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BACKFLASH by Rebecca Portela

There it is. That particular tone that wakes me up from a dead sleep. Primal, sometimes guttural. Almost inhuman. Or so very human, more human than people ever dare to be. I feel for my phone in the dark. Corner of the nightstand. Lamp. Glasses. Phone. I get out of bed with less urgency than the last time and even less than the time before that. I flick on the lights and watch her for just a second. Hair in her face. Fists clenched. Body convulsing. I check the foam padding I put on the side of her nightstand from when she hit her head the first time. I look at my phone to hit record. 

We didn’t always capture the flashbacks. It used to be a novel thing where I would jump out of bed, heart pounding, trying to be her hero. I thought about all the ways I’d seen people snap out of it in the movies. You yell at her and remind her who she is and who you are. And your firm grasp on her shoulders, your skin on hers tells her she's safe. Maybe if I just love more, with more intensity. I pinned her down and pried her eyelids open so she could see me. Her trembling eyes stared right through me, as she continued to kick and fight me off like I was him. I finally understood what a flashback truly was. She wasn’t here. She was gone, far away, back to the place, back to the time, back to the moment, back to a little girl’s fearful present.

So here I sit on the edge of the bed, holding my phone while it records the girl biting down on the pillow, bearing the gruesome scene so later she can view it herself even though it will play out just the same as all the other ones, her quivering body always facing down to the right side in the same way with her hands held wide open and shaking out in front of her face like she’s desperately trying to push something away. Her quick shrieks now fully grown sobs and wails, the kind where you swear you can actually hear the heart breaking over and over again, forced to accept the impossible as truth. I can almost see him on top of her, like someone photoshopped him out of the picture and left only her, maneuvering, fighting, pleading, screaming things like “Please, please no!” and “I can’t! I can’t! I can’t!” and eventually her body goes slack and surrenders. Her voice is far away and lost. No words, just little humming sounds. Rhythmic, distressed humming sounds as I see her body jolt forward again and again. Her eyes open wide and empty. Now she is truly gone. 

I continue sitting and recording and waiting until I recognize her face again. Her eyes finally familiar and soft, still searching for a fully formed reality. 

“You back?” I ask, knowing she’s back.

She stares straight ahead, crawling away from memories, the thrown pillows, the thrashed sheets, and nods a small but heavy nod. Her unsteady hand reaches out for water. And more water. 

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COME HERE, I WANT TO TELL YOU SOMETHING by Jamy Bond

Sometimes, I would catch her peering through a crack in my bedroom door as I changed, watching me with those blue dagger eyes. “Do you think you need some new bras?” she might say later, “those no longer seem to fit.” A way of letting me know what she’d seen. 

Locks were not allowed in our house, not even in the bathroom, and sometimes she would stand outside of the door while I bathed, chatting away like we were friends.  She’d rattle the doorknob, just to let me know she could come in if she wanted to.  

Come here, I want to tell you something, she’d say.  It always made my stomach drop, my throat freeze, a strong metallic taste creep into mouth.  “Your dad has some disease.  But he wants me to touch it anyway.  He wants me to put it in my mouth.”   

I was 12 and had kissed a boy once under the strobe lights at the roller rink.  He pressed his tongue between my lips.  He tasted like root beer and ripe bananas. 

Sometimes she would press up close to my friend, Rick, when he came to see me. “You’re too young for boyfriends,” she’d say. One time she gave Rick a Coke and sat on the porch in her black miniskirt, talking nonstop while he watched her crossing and uncrossing her legs. 

Come here, I want to tell you something. “My father used to beat my mother.  But I was always on his side.  She complained too much.  She whined all the time.  She deserved it.” 

Sometimes, she’d call me into the bathroom to keep her company while she bathed, the shower curtain wide open so I could see her rubbing her breasts with soap.  “Don’t forget our secret,” she’d say.  “A girl stays loyal to her mother. Always.”   

Once, I took a knife from the kitchen and crawled under my bed, pressed the sharp blade against my arm until the skin split, bloody and warm. If I were to cut her open what would I find inside? No pulsing organs. No human meat. A yellow, waxy slime. 

Sometimes I hid in the closet, beneath a pile of old blankets that smelled like mold, and tried to merge with the quiet and the darkness. I tried to melt into nothing, into non-matter, into liquid that evaporates, into dust that scatters, into rising ash.  

Come here, I want to tell you something.  “Lie down with me.  Hold me close. Consider yourself lucky.  You have me to take care of you,” she’d say.  “When I was a little girl, I had no one.”

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NEANDERTHAL by Noa Covo

Two months after we get married, my husband tells me he is the last Neanderthal on Earth. We are nestled together on the couch when he says it, and I can tell he is serious. I do not laugh. I ask him how long he’s known. He says he first found out when he was a teenager. An archaeologist came to his school, as part of an attempt to encourage rural Americans to get into science. After the assembly, my husband was called to the principal’s office. 

