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FIRST KISS AT THE END OF THE WORLD by Chelsea Voulgares

Convinced they were the only people alive in their shit California town, Opal and Matt sat together in a coffin in the basement of the funeral home Matt’s family owned. They planned to get as drunk as possible on the top shelf whiskey they’d looted the week before. “Give me the chips. I’m starving,” Opal said. When Matt handed them to her, she caressed his fingertips. He stared at her and scratched his nose.

First came the droughts and then the fires. The air had crisped up. All that was nothing compared to what happened to the water, which in the beginning was hard to find. Eventually, even what got shipped in tasted greasy. Polluted. Chemically poisoned. They watched their moms and dads and sisters die. Their classmates. Opal’s dog. But for some reason, even though the water made their pee orange, they survived it.

Opal scooted across the coffin’s satin lining. She acted more wasted than she felt and blinked at him through half-closed eyes. Through the smell of liquor and sweat, the apple-y tang of the fabric softener on his shirt came through. She wondered if his mom had washed it last, or if she got too sick in the end and he did it himself. Opal put her head on his shoulder and let her breath go slow and deep.

She’d been in love with him since third grade when they got stuck together during a project on the gold rush. They bought aluminum pie tins, poked holes in them, and convinced their dads to drive them out to a muddy old creek. Despite the fact they got a C, they were inseparable after that class.

He usually dated girls with giant boobs, and even though Opal ran the fastest mile in school, she was desperately and relentlessly flat-chested. His taste in the opposite sex was tacky and shallow, but she liked him anyway. As they lounged in the coffin, with probably every large-breasted teenager in town dead and death coming for them soon too, her opportunity arrived.

She sat up and ate the chips. Some salt fell on her neck and glistened there. She heard a rumble outside and mistakenly thought it was an earthquake. Her throat was dry. They needed to go out and find more water soon.

***

Matt knew Opal wanted him to kiss her. He wanted it too, because he’d seen Gina Thomas barf blood a month ago, and he always cared more about Opal than any other girl anyways. Besides, stuff like will we still be friends after didn’t mean much anymore. There wasn’t going to be an after, and if there was, they wouldn’t have anyone but each other.

He stroked her hair, leaned his cheek against the top of her head, and breathed. Her curls were warm and dry against his face. They smelled like the ocean, which was weird, because neither of them had been bathing much. 

As kids, they’d played dolls. He controlled the He-Men. She orchestrated the Barbies. Sometimes, if left alone for long enough, they made the figures bump and grind, smooth tan plastic parts clacking together. His favorite had always been Skeletor, and it never seemed strange then to see that yellow skull of a face under Skipper as she thrashed up and down, side to side.

Opal pulled away from him in a coughing fit. He grabbed her elbow to steady her, put a bottle of Gatorade in her hand. She took a swig, smiled. “Much better,” she said. 

He grinned back, rubbed her shoulder, and looked into her eyes. His groin twitched. 

As he moved his hand to the back of her head and his face toward hers, he didn't notice the ground around them vibrating.

***

Outside, one of two things was happening. The first: a cavalcade of army green Humvees pulled into the funeral home parking lot filled with antibiotics, high-tech water purifiers, and rescuers (most of them young and nubile women, more beautiful than Opal and also immune). The second: a dust storm, rolling grey and brown dirt, charged toward them to destroy any remaining drop of fresh water, to bury the door of this building, trapping Opal and Matt inside. Either way, their lips, their mouths, their tongues touched.

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MANDALA by Vallie Lynn Watson

He always walked me to my car when I left his house after sex, so stealing his albums was tricky. Not stealing. Borrowing. I started in month two, initially one album at a time, always only the record itself. He’d have to excuse himself to the restroom five or six times an evening, and I’d barefoot across his new carpet to just outside his bedroom, where the shelves began. I would slip an album out of the cover and into my messenger bag, take them home until our next engagement—he usually asked me back within a week—and after sex, put it back in its cover, fetch a fresh one. By month three I was exchanging ten at a time, and by month six, eighteen, the most I could carry in my bag. He never mentioned any missing, and he certainly hadn’t noticed the condition I returned them in. He said he’d not played music since the summer, but I was scared that he didn’t want me around for the music. I always made the short drive home in silence.

