Fiction

THE MILK BOTTLE LEGS OF THE HIGH WIRE WOMAN by Frankie McMillan

1 When I look at her legs I see upturned milk bottles, and I’m talking here of the glass bottles that milk used to come in and I love the shape of those legs, I could stay out all night on the frosty grass looking up at the wire and Miss Tatyana walking the wire in silence, only the guy ropes creaking and the twang of the metal pulley, and you know, those legs get my score, those legs belonging to Miss Tatyana all the way from Russia where they didn’t have glass milk bottles, only Mr Stalin, his mouth

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AFTER SHRINKING by Hannah Cajandig-Taylor

We lived in a pale blue dollhouse with three stories & a basement. Obsessed over hot air balloons & weather blimps. Collected snowglobes & birdcages & convinced our giant neighbors to order countless pizzas by jumping on the remote buttons until a commercial with extra-large pepperoni flashed across their TV screen. Until we snuck enough triangular pizza box tables to furnish the place. Grew make-believe green beans & perennials on the roof. Protected our cardboard porch with Venus flytraps. A drawbridge. Toothpick mailbox. The works. Repainted our plastic appliances with glittering silver nail polish. Sharpie’d our heights on the wall,

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EXCERPTS FROM THE NOVEL VENICE by T.J. Larkey

Tough I’m lying on my floor, next to my bed. My bed is this big padded mat that rolls up and can be moved very easily. It’s comfortable, but I like the floor better. I believe that lying on the floor for a few hours a day will toughen me up. I was a spoiled kid, very soft, so I’m always looking for things to toughen me up. That’s how I got here. I got it in my head that moving to a big city I’d seen in movies and television, where I didn’t know anybody, would somehow make me

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WELCOME TO THE RECKONING by Omar Hussain

Your family’s old brown and blue station wagon pulls up to the house. It’s not your house. It’s never yours. At three-years-old, you’ve already lived in four dodgy houses, a mobile home, month-to-month condos and rent-controlled apartments. This is your grandfather’s house. He tells you and your parents that you’re welcome to stay for as long as you’d like, but you’ve heard that one before.  The wagon comes to a stop. The gears slam into park. Your dad is screaming about something—the latest rage attack. He gets out of the car, paces around the hood. To the passenger side door.

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THE LIFE CYCLE OF TEMPORAL BIOMATTER ATTACHMENTS by Jemimah Wei

This is completely unsexual, but ever since the ex left, Jennie has gotten into the habit of sticking her hand down her pajama pants and cupping herself to sleep. It started in week five or six of the lockdown. One day, she woke up and her hands were in her pants. Both hands, under her pants, resting on top of her underwear. This happened occasionally, even before the ex moved out. Usually around the middle of the month, when she could feel her body beginning to slush. Whenever it happened, Jennie would periodically stick her finger into the folds of

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NICE AND NORMAL by Diane D. Gillette

Janice stopped at the back door when she heard footsteps behind her. She turned to see her husband in the kitchen doorway. “Where are you sneaking off to?” Rob asked, one corner of his mouth upturned. “Just getting a little fresh air.” “Nope,” he protested. “This is your family. If I have to stay for Sober Thanksgiving, so do you.”   Janice sighed. “I wish everyone would stop calling it that. Like this is all a big joke.” Rob slid onto a stool and plucked a leftover dinner roll from the plate that sat between the platter with the remains of

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A WEB, A TREE by Eileen Tomarchio

Up close, they were groves, nebulae, Medusa’s head of snakes. Two ragged thatches, one on each of my mother’s outer thighs, a Rorschach pair. Seen in full only when I lifted her covers as she snored and lay beside her. By day, she had her ways of hiding them, fooling the eye. Let-out hems lengthened with ribbon, ricrac, lace. Concealer sticks and opaque hose in rainbows of flesh tones. Napkins over-draped on her lap at barbeques. Napkins that slid off after too many daiquiris like a magician’s reveal, my mother’s cue to rise by an invisible thread and tango with

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THE MOON IS SAD by Kyra Baldwin

It’s raining in Seattle. I catch sight of my face in the drop-spattered glass of the bus stop. It’s lit by a phone-screen. The moon is out. It’s lit by a phone-screen. No one is texting either one of us.  See, the sun fucked the moon and the moon is sad now. The moon is already a depressive character because the moon is Vitamin-D deficient. The moon wanted to get a SAD lamp to remedy this, but the impassive physical laws of our universe said nuh-uh moon, because a SAD lamp in the sky would just look like another moon.

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HIGHWAY 25 by Lindsey Heatherly

I remember that night we parked at the drive-in on Highway 25 and steamed up the windows before static on the AM station switched over to previews. Previews came before a raunchy, college-age comedy, alternating between raindrop rivers and lip-locked intermissions that cut through windshield fog. Foggy windows were smeared by my gray cotton jacket through your steady hand. The hand that sat on my knee during a panic attack on the drive back. The drive through dark and rain and a flooded road too immersed for good traction on those too-old tires. Tires that skidded across water when you

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I AM NOT AN ACTRESS by Ashley Jeffalone

The man who will later steal from me is directing a short film. Today, in this moment, we’re still friends, so I pick up when he calls.  On the grounds of his apartment complex, he leads me to a Bradford pear tree, puts me underneath, and I kneel along the roots to thieve shards of glass from the green. There are other people with us, laden with cameras and lights, and they lean over me, commit my idling to film. They come close enough for me to remember their sugared breath but not their faces, not their voices—I’ve lost years

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