I imagine my husband on his way to the office, his shoulders hunched and his arms swinging like pendulums. For as long as I’ve known him, he’s never gotten in trouble for anything. I ask him if he was chewing gum, and my husband shakes his head and continues. 

The archaeologist was waiting for him in the office. He’d seen him at the assembly and wanted a closer look. He ran his large, white hands over my husband’s head and asked him questions about his family he did not know how to answer. In the end, he turned to my husband and told him he was probably the last Neanderthal on Earth. I knew he was right, my husband says, because I’ve always felt different, not quite human, I’m too short, my head is too big. I trace my husband’s jawline as he tells me this. I wonder what he told the archaeologist about his family, if he told him that he was found on the steps of a church as an infant, with nothing but a blanket wrapped around his pale body. I do not ask him that. Instead, I ask him if he thinks his biological parents were Neanderthals, too. 

My husband gets up off the couch and goes to the kitchen. Maybe, he says, arms swinging. Maybe they wanted me to live a better life. I picture his family living in the cave behind the strip mall, where high-schoolers go to drink cheap beer. I imagine them scavenging berries and eating Doritos crumbs, I imagine them giving up their little Neanderthal baby to Homo sapiens, so that he’d have a future in this fast moving world. After that evening, he doesn’t bring it up again, and neither do I. 

A few months later, my parents take us to a museum. I don’t want to go, but my husband does. He loves my parents, or rather their stability, so unlike his Neanderthal biological parents or his dead adopted ones. My parents are two old people that get excited over television reruns and travelling exhibits, and for my husband, they are everything. 

We step into a hall full of ancient pottery. My parents stick close to the walls, leaning in to read the signs full of small print. My husband and I walk together, hand in hand, away from the glass. I pause to look at one of the pieces, a pot cracked down the side but miraculously intact. I feel my husband drift off with the flow of visitors. I wonder what ended up cracking this pot, preserved for thousands of years, if it was found cracked or if some intern ruined it, a careless action becoming a dark secret. When I look up, my husband is gone. I walk past the pots until I find him at the beginning of a new exhibit. He is staring at a drawing of a reconstructed face, a Neanderthal woman with kind, brown eyes, smiling down at the two of us. 

My husband begins to cry under her soft gaze. I run my hands over his enlarged skull, over his swinging arms, I stare up at the wise Neanderthal woman. I wish she  could come to life and embrace my husband like a mother, that she could tell me some ancient wisdom, that she could teach me to heal his pain. Instead, she just smiles, unaware that she has left the last of her species all alone.  

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DEAR SOPHIE by Emma Brankin

Dear Sophie,

Congratulations on the happiness.

Love,

Amy

Delete.

 

Dear Sophie,

You look so in love. I love the dress, love the shoes, love the veil! I wish you a lifetime of love.

Love,

Amy

Delete.

 

Dear Sophie,

How did you lose so much weight? I thought you were off coke. I have collarbone envy.

Love,

Amy

Delete.

 

Dear Sophie,

Your pictures are deluding me into believing there is a Prince Charming out there for each of us.

I want what you have. Seriously.

Love,

Amy

Delete.

 

Dear Sophie,

I’m typing this from the comfort of my crumb-strewn sofa, wondering what you are up to right now. I keep checking my Instagram feed but nobody’s uploaded anything for thirty minutes. Are you mid-first dance, gazing into his eyes, underscored by a simpering Ed Sheeran track?

It does not pass me by that you are swirling around in a haze of romance while I sit on my sofa bleeding into an industrial-sized nappy.

Love,

Amy

Delete.

 

Dear Sophie,

Finally, somebody posted the cake cutting photo! The braids, the nude lipstick, the downcast eyes… this demure bride vibe is really working for you. You could never tell you were a couple who met at a Barrowlands rave.

Love,

Amy

Delete.

 

Dear Sophie,

Living vicariously through you is all I have.

Colin has fallen asleep after his third beer, so I’ve paused the true-crime documentary about bank-robbing priests he wanted to watch. I’m definitely not buying his insistence that he’s here because “this is happening to both of us”. He’s just here so he can say he was here if anyone ever finds out.

“Happening to both of us.”

It certainly didn’t feel like that when I was the one wheeled down a hospital corridor as he waved me off with a copy of Private Eye in one hand and a breakfast burrito in the other. Although, how much sympathy can you demand from your ex-boyfriend as you reunite for one last hurrah in the abortion clinic? I might write in to Dear Deirdre.Maybe, as it’s “happening to both of us,” I’ll ask Colin to also wear a nappy before he fucks off back to his new girlfriend. He’s so insistent on coming across as sincere during his attempt at bedside “support” that he’d probably put it on. And I’d probably still stay in love with him.