I missed him, in the in-between. Sometimes there were phone calls, about our day, about our faraway families. He did most of the talking while I painted on his records, repeating dots, lines, and swirls, starting around the center label and fanning out, playing the record backwards, pulling fine-tipped brushes over the surface of the grooved vinyl, until side A was nothing but a kaleidoscope of color. I bought a kid’s turntable and let the B-sides play wavily, lifted by the uneven, dried paint beneath, while I slept.

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A EULOGY by Michael Hendery

Cynthia B. Hurley, known online as @iBrake4Corgis17, was a well-connected woman visible across the social media landscape. Her beloved Instagram feed totaled 12,574 posts, and she amassed 836 followers after more than twenty-five years of daily engagement with the app. Cindy’s all-time, most-liked post was a photo from October 2031 of her wearing a Davy Crockett raccoon-skin cap, pretending to strangle the eight-foot-tall stuffed grizzly bear in the lobby of the Fern Creek Lodge which garnered 529 likes and spawned dozens of comments, including the expected accolades from her dear friends @tango4one and @winediva77. This post’s popularity surpassed her previous record for the selfie she took in front of copulating zebras during her well-documented safari trip to the Serengeti back in the winter of 2029.  

Cindy’s YouTube channel was a hallowed storehouse for her personal concert recordings, including a third-row video capture of nearly all of Neil Diamond’s “Cracklin’ Rosie” live from the Hollywood Bowl that, to date, has been viewed more than 8,200 times. She also leaves behind a nine-part series of how-to videos for removing stubborn stains from a variety of fabrics. Cindy’s upload demonstrating how baking soda and vinegar can be used to get a dark roast coffee stain out of a hand-tufted wool rug has gotten nearly 5,000 views, and it ultimately earned her an invitation for a featured segment on household cleaning tips and tricks on Wake Up Bakersfield!

While a perilous allergy to pet dander rendered Cindy incapable of keeping a dog in her apartment, she nonetheless maintained an active Tumblr account where she collected innumerable photographs of dressed-up Corgis. Her favorite was of a Pembroke Welsh outfitted with a deerstalker hat and wool tweed jacket to which she added the caption, “the Corgi of Baskerville.”

On Twitter, Cindy only followed celebrity chefs. She liked their weeknight recipe links, and appreciated their reluctance to discuss politics in public forums. Cindy had registered accounts on Linkedin, Pinterest, Snapchat, Pastiche, Splay, among others; however, it was her Facebook presence that most endeared Cindy to hundreds of family and friends throughout the world. Her profile picture—a brown-and-white cartoon face of a pointy-eared Corgi, sporting a top hat and monocle—became iconic among her followers. This tiny portrait was framed next to each of her comments, linked Instagram photos, and witty status updates. “I forgot to workout today; that’s nine years in a row!” was posted at 8:52am on the day she passed.

On Facebook, Cindy was known for her tenacious commitment to celebrating birthdays within her vast circle of friends. She developed something of a trademark for the occasion, writing “Feliz Cumpleaños” squeezed between two maracas emojis for each friend on their special day. On her own birthday, Cindy would respond to each of her well-wishers with personalized GIF reactions and emoji sequences tailored to their particular connection. 

Although she could be playful, Cindy did not shy away from important global issues. She received 345 likes and 97 sad-face reactions for the article she shared about the devastating flooding and refugee crisis in Cambodia and South Vietnam. Her powerful post that simply displayed the block-lettered phrase “dog fighting” within a red circle and backslash had a similar kind of impact on her followers. 

While Cindy’s passing is sorrowful, she did opt-in for Facebook’s Posthumous Content Generator, so it is comforting to know that her spirit will live on with posts authored in her likeness, originating from her account forevermore. The first such post, Cindy’s Life Retrospective, is now live and can be viewed at her profile page, or at her memorial tablet onsite at Hillcrest Cemetery.  

