Fiction

MY DOUBLE by Michael Loveday

I made a cardboard cutout of me. Clodagh, I called her, and my family took to her well. That first evening at the dinner table, they didn’t register any difference, as they slurped and gnawed, licked their lips, and gorged on their lavish daily meats. At last, I was spared the disgusting sounds of them eating. I spent more time alone in my bedroom, reading tales of the headless Dullahan grinning on his night-black horse, and slowly starving myself, praying that I would one day become invisible.  My parents grew to like that Clodagh endured, without disruption, their long-and-short-of-it stories

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FREAK DEATHS by Aishwarya Mishra

Lasya transfers to our school in the peak of summer when the heat makes us more mirage than matter. Our mothers warn us against going out, but we want to see that translucence that makes us inquire after her surname.  “That house is Lord Krishna’s mouth,” our mothers say, “containing the entire universe within it.” The air-conditioners are dismantled first. The first time we step inside their house, we find it throbbing like the angry vein we sometimes see on our fathers’ foreheads. Lasya’s Ma gives us watermelon juice to cool our stomachs and tells us of the family that

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HORSESHOES by Mary Alice Stewart

She says it big and like a threat and smiling, horseshoe in hand, “I don’t like losing,” and she swings, lets go, and hits the stake head on. A ringer—iron rings against iron and I hold my drink up and shout for her. The game is alive again. Kayla plays inconsistent. It’s sometimes hard to watch, some bad throws, can’t even get one close, then she gets pissed off and you can see in her face that she’s decided it’s over for her and she’s just going through the motions. It’s awful playing her when she gets all fixed like

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THE MILK BOTTLE LEGS OF THE HIGH WIRE WOMAN by Frankie McMillan

1 When I look at her legs I see upturned milk bottles, and I’m talking here of the glass bottles that milk used to come in and I love the shape of those legs, I could stay out all night on the frosty grass looking up at the wire and Miss Tatyana walking the wire in silence, only the guy ropes creaking and the twang of the metal pulley, and you know, those legs get my score, those legs belonging to Miss Tatyana all the way from Russia where they didn’t have glass milk bottles, only Mr Stalin, his mouth

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AFTER SHRINKING by Hannah Cajandig-Taylor

We lived in a pale blue dollhouse with three stories & a basement. Obsessed over hot air balloons & weather blimps. Collected snowglobes & birdcages & convinced our giant neighbors to order countless pizzas by jumping on the remote buttons until a commercial with extra-large pepperoni flashed across their TV screen. Until we snuck enough triangular pizza box tables to furnish the place. Grew make-believe green beans & perennials on the roof. Protected our cardboard porch with Venus flytraps. A drawbridge. Toothpick mailbox. The works. Repainted our plastic appliances with glittering silver nail polish. Sharpie’d our heights on the wall,

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EXCERPTS FROM THE NOVEL VENICE by T.J. Larkey

Tough I’m lying on my floor, next to my bed. My bed is this big padded mat that rolls up and can be moved very easily. It’s comfortable, but I like the floor better. I believe that lying on the floor for a few hours a day will toughen me up. I was a spoiled kid, very soft, so I’m always looking for things to toughen me up. That’s how I got here. I got it in my head that moving to a big city I’d seen in movies and television, where I didn’t know anybody, would somehow make me

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WELCOME TO THE RECKONING by Omar Hussain

Your family’s old brown and blue station wagon pulls up to the house. It’s not your house. It’s never yours. At three-years-old, you’ve already lived in four dodgy houses, a mobile home, month-to-month condos and rent-controlled apartments. This is your grandfather’s house. He tells you and your parents that you’re welcome to stay for as long as you’d like, but you’ve heard that one before.  The wagon comes to a stop. The gears slam into park. Your dad is screaming about something—the latest rage attack. He gets out of the car, paces around the hood. To the passenger side door.

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THE LIFE CYCLE OF TEMPORAL BIOMATTER ATTACHMENTS by Jemimah Wei

This is completely unsexual, but ever since the ex left, Jennie has gotten into the habit of sticking her hand down her pajama pants and cupping herself to sleep. It started in week five or six of the lockdown. One day, she woke up and her hands were in her pants. Both hands, under her pants, resting on top of her underwear. This happened occasionally, even before the ex moved out. Usually around the middle of the month, when she could feel her body beginning to slush. Whenever it happened, Jennie would periodically stick her finger into the folds of

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NICE AND NORMAL by Diane D. Gillette

Janice stopped at the back door when she heard footsteps behind her. She turned to see her husband in the kitchen doorway. “Where are you sneaking off to?” Rob asked, one corner of his mouth upturned. “Just getting a little fresh air.” “Nope,” he protested. “This is your family. If I have to stay for Sober Thanksgiving, so do you.”   Janice sighed. “I wish everyone would stop calling it that. Like this is all a big joke.” Rob slid onto a stool and plucked a leftover dinner roll from the plate that sat between the platter with the remains of

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A WEB, A TREE by Eileen Tomarchio

Up close, they were groves, nebulae, Medusa’s head of snakes. Two ragged thatches, one on each of my mother’s outer thighs, a Rorschach pair. Seen in full only when I lifted her covers as she snored and lay beside her. By day, she had her ways of hiding them, fooling the eye. Let-out hems lengthened with ribbon, ricrac, lace. Concealer sticks and opaque hose in rainbows of flesh tones. Napkins over-draped on her lap at barbeques. Napkins that slid off after too many daiquiris like a magician’s reveal, my mother’s cue to rise by an invisible thread and tango with

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