I am the worst. Well, second worst. After Colin obviously.

Love,

Amy

Delete.

 

Dear Sophie,

I will send this email this time.

I am going to get the congratulatory tone bang on. I will focus on the sacred, beautiful bond of marriage and not talk about how I cried in the recovery room thinking about how the only thing left tying me to Colin is gone. 

Love,

Amy

Delete.

 

Dear Sophie,

Colin looks so peaceful. It’s so pathetic. I just want to mold my body into his and pretend nothing has happened. Not his cheating. Not the break-up. Not the endless “what should we do?” conversations. I want to go back to blissful delusion about the strength of our relationship.

Actually, now that I’ve been staring at him for so long, he’s starting to look less peaceful and more… smug. Fuck, he really is smug, isn’t he? With his stupid, smug, asleep face. I bet that whatever dream he’s having right now, he’s being a proper bell-end in it. 

How have you willingly chosen to spend a lifetime with an actual human man?

Good fucking luck.

Love,

Amy

Delete

 

Dear Sophie,

I have always liked your Ally. He might be a druggie but he’s kind and he adores you. I’m guessing in his toast he told the story about how he knew you were the one when you took his cat on a walk with a lead?

But, tonight is not the night for me to listen to heartfelt declarations of love. Tonight is the night for me to delve into the Netflix documentary that nobody’s talking about. I really think these priests might pull this heist off, you know.

Help.

Love,

Amy

Delete.

 

Dear Sophie,I’m going to do it. I’m going to explain. I’m going to tell you that you are a wonderful friend, a wonderful bride and are now going to be a wonderful wife. I’m going to be better than this.

But first, I’m going to go take a tramadol. Maybe two.Love,

Amy

Delete.

 

Dear Sophie,

I am so sorry your marriage has been the stick with which I have mercilessly flogged myself this evening.

I want to be happy for you.

You have always been there for me. Who else do I know who can fashion a bra out of toilet paper during a low-hanging nipple emergency at the club? Who else would get us invited and then disinvited to a Drake afterparty? (I think Drake secretly loved your attempt to twerk a path into his private booth). And who else would demand an autograph from the cloakroom attendant you insisted was “that wee Krankie boy?” In fact, it’s impressive how often you misidentify people as “that wee Krankie boy” whether drunk or sober.

But I couldn’t be there for you today. This unscheduled impregnation has been a real inconvenience to my body, my sanity, and my relationship with you.

I know I should have spoken to you about not attending. Sending a text was cowardly. And I should have been honest about the reason I’m not there. I guess I wanted to spare you my 83rd tired recital of “I know you told me Colin was bad news but…”

I want to be honest with you now. Colin cheated on me. And when he got caught out, he just shrugged and trotted off to the problem-free other woman (the definition of problem-free being that she doesn’t know she’s the other woman). And I then, of course, fertilized whatever sperm of his was left inside me to give our relationship the muddled, depressing ending it truly deserved.

When I look back, I see what you saw. How his every “I love you” was painfully extracted and only offered to pacify and placate me. How he would be distant and cold whenever something was important to me. How his flat was approaching serial-killer level tidy.

But I also still see all the times we laughed.

Sophie, when I told him I was pregnant he cried. He said he was sorry for the way he had treated me. He sat with me for hours. In a horrible way, it was everything I had ever wanted. I do wonder if I agreed to the operation because I care more about making him happy than I care about making myself sad.

I’m looking forward to the slow and painful process of re-growing my backbone.

Love,

Amy

Delete.

 

Dear Sophie,

I will cope with this on my own. Grief and pain have no business intruding on your wedding day. And it’s important for me to become more self-sufficient anyway. You won’t always be able to come around and criticize my 3 a.m. ASOS panic orders. Recently it’s taken you days to reply when I send new Chris Hemsworth surfing photos. Pretty soon you’ll only be attending drag queen karaoke every other month.

I need to get used to not always turning to you in a crisis.

Hopefully, I’ve hit my crisis-limit anyway. I’ve lost a baby, a boyfriend, what was left of my dignity and, now, I’m sort of losing you too.I think I’ll be OK.Although, you better keep contributing memes to our Love Island Whatsapp group.

Love,

Amy

Delete.

 

Dear Sophie,

There’s one final thing I won’t tell you. I’ll never tell you. The operation didn’t have to be today. I chose it. I chose to miss your wedding. I chose to be that person who could not look you in the eye and say “congratulations.” I couldn’t do it. Not when I was failing so spectacularly at the fundamental basics of life. 

I chose to suck.

You know when we went to France and you ended up making out with that hideously sweaty ex-soap actor? In the morning your voice cracked as you admitted how lonely you were and I promised that I’d comfort you after I threw up. I didn’t throw up. I sat on the toilet, staring at my phone, wondering why Colin had not replied to my texts for two days. Then I came out and pretended I was fine.