#pour1forCin #CorgisRpeople2 #mother_of_4 

 
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THE MOON GOES ON by Lydia Copeland Gwyn

The tea warms through the paper cup and through my gloves. A tiny island of pleasure in the winter air outside my car. My head is still reeling with the conversations of the night. Friends from upstate New York, who drove here in their Prius. Their gentleman toddler who sat in the backseat through miles of I-81 without one solitary meltdown. The straw-bale guest house they want to construct next summer, where we can all stay when we visit. We being any friend who wishes to make the 12-hour drive.

I can’t help but look up because the trees are bare and so much of the night sky is visible. The moon full as boiled potatoes and stars always moving away.

I could reach up to the branches, damp in their centers, and pull one down to raise like a torch and stir the air. To stir the air the way my eight-year-old daughter moves the wind up in her tree house with an old walking stick. The way she owns that shit, full-faced and unflinching. And the leaves move here and there at her command. All the saints from the Catholic gift shop clinking together around her neck.

My energy is at an all-time low. Lately I'm unable to maneuver through a conversation with the ease I used to, and my brain feels dull. I can’t remember words. I interrupt more these days, and what I have to say is not important. Tonight I repeated what my friends said. I agreed. I smiled. I nodded. I added nothing new but the detail that I moved to a new office at work. I have more light now, I said. 

The moon goes on shining above my car through the oak and maple branches, a silver mystery, its gray craters like oil through paper.

I hear the cars going down Highway 400, and a train clanging and whistling in the town down the road. The town where owner-less dogs walk freely. Their fur bristling with the filth of garbage scraps. The town is named after the wild turkeys that inhabit the area.

I stand in my driveway unable to remember the planet whose shape is brightest now, nor the word whose meaning is to expand fiercely. To expand fiercely.

My brain loops like a Philip Glass machine, the same refrain, the same refrain. Only it's not the same. There are faint changes in every line.

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EVENTUALLY NOTHING’S COMING BACK by Gabrielle Griffis

First they converted five-thousand year-round homes into summer rentals. 

The number of Airbnbs and zoning regulations filled the ponds with nitrogen and cyanobacteria, stuff that evolved 2.7 billion years ago. You stare at a sign that says keep kids away from scum. You think, something is desperately wrong, but folks just shrug, elated that the remaining ponds are six degrees hotter. 

A woman in a bathing suit reads the same sign.

“I’m glad I won’t be around to see what happens!” she says, snapping swimming goggles over hair the color of spider silk. She details her upcoming trip to a coral reef, devoid of coral. 

“I’m in a mad house,” you think and take your beach towel elsewhere. 

***

Ornithologists say there are more birds on the peninsula now than a hundred years ago. 

People get excited because one time Thoreau was here. Shanties are famous because a well-known transcendentalist stayed there. Newspapers write about it. The land was deforested, cleared for sheep. In the absence of forest, rain washed away the soil. Precious minerals recycled for millennia were lost to the sea. 

Now spruce and oak have reached a certain height. Bald eagles return. You adjust your binoculars next to the woman who commented on the algae sign. She’s hoping for a raptor mating show. 

Developers clear scrub pine forest for luxury condo units.  

You watch your friends vacate, tired of living in mold infested apartments. 

Erosion and strong storms in March wash away clutches of piping plovers. Their eggs, indistinguishable from rocks, are swallowed by the tide. 

Time and the temperature feel messed up. You’re sad and eat a popsicle.  

***

The sign-woman says she enjoyed her vacation. She’s on the land conservation trust. 

You consider the Sekki calendar, the 72 micro-seasons of Japan, punctuated by the sensory experiences of nature. You think about the low-tide stink and where the first pungent smell of marsh methane would fall on the calendar. Probably spring. April smells like rotten eggs. 

If only we all measured time by blossoming beach plums and the arrival of dark-eyed juncos.   

