Creative Nonfiction Archives

BACKFLASH by Rebecca Portela

July 25, 2020 · Creative Nonfiction

There it is. That particular tone that wakes me up from a dead sleep. Primal, sometimes guttural. Almost inhuman. Or so very human, more human than people ever dare to be. I feel for my phone in the dark. Corner of the nightstand. Lamp. Glasses. Phone. I get out of bed with less urgency than the last time and even less than the time before that. I flick on the lights and watch her for just a second. Hair in her face. Fists clenched. Body convulsing. I check the foam padding I put on the side of her nightstand from when she hit her head the first time. I look at my phone to hit record.

We didn’t always capture the flashbacks. It used to be a novel thing where I would jump out of bed, heart pounding, trying to be her hero. I thought about all the ways I’d seen people snap out of it in the movies. You yell at her and remind her who she is and who you are. And your firm grasp on her shoulders, your skin on hers tells her she's safe. Maybe if I just love more, with more intensity. I pinned her down and pried her eyelids open so she could see me. Her trembling eyes stared right through me, as she continued to kick and fight me off like I was him. I finally understood what a flashback truly was. She wasn’t here. She was gone, far away, back to the place, back to the time, back to the moment, back to a little girl’s fearful present.

So here I sit on the edge of the bed, holding my phone while it records the girl biting down on the pillow, bearing the gruesome scene so later she can view it herself even though it will play out just the same as all the other ones, her quivering body always facing down to the right side in the same way with her hands held wide open and shaking out in front of her face like she’s desperately trying to push something away. Her quick shrieks now fully grown sobs and wails, the kind where you swear you can actually hear the heart breaking over and over again, forced to accept the impossible as truth. I can almost see him on top of her, like someone photoshopped him out of the picture and left only her, maneuvering, fighting, pleading, screaming things like “Please, please no!” and “I can’t! I can’t! I can’t!” and eventually her body goes slack and surrenders. Her voice is far away and lost. No words, just little humming sounds. Rhythmic, distressed humming sounds as I see her body jolt forward again and again. Her eyes open wide and empty. Now she is truly gone.

I continue sitting and recording and waiting until I recognize her face again. Her eyes finally familiar and soft, still searching for a fully formed reality.

“You back?” I ask, knowing she’s back.

She stares straight ahead, crawling away from memories, the thrown pillows, the thrashed sheets, and nods a small but heavy nod. Her unsteady hand reaches out for water. And more water.

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LETTER TO MY FORMER SELF ON THE 20th ANNIVERSARY OF RECOVERY by Elizabeth Muller

July 21, 2020 · Creative Nonfiction

Letter to My Former Self on the 20th Anniversary of Recovery:

Hey, kid. Yes, you. You don't think this term applies to you anymore—you're fifteen, after all—but believe me, it does. I wish you knew how much.

You're about to leave the dusty hellscape you've called home for the last two months, relearning how to eat so that your weight can go from 85 to 90 to 100. It cost $80,000 and your father won't let you forget it. You'll feel much better about the barbed wire fence once it's behind you. You'll keep a little barbed wire in your heart.

You'll marry the boy who's been writing to you since March. You won't be happy. One day, in the dead of winter, when you’re nursing a six-month-old baby and ten pounds of postpartum weight, he will drop a pair of running shoes at your feet.

"Just a suggestion."

You'll learn to run.

You'll try so hard to do everything right and the stress will break you. Bell's Palsy will turn your face into a Picasso painting. Your smile will never be the same.

When you eventually serve him the divorce papers, he will accuse you of running from the marriage. You will laugh at the irony.

You'll keep on running.

You'll speak into a microphone when a judge asks for your name. Your mouth will go dry as a desert when she orders you to speak up. When you get home, newly divorced, two kids waiting for you in the living room, your father will not hug you.

Someday you’ll board a plane to Paris on your own. You’ll sip champagne at take-off because you’re scared, you’ll cry during My Big Fat Greek Wedding 2 because you’re a cheap drunk and a bleeding heart. You’ll tip-toe through a French graveyard finding headstones of writers you admire. You'll stand in the shadow of the Eiffel Tower.

You'll stand in the shadow of your insecurities and wonder if you'll ever find the sun.

Your body will crack open a total of three times to bear children. Each time you will marvel at your strength. Each time you will forget the pain and your ability to bear it.

You'll keep running, not because you’re good at it, but because you won’t have a choice. Your ass will become tiger-striped with stretch marks and sometimes you’ll feel like your body is composed of melting wax. You’ll do all that you can to hold the wax together.