You met Ally one month later. I’m still pretending. I’ll keep pretending.I won’t send this.

Sorry.

Love,

Amy

Delete.

 

Dear Sophie,

Congratulations! I am so sad I couldn’t be there. I can’t wait to hear all about it when you get back from the honeymoon.

Love,

Amy

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LETTER TO MY FORMER SELF ON THE 20th ANNIVERSARY OF RECOVERY by Elizabeth Muller

Letter to My Former Self on the 20th Anniversary of Recovery:

Hey, kid. Yes, you. You don't think this term applies to you anymore—you're fifteen, after all—but believe me, it does. I wish you knew how much. 

You're about to leave the dusty hellscape you've called home for the last two months, relearning how to eat so that your weight can go from 85 to 90 to 100. It cost $80,000 and your father won't let you forget it. You'll feel much better about the barbed wire fence once it's behind you. You'll keep a little barbed wire in your heart.

You'll marry the boy who's been writing to you since March. You won't be happy. One day, in the dead of winter, when you’re nursing a six-month-old baby and ten pounds of postpartum weight, he will drop a pair of running shoes at your feet. 

"Just a suggestion." 

You'll learn to run.

You'll try so hard to do everything right and the stress will break you. Bell's Palsy will turn your face into a Picasso painting. Your smile will never be the same.

When you eventually serve him the divorce papers, he will accuse you of running from the marriage. You will laugh at the irony. 

You'll keep on running.

You'll speak into a microphone when a judge asks for your name. Your mouth will go dry as a desert when she orders you to speak up. When you get home, newly divorced, two kids waiting for you in the living room, your father will not hug you. 

Someday you’ll board a plane to Paris on your own. You’ll sip champagne at take-off because you’re scared, you’ll cry during My Big Fat Greek Wedding 2 because you’re a cheap drunk and a bleeding heart. You’ll tip-toe through a French graveyard finding headstones of writers you admire. You'll stand in the shadow of the Eiffel Tower. 

You'll stand in the shadow of your insecurities and wonder if you'll ever find the sun. 

Your body will crack open a total of three times to bear children. Each time you will marvel at your strength. Each time you will forget the pain and your ability to bear it. 

You'll keep running, not because you’re good at it, but because you won’t have a choice. Your ass will become tiger-striped with stretch marks and sometimes you’ll feel like your body is composed of melting wax. You’ll do all that you can to hold the wax together. 

You'll go down to the basement and board the rickety elliptical you get for free off Craigslist. You'll hold back tears as you push your tired body forward and nowhere, in the company of dirty clothes and spiders. One will toil a web just in front of you, its legs spinning furious with purpose. 

Each bead of sweat on your body will be an offering into the coffer, a double sided coin. One side says, "you've earned this." The other says you will never be enough.

You’ll check your watch to see how much time has passed to serve your sentence and realize it's been twenty years. The spider will swing closer to your face. You’ll twist your finger in the gossamer and pull it down. 

You'll both begin again tomorrow.

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FOR OUR OWN PROTECTION by Kara Oakleaf

After the white-hot blast flashed across the sky, after the air turned toxic and we all zipped ourselves up inside government-issued suits like garbage bags, our breath misting on the clear plastic squares that let us see through our hoods, I started watching Jay.

He’s always been across the street, as much a fixture as the maples lining the sidewalks before the flash, before everything burned and the trees became charred silhouettes. After school, Jay used to push the mower in neat rows across the front yard while I sat on the porch with my homework. That boy walking toward me and away from me over and over again, steady as a metronome. On the hottest days, he’d yank off his t-shirt and wrap it around his head, the fabric collapsing down on his shoulders like a waterfall. 

These images come back to me now, things I’d barely noticed in all those years of living only a few steps away, but that were so much a part of the beautiful, ordinary before-time that they imprinted themselves into me. Now he’s hidden in that suit, and every small memory of his body shines like a ghost.  

The suits didn’t come right away. Only in the weeks after the flash, after they tested us, made us breathe into glass test tubes and swabbed our skin. Just a precaution, they said. We closed the plastic casings around ourselves and listened to the plastic crinkle of our new footsteps. 

When the lab results came back three weeks later, they told us the chemicals were a part of us now, stitched into our DNA. They’d watched the poison bloom under microscopes, and when they told us the toxicity grew on contact, that it would spread and strengthen each time we touched each other’s skin, no one was surprised. It didn’t take long, encased in those suits, to learn that everything needs touch to grow, that feeling another person’s fingers on your skin is like taking a breath after long minutes of being under water.   

Most days, it’s too hot to sit on the porch. I wait at the windows to see if the singed branches of the maples will push out new buds, but nothing is blossoming here. Outside, heat rises from the sidewalks and makes waves in the air when I stare across the street from the front windows. Even the oxygen is melting, blurring Jay’s house into a kind of mirage. When he comes outside, I try to make out the shape of his body under all the layers that keep us alive. 