In nature, everything is reused, birds smash and eat shells for calcium, coral reefs struggle with large nutrient disturbances because their ecosystems are efficient at recycling. Slurries of fertilizer are bad. You have no friends because it’s more lucrative for property owners to do summer rentals. 

Eggs drift out to sea. Trees are felled. Birds die or leave. You wonder if anyone will come back. You hope they will, but you’re not optimistic. 

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THE BIRD by Mary Widdicks

There’s mud between my toes. Slimy, sticky, and covering the chipped pink polish that now decorates only the tips of my big toenails. It’ll be gone the next time Mom cuts them. The ground is hot even though the sun is starting to duck behind the trees, and I can’t stand still for very long or it burns the bottoms of my feet. I hop from grass patch to molehill along the side of the road, avoiding gravel and broken glass like a game of hopscotch, and trying desperately not to spill the water from the bucket dangling from my right hand.

Slosh.

Hop.

Splash.

The air still smells like clamshells on the creekbank even though I can see my house waiting on the other side of the street. It has a covered porch on the second floor, which people say is fancy, though I’ve never been out there. Mom says it’s not safe, and the window has been locked for as long as I can remember. There’s a long stretch of sunbaked asphalt to tiptoe across to get home. Pinched in my other hand are my favorite boots, hot and damp and dripping silt. The boots are green rubber and look like frogs with two big yellow eyes that gaze up at me from the toes. They’re two sizes too small and give me blisters now, but I don’t care. 

They’re lucky. 

I set the bucket on the grass beside me. More like a pail. The kind you build sandcastles with at the beach. I peer inside.

Crawdads. 

Piled in the bottom of the bucket, the little river lobsters squirm on top of each other. A wriggling tower of shells and pinchers tangle up with antennae and spider-legs. The alien creatures roll onto their backs and curl inward, as if they’re afraid to touch the plastic sides. Their whole lives have been spent hiding beneath rocks and traversing the gentle rapids of the creek. The water is murky with sand and fear, the metallic tang of desperation rises from the sloshing water. 

I plunge my free hand into the chilly water and pinch one of the wriggling creatures between my thumb and forefinger, careful to keep my flesh clear of the flailing claws. The remaining crawdads clack against the bucket as they test the limitations of their new surroundings. Plucked from the only home they’ve ever known, these creatures waste no time in mourning. The static death of plastic must feel like another world, and the natives are getting restless.  

I lift the hefty crawdad in front of my face. Ruddy brown eyes stare through me as if my nose isn’t poised inches from its sharp snout. The crawdad stretches its legs to the side, reaching and hoping for anything it can use to escape. One antenna tickles the back of my wrist. Goosebumps rise up along my tanned arms and I grip the hard shell harder, just in case. The boots in my other hand dangle heavily against my thigh and I drop them to the ground without breaking the crawdads beady gaze. 

The crawdad in my hand writhes and I flip it onto its back, a little trick I learned from my cousin a few summers ago. In contrast to the dark mahogany shell along its back, the underbelly of the crawdad was pallid and speckled with tiny orange and black orbs. Dozens of them, mashed together and protected by the scooping tail shell that was now resting against my palm. Eggs. This crawdad was about to be a mother. 

I curl my toes into the soft grass and bite my cheek. The sun has dipped behind the trees along the creekbank, and it’s starting to get dark. The light shining through is sherbet orange instead of golden yellow, and the little ginger eggs glow translucent. My stomach rumbles. There isn’t time to take her home. Not today. Cars whiz past on the road ahead and I ease the pregnant crawdad back into the bucket. The others pile on top of her and within seconds it’s impossible to distinguish claw from leg. My toes start to twitch. I tip out my lucky boots and water pours onto the grass beside my feet. Maybe I’ll take my chances on the hot blacktop. I crouch to scoop up the bucket and that’s when I see it. 

A few steps away, half buried in a pothole, a mass of black feathers and dirt is crumpled in a heap on the road. A single feather sticks straight up from the center like someone planted a flag. The crawdads clack against the side of the bucket as I drag it behind me. One step. My wet toes sizzle against the ground. At first the thing looks like a pile of leaves or dirt, but soon my eyes make out the shape of a large, black bird. A sharp rock jabs between my toes and tears cloud my eyes. Is he still moving? 