You'll go down to the basement and board the rickety elliptical you get for free off Craigslist. You'll hold back tears as you push your tired body forward and nowhere, in the company of dirty clothes and spiders. One will toil a web just in front of you, its legs spinning furious with purpose.

Each bead of sweat on your body will be an offering into the coffer, a double sided coin. One side says, "you've earned this." The other says you will never be enough.

You’ll check your watch to see how much time has passed to serve your sentence and realize it's been twenty years. The spider will swing closer to your face. You’ll twist your finger in the gossamer and pull it down.

You'll both begin again tomorrow.

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AMERICAN LAKE by Aaron Burch

July 20, 2020 · Creative Nonfiction

Did you grow up near water? What did you think of when I asked that—lake, river, ocean, pool, other? Do you like to swim? Do you remember learning how? Did your grandmother live not on a lake, but near? Walking distance? Do you have fond memories of going to your grandmother’s house, getting one of the large towels she kept for you in the bathroom, one of the inner tubes she kept in her garage? Do you remember being little and using actual inner tubes on the water, not an inflatable pool float or tube like you might buy from Target or WalMart or Fred Meyer or Meijer or wherever, but an actual rubber doughnut made and perhaps even previously used as the inner part of a car or truck tire? Did you ever get in trouble for using her automatic garage door like a toy—hitting the button so it would retract up and then grabbing the metal lip at the bottom and letting it carry you up in the air, when you were still young and little enough for that to work? Have you ever looked at your own garage door and wondered how one could have ever had enough power to lift you floating up into the air while also at least a little bit wanting to try to again? Do you remember that short walk from your grandmother’s house to the public access trail to the lake? Remember the one house along the way that had rabbits and chickens and goats? Remember how the trail was pretty well hidden, snaking its way between two houses, two private properties, but it was supposed to be for everyone? Remember parents telling you that every lake has to be accessible to the public? Do you think that’s true? Did you still take it for granted that most everything your parents told you must be true, and so you didn’t question it, either the legality of such a claim nor the fact that the lake had a park with a beach and a roped off swim area and lifeguards and boat access a mile or two down the road, and so wouldn’t that count as the lake being accessible to the public? Do you remember the dock at this small beach—not the big one at the park, but the one that felt both public and private, almost like your own little personal beach on the lake? Remember swimming under it? How you could swim under but then come up and wade there, your head above water but under the deck, this little hidden foot or two that seemed like another world? Did you ever do this? Did you also, later in life, have a phase where you loved getting and hanging out on roofs? What do you think it is about certain stages of your life and being under or on top of things—pillow forts, caves, sitting on car hoods or tops, the roof of your house, your local church, school, whatever building had some combination of nearby fence or tree or other accessory that made it possible to get on top of? Have you ever been skinny dipping? Do you remember your first time? Was the idea yours or theirs? When you think of nightswimming, how much do you remember? Was it clear skies? Was the moon out? Have you revisited that lake as an adult? Parked at the end of the cul de sac, next to a “Public Property, No Access” sign right where the trailhead used to be? Did you sit in your car, listening to a playlist of songs from your youth and ask yourself questions about whether you should abide by the sign or not? What did you do next?

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LIPSTICK BOTTOMS (CHICAGO, IL – JULY 2008) by Taylor Byas

July 18, 2020 · Creative Nonfiction

It’s past 2 am on the southside of Chicago when my aunt Danielle, my father’s older sister, brings me and her daughter Ginai along for a late-night alcohol run. With each step, every part of my aunt ripples. Her hair is half-pressed half-shrinking from the dry summer heat. On her right thigh, clear packing tape covers a hole where she says a spider bite ate away at the flesh. I am too young to know that “spider bite” is a euphemism for an infected track mark.

“Damn girl, you wore those shorts just for me didn’t you?” a white man calls from across the street. I tug my shorts down in the back, even though I’m only 12. A whistle punctures the night air like a needle, and whoops and laughter follow as I grab my cousin’s arm and quicken my steps.

The neighborhood streets are alive, meetings happening in front lawns and at bus stops. The smell of fried foods and grease breeze through windows and out onto the broken sidewalks. S Merrill Ave glistens white against the tennis-court green of the street sign. Dr. Dre raps from the inside of a white Chevy Impala idling in front of someone’s house, the bumped-up bass rattling from the subwoofer in the trunk. I can see my reflection, my wide eyes in the windows’ dark tint. The distant sound of a siren is ceaseless.

We walk past groups of black and white men in white tank tops and black shorts. One group crowds us as we pass, and my aunt twists off the cap of her vodka and takes a swig in response. I tip-toe on the balls of my feet as I walk through the trashed sidewalks in foam flip-flops, avoiding the little glass bowls of broken bottle remnants.

