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I WAS SO READY TO BE ENDURED: A REVIEW OF LAURA THEOBALD’S SALAD DAYS by Evan Williams

Laura Theobald opens her new collection Salad Days with an epigraph from Antony and Cleopatra. Fitting. This book is an acerbic wedding, rejoicing in the union of our worst impulses and their natural consequences. Everyone is dressed to celebrate, except we’re alone. So, so alone.  To be forthright, I had no idea what to make of Salad Days initially. I read the epigraph and thought, “Ah, destructive love, imperial curiosity.” I read the index, where I found the book split into seven spectacularly-titled sections: Waves of Confusion, Art for the Afterlife, Moon Unit, Future Moods, Double Fantasy, Sour Times, and

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THE STOAT by Nick Perilli

We don’t know where the hole in the basement of our house goes, only that it’s far deeper than it looks. Our pet stoat made it last year before disappearing into it. She was always digging—into our wood floors, our garden, our couches, and pantries—but this hole was her masterpiece. The white fur on her belly darkened with dirt over time. Since the day we brought the stoat home, she didn’t pay us any mind; she only had time for digging. She escaped from her cage whenever we weren’t looking, and we admit we rarely looked. Whatever the stoat was

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SUN IS MISSING by Kion You

The Korean rice weevil is a felicitous insect, bent on one simple task: scaling my bedroom walls. Tonight I see three but sometimes there are as many as ten. The thrill must be similar to that of free solo climbing, but when the weevil falls it gets back up and tries again—the hard-shelled advantage.  After dinner I lie in bed, which is a mat on the ground. One weevil wordlessly falls onto my blanket. It lands on its back and its legs flail like a pit of eels. After gathering itself, the weevil plants its left anterior leg onto the

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MOZZARELLA by Megan Navarro Conley

After they drown and bloat with water, white people look like mozzarella cheese. Not the shredded kind in resealable bags, but the smooth spherical cheese in the little wet bags near the deli counter. Sometimes I buy this cheese from Trader Joe’s because plucking it off the refrigerated shelf makes me feel fancy. I like to turn it over in my hands, cup it in my palm while waiting in line. I learn this fact about white people and cheese while standing in a river. I am nineteen, and I still think I’m going to be a doctor. The director

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CAROLINE EATS HER FEELINGS by Gabrielle McAree

I half-expect Chris to be draped in an American flag like a patriotic version of Jesus. Since enlisting, he’s all pro-war now, existing in a blind state of sacrosanctity. He shits red, white, and blue, and has Uncle Sam on speed dial. They grab beers together, talk sports. Bald and uniformed, no one would know that just last week Chris lit illegal fireworks off his parent’s pontoon and drank vodka tonics before noon. That he suffocated lizards and shot small dogs with bb-guns, gratified a Wendy’s. Growing up, his parents thought he was going to be a serial killer, not

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THE SPRING PAGEANT by Richard Mirabella

Danny’s niece, Joan, sat at the newspaper covered folding table in front of the TV and painted the bear head he’d made for her school’s spring pageant. He trusted her with the head, when he would trust no one else with something he’d made, especially a child, but Joan understood how special it was to create objects. Joan didn’t destroy, and never had as far as he knew. Craig and Shannon, her parents, hadn’t complained about it anyway. Every book Danny ever gave Joan still existed intact.  From the entryway of the kitchen, Danny watched her lay brown paint over

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NAVIS by DM O’Connor

Tricky Dicky Manure, my first boss, said the raccoons on Lake Huron were dexterous enough to pick bicycle locks with their fingernails. He paid three fifteen an hour. His desk sat in the corner of a steel Quonset ex-military hangar which could hold every boat in the harbour in winter and only the coolest air in summer. Atop the desk: a hammer and a dictionary. Tricky Dicky liked shade, hated sweat.  My interview was to fill the diesel mower without spilling a drop. One drop and you’re gone. Raccoon nails can cut a flap in a screen easier than a

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AUTUMN CHRISTIAN on film with REBECCA GRANSDEN

Quiet like a bomb waiting for its lit fuse, Autumn Christian has steadily accrued a series of intrepid releases. Nominally designed to satisfy certain genre cravings, Christian’s writing transcends any label simply by being uncommonly good. Her work is strange and provocative, endlessly imaginative, full-blown addicted to ideas, and fearless. For any insight into a mind this committed to creative freedom, the natural starting point is to visit the environment Christian grew up in. ‘I was born in Oklahoma City, but my parents moved to Fort Worth when I was a toddler so my dad could pursue a career in

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MAGNOLIA by Sarah Starr Murphy

The bumblebee swerves across the yard to a yellow daffodil.  The bee clings to the flower’s face for an instant, then crawls on her abdomen into the cylinder of the corona, stretching her tongue towards the sweet nectar and flattening her last two legs behind like a puppy.  She nuzzles in, wriggling.  She backs out, clinging onto the rim with her four hind legs.  Her front two legs wipe the pollen from her furry body.  It falls in tiny but discernible chunks.  She wipes her head a few more times, then buzzes off for the next flower.   The young boy

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MALL MADNESS

Between 7th and 8th period, Becky tells us she can speak to the dead. She swears she can show us after school. When she pulls the box from beneath her bed, we expect a ouija board. Instead, she produces Mall Madness, fun for ages eight to eighty. As she unfolds the board, it greets us. “Attention shoppers: There’s a clearance at the sunglasses boutique.”  The four of us gather cross-legged around the game, and Becky explains the rules. “Wait to ask your questions until it says your car lights are on and you must go to the parking lot, That’s

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