Archives

STILL LIFE, WAYNE COUNTY, IN AUGUST by Aliceanna Stopher

Buddy of mine used to have me over before his girl walked out on him. For supper, you know, or cards. Maybe beers, if one of us was going through it. We weren’t usually, back then.  More like, we thought we were, but really we weren’t. I’d bring him Dad or Bert, he’d bring me working, or not. We laid it all out, sorted through it.  I ran into him on my way to work, this one night before we was supposed to get together. He cancelled, standing all crooked, thumbs stabbed through his belt loops, and I thought he

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THE STRAY SHAR-PEIS OF OHIO CITY by Meghan Louise Wagner

Every party we went to in the summer of 1999 was lit up red. Red drapes fell over windows. Red vinyl chairs sat in kitchens next to red retro tables. Red walls vibrated with red Belle and Sebastian. Red wine gushed from boxes on countertops. Red signs glowed in dive bars. Red Schwinn bikes got stolen off our friends’ porches. Red hair dye spotted our shower mats. Red Chuck Taylors tapped in bathroom stalls. We were only babies when we heard about the stray shar-peis of Ohio City. Mara, a thirty-something veteran of the scene who claimed to have once

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WHEELS by D. T. Robbins

Fat-boy Brad, the same Brad who went, Hey, Cheese Factory!, to me on the bus because my teeth are a little yellow, stood in the middle of the street with Chris, the same Chris who almost drowned me in his pool last summer showing me what a washing machine was (you flip someone over and over and over and over until they can’t catch their breath and they start to cry and someone’s mom comes out and yells, What the hell are you doing to that boy?), looking at my bike, telling me how fucking gay it is because it’s

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GIRLHOOD by Jodi Aleshire

A body washes ashore in the recommended section of my Spotify podcast radar. This isn’t the first or the fifth or the third time it’s happened and I’ve long since lost track of the tallies meant to keep them in check. Their faces have become nothing more than the black censored bars used with relish by shitty live television and their bodies, marionette pieces, hocks of meat articulated in a mockery of form. The podcast entices me to listen—a flashy title, a well-made header, a snappy byline—offer a glimpse into an abjection of innocence, voyeurism without the guilty intent. They

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CHALK by R. J. Patteson

Look at a man’s shoes, would you look? You can tell a lot, they say. People look at your feet and see the left toe of your boot scuffed black and they don’t know that you do it for the wind, man. That you kick the shift up, up, up, man, you kick it. And for what? You say, “The wind, man, I do it for the wind.” And you scare your mother and other people’s mothers when you ride by, and maybe you get too close or you get too loud. They look at their sons through the mirrors

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FAILURE TO BREATHE by Emily Withnall

The diaphragm wheezed and gasped. It was a broken accordion and with each push, the squeaking and squawking that emerged were evidence that it should surrender. There was no hope and what’s more, the attempts were painful—and embarrassing. The diaphragm felt defeated. This was an old, familiar feeling. It had never lived up to its full capacity, but over the years, awkward swimming lessons and less awkward singing lessons had strengthened it. The diaphragm knew what it was like to be useful and strong and to provide the satisfying, deep inhale and long sustained exhale. It was capable and even

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NO, YEAH. by Erin Gallagher

“You can play games or you can end it and move on.” Lit by twinkly string lights atop a shiny marble counter, apparently we’re not fucking around anymore. Soft pink and blue bulbs create a calm ambiance, steam rises from big porcelain mugs of herbal tea, and we are sparing no emotional expense. Play games: win, lose, flip your phone upside-down and wait two hours, three hours, reciprocate every unit of time you’ve ever waited, multiplied by three. We’re not talking about me (this time), and my advice is out of character, it’s…hopeful:  “Yeah, no, maybe just act as you

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PUBLIC TRANSPORTATION by Zac Smith

Emo Phillips stands on a train. He thinks about all the fucked-up people he knows and wonders if people think he’s as fucked-up as he thinks other people are. The train conductor/engineer/driver person clicks on the intercom and thanks everyone for riding the train. Emo Phillips feels like he has never been thanked for riding public transportation. “Hey, am I fucked-up?” Emo Phillips asks. “What,” says Dan Brown. Dan Brown is looking at an advertisement for furniture. The train conductor/engineer/driver person clicks on the intercom and apologizes for the slow pace of the train. Emo Phillips takes off his mittens.

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EVERYTHING ELSE IS JUST EXPOSITION by Gauraa Shekhar

Carefully coded a fake Myspace account for Joel Madden—copied the URL from his skull-and-crossbones profile, pasted it into a Layout Stealer, added Steve Aoki and Junior Sanchez to my Top 8 Sent myself love letters from the account Showed off love letters from “Joel Madden” at band practice Threw some antihistamine pills from the medicine cabinet into a zip-lock bag. Kept the pills in the back of my school locker to feel beautiful and bad like Winona Ryder and the disaster girls on TV Once, during a middle school lunchbreak, made an elaborate display of secretly spooning a home-cooked meal

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THE PAIN WE DON’T TALK ABOUT by Amina Frances

I was six years old when my mother strapped me into the buggy of her bicycle and steered us both into oncoming traffic on the stretch of road behind the Mulberry Street house. A teen driver swerved and clipped us at fifteen miles an hour. I’ve had a raging pain at the center of my back ever since.  My father wrote off the accident as another one of my mother’s spells—silly little things—as if they were nothing more than temporary lapses in judgement. Maybe they were. Then again, maybe they weren’t. My Aunt May always said the woman had a

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