“I gotta pee,” Ginai announces as we walk beneath a small highway overpass.

“We got a while before we get back to the house,” I say. “You can’t hold it?”

“Not for that long.” She turns back towards my aunt, who is stumbling along a few feet behind. “Ma, I’m about to pee.”

“Hell no, not under here. People sleep under here, the hell is wrong with you?” She recaps her bottle and when she catches up, she pulls out a cigarette from her red pleather purse and lights it. “Where some bushes at?”

By the time we find bushes in an area secluded enough, I have to go too. When we ask for tissue, my aunt reaches into her purse and produces a few balled-up napkins with her dark red lipstick on them. When we hesitate to take them, she pinches her cigarette from her lips, blows smoke directly into our faces. “What? You afraid of a little lipstick?” Her breath stinks of menthol and other tongues.

We pee behind the bushes and wipe with the lipstick napkins. I smear red down the back of my thigh, past the point where my shorts stop. This doesn’t stop the whistles or the hoots or the hollers.

“Aye, why don’t you cross the street, shawty?” Another white man calls to us as we near home. I turn my head towards his group, take a mental snapshot of the black and white faces, of those sharp jaws and gravelly beards all neutralized and washed orange under the colored streetlights.

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SEISMOLOGY by James Sullivan

July 17, 2020 · Creative Nonfiction

In 2011 I was in a 3-tatami room.

That means a tall man can lie down only in one direction.

How do we measure a room? A living space? I don’t know the square footage of my Minnesota apartment. Only that it’s the smallest in this building, maybe the smallest anywhere in town. But when my neighbor moved out and my landlord offered me his place (“It’s a lot more spacious, maybe $10 more a month.”), I didn’t even look before deciding against it.

You never know when you’ll need that money. For supplies. For an extra stiff drink to soften the edges. For an emergency ticket out of dodge.

When I moved to Minnesota in 2017, my goal was for everything I brought to make the trip in my Ford Taurus. For the two years before a friend insisted I take his mattress, I slept on a folding cushion about four inches thick topped with a Japanese style futon.

This was an improvement on my previous setup.

Every so often I see a social media post from a woman bemoaning the state of single men’s sleeping situations, insisting no self-respecting woman would sleep with a man so close to the floor.

This is true most of the time.

Which is good enough odds.

What are the odds of dying in a natural disaster? Of a tornado hitting this building that lacks underground shelter? Of a big enough hunk of destiny hurtling through the blackness of space and striking us? Of dying in a flu pandemic? Of falling in a lasting love before one of the other odds hits you?

Some estimates say the odds of the great Cascadia earthquake, which would obliterate much of the Pacific Northwest of the US, are as high as one in three in the next fifty years.

I’ve never heard of quakes in Minnesota.

Other dangers have longer fingers.

How do we measure space in one’s mind? Span of attention? Capacity to remember details? The ability to hold onto three or more emotions about a single time and place? Or maybe the intervals between each nervous refresh of one’s news feed.

What I remember in March 2011: the rocking buildings in downtown Shibuya, Tokyo.

Images of a tsunami sweeping cars, homes, and people out to sea.

Sitting on my bed in Meidaimae, Tokyo, watching a news ticker drip updates, like irradiated fluids into the water supply, on an unfolding power plant catastrophe.

Tick, tick, update: US Military distributing potassium iodide near Yokohama.

Google searches: How far south is Yokohama from Tokyo?

Potassium iodide tablets how many safe?

Flights NRT to OMA

Tick, tick, update: TEPCO president wants to abandon Fukushima plant.

Tick, Tick, update: “Demonic” meltdown chain reaction possible.

Tick, tick, update: That jolt that nearly threw you from your bed was an aftershock. Stay tuned for more. And watch your head—this room is only one tatami wide.

I tracked down the share house where I lived in 2011. It’s under new management. The room is almost the same, new little rug, bed on the opposite side. But they’ve added a new desk: The same IKEA one now in my Minnesota apartment.

I imagine I’m writing at a desk linking these times.

Or maybe I’m under the desk.

Japan knows about earthquake preparedness. Myriad PSAs lectures about what supplies to keep in case of an emergency, how to prevent the fires that devastated Kobe following its 1995 quake, the reasons for opening doors (shifting buildings can cause them to stick shut, trapping you inside) and shielding one’s head under desks. But hiding under desks always reminds me of Cold War era safety drills.

Put your head under your desk (and kiss your ass goodbye).

Always wash your hands.