At the end of our street, they installed sixteen steel showers, where we strip down behind heavy, bolted doors and stand under a rush of cold water. We’re supposed to use standard-issue washcloths that scrape us like sandpaper, but sometimes, I press my fingertips to my stomach, or to the soft spot on my neck where the blood pounds against my skin. The steady hum of a body, a pulse. I don’t know if my bare fingers against my own skin can grow the toxins, if these stolen moments of touch put me in more danger, but I can’t stop. 

Inside the steel tube showers, I try to make out my reflection, a pale blur against the gray. It’s been months since I’ve seen myself in a mirror without the white plastic suit covering everything I once knew of myself, and I’m beginning to forget my own body.

And then one day, when I’m zipped back into my suit and step out of the showers back onto the street, I see another figure standing down the block, motionless and facing me. You’d think everyone looks the same in these suits, but I know the way he stands, the space his body takes up in the middle of our wrecked street. And now I know he’s been watching me, too. 

It’s the middle of the night when I follow Jay through the neighborhood, toward the showers. In the dark, I can almost believe there was never a flash, that trees are only bare for a season, that the streetlights are only out because of a power surge, something temporary and fixable.

We slide the steel doors closed behind us and the sound of them closing is like the slice of a knife. His face is behind a cloud of breath until he pulls off the hood and then it’s like his skin is glowing and I don’t know if it’s the toxins or just the simple fact of a face, uncovered and inches away from me. It doesn’t matter, because when I’ve let my own suit fall down around me, I reach up and touch it, his cheeks on my palms and then his hands are on my waist and pulling me toward him.  

And even though I’d never done this in the before-time, it feels like a memory. This is what skin feels like, this rush of heat, muscles contracting under a surface, a body itself as a kind of landscape, and whatever the flash in the sky has taken away from us, this landscape, these bodies are still here, breathing against each other and pulsing with something, either our own blood or something toxic that’s going to stop our breath sooner than we expect. 

I listen for the sound of our own atoms splitting apart and dissolving back into each other because for just this moment, there’s something else white-hot melting and about to consume us, and this flash, this heat is our own making, and maybe something we can survive. 

After, Jay turns on the cold water and we stand together shivering, goosebumps popping up on our skin like armor, something to protect against whatever we’ve just done to each other, what I already know, even as I breathe in the new danger that’s grown between us, we’ll do again, and again, and again. 

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AMERICAN LAKE by Aaron Burch

Did you grow up near water? What did you think of when I asked that—lake, river, ocean, pool, other? Do you like to swim? Do you remember learning how? Did your grandmother live not on a lake, but near? Walking distance? Do you have fond memories of going to your grandmother’s house, getting one of the large towels she kept for you in the bathroom, one of the inner tubes she kept in her garage? Do you remember being little and using actual inner tubes on the water, not an inflatable pool float or tube like you might buy from Target or WalMart or Fred Meyer or Meijer or wherever, but an actual rubber doughnut made and perhaps even previously used as the inner part of a car or truck tire? Did you ever get in trouble for using her automatic garage door like a toy—hitting the button so it would retract up and then grabbing the metal lip at the bottom and letting it carry you up in the air, when you were still young and little enough for that to work? Have you ever looked at your own garage door and wondered how one could have ever had enough power to lift you floating up into the air while also at least a little bit wanting to try to again? Do you remember that short walk from your grandmother’s house to the public access trail to the lake? Remember the one house along the way that had rabbits and chickens and goats? Remember how the trail was pretty well hidden, snaking its way between two houses, two private properties, but it was supposed to be for everyone? Remember parents telling you that every lake has to be accessible to the public? Do you think that’s true? Did you still take it for granted that most everything your parents told you must be true, and so you didn’t question it, either the legality of such a claim nor the fact that the lake had a park with a beach and a roped off swim area and lifeguards and boat access a mile or two down the road, and so wouldn’t that count as the lake being accessible to the public? Do you remember the dock at this small beach—not the big one at the park, but the one that felt both public and private, almost like your own little personal beach on the lake? Remember swimming under it? How you could swim under but then come up and wade there, your head above water but under the deck, this little hidden foot or two that seemed like another world? Did you ever do this? Did you also, later in life, have a phase where you loved getting and hanging out on roofs? What do you think it is about certain stages of your life and being under or on top of things—pillow forts, caves, sitting on car hoods or tops, the roof of your house, your local church, school, whatever building had some combination of nearby fence or tree or other accessory that made it possible to get on top of? Have you ever been skinny dipping? Do you remember your first time? Was the idea yours or theirs? When you think of nightswimming, how much do you remember? Was it clear skies? Was the moon out? Have you revisited that lake as an adult? Parked at the end of the cul de sac, next to a “Public Property, No Access” sign right where the trailhead used to be? Did you sit in your car, listening to a playlist of songs from your youth and ask yourself questions about whether you should abide by the sign or not? What did you do next?

