myself, praying that I would one day become invisible.  My parents grew to like that Clodagh endured, without disruption, their long-and-short-of-it stories

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MY MAMMAW’S BOYFRIEND by Dalton Monk

He looks like Stan Lee. And we call him that behind his back. Stan Lee’s real name is Marvin. Right now I’m in Marvin’s truck and we’re parked at the grocery store. He goes inside, and I stay in the backseat of the truck, which is old, the fabric cutting loose in the corners. It’s full of long cucumbers and cobwebs and ants. And a putrid smell that can only come from an old man, specifically an old man that looks like Stan Lee and wears Stan Lee glasses. This is an old man I hardly know. I sit in

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FREAK DEATHS by Aishwarya Mishra

Lasya transfers to our school in the peak of summer when the heat makes us more mirage than matter. Our mothers warn us against going out, but we want to see that translucence that makes us inquire after her surname.  “That house is Lord Krishna’s mouth,” our mothers say, “containing the entire universe within it.” The air-conditioners are dismantled first. The first time we step inside their house, we find it throbbing like the angry vein we sometimes see on our fathers’ foreheads. Lasya’s Ma gives us watermelon juice to cool our stomachs and tells us of the family that

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HORSESHOES by Mary Alice Stewart

She says it big and like a threat and smiling, horseshoe in hand, “I don’t like losing,” and she swings, lets go, and hits the stake head on. A ringer—iron rings against iron and I hold my drink up and shout for her. The game is alive again. Kayla plays inconsistent. It’s sometimes hard to watch, some bad throws, can’t even get one close, then she gets pissed off and you can see in her face that she’s decided it’s over for her and she’s just going through the motions. It’s awful playing her when she gets all fixed like

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THE MILK BOTTLE LEGS OF THE HIGH WIRE WOMAN by Frankie McMillan

1 When I look at her legs I see upturned milk bottles, and I’m talking here of the glass bottles that milk used to come in and I love the shape of those legs, I could stay out all night on the frosty grass looking up at the wire and Miss Tatyana walking the wire in silence, only the guy ropes creaking and the twang of the metal pulley, and you know, those legs get my score, those legs belonging to Miss Tatyana all the way from Russia where they didn’t have glass milk bottles, only Mr Stalin, his mouth

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AFTER SHRINKING by Hannah Cajandig-Taylor

We lived in a pale blue dollhouse with three stories & a basement. Obsessed over hot air balloons & weather blimps. Collected snowglobes & birdcages & convinced our giant neighbors to order countless pizzas by jumping on the remote buttons until a commercial with extra-large pepperoni flashed across their TV screen. Until we snuck enough triangular pizza box tables to furnish the place. Grew make-believe green beans & perennials on the roof. Protected our cardboard porch with Venus flytraps. A drawbridge. Toothpick mailbox. The works. Repainted our plastic appliances with glittering silver nail polish. Sharpie’d our heights on the wall,

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