During a quake in central Japan in 2016, although I opened a door, nobody in my office took cover. Everyone sat in place, stunned as the building rattled.

Even as the floor moves under you, it can be hard to believe it’s really happening.

In February 2020, I started prepping food.

I’m not one of those preppers, stockpiling food and weapons in cellars, training for the post-apocalypse. But I had seen videos emerging from Wuhan, China of men in hazmat suits patrolling streets, armed with semi-automatic rifles.

How do you protect against what you can’t see?

There is an Early Earthquake Warning system in Japan. Your cell phone, normally always on silent mode, quivers against a desktop, announcing in Japanese: “Earthquake, earthquake,” and maybe the shock and your translation to English cost a lengthy moment processing this information, shaving away precious seconds before the earthquake hits.

Near the epicenter there’s no warning.

Too much warning—and too much time to think—are their own kinds of danger.

The worst thinking is about what the air contains. About the delay between filling your lungs and the first onset of malignant symptoms.

Google searches: nuclear meltdown explained

radiation drift how far?

thyroid cancer symptoms of

Panic is a problem. Frightened people hoard supplies, take rash action, flee countries. Information travels more quickly than ever before. But what do we trust? The noise to signal ratio makes understanding impossible in crises where hours, minutes, even seconds can count.

More bad thinking: To prevent panic, are those who know withholding truth?

What could you even do?

Recently supermarkets shelves have been plucked bare. This started the first week in March with cleaning supplies. I took a photo where disinfectant wipes and sprays used to be and posted it to my Facebook with the caption, “Is it starting?” Several people reacted with a laughing emoji. This was my second to last prepping trip before President Trump addressed the nation. I made my last one as soon as the address was announced.

Should I have said something more to warn other people? I wasn’t even sure myself how much credence to lend my paranoia.

Normalcy bias: The psychological tendency for people to believe that events will proceed according to how they have before. Leads to underestimating odds of disaster and severity of consequences.

I wonder how long until fear supplants normalcy. How long the fear from one time period will shape the rest of my life. Will I one day perplex a nurse with my habit of disinfecting groceries? Will they find my baton?

I’ve lost most of my photos from that brief, stressful time when I first tried to move to Tokyo.. The photos left are of my small room in Meidaimae. A tiny folding chair and desk wide enough for a laptop. The bed, the small shelf, the clothing rack where my ill-fitting Goodwill suit hung. The house’s shared kitchen area, the shower room, the toilet. Outside, a narrow alleyway with high, concrete walls. Streets with seemingly infinite twists and turns in which I’d become briefly lost. A sign hung by a playground that reads in Japanese, “If you think it’s suspicious, run away.”

Then there are the photos of food.

Sushi

Tuna mayo rice ball

Menchi katsu sandwich

Mitsuya Cider

Curry bread

Asahi Super Dry beer

This was the kind of junk I ate, and even if I had felt comfortable cooking in the shared kitchen, I didn’t really know much about cooking, especially working from local Japanese ingredients. This hadn’t been an issue when I first moved in. Daily trips to the center of town to buy a few items were part of my routine, orienting myself to Tokyo. After the earthquake, store shelves were empty. Everyone was panicked, and I was perhaps the least prepared person in the whole city to know which items to acquire and how.

The other night, not knowing what else to do, I inventoried every scrap of nourishment in my cupboards and fridge. It all fit on one note card.

Google searches: hydroxychloroquine

N95 masks

Ibuprofen safe?

Sound of dry cough

In a thread on items to stockpile, I learn that “deens” is prepper slang for sardines.

But I don’t buy any deens.

I have many reasons for gratitude. I can work, at least for another month, from home, which is warm and, at least for now, not shaking. There is food, and internet, and a steady supply of power. There is a lock on my door.

If I weren’t alone in this room, the other person and I could keep six feet between us with our backs against the wall.

Tick, tick, update: A stay at home order starts tonight. I’m way ahead of the game.

Update: I was, am, and will continue to be socially distanced.

Update: I’m at the desk in Meidaimae.

Update: I’m at the desk in Minnesota.

Update: I’m under the desk.

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THE BEEP by Jason Schwartzman

July 16, 2020 · Creative Nonfiction

I am his tutor and he is trying to tell me about an unknown variable. About X. But he has forgotten that it’s called X.

“The mysterious thing,” he says, laughing.

I love him for this. I will tell everyone I know about the mysterious thing.

During one session we’re in his apartment and I hear a beep. Just one beep. The microwave, probably.

“I’m really sorry,” he tells me, tensing up.

Sorry for what? It feels like I’m missing something.

“Totally fine!”