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TWO BOYS DOWNTOWN AT PLAY by J. Edward Kruft

They were to meet at the Ben Bridge clock, as usual. Aaron arrived first, in his Spandau Ballet t-shirt and Levi’s ripped at both knees, last year’s ski-jacket, unzipped as it was a warm day. He stood smoking his Camel as a murder of boys came by. “Fag,” one of them called and they all laughed and looked over their shoulders and pointed and laughed again, and Aaron, he blew smoke from his nose.

He watched Matt approach from 4th Avenue. Matt, with his shoulder-length hair, in his Smiths t-shirt and paint-splattered cords and green Spiewak parka that was torn at the elbow where cotton batting stuck out. “Perfect,” thought Aaron, tossing the Camel butt to the curb.

Matt socked Aaron in the arm. “Look,” he said, pulling his own pack of Camels from his pocket. He opened the box and Aaron smiled at what he saw: the last cigarette in the pack, turned upside down. Matt took it out and lit it, inhaled deeply, held like it was pot, and then let out in a fluid stream. “Oh, that’s good. That’s really good. I’ve wanted a smoke all morning, but when I saw this was the only one left….” He passed the cigarette to Aaron who took his own drag as they began to walk, exchanging the cigarette after each hit. Matt took the last of it, down to the filter, right in front of the main entrance to Nordstrom. 

“There’s our luck,” Matt grinned, flicking the butt to the curb.

Inside, they stopped and glanced right, glanced left, and then to each other with a look that was like a wink, and then headed to the up-escalator.

In the men’s department, Aaron went for the dress shirt section while Matt went for the polos. They were pros: they knew to give time to get noticed, to appear on the radar: picking up items, looking guiltily over their shoulders; it didn’t take long. 

They arrived at the dressing rooms at the same time. Only one was available, so they went in together, which was better anyway, thought Aaron. Aaron hung his shirts on the hook and as he did, he accidentally brushed Matt’s arm, and then he brushed it again, not by accident. Matt placed his shirts on the bench and then in a motion as fluid as that morning’s smoke, he shifted around and took Aaron’s head in his hands and kissed him, hard: warm, tobacco-y, wet. Pulling back, each grinned: first Aaron, then Matt. “That’s another thing I wanted to do all morning.” 

They zipped their coats up to their chins. Matt put up his hood. 

They walked with intent: quick but not too quick. Down the down-escalator, through cosmetics and out onto Pine Street. 

The man who nabbed them was meaty and sweating in an ill-fitted suit. He put a hand on each of their shoulders and they spun around to face him. 

“Nice try, boys! You should know, that’s the oldest one in the book. Alright, off with them.”

“Sir?” asked Matt.

The guard clucked his tongue. Passersby began stopping. The murder of boys jay-walked  to see what was up.

“You must think I’m a real fucking idiot, huh? Just some flunky security guard? That what you think, you little shits?”

“But, Sir….”

“Take off your fucking coats ‘fore I rip them off your scrawny little bodies!”

Aaron and Matt looked at each other, earnest as hell, and then slowly lifted their hands to their necks, took hold of the zipper-pull and pulled, slowly, down. 

Spandau Ballet.

The Smiths.

The guard’s face turned rosy and then as he chewed for his words, he became crimson.  Aaron was certain he would have struck them if not for the crowd. Finally, his arm shot up and a trembling finger pointed to no place particular. “Go! Get the fuck out of my face. Now!” The boys turned and started away. They were all smiles. “And if I ever see you in here again, I will have you immediately arrested for trespassing! Immediately! Spoiled little Bellevue fucks!”

Matt turned and shouted back: “Mercer Island!” The guard lurched as if to pursue and Aaron and Matt broke into a run….

….all the way to I. Magnin, where the dressing rooms were larger and more luxurious and where, Aaron hoped, he might get more than just a kiss. 

 

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HOME AT LAST by Greg Oldfield

The first Monday with our rescue Allosaurus Mix, I stopped home for lunch and found the ottoman in pieces. Splintered wood, strips of chewed leather, and stuffing littered the family room with a trail of buttons behind the couch.

“Max has to stay in the crate,” I said to Steph on the phone while Max was playing tug of war with my suit pants.

“But Max is only a baby,” she said. 

“Babies need rules, too.” 

“They also need nurturing and a room with a view. Max can’t even see out the window.”

That night, after I lugged to the curb a gnawed-up frame and trashcan full of remains that used to be our Pier 1 Maple Cherry Ranch Number 5, my neighbor, Don, rolled his trash can down the driveway. “Hey, Rich, how’s the rescue going?” he asked.

I sighed. “Someone needs to rescue me.”