When I’m close enough I could reach out and touch the broken wing, I stop. I let the bucket fall from my hand. Water splashes onto my feet and seeps into the ground as the pile of crawdads wriggles free. They’ll be fine, I tell myself. Mud drips from my toes, and I fall to my knees on the verge of the street. I’m close enough to touch the crumpled mess. The long flight feathers of one wing are bent toward the sky and twitching with the wind from each passing car. Someone honks as they pass. I examine the bird. A starling. They’re easy to spot from the metallic rainbow of colors shining from their slick black heads, like oil spills leaking across parking lots. 

He’s been hit by a car. The back half of his body spread thin like playdoh, his skinny legs bent until they look almost like the Crawdads. I wonder if he suffered, how long he’s been plastered here. Sadness rises up from my stomach and sticks in my throat like a bubble. Everyone hates starlings, but I always thought they were pretty. Some of his feathers are still whole and unbroken. His black eyes are staring up at the sky. I set my boots down and reach my hand toward one of the long, sleek, tail feathers. 

Then he blinks. 

His head rises from the ground and the twisted wing flaps pointlessly in the air. 

I jump to my feet. His legs and body have glued him to the ground and no matter how hard he struggles, he’ll never leave that place. 

The bubble in my throat bursts and a sob escapes. The sound shocks the bird as much as me. We both freeze. His eye fixes on me. I look around for someone to call, but there’s no one. Who would help him anyway? Birds die every day. It’s nature. 

But not this way. 

Not slow and painful and pointless.

I want to help. 

Beside me the eyes of my frog boots glare up at me. Calling me weak. Stupid. They know what needs to be done. I slip one foot into the wet boot. It’s cold and gritty inside. I step closer to the bird and he flaps again. My face is hot and then cold and it’s not until I reach a hand to my cheek that I realize I’m crying. Someone has to do it. I can’t leave him this way.

I’m standing over him now. His wing pointed at me like a finger. I raise my foot high. Probably too high, because I tip off balance as I bring the heel of my boot down toward his head. The force of the impact vibrates up my leg and into my hip. It hurts. Like a shock from an electric fence. But I missed. The bird’s beak scrapes against the road but he’s still moving. More frantic now. The last of his life energy fighting to stay alive when really he’s already dead. He just doesn’t know it yet. 

My chest burns and my stomach heaves. I want to leave. I want to run home and forget I ever saw him. In that moment I hate him. But I’ve made it worse now. Half snapped, his wing still flails and I know he’s hurting. I sniff hard and snot leaks down my throat. I close my eyes and bring my heel down again. This time I know I’ve done it. There’s a loud popping sound like those little firecrackers you throw at the sidewalk. 

And then nothing. 

I can’t even look. I slip my foot from the boot and leave it where it falls. My knees crunch against gravel as I ease back onto my ankles in the ditch. Hands shaking in my lap I count the cars that pass, so close I can feel the wind dragging me along behind them. One. Two. Three. Beside me a rustling pulls my attention back toward the bird. The crawdads sharp legs scrape the asphalt as they test this new environment. Within moments, they gain confidence. One reaches a claw toward the bird and grips the one protruding feather still pointing toward the dusky sky. 

Crack. 

The feather snaps between the pincers, and I scramble to my feet. Crawdads don’t scavenge dead birds. It isn’t right. My stomach turns and I wish I’d never seen the bird, wish I’d never tipped out the bucket and introduced these creatures to the cruelty of human nature. Another car honks and I  and there’s no time for mourning. I turn my back to the boots and the bird and the bucket and I walk home. The ground cooks my feet, but I don’t care anymore. I’ll never go back. 

No more lucky boots. 

No more hopping. 

No more dancing.