On the walk home I wonder why he was so on edge. Then I forget about it, my thoughts about him confined to the tiny sliver of the week we share. In the middle of another session, his mom comes home. She sits next to him, asks how it’s going. He’s taken the wrong test so we’re a little behind.

“I wish I had a baseball bat,” she says, smiling.

I see her smiling, so I automatically smile too, before I process what she might mean. Then she makes another comment, this time about throwing him off the roof. She smiles again.

I don’t know what I can say. Or do. Or if I’m just crazy. So far on the outside of something I can’t really see it. I say it’s not a big deal, the test. Not at all. He is doing well. Very well.

Sometimes I think about the beep. I also think he is okay, but I don’t really know. I’m not his tutor anymore.

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DOGWALKER by L Scully

July 15, 2020 · Creative Nonfiction

Once, when you were still a girl, you loved another person. At the time, they were a girl too and you relished in your mutual girlhood from the roof of the funeral home in which you lived. You stayed in the funeral director’s suite and put up strings of tiny lights and a record player your girlfriend restored from the 70s. You would lay in the park with this friend of yours, heads on each other’s chests, nights spent giggling and intertwined. When they were a girl and you were a girl they were magic. You would crawl out the open window onto the veranda and smoke, looking down at the flowers below, wearing each other’s shirts and admiring the matching tattoos you got on your wrists. There’s a photo of you like that, bare arms snaking around each other, the little shapes in the crease of your wrists identical. Taken on the balcony. There was always music coming from somewhere, usually you. Putting lipstick on in that rosy pink ceramic bathroom and pulling black tights over your legs in the leaning oval mirror. Dancing together, dreaming together, droplets of childlike tears leaking out from the sides of your eyes together. Doing drugs at the Drug Free Zone playground or hopping the cemetery gates at night. You used to dream of their kisses, when you were both girls.

When you close your eyes you see the house in ruins, overgrown with ferns. You see the veranda on the second floor and the chiseled stone emblem that says Funeral No Parking.

Some nights you hear a sound in the basement and walk down the steps slowly, holding a kitchen knife. There is a suit jacket in the wardrobe on the third floor that you keep for yourself, and an army bag and a series of strange brass rings. There’s the creaky bed where your best friend kissed your house guest. And the kitchen, which is the most haunted room in the house. You forget who told you that. The one perfect finished room in the carriage house where a professor used to live. Tiny and yellow. The garden that always smells a little sticky like sangria and the fallen leaves you dutifully rake. Down the hall there’s a bathroom at the front of the house, a cool grey where you bathe when the owners aren’t visiting. Sometimes you look through the drawers and find lube or intricate lighters or old jewelry. Sometimes you climb out on the roof with your best friend and light up while you watch the sunset and almost put your lips together. There’s an art expert around the corner who could change your life but you’re only good enough to walk his dog. You try not to close your eyes too often.

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THREE QUARTERS by Steve Campbell

July 15, 2020 · Creative Nonfiction

My uncle lost his leg in a motorbike accident. It wasn’t his whole leg, just half of it. And it wasn't lost either, the doctors cut it off, but that's what everyone whispers: He's lost his leg, and then they cock their heads to one side and sort of smile.

As I’m buying grapes for the hospital visit with my step-mother, the lady at the check-out makes the same head movement. She comments on how much my step-mother and I look alike. When I open my mouth to explain, my step-mother prods me so the lady can't see.

“Oh, I’m not his mother,” she replies. She sniffs and holds her head up as she hands over her money. “His mother left him.”

“Awww." The check-out lady cocks her head and sort of smiles. "He looks like he’s doing well though, doesn’t he?”

When we arrive on the hospital ward, we have to huddle around my uncle’s bed with the rest of our family. We squash together because the curtains have been drawn to give my uncle some privacy. There are twelve of us. Or eleven and a half if I count my uncle properly. No one is speaking. My uncle looks as though he’s asleep with his eyes open. The blanket that covers him is pulled up to his chin and tucked under the mattress on all sides. It’s flat against the bed below one of his knees. I count two times where someone feeds him Lucozade from a plastic cup, and four times where my nan leans him forward, plumps up his pillow, and drops him back against the bed; to make him more comfortable, she says.

Everyone avoids looking at the space where my uncle's leg should be. Instead, they pat the back of his hand and point out how many "get well" cards he has (seven), and swap out the uneaten bags of grapes, for fresh bags of grapes. I stare at the space on the bed and wonder who has the piece that’s missing.

It's a few months before my uncle is allowed to leave the hospital and when he does, it's with a leg made from plastic and metal that he keeps hidden from view beneath his jeans. On the surface it looks like he has a normal leg, but now he limps when he walks. That's when you can see that something isn't quite right.