Don laughed. “Got to be like dogs. Exercise, containment, reinforce, redirect. You’ll get used to it.”

“Thanks,” I said.

We’d signed up to adopt once we heard about the displaced dinosaurs from Isla Nebur with rough beginnings. Test tube babies created from modified DNA strains inside the InGen labs. No parents. Early isolation. Traumatized from predatory humans, explosions, an Indominus rex outbreak, and an erupting volcano. In the right environment, with love, training, and patience, the non-profit website said, your rescue Dino will make the perfect family pet. The site showed pictures of smiling families alongside personal narratives. The Rodriguez family adopted a litter of baby Velociraptors to help their autistic son. The Pattersons liked to sit on their six-month-old Brachiosaurus and watch Jenny’s soccer game from the sidelines. The Ochibes played fetch with their young Spinosaurus in the backyard using a tree limb and an angled trampoline.

The next day, I saw torn couch cushions from the front window and debated if I should even bother going in. Max figured out how to unlock the crate. Got the TV and stand, too. The living room looked like a news helicopter flyby after a tornado—a debris field of foam, wood, fabric, wires, circuits, glass shards, and a pile of regurgitated screws. Max galloped toward me on wobbly knees, tail flopping, panting, breath smelling like toothpicks, metal shavings, and bile. How could I deny this affection? 

We turned the family room into Max’s room. Cleared out the remaining furniture and paintings but kept the plants for atmosphere and put some old blankets and pillows in the corner. Screwed fencing into the wall jams like a baby gate, which Max chewed through days later before eating two legs off the kitchen table. Then the cabinet doors. 

The day Max discovered the refrigerator was the happiest I’d ever seen a dinosaur. Face covered in barbecue sauce and leftover rice with opened Tupperware containers of mac and cheese and jerk chicken and yogurt parfait all over the floor. I pointed a finger and said, “No” like they said to do in the manuals. Establishing boundaries is essential for obedience. But Max licked me with a scaly tongue, leaving a streak of Texas Tangy in my hair.

“Maybe we should call that Owen guy,” Steph said the day after Max lunged at my teenage son Paul’s bonehead friend, which I kind of enjoyed.

“Called him two days ago,” I said. “He’s booked until next year.”

At bedtime, Max curled up between Steph and me on the King bed, rolled around half the night, body smushed on top of mine for the heat. I’d wake up tingly, unable to move my legs until I gave them a good shake. Made the mistake one day of stepping down too soon and did a faceplant. But that was better than Max ransacking Paul’s room again after he left his door open. Found his clothes ripped to shreds, hidden cigarettes eaten, and his drum kit knocked over, the sticks gone. Suzy, our high school senior, hid all her stuff in the attic above her closet.

We installed a twelve-foot-high fence in the backyard with a cat enclosure so Max could get more exercise. Max and Don’s Labrador Retriever raced along the fence, feinted, then raced back. They’d play for hours. I didn’t even know Allosaurus mixes even barked, but mimicry is one of those joyful surprises you may find about your genetically-modified rescue.

I scooped up the waste with a snow shovel and dropped it into black construction bags. Filled three trash cans a week, but soon the trash company complained that they were too heavy and attracting their own colony of flies. They made me order a commercial dumpster, but that first summer the township issued a Cease and Desist. Said people could smell it half a mile away. 

Max suffered from anxiety whenever we left for work and school. Scraped out the carpet downstairs and knocked tail holes in the drywall. Loved to play Nose The Chandelier until one bite, Max yanked it from the ceiling. Took days to rewire the downstairs, but that allowed us to open up some interior walls and expand Max’s room. Family room, kitchen, dining room, eventually, the whole first floor. We let the faucet drip into the stopped kitchen sink so Max could drink whenever. Take-out dinner became a daily ritual. Steph and I barely had time for ourselves from cleaning up after Max and didn’t have money to keep replacing furniture. Whenever we needed a break, we huddled together in the tilting bed with the door closed and watched TV, but once Max chewed a hole through the door we removed them all and gave Max free range of the place. 

Don put his house up for sale in the fall. Claimed his company needed his managerial experience to expand in the Midwest. Wisconsin or Minnesota. I knew it had something to do with their missing lab. He never blamed Max directly, but his body language suggested otherwise. Steph saw his wife, Michelle, at Whole Foods with a loaded shopping cart weeks after they’d moved. 

“Oh, just home visiting family,” Michelle said. 

Don’s house sat on the market for months. Apparently, no one had interest in a four-bedroom twenty-two hundred square-foot Colonial in a quiet suburban community with a finished basement and a two-tiered deck that included a hot tub. By that time, we’d knocked out the back wall and installed a Dino-door. We cranked up the heat that winter, layered with hats and gloves. Frigidness improved our family bonding. 