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EGGS by Emma Howard

I'm just going to write stream of consciousness 

I don't like women I admire I'm scared of them I'm scared I'll never be like them and I'll always laugh at every joke and be afraid of feeling angry and letting people know every time I was angry I ate a lot of something really salty or really sweet and kept the wrappers in my bag so roommates wouldn't see them in the trash can 

I remove them at irregular intervals, when I'm in public by a trash can and I don't know anybody there I move to a new one for each different wrapper so a stranger won't know how much I ate in one sitting not to feel angry 

I think it's important to be kind to strangers but you don't always need to be nice and you don't owe anyone your politeness this is something I think but not something I believe 

I think there should be more women in comedy 

I also think there should be a way to express myself on a wider platform in an unironic voice that cracks and wavers because I cry a lot when I'm angry before I make a joke of it

Anything that feels too heartfelt or passionate or opinionated has to be followed by an lol so no one will be uncomfortable 

I don't know when I learned to bond over insecurity and forgot how to bond over anything else. Confident people have something I don't understand and can't relate to and I want to learn but I'm afraid to, afraid that if I spend too much time with them I'll see how much I want that 

I laughed and smiled when Mike From My Hometown said are you a virgin is that why you won't have sex with me and when Tom something stuck his hand in my pants and his fingers inside of me 

I was drunk and I said I didn't want anything and then he put his hands inside me it hurt and I pretended to enjoy it i didn't know what else to do I backed away and laughed and started to close the door he said are you okay you look like you're scared of me and I laughed and then I closed the door 

The night I slept at Mike From My Hometown’s house I lied to my mom 

It didn't feel sneaky in a fun way 

He was a manager he was the first manager I had who said he wanted to fuck me and I liked that he could tell me what to do 

Invitations became obligations that I thought I liked but knew I wouldn't in the morning 

I didn't have sex with him but I didn't want to be there in his house or his room or his bed 

He was high on quaaludes and I didn't know until later 

It made me feel worse 

He made eggs the next morning with onions 

I love eggs with onions 

I was upset that he was the person cooking me eggs with onions and also they weren't done enough 

I don't like eggs over easy 

I drove home the license plate still says "thespian" without an e cause it wouldn't fit and that was the first morning I felt wrong being in my teenage car like something adult had happened to my body and now I needed to change my license plate 

I listened to this CD of old French ballads I got at goodwill and I felt icky but I couldn't cry even though I wanted to 

When I was 12 I watched Chicago and convinced Maddie to reenact scenes with me for her parents and we sang "When You're Good to Mama" even though that's not one of the duets so we didn't do harmonies we just sang all of it in unison and I danced in this vulgar hypersexual way on a chair and her parents sat there and tried to smile 

I miss when my sexuality was all my own accidental performances 

Living room skits for adults I hadn't learned not to trust yet 

And we laughed the whole way through 

Because everything was funny and nothing was uncomfortable 

For us 

And that was all that mattered

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A VERY SHORT STORY ABOUT TWO (THREE) FORMER FRIENDS by Eli S. Evans

On my fortieth birthday, my old friend A– sent me the following message: “Happy birthday, bro. Mark Fisher summited Everest last week.” As Mark Fisher and I hadn’t been friends for at least twenty years, this news was not meaningful to me except in so far as it provided a measure relative to which all of my own accomplishments in life suddenly appeared quite meager. And on the day of my fortieth birthday, no less! In bitterness, I composed the following reply: “That’s cool, but not as cool as when I summited your mom last night,” and only after not receiving a response remembered that A–’s mom had just recently died of something unpleasant involving, if I was not mistaken, her colon. Some months later, another old friend, J–, asked me if I’d heard the latest from A–. “No, and I don’t expect to,” I answered, and for the sake of explanation told him exactly the same story I’ve recounted here. When I finished, he was uncharacteristically silent at the other end of the line, at which point it dawned on me that it was actually J–’s mother, and not A–’s, who shortly before my fortieth birthday had died of something unpleasant involving, if I was not mistaken, her colon.  

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“PANDEMIC WAVES” by Michael Seymour Blake


Michael Seymour Blake is the author of the art book 12 Days of Santa Crying. Shirts featuring his art can be seen on hot bodies around the world. He eats, sleeps, doodles, writes, lives in Queens, NY. He easily gets lost.