I watched him take his false leg off to change his dressings, which was a big white sock pulled up over his thigh. The stump of flesh moved up and down like a normal leg but without a knee, shin or foot attached beneath it.

I don’t realize I’m staring until he catches my eye. Then, I cock my head to one side and sort of smile.

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TO THE RESIDENTS OF NINETEEN-SOMETHING WEST NELSON by MK Sturdevant

July 8, 2020 · Creative Nonfiction

To the Residents of Nineteen-Something West Nelson,

I had sex in your living room. At the time, it was a fetus of a room, a zygote of a house. Your living room had just been set on its paved frames and caissons like a mother hen about to lay some furnishings. You know those tall, narrow windows trending in the new builds around ’07? The streetlamp light was gushing in, there was no glass, just these wings of Tyvek flapping like a slack sail at midnight on the open sea.

We had gone for sushi in Bucktown. We were both nervous types, easily made brave by unconscionable amounts of sake. We chilled out, warmed up, got ideas. ‘Ah now,’ he said. When he said ‘now’ it sounded like ‘nigh.’ ‘It’s my first project, like.’ He said it and made dimples on his cheek. Then he put his cup down. ‘Come on then. Let’s have a look.’

We had sex in your living room, and even though I haven’t gotten to that part yet, I want you to know about it. Right away. I was the first. To have sex in your house. Before you did, I did. Right there in the living room, where you may be sitting now, with heavy, non-modular furniture, wishing you were having sex with him, too. His family were all farmers, and when he was about seven he got his leg caught in a combine and nearly died. Years later he could run again, he even ran a marathon. We went running together. Once my shoes were dirty and I was banging them on the sidewalk to knock the mud cakes off before I went up to ring the bell at his apartment. He came out and said, ‘I thought some eejit was out here knocking. But it was just you, clattering the bejeezus out of your runners.’

Well, the sex in your living room was great. We weren’t comfortable, but the situation had a feeling of surprise and sexy special circumstances. I think this is what sex requires. It was on a palette of drywall. We were directly in the middle of your main room, maybe a bit towards the east wall, heads to the south.

It wasn’t just the ambiance of the Tyvek wrap and the drywall, though. We had been talking at dinner about whole cities burning down. We were enthusiastic about this bond we shared, the Great Chicago Fire and the Burning of Cork, and despite it not being 1871 or 1920, we were having a passionate historical discussion about devastation and pride and human triumph, while drinking, so.

The stairs weren’t done while we were in there ripping our clothes off. Just these pits and gaps, marked everywhere with yellow tape. We walked all over your house afterwards. He told me how it wasn’t supposed to have four bathrooms, just a master, a regular, and a powder, but you wanted another powder in the basement. So you got it.

Do you gasp for pleasure while looking at your ceiling? I did. Above and behind your ceiling there are these planks with spray-painted instructions about electrical lines. You know this on a theoretical level maybe, but you haven’t seen them, the raw planks on a Friday night, beached whale bones organized into a grid, a luminous ribcage in the dark, exposed to the open air and city lights.

I saw your specs about the kitchen countertops by the way, christ jeezus. Not long after he built your house, our apartments got too expensive. I had to move farther north, and after the crash of ’08 he moved back ‘over home,’ he called it. There’s nothing affordable. They say soon there won’t be sushi, either, you know that? Different reasons. Sort of.

If you put this down a second and walk over to your fireplace and run your hand along the wall behind the mantel, there’s a beam back there where it says m & m 2007! xoxo, and, no new fires!

After we capped the giant Sharpies and put on our shirts, we jumped out of your plywood front door onto the dirt where your steps would be laid. He said he just hoped you really lived in it and stayed there awhile. Then showed me his name printed on the permit tied to the fence out front.

Don’t move out. Don’t keep moving. Use the fecking fireplace then, he said to you when you weren’t there. And use the walk-out over the garage. He was totally knackered after putting the fecker in. To spec, even. Might’n put him over budget, he added.

Think of you in it, think of us gone. Don’t let it rust away; go out there to your magazine roof and have sex and get high or call your mother or something big like that. Invite underpaid people to live with you. Deliver a baby up there. You know, Live, like.

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ANTS by Mary Mattingly

June 28, 2020 · Creative Nonfiction

There’s an ant infestation in my bathroom.