Max ate the tree, ornaments, and all the presents at Christmas. The chocolate on Valentine’s. My stouts on St. Patrick’s. The lamb roast on Easter. I reached my limit when Max chewed through my briefcase and ruined the shopping mall project I’d been working on for the past six months. Probably smelled the Chick-fil-A sauce packets from my daily lunch stops. I’d become an insomniac, gained nearly fifteen pounds. Every morning felt as if I were stuck on a treadmill. I checked online Dino rescue groups to see if we were the only family with distressed behavioral issues. My company gave me one last chance. Colleagues noticed I wore the same Febreezed wrinkly suit. Max had ransacked the closet, and I had to hang it from the garage door opener so Max couldn’t find it.

“I think we need to consider finding Max a new home,” I told everyone during the family meeting at the Oriental buffet.

“What? No,” Steph said. “Max is family.”

The kids nodded. Suzy was the only one with clean clothes. She had a stash at her friend’s house but was off to college soon. Enrolled in a summer program to get acclimated. Paul had been sleeping out more, though I’m certain he was living out of the boys locker room at school.  

“We have to do something.” I’d considered moving out myself. “We can’t continue like this.”

We bought Don’s house that summer. Got it for a steal in a foreclosure auction. Kept Max in our old house and moved the kids into Don’s. Bought new furniture, a 4K TV, a refrigerator stocked with fresh groceries. 

I woke in the middle of the night to Max’s howling, neck stretched over the fence outside our bedroom window.

“Max is so lonely,” Steph said. 

“Max has everything a dinosaur needs over there.”

I’d been sleeping great with noise-cancelling headphones, started eating healthier, and had time to exercise. I became more productive at work, and my bosses offered me a partnership that fall. At family meals, we sat down together and had conversations. Suzy was thinking about majoring in Engineering and Paul was trying out for a band.

Max whimpered for hours. Stopped blending in with the foliage to catch the groundhogs that snuck under the fence.

“Max needs us,” Steph said. 

So we expanded the fence. Took out the section that divided the two yards. Max ran over, tail wagging, panting, knocked me down, all seven-hundred and thirty pounds, and licked my face. We were a family again.

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LIPSTICK BOTTOMS (CHICAGO, IL – JULY 2008) by Taylor Byas

It’s past 2 am on the southside of Chicago when my aunt Danielle, my father’s older sister, brings me and her daughter Ginai along for a late-night alcohol run. With each step, every part of my aunt ripples. Her hair is half-pressed half-shrinking from the dry summer heat. On her right thigh, clear packing tape covers a hole where she says a spider bite ate away at the flesh. I am too young to know that “spider bite” is a euphemism for an infected track mark.

“Damn girl, you wore those shorts just for me didn’t you?” a white man calls from across the street. I tug my shorts down in the back, even though I’m only 12. A whistle punctures the night air like a needle, and whoops and laughter follow as I grab my cousin’s arm and quicken my steps.

The neighborhood streets are alive, meetings happening in front lawns and at bus stops. The smell of fried foods and grease breeze through windows and out onto the broken sidewalks. S Merrill Ave glistens white against the tennis-court green of the street sign. Dr. Dre raps from the inside of a white Chevy Impala idling in front of someone’s house, the bumped-up bass rattling from the subwoofer in the trunk. I can see my reflection, my wide eyes in the windows’ dark tint. The distant sound of a siren is ceaseless. 

We walk past groups of black and white men in white tank tops and black shorts. One group crowds us as we pass, and my aunt twists off the cap of her vodka and takes a swig in response. I tip-toe on the balls of my feet as I walk through the trashed sidewalks in foam flip-flops, avoiding the little glass bowls of broken bottle remnants.

“I gotta pee,” Ginai announces as we walk beneath a small highway overpass.

“We got a while before we get back to the house,” I say. “You can’t hold it?”

“Not for that long.” She turns back towards my aunt, who is stumbling along a few feet behind. “Ma, I’m about to pee.”

“Hell no, not under here. People sleep under here, the hell is wrong with you?” She recaps her bottle and when she catches up, she pulls out a cigarette from her red pleather purse and lights it. “Where some bushes at?”

By the time we find bushes in an area secluded enough, I have to go too. When we ask for tissue, my aunt reaches into her purse and produces a few balled-up napkins with her dark red lipstick on them. When we hesitate to take them, she pinches her cigarette from her lips, blows smoke directly into our faces. “What? You afraid of a little lipstick?” Her breath stinks of menthol and other tongues.

We pee behind the bushes and wipe with the lipstick napkins. I smear red down the back of my thigh, past the point where my shorts stop. This doesn’t stop the whistles or the hoots or the hollers.

“Aye, why don’t you cross the street, shawty?” Another white man calls to us as we near home. I turn my head towards his group, take a mental snapshot of the black and white faces, of those sharp jaws and gravelly beards all neutralized and washed orange under the colored streetlights. 

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