Fabulous (It's True!) Website: MichaelSeymourBlake.com

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PETS: AN ANTHOLOGY edited by Jordan Castro (Review by Matthew Boyarsky)

Pets: An AnthologyEdited by Jordan CastroReview by Matt Boyarsky

I’ve been bitten by a dog exactly once. The dog’s name was Nelly. She jumped on me in what I thought to be a gesture of playfulness before she tore into my forearm. 

Nelly’s owner screamed. How could someone so good at making her happy do something horrible? “Do you need help?” she asked.

I told her I was okay, that the dog was just doing her job. A dumb thing to say.

The owner seemed the type of person to have her animals up to date on their shots, and I wasn’t the type of person who had health insurance. So I walked away, bleeding under my sleeve, because there was a sadder story waiting for Nelly, and I wasn’t in it. 

Almost every story in Pets, a new anthology about animals from Tyrant Books, levels with death in some form or another. Some of them even deal in killing. When swimming through this death, the book asks in waves, calmly, What kind of person are you? 

It’s a humbling reading experience. One that makes me wonder if there is any truth to the brutal pragmatisms of Instagram captions. Sayings like: “If my dog doesn’t like you, then I don’t like you,” painted in white cursive on a block of wood hung with rope. In the book, I get to see people through the eyes of animals, through the eyes of characters who become animals —their animals—for better or worse. 

This is where the anthology begins with Michael W. Clune’s story, “The Measure of Love.” It follows a narrator walking around town with their claws drawn in defense of their rescue dog called Burt. Burt has learned love slowly, despite being hurt in the past, and the owner’s love of the dog grows to crush their love of people. Primal allegiances prevail when ape meets wolf, and no one is safe because the defining lines of species have dissolved. 

After that dissolution, people both loved and hated appear in the book’s pages. Freeloading reptiles. Birds who shit on art in protest. A puppy who enables his friend’s addiction because he doesn’t want to kill the vibe. There are cats that refuse to die, despite their hatred for life. Characters get kidnapped, drugged, and forgotten.  There are tears, teams to root for. Investment. Sadness. In cycles.

The pattern is not coincidence. When thinking of a pet in the past tense, a person can only float among the hundreds of warm stories orbiting one massive, gaseous, horrific, inevitable story. I don’t believe every writer included in the collection got on a conference call with a plan to stab readers in the heart. They have, however, taken the unspoken terms and conditions of caring for an animal and rewritten them so a reader can see the fine print for themselves. 

These writers—Ann Beattie, Chelsea Hodson, Scott McClanahan, Patty Yumi Cottrell, Blake Butler, and Tao Lin, to name a few—take turns in poetry, prose, and art to tell some of these stories. Individually, each storyteller uses their space to make peace, to reckon, and possibly move on. But as a collection, Pets rewinds. It hits pause and stares until the pixels of memory blur into something else. Hard earned honesty, even when it’s lies. 

A good book is one you want to give to a friend. In this anthology, art and friendship share a long, shaking hug while shedding hair and wiping snot on each other’s shoulders. During and after reading the book, you think a lot about who you’ll pass it along to. 

I will lend it to my sister-in-law, whose sixteen-year-old cat I used to watch and once almost killed by starting the dryer with her in it. I will lend this book to my girlfriend, who sits through videos of cows getting shot in the head with a bolt gun to keep her vegetarian streak strong. I will lend this book to my old friend who likes reading books. 

I don’t know what reaction the book will provoke from each of them, but whose fault is that? By the time you’re done reading it, Pets is a mirror most of all. 

What kind of person are you?

I’ve been watching some ethically questionable reality television in my time alone. I am not causing anyone direct pain, as far as I know. But I’ve been eating meat from a can— still warm with life at the time of its packaging. And I can see the teeth marks of Nelly the bodyguard dog through the thin hair on my arm when I look real close. 

Pets: An Anthology edited by Jordan Castro
Order from Tyrant Books HERE
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