They are relentless. Everyday, more squirming black dots swarm the sink, the countertops. Me, I’m fearless. I launch attacks on them with a safe-for-pets Ant and Roach Killer spray, twisting the green cap counterclockwise to cock it, holding it close to the sink to use the pesticide since at some point, the useless aluminum bottle broke and it no longer sprays confidently, just reluctantly pisses spray out. Still, it’s satisfying to watch the ants slow as the chemicals hit them. They drown in poisonous pools. I work methodically, chasing them to their home behind the counter, from which they’re inevitably swarming.

But no matter how many I kill, they keep coming back.

***

The first time I fell into obsessive depression, I was 16. I met him at a party on New Year’s Eve. I was immediately taken with his thick swoopy blonde hair and mismatched eyes, his full lips soft, softer than I ever thought a boy’s lips could be. We spent two weeks making out on and off in each other’s basements until finally he texted me during choir class, told me he wasn’t over his ex-girlfriend, a pretty and popular girl in my biology class. I told him it was fine but continued for months to spend every hour wondering what went wrong, replaying our various rendezvous in my mind and wondering why not me, what was wrong with me. It was remarkable the first day I woke up to realize he hadn’t been my first thought. It had been almost a year at that point. But, I was only seventeen. It’s normal for girls to be dramatic at that age. I wasn’t aware yet that I shouldn’t want to possess a person this way. To chase things denied to me simply because they are denied to me.

He and I went on like that for a while.

***

I suspect the ants have a queen and she’s fat behind the sink counter. She controls all their collective motions, sends them out scouting for food to bring back to the nest. And they obey, bowing to that thick, segmented mass. All she needs to do is say the word and they go out in the world in patterns that serve her needs.

I will kill her once I find her.

***

The first time I took a razor blade to the inner punchy flesh of my left arm, I was wrapped up in another obsession, over another boy. A musician (of course) with ropy tattooed arms and zero interest in being my boyfriend. I sat on my couch several vodka waters deep and used the blade I stole from his apartment. Instead of gliding through the tape that seals packages shut, I traced straight lines, which first appeared white, then thready with blood. I felt nothing thanks to the heavy cloak of alcohol I lay underneath. I realize all this information makes me sound hysterical, a scorned woman from a book with a heaving bosom on the cover. I cried as I did this, wishing that instead I was laying next to him in his purple-sheeted bed, knowing full well he wouldn’t wrap me up in his arms or rest his inked fingers on my hip. I knew then I was afflicted with something, but the only cure I could think of was at the tail end of a clear bottle.

***

My poor roommate doesn’t know what to do with the ants in our kitchen. It falls to me, then, to come up with some kind of plan. He complains, infrequently, wondering why the ants have migrated from the kitchen to the bathroom sink. It’s not like there’s anything in there for them to eat, he says. What is it they’re looking for?

***

I don’t like my mind. It shouts unfair things at me, heightens my awareness of my place in the world and how minuscule it is, my past failures, points out all the things people likely don’t like about me. My crooked nose and my not-flat stomach and that time I said the wrong thing at the wrong time. I don’t know how else to get it to shut up. So I drink.

***

To my roommate’s point, I’m not sure what it is the ants eat in the bathroom or how they stay alive. I wonder what I look like to them gazing up from their tiny bodies. Some easily ignorable entity, some blurry giant. They see me and they don’t scatter. I scare me more than I scare them.

***

The first time alcohol becomes the opposite of a friend is when it starts keeping me company when I’m bored. Sobriety scares me. Since I was eighteen, I’ve stayed high on something - weed from the college dealers on my undergraduate’s campus, hydrocodone stolen from my parents’ medicine cabinet, booze, psychedelics, molly, nicotine. But it’s not like I’m doing heroin. Or meth. Only then would I really have a problem. Only then will I have lost control.

***

The first time my impulse decisions start to pull me down, I’m living in South Florida, one hundred dollars away from penniless and my father is telling me over the phone I need to come home. I make decisions recklessly and they’ve come at a cost. Yes, I have a problem with spending. But, deep down, I know purchasing this or that one thing is going to turn it all around for me.

That’s how I ended up with a cat.

I’m in South Florida because I quit my job to pursue an MFA in fiction writing, left stability behind to move across the country, convinced I have a special something unlike anything my new professors have ever seen. Surely, I’d graduate with some kind of prestige, a book deal at least. My undergraduate music degree had been a farce, see, no, writing, like Anaïs Nin or Jeffrey Eugenides, writing, that’s where my artistry really shines.

Instead, I spend so much time at the local bar they learn my drink order and at first, I have fun. I meet new people, other writers, from all over the country and we get into spirited debates about teaching, about politics, tell stories. I talk too much and too fast, but I am devastatingly happy. I’m the fearless one, following an unconventional life path to the land of sunshine and overabundance. While my friends back home are forming dull meaningful relationships with partners and settling into gray careers and 401Ks, I’m following my dreams.

It doesn’t matter that, well, I’m not really writing, and it doesn’t matter that I’m spending every dollar I have on a vacation to the Keys, clear drinks, my old vices. In my mind, I’m a star. And celebrities don’t pay bills. After one semester, four months, I’ve used up all my savings, owe the federal government thousands of dollars in unpaid taxes and fines, and have to cash bonds my grandparents bought once-promising, infantile me to pay my rent.

Oops.

***

Some days, I consider not killing the ants. Maybe they’ve already won.

***

I’m sitting in a psychiatrist’s office in Boca Raton. I’ve told her I’ve come in for an assessment. I had previously gone to another psychiatrist's office on the hunt for the cure of being me, but all I know was that place scared me, with its mildewy smell of aging concrete walls and unwashed humans, wandering, doped-up bodies propped up by endless amounts of chemicals, both natural and prescribed.

This psych’s office is much nicer. It plays irritating, soothing music in the waiting room, where I jiggle on a white cushioned chair and wait to be called in. I have started taking Lexapro for depression, hurriedly prescribed during my ten-minute meeting with the previous psych and thus far the daily five milligrams has done nothing for me. I still obsess over people, wake up at odd hours and can’t find the motivation to finish my schoolwork.

But I’m not always like that.

I tell the psych, a kind woman with concerned brown eyes, that I don’t get good days, I get good weeks, where energy and excitement thrum through me. It’s like being high. I yearn for those months. I can control a room, make people laugh, make them feel good about themselves. I start writing short stories, books, bang out half-conceived songs on my teetering Yamaha keyboard, attempt comedic screenplays. Nothing gets done. Then comes the inevitable, drinking too much, blowing through every dollar on random, much-needed fixations like ounces of CBD or two hundred dollar speakers, sleeping with strangers I otherwise wouldn’t. Snapping at my roommate over a coffee mug left in the sink. Crying. Pouring myself another glass of vodka.

“Do you have any family members who are bipolar?” she asks.

I blink. It’s not something I’ve ever considered.

“I don’t know,” I reply.

I just know I’m tired of scaring my parents, myself. I’m tired of my temper tantrums, the times I get so frustrated over being unable to accomplish everyday tasks, it escalates to me screaming at myself, pacing through my house and shouting about how stupid I am.

I’m just tired.

***

Can ants think? Or do they just react in patterns? Do they have plans to take over my entire house? Will they chew through the foundation, termite-like, until it snaps? Will I lay back and let them?

***

It seems like everyone is bipolar these days. I see Tweets on social media, people noting with a nodding wink that they’re having a depressive episode or posting blurred memes representative of being manic. I do it myself. Proudly announce my diagnosis. Mood disorder. Such a catchy hashtag. I read articles detailing why the millennial generation struggles with mental health. It seems like everyone wants a clinical reason for why they feel the way they feel.

We all want to be special. Rather than be a little sad, we’re depressed. Rather than being nervous, we’re having a mixed episode. I familiarize myself with new terms: “hypomania,” “psych ward,” “anti-psychotic.” I see the rise in the discourse over mental health and I start to doubt myself. Am I really sick or am I playing into the allure of mental illness Instagram? I wonder how much of my problems are manufactured. Is taking medication a conspiracy by Big Pharma, convincing us that normal human emotions are unnatural, that there’s a pill to treat this and that? My friend has been on medication as long as I have and he says he doesn’t feel any different. I think I do. I think? I don’t know myself well enough to tell.

***

I will have control. I finally go to the store and buy traps for the ants. It’s a big step, one I’ve been putting off, but one that needs to be done. Plus, I’m almost out of spray.

***

These days, my brain and I continue to fight. But it’s easier now not to let it do me in. “You really have to take all those medications everyday?” My mother asks, reminding me that they’ll make me gain weight. And I don’t have an answer. Now I embrace society instead of rejecting it. At least for now. It scares me though, what the almighty brain can say. Veer into traffic. Swan dive off the top of the fifth floor of your friend’s apartment building. Stock up on your anti-depressants and anti-anxiety medication and take them all at once. Just to see what happens.

My thoughts, they fritter around my head like swarms of ants. Everyday, they surface from behind the sink, make a beeline for me on the orders of their queen. And everyday, I take small pills, white circles, green and white ovals, to beat them back, a spray, a little trap of poison. I am doing better. My obsessions are still there, my circular thoughts still trap me sometimes. Some days, my brain might not want me here. But I want to be here.

That counts for something.

x-r-a-